Very chic unusual vintage 1970s French long sautoir necklace with double snake chains in dark goldtone metal, and stations with large translucent tortoise Lucite rings with large rhinestone balls with brilliant clear rhinestones, and a characteristically French S hook clasp. The rings reference French Art Deco glass rings found on necklaces from the 1920s and 1930s. 33 inches wearable length and 1 1/16 inches wide at the rings...

This mid-century necklace was produced by Margot van Voorhies Carr / Margot de Taxco.

It’s a book-piece design, with a stained glass appearance and amazing attention to detail. There are three separate pieces. The center pendant can be worn as a pin, or simply add the two sides to wear as a necklace.

Composed of tiny enamel squares which are black, blue, and teal with light blue within the center of each square.

Measures a closed, wearable length of 16”...

Fabulous 1960s French collier made from goldtone metal and wired glass beads simulating different colors of jade, coral, amber, turquoise, carnelian, and lapis. Also with small goldtone metal fluted beads which I have had on another signed French necklace. Slide clasp with matching wired beads. I had a very very similar necklace several years ago, with a slightly different clasp. Wearable length is 16 inches. The drop is 2 1/4 inches. Excellent condition. Photos enlarged to show detail...

Gorgeous vintage 1970s necklace with genuine Mediterranean red coral graduated beads in soft barrel shapes, hand knotted in a continuous strand with matching thread. It weighs 83 grams. The beads are polished and smooth, with many naturally occurring openings. The coral is guaranteed genuine, natural, and undyed. I am also listing a similar larger coral necklace from the same estate. Wearable length is 26 inches. The largest center bead is 18mm by 15mm and the smallest bead is 6mm by 5mm...

Amazing set of two vintage 1970s turquoise beaded necklaces with sterling silver clasps. The beads are graduated and carved in soft barrel shapes. Hand knotted with matching silk thread. The necklace clasps are marked STERLING and also marked B.A.B. These are possibly Native American made; they came from an estate with a large quantity of Native American pieces. The turquoise beads have a fabulous hand carved softly polished slightly matte rustic finish. Together they weigh 272 grams...

Gorgeous vintage 1970s necklace with very big genuine Mediterranean red coral graduated beads in soft barrel shapes, hand knotted in a continuous strand. It weighs 189 grams. The beads are polished and smooth, with many naturally occurring openings and some areas of dark brown and cream, again naturally occurring. The coral is guaranteed, genuine, natural, and undyed. I am also listing a similar smaller coral necklace from the same estate. Wearable length is 30 inches...

Gorgeous antique Victorian necklace of graduated matched banded agate onyx beads. The beads are half opaque black and half translucent light brown, with a band of white in the middle. The beads are mid to late 19th century, most likely cut in Idar-Oberstein, Germany. They have tiny facets visible on close inspection, indicating that they were hand cut and finished. They have been professionally restrung, hand knotted in a continuous strand, for security. There are 44 beads...

Beautiful antique Edwardian long drop screwback earrings in sterling silver and 10KT white gold with paste rhinestones...

Fabulous stunning antique 19th century gunmetal or so-called Berlin iron long collet set crystal sautoir necklace. Mid to late 19th century, probably French. These necklaces were also originally used as muff chains, hanging the fur muff around the wearer's neck, where it would fall at about waist length. The watch style clasp and ring could also be used to hang items such as a lorgnette or a lady's watch. This piece is long enough to wear three times around the neck or wear as a longer sautoir. ...

Stunning antique Austro Hungarian silver girandole drop earrings in 935 silver with glass paste stones, in an 18th century style. Circa 1910. 935 silver is a bit higher in silver content than sterling, and the designation was used in Austria, Germany, and Switzerland. The design and construction are characteristic of Austro Hungarian jewelry. Marked 935. With screwbacks. The stones are held in tiny prong settings. The backs of the earrings are as finely and ornately finished as the fronts. The l...

Fabulous vintage 1960s French necklace and matching clip earrings in wired poured glass with rhinestones and faux pearls, in pink and green, in 18th century style with a girandole drop. The earrings are marked DEPOSE. The glass beads are opaque and translucent. The rhinestones are openbacked. The earrings have French open clips. The metal on the necklace is dark silvertone as well as on the earrings, except for the earring post backs, which are dark goldtone. With characteristically French ornat...

