A lovely 14K yellow gold flower pin enameled in elegant shades of lilac and cream by Bippart, Griscom & Osborn. The five petals are nicely undulating around a central pearl, and a gold stem peaks out at the bottom. The back is stamped with Bippart's 14K gold mark.

Origin: America, ca. 1910. Condition: good; a few expert touch-ups along the edges. Dimensions: 1" x 1". Weight: 7.5 gr.

A fine green-toned cat's eye chrysoberyl cabochon surrounded by delicate scalloped border set with seed pearls centers this Victorian stickpin conversion ring. The stone displays excellent chatoyancy, with a clear milky white streak down the center of the stone that seems to "wink" as it is rocked from side to side. The surrounding pearls pick up the creamy color of the eye...

Gorgeous sterling silver repousse links with an openwork design come together to create a beautiful bracelet by the famous Margot de Taxco. A large bracelet it measures 7 1/2" long by 1 1/2" wide and weighs a heavy 65.7 grams. Hallmarked Margot de Taxco, Sterling Made in Mexico, 5513A and the eagle 16. Nice patina, secure box clasp and attached safety chain. A lovely Margot bracelet.

An elegant very early Edwardian 14K yellow gold ring of navette shape set with an interesting spotted or moss agate cabochon. The agate's body color is a translucent goldish-gray color with darker markings that resemble a tiger's stripes. The gold setting is delicately enhanced with bright-cut engraving. The very long navette shape is very flattering to the finger. The interior of the shank is stamped "14K".

Origin: America, ca. 1900. Condition: excellent. Ring Size: 8...

A handsome mid-Victorian Scottish agate pendant featuring pear-shaped cabochons of bloodstone ("heliotrope") and carnelian in a fine gold setting. The gold surfaces are heavily decorated with fiolate engraving. Queen Victoria personally led the fashion for all things Scottish. Most jewels were set in silver; those set in gold were generally made in London using Scottish stones. Tested and guaranteed 15K.

Origin: Scotland/England, ca. 1870...

This pre-1948 bracelet produced by Frederick Walter Davis features nine amethyst cabochons set in repoussé silver panels with a sunrise design.

It's a beautiful piece, with oxidized recesses and amethyst gemstones which are perfectly matched in color.

Born in the U.S. in 1880, Davis moved to Mexico in 1910 and began designing and selling jewelry. Often, he designed jewelry and contracted with master artisans to produce these designs...

A classic design for Hector Aguilar, this bracelet is comprised of a series of heart-shaped links with deeply etched details neatly arranged between two lengths of thick, hand-made chain. A very imposