Description: gold plated metal, rhinestones, enameling, faux lapis,

Hallmark: none

Condition: Excellent

Dimensions: 2 1/4" x 2"

Reference: The Carnegie signature plaque has fallen off. The area on the back where it was attached is visible. Bull & Torem, Masterpieces of Costume Jewelry, p 58. Signed brooch is pictured.

Antique Tibetan Buddhist repousse silver plaque with 4 auspicious symbols on the front and set with 2 ruby zosite stones and a fabulous chunk of turquoise , the back has a dragon . The piece was converted to a mans belt buckle. Weight 155 g size 2.80" by 3.8" unmarked silver

We believe this lovely (unmarked but tested) 10kt gold jewel is from a time when cannetille work was the vogue because gold was scarce: very fine gold wires twisted into thin strands and then formed into rosettes and other shapes. The amethyst is a delicate shade of purple, and weighs approximately 2.5 carats – it’s very deep. (Amethysts are said to bring calm, and help banish headaches.) The whole lavalier, including the bale, measures 1-1/2 x 9/16”...

Matilde Poulat needs no introduction to the seasoned Mexican silver collector but I believe her work is equally appreciated by all lovers of bold, earthy, hand-crafted jewelry. Matl’s creations have a unique, powerful character - there is nothing timid or hesitant about them and I cherish them for exactly that. The ring presented here is a design that comes up less frequently than some of her other rings...

The impressive workmanship and fine quality of this pin have ensured that it stood the test of time. This Victorian beauty dates from the late 1800s and is still in great shape. The bottom of the sword itself is a little bent, but the scabbard covers it when worn so it isn’t visible. The white enamel is beautifully done, especially when accented with 42 half and one full (probably) natural Oriental seed pearls. The diamond at the hilt has the weight of about 0.07 Ct...

A vintage kinetic, sculptural lightly hand hammered brass pendant similar to the work of Harry Bertoia.

Features four concentric circles with random openings and a matching hammered brass hook closure. Pendant measures 2 1/2" long and 1 3/4" across. Chain measures 21" long.

In fine condition with a little tarnish. Lots of movement.

A nice pair of oval-faced cufflinks worked in platinum over 18K gold, each face set with a 4-pt single-cut diamond and a 4-pt square step cut blue sapphire. The stones are set on the bias and are highlighted with raised platinum bars that are slightly polished to contrast with the matte finish of the surround platinum background. The faces are connected by chains to gold torpedo backs. Tested and guaranteed platinum and 18K.

Origin: probably continental Europe, ca. 1920...

This Trifari diamond shaped emerald rhinestone Harlequin pattern bangle bracelet is base metal gold tone metal with safety clasp.

Dimensions: interior 1 7/8" x 2 1/4"

Hallmark: Trifari with crown & copyright symbol

Condition: Excellent

Graziella Laffi modernist sterling silver brooch w/stone inlay.

This large and well crafted brooch is a substantial three dimensional masterpiece.

3 3/8" x 2 1/8"

Marked G. Laffi Peru 925

Very good vintage condition

American Modernist Sterling and azurite ring

Paul Miller

c.1960s

Weight - a hefty 25 grams

Adjustable band currently a size 5 1/2"

Front - 1 3/4" x 1"

Marked Paul Miller with cypher

Excellent condition

Wilhelm Binder modernist sterling silver bracelet

Germany

1960 - 70

6 3/4" long x 1 1/8" wide

Weight - 79 grams

Fully hallmarked

Very good vintage condition

Matching silver necklace and bracelet in large repetitive waves of acid-etched links, c.1950's. This modernist design has a hint of deco and is quite heavy, weighing a total of 4 1/2 troy oz. The bracelet is quite generous in size measuring 1 1/2" wide by 7 1/2" long with 19 curled links folding into each other. The necklace measures 7/8" wide by 15" long and has 44 links. These links move and jingle playfully against each other but the piece is masterful...

Large and unique abstract sterling pendant

Although unsigned this is obviously the work of a talented professional artisan

In very good condition this pendant measures app. 2" x 3 1/2"

Weigh - 40 grams

Marked 925

Very good vintage condition

This William Spratling Mexican Silver Bracelet is from his first design period 1931-1946 and consider one of his most iconic designs. It measures 7 1/4" long by 1" wide and weighs 70.6 grams of sterling silver. Hallmarked with the WS mono, Spratling Made in Mexico, and Spratling Silver. It is in good vintage condition with some light wear, tarnish, and has developed a lovely patina. Early style pin closure and attached safety chain. A great vintage bracelet for any collector.

A handsome pair of 9K yellow gold toggle-back cufflinks, the faces depicting fox heads encircled by horseshoes. The foxes have citrine eyes. All elements are very nicely detailed. The backs are stamped with 9K gold hallmarks, the maker’s mark for Cropp & Farr, and the date mark for 1966.

• Origin: England, 1966
• Condition: excellent
• Dimensions: faces, 5/8” x 9/16”
• Weight: 9.6 grams

This rare Hector Aguilar Mexican Silver Bracelet is featured in many books on Mexican Jewelry including "Silver Masters of Mexico" by Penny Morrill on page 136. He called this the Pillow Bracelet and it has a bold modernist design. Measures 7" long by1" wide and weighs 57.6 grams of silver. Signed with the HA mono, Sterling Made in Mexico" and dates to the early 1940's. In good condition with no damage noted, a nice patina, and a secure button topped box clasp...

A rare and early first design period 980 silver bracelet by William Spratling with 6 hats alternating with rows of three balls.

Measures 7" long and 7/8" at the widest. Marked with the conjoined WS, 980 and Taxco on a cartouche on the back. Has a slide in pin closure.

The bracelet has a dark patina. There is a slight bit of stiffness to the hinges. The pin closure is tight. Has some minor nicks and scratches as seen with pieces of this age.

A true find for the collector.

An elegant Edwardian heart-shaped locket worked in 18K yellow gold. The front cover is enhanced with a small rose cut diamond and three small no-heat rubies set in a stylized floral pattern with engraved stems. The decoration is reminiscent of Imperial Russian jewels of the era, but the locket bears French gold hallmarks and is marked “Déposé” indicating that the design had a copyright of sorts. The edges of both the front a back covers are finished with banded reeding décor...