Fred Davis was often daring with his designs using size for the jewels presence. This one is 2 1/8th inches tall and a depth of .25 inches. The length is 9 inches but has a wearable of 6.5 inches. The stones are without damage and set into their rows like peas in a pod. There are no dents to the saucer shaped beads. There is a natural patina and you will see some patina scattered about and on the ends of the handmade beads. Exceedingly rare and built for attention at 212 grams of thick silver. O...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15". Th...

Circa 1948-1953, this early Antonio Pineda necklace is a supremely rare piece. I have never seen another quite like it. Hallmarked Silver by Tono, this is collector quality, and in superb original condition, including the stringing - which is a ribbed silver wire with silver crimping at the ends where it joins a hook and eye closure on each side. The center links measure 2" tall. Sixteen repousse middle panels which oppose each other in the center, graduating in size. Twelve gorgeous amethy...

A large 18K gold, ruby & diamond love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand author of “Cyrano,” in 1889. The word plus is represented by a plus sign set with a small rose cut diamond, while “moins” is represented by a minus sign set with small synthetic rubies. The medal is surrounded by a lacy ...

A large heart-shaped 18K yellow and white gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano,” in 1889. The word “plus” is represented by a plus sign, while “moins” is represented by a minus sign set with small synthetic rubies. Alphonse Augis began designin...

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is h...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jew...

A delightful Georgian harlequin ring featuring a marquise cut citrine surrounded by a border of alternating green and red stones—emeralds, rubies and paste. The mixing of natural and paste stones was not uncommon for the period. The citrine is foiled to impart a reddish-orange body color from certain angles. The stones are set in a closed-back setting. The shank is simply enhanced with a fleur-de-lis on each side where it joins the crown. Tested and guaranteed 18K gold, and bearing a later Fre...

Two gorgeous vintage 1970s necklaces with genuine Mediterranean red coral graduated beads in soft barrel shapes. One is hand knotted in a continuous strand and one has a screw barrel clasp. Together they weigh 93 grams. The beads are polished, with many naturally occurring openings and some areas of dark brown and cream, again naturally occurring. The coral is guaranteed genuine, natural, and undyed. I am also listing a similar larger coral necklace from the same estate. The continuous strand ne...

A lovely 18K yellow and white gold and ruby heart-shaped love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text...

An elegant pair of Victorian 18K yellow gold tassel earrings, the tops enhanced with bands of black taille d'epargne enamel and small natural pearls. The foxtail chains terminate in small balls. The earrings have a lot of movement when being worn. Each is stamped with French 18K gold marks and with an illegible master goldsmith's mark.

• Origin: France, ca. 1860.
• Condition: excellent; new 18K wires.
• Dimensions: 1-5/8" long from tops of wires.
• Weight: 9.3 grams.

Circa 1948-1955, Hector Aguilar's Armadillo necklace is a work of art. It's a spectacular showpiece, with eleven overlapping discs which graduate in size and hang from a black velvet ribbon. The design was created by Valentin Vidaurreta. Measures 17" end to end, with a closed, wearable length of 16 1/2". The closure is a tight and perfect tongue in box. Weighs 88.1 grams. Signed and hallmarked with a conjoined HA, .940 Taxco, and the eagle assay 9. This mark is shown on p. 12 , pl...

An unusually large 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Ly...

A nice 18K gold Venetian Etruscan fob charm set with oval brilliant cut citrines. The stones have intense orangey-yellow color and the gold surfaces are heavily decorated with applied wire-work and rosettes. Marked “750” for 18K gold.

• Origin: Italy, ca. 1955.
• Dimensions: 13/16” x 1-1/4” (excluding bail).
• Weight: 10.9 grams.
• Approximate Gemstone Weight: 9.76 carats.
• Condition: excellent; no dings; all original.

A dainty Victorian pendant or bracelet charm designed as a spray of flowers against a woven background. The flowers are worked in rose and green gold, while the background is in yellow gold. A pendant of this size could easily be worn on a charm bracelet but would look even lovelier on a simple gold chain. Tested and guaranteed 12K gold.

• Origin: England, ca. 1850.
• Dimensions: 11/16” corner-to-corner.
• Weight: 2.1 grams.
• Condition: excellent; all original.

