A 9k garnets & paste Victorian wirework pin from the 1900 era. A nice quality example of Victorian wirework and style. This is a stamped 9k yellow gold 1-7/8 x 3/4" late Victorian brooch with a garnet and paste stones c1900. It is of stamped hollow construction, it has a c-clasp and a loop for wear as a pendant, it is stamped 9Ct, and it weighs 2.5 grams...

A vintage modernist sterling silver pendant for a necklace or neck ring from Barcelona, Spain by Joyeria Puig Doria. Shaped like an exaggerated teardrop.

Measures about 3" long from the top of the bale and 1 3/8" at the widest.

Has a large bale so will accommodate a thick chain or neck ring.

Marked Made in Spain on the bale. Could not find a Puig Doria mark on this but it is a documented design.

Very nice condition, has some minor scratches and tarnish. Weighs 31 gr...

A graceful pendant of clean, spare design and lightly oxidized. The back bears the mark of modernist jeweler Bill Tendler. The pendant measures 1 ½ inches long by ½ inch at its widest part. Weight: 2.8 grams (A 24-inch chain is included; it did not originate with the pendant, but is of the same period.)

Gorgeous vintage 1960s French star form brooch in silvertone metal with very brilliant prong set rhinestones. The brooch has a French trombone pin close and typical French construction and materials. Possibly by a designer such as Roger Jean Pierre or Roger Scemama. I've attached it to a long strand of glass based faux baroque pearls, hand knotted, with matching silvertone spring ring clasp, from about the same period. The pearls are possibly Gripoix. The brooch is 1 1/2 inches wide...

Deeply carved so as to represent folds in a fancy bow tie the green agate in this big Mexican Deco brooch has beautiful color variation and is pleasantly "soft" to the touch. The substantial stone is generously backed in silver and held in place with sturdy, hand-wrought prongs. Classically Deco, I also find it rather tongue-in-cheek, an elegant "mockery" of the stiffness of "proper attire". The brooch measures 3" wide by 1 1/2" tall and weighs 33.6 grams...

Gorgeous ornate 1970s very long clip earrings in goldtone metal with jewel tone resin stones, in Renaissance revival style. Marked CRAFT, for Gem Craft, one of the companies which Kenneth Jay Lane designed for. Top couture quality, weighty and substantial. 3 3/4 inches long. Excellent condition. Photos enlarged to show detail.

A seamless marriage of sterling silver and golden sheen obsidian celebrate Enrique Ledesma's creative genius in this set of modernist Mexican earrings. Much published and avidly sought after, the design can be found with various semi-precious and hard stones or, as in our case, housing polished, glistening pieces of volcanic glass. And if you are not so keen on screw-back findings, you are in luck with these as they are actually clip-ons...

This 10K yellow gold bar pin is 2" x 7/16". It is circa 19150-1920.

Made in the 1960s, this vintage Mexican sterling silver bracelet consists of figural disks developing in a row defined by lengths of double-woven, thick chain. I have seen this combination featuring three different kinds of disk designs. While here we have depictions of the country's history as well as symbols of its old religion (a jaguar warrior portrait, Quetzalcoatl, Mexico's state Eagle) the specific bracelet design can be found with Mexican coins or representations of the zodiac cycle...

A wonderful modernist organic openwork brooch in plated pewter by the noted Canadian jeweler, Guy, (Gilles), Vidal. Measure 2 1/8" tall and 2" at the widest. Has a rollover clasp that holds securely. Has the GV maker's mark on the back. Fine condition. Great modernist design.

A vintage triangular sterling silver modernist bracelet from the Jack Boyd studio in San Diego, California. Has flattened corners for an interesting look.

Signed with the conjoined, stylized 'JB' mark.

Measures 2 1/2" in diameter and about 7 3/4" around the inside. Measures 1/4" at the flattened corners. Slips onto my average size wrist easily.

In fine condition with minor scuffs.

Cool, sleek design. Comfortable to wear.

A scarce and unusual Victorian sterling silver and gold Mizpah bracelet c1870-90 (they are sometimes also referred to as Luckenbooth bracelets). This unmarked piece of sentimental Victorian jewellery features a spring-style bangle configuration mounted with the attached hearts under a bow, with yellow gold engraved flowers and rose gold leaves on textured silver tendrils. This unusual Victorian period bracelet measures 2-1/2" x 2-1/4" across the interior and 5/8" across the heart and ribbon...

A Victorian 1-3/4" 9k yellow gold horseshoe good luck pin or brooch with seed pearls dated 1886. This fine pin has a c-clasp, it weighs 1.9 grams, it is hallmarked (partially obscured), it tests as 9 carat gold and it is in excellent condition with no chips, cracks, dents, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use...

Composed of nine panels with a horizontal raised design on a highly oxidized background. It is marked 925 for sterling silver and has a secure box clasp. The bracelet measures 7 inches long by ½ inch wide. Weight: 20.9 grams

A stunning flower pin three inches in diameter signed Stanley Hagler N.Y.C Faux mother of pearl petals and rose montee' stamens are handwired onto a Russian 22k gold plated base. From an original design by Ian St Gielar.

A substantial sterling silver necklace with interlocking block links alternating with molded cuboid elements. The cuboids or rectangular blocks bear impressed, oxidized linear patterns on all sides, giving the piece a sense of depth. It is secured with a lobster clasp that is marked 925 for sterling silver, and the necklace also tests definitively for sterling. Unclasped, the chain measures 30 in. long. Weight: 64 grams

This impressive copper cuff features a Precolumbian-style face surrounded by two levels of hand-applied copper wirework. The round plaques supporting the central design, as well as the cuff band, have crimped edges. The band exhibits a textured surface and has retained its original shape. The entire bracelet appears to have been hardly worn, though does show some minor oxidation or light coloration from the construction process. Overall, the cuff has the deep brownish color of aged copper...

Meticulously worked and perfectly finished this antique silver repousse cuff bracelet is obviously of Asian origin but I am not quite sure of its exact provenance. I don’t profess any kind of deeper knowledge in the world of Asian jewelry and the existence of cross-pollination and diasporic artisan communities throughout the region (the Indian and Chinese being prominent among them) make its identification a challenge for me...