A very finely-made Victorian memorial ring worked in 18K yellow gold and plaited hair. The ring is designed as belt, ornately decorated with open navette- and trefoil-shaped reserves, each showing the loved one’s hair. The gold surfaces are nicely engraved, and the whole is finished off with an ornate buckle centered with a escutcheon engraved with the initials “MW”. In Victorian symbology, the belt represented not only eternal love, but also strength and protection. A ring such as this, t...

A striking pair of double-sided cufflinks worked in 18K yellow gold. Each hexagonal face is decorated with a blue and white champlevé enamel pattern that highlights its “quilted” texture. Each face is centered with a triangular sapphire cabochon bezel-set in platinum. The sapphires have bright color that beautifully accents the enamel. The faces are connected by chains. Each cufflink is marked “18Ct” and has another unidentified mark. They are well-traveled, also bearing old London imp...

This mid-century bracelet was produced by Antonio Pineda. It's a superb piece with a sleek modernist design, a mirror-like finish, and ten gorgeous oval amethyst cabochons. It's a bracelet which works equally well with dressy or casual wear. The amethyst gemstones are bezel-set at the center of thick square silver panels in such a way as to appear to float. Executed in 970 silver, almost pure silver, the push button clasp is topped with an amethyst, giving a completely seamless appearance whe...

A wonderful Victorian 14K gold fancy watch chain featuring large links that we’d now call “Gucci links” in rose gold, alternating with smaller connector links in a slightly more yellow shade. Each of the large links is pierced with a star motif and the edges are enhanced with a fluted and ribbed pattern. The smaller links are chased in a floral pattern. The chain is finished with a ring and t-bar closure. The chain has a very substantial, “chunky” appearance, but is of moderate weight ...

Gorgeous on angles at a V and known to be a Valentin Vidaurreta design signed and produced by William Spratling. Inner diameter 2.25in. 2.5in. at highest point. The gap is 1.25in. and can be warmed by a professional jeweler to make smaller or larger. This silver is higher than 925 and is silky to the hand. The stones are Azure Malachite and shows off the natural silver sparkles that are within the the blue Lapis. A published and documented design in Penny Morrill's books on Mexican Silver. Condi...

Matl Matilde Poulat opened her shop in 1931.(Pack Davis) She with her nephew Salas produced folk art jewels that are sought after today. This signed example is studded with turquoise and clear, faceted amethyst squares. The silver work shows itself as an excellent example that is 7 in. long and 1.75in. tall. The weight is heavy at 63 grams as a bracelet with open air filigree. Collectors will not be disappointing with this bracelet.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is h...

An elegant French 18K yellow gold 22" chain enhanced with randomly-spaced small semi-baroque pearls set at irregular lengths and finished with a bulldog swivel clip perfect for hanging interchangeable charms or pendants (as shown for illustration purposes). The pendant is being sold separately. It is item number 1405532 in our catalog. Stamped with French 18K marks.

• Origin: France, ca. 1900.
• Length: 22".
• Weight: 12.7 grams.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jew...

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry ...

Correctly signed and rare this Matl designed by Matilde Poulat is a find for the discerning eye. The drop is 4 inches across and 3in. tall including the dangles. The center comes together with a single amethyst cabochon and has many warmed, teal turquoise stones and a row of coral. The clasp shows off a cluster of turquoise cabochons. The length is 18.5 inches and the patina is very dark naturally. This has no damage to the silver and no areas with missing stones. Well cared for, just LOOK AT T...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jew...

This pre-1948 bracelet from Fred Davis is collector quality and a larger than life showpiece.

Composed of five huge oval amethyst cabochons framed within silver, the panels have a geometric design inspired by pre-Columbian clay stamps which Davis collected.

This bracelet is a book-piece design, shown in "Dreaming In Silver" by Penny C. Morrill, p. 69.

The amethysts measure 1 1/2" x 3/4". The stones are gorgeous, perfectly matched in a rich grape color with quartz ma...

A classic pair of double-sided 14K yellow gold cufflinks, the round faces enhanced with engine-turned engraving and opaque black champleve enamel borders. The borders are further accented with a gold strapwork motif. The connectors are marked with unidentified American hallmarks, “HB” and “14K”.

• Origin: America, ca. 1920.
• Condition: excellent, no enamel damage.
• Dimensions: 19/32” diameter.
• Weight: 9.2 grams.

A very rare pair of 14K yellow gold, diamond and lapis lazuli cufflinks designed by Erté in the "La Dentelle-State I" pattern. The faces of the cufflinks are shaped as stylized birds, with lapis cabochons for eyes. The exposed gold surfaces are engraved and cast in an intricate pattern of geometric bars and swirls to suggest feathers. Short bands of bead-set single-cut diamonds finish the design.

Known throughout his career as a costume designer and illustrator, Erté began designing jew...

A glamorous pair of drop earrings in a formal Georgian style set with rose cut diamonds and richly colored pear-shaped rhodolite garnets. The gems are set in silver-topped 12K gold to heighten the color of the diamonds, in the manner of period Georgian jewels. The main body of the earring is hinged and swings freeely from the surmounts. The earrings are completed with a diamond-set fringe at the bottom edge. The rose cut diamonds have nice sparkle that nicely complements the rich purple color of...

A wonderful Victorian 14K gold comet pin worked in the Etruscan Revival style. The pin is decorated with ornate granulated rosettes and ropetwist motifs surrounding a single square Persian turquoise cabochon set at the comet's nucleus. The gold surfaces are bloomed for a soft sheen. Tested and guaranteed 14K.The pin was likely produced to commemorate the appearance of Halley's Comet in 1835.

• Origin: America, ca. 1835.
• Dimensions: 2 1/8" long.
• Weight: 4.4 grams.
• Con...

Circa 1950's, this bold, edgy cuff from Bernice Goodspeed is a book-piece design shown on p. 132 of the Morrill/Berk book "Mexican Silver".

It's a hand-wrought piece with an intricate deeply carved design and an oxidized background. This is a fabulous bracelet, and one which is rarely seen.

It's a large cuff, measuring 5 3/4" inside edge-to-edge, with an opening/gap of an additional 1 1/2". Width is 2 9/16". Can be adjusted to fit just about any size wrist, but this shou...

A pin featuring three horses, each sporting a red enamel bridle by the New York maker Sloan & Company. The horses are finely detailed. The clasp is stamped with Sloan's 14K mark.

• ORIGIN America, ca. 1920.
• DIMENSIONS 1 3/4" x 9/16".
• WEIGHT 5.4 grams.
• CONDITION excellent; no enamel damage; sharp detail.

An Edwardian 14K yellow and rose gold bracelet featuring three Essex crystals of flying ducks set between depicting cattails. The cattail leaves are worked in gold that is very slightly tinted green, and the brown part of the cattail is rose gold. Reverse-carved intaglios became popular in the Victorian era, especially to depict sporting and hunting themes. They remained popular through the early part of the 20th century. The crystal depict three different species, including a mallard. Each duck...

A nice bracelet comprising twelve Victorian era 14K and 10K gold slides. The slides are in various styles, but are all original to the Victorian period. Slide bracelets enjoyed a moment of popularity in the 1930s when older Victorian pieces were dismantled and converted into a new style of charm bracelets. The first, tenth, eleventh and twelfth slides (L to R in the first photo) are 10K. The others are 14K. The diamonds, opals, turquoise and pearls are natural; the sapphires and rubies are glass...

An outstanding Retro 18K gold mesh buckle bracelet generously set with diamonds and rubies. The bracelet is constructed with alternating bands of rose and yellow gold, creating a subtle striped pattern. The buckle is topped with platinum and is set with old European cut diamonds around the frame and calibre-cut synthetic rubies (typical of the period) on the prong. The tip of the bracelet strap is channel-set with synthetic rubies. The diamonds are H/I color and VS1 clarity. The mesh has a serie...

A fine pair of Victorian 14K yellow gold tassel earrings. The foxtail chains are suspended from surmounts enhanced with foliate engraving, black taille d'epargne enameled borders and Etruscan ropetwist "ram's horns". The foxtail chains terminate in small gold balls. The earrings are a bit longer than most tassels and have a lot of movement when being worn. Tested and guaranteed 14K.

• ORIGIN America, ca 1880
• LENGTH 2 3/8" from tops of wires
• WEIGHT 12.3 grams
• CONDITIO...

A wonderful Victorian 18K gold and jet watch chain that has been converted to a bracelet. The bracelet comprises variously-shaped baton and spherical beads. The original carved spherical watch fob and the crossbar dangle freely from the bracelet. The watch fob is carved in a stylized foliate pattern against a matte background. The spring ring is stamped "14K"; other elements are tested and guaranteed 14K.

• Era: ca. 1890
• Length: 7 3/8" (easily extended, if needed, with additional go...

A nice quality and heavy 18K gold watch key enhanced with black enamel and seed pearls suspending a pair of foxtail chain tassels and a dog clip clasp. This was originally the cross bar and fob attachments for a Victorian watch chain. With the entire assembly attached to a necklace using the existing jump ring, the key and and tassels would make stunning "charms" and another charm of your choice could be attached to the dog clip. This last charm could be changed up depending on your mood! Stampe...

This Matilde Poulat necklace bears her earliest block hallmark "Matl", and dates 1934-1940. It's a rare and beautiful piece, and it's also collector quality. Exquisitely hand-wrought, and it lays perfectly on the neck. A wonderful necklace which can be worn easily with any outfit and occasion. Measures 16" closed, wearable length. Width is 3/4". Weight is 69.7 grams. In excellent vintage condition with absolutely no issues whatsoever.

A heavy pair of 18K yellow gold baton cufflinks, the faces with Florentined engraving and bands of round rubies at either end. The rubies have nicely saturated, strongly purplish-red coloring and eye-clean clarity. The back batons are finished with reeded engraving. The toggle connectors are marked with French 18K gold import marks.

• Circa 1950
• Excellent condition
• Dimensions: longer batons, 27/32"
Weight: 14.8 grams
• Approximate Total Ruby Weight: .50 carat.
...

Circa mid-century, this is a rarely seen design from Antonio Pineda. I have seen hoop earrings from Antonio, but not this exact design with the rims.

These are fabulous! Repousse sterling silver hoop earrings which are very substantial - weighing 32 grams. Wide and puffy in the center, with a rim on each side. They are comfortable to wear and very secure. Hinged on one side, so simply open in the center to slide right on your ears. Classy, with an elegant modernist design.

Circa 1930's - early 1940's, this Mexico City moth necklace was produced by M. Velazquez.

It's a magnificent piece with absolutely superb repoussé silver work. This silversmith's work is seldom seen and quite sought after, and this necklace is quite the showpiece.

Measures 19" interior end to end, which is also the closed, wearable length. The center link is 1 1/2" tall. I believe the clasp is original to the piece. It's identical to another M. Velazquez necklace I had ...

This iconic masterpiece is the work of Antonio Pineda. It's a necklace which draws attention immediately to the wearer. Circa mid-century, executed in 970 silver, this lays perfectly upon the neck. Ten moonstone cabochons dangle from scalloped silver links, sitting in silver open-backed bezels. The stones glow from within - really beautiful moonstones. Tongue in box clasp is topped with a round domed moonstone which you push down on to open.

Measures a closed, wearable length of 1...

This very early Mexican brooch is unsigned as to the maker, hallmarked simply "Mexico Silver". The style is certainly similar to the work of Matilde Poulat / Matl.

Entirely handwrought with exquisite and intricate detailing. A rare and stunning pin. Three amethysts of varying sizes form the center body sitting between the wings.

Measures 2 3/4" wide and 1 3/4" tall.

Weight is 16 grams.

In excellent vintage condition.

A beautiful American ring, marked 14K gold, set with a large central pearl surrounded by 12 deep blue sapphires. Excellent condition with a ring size of 7 3/4.

Circa mid-century, this bracelet from Margot van Voorhies Carr pulls out all the stops.

A very rarely seen piece, the front features a huge repoussé ribbon swirl, with graduated silver beading running through the middle and through the center of the bracelet. Hinged at the back, with the opening disappearing behind the front portion of the clamper. The spring hinge is perfect, and closes securely. This one is a real showpiece, and a worthy addition to the discriminating collector...

This delightful Victorian Art Nouveau pendant and pin features a four-leaf clover nestled inside a crescent moon, both set with seed pearls. The clover is centered with a .2-carat old European cut diamond. The combination of a flower and a crescent in Victorian jewelry was intended to convey the sentiment "honeymoon" and they were often a gift from a groom to his new bride. The four-leaf clover, of course, conveyed good luck. The reverse retains the original folding bail and a pin that's hidden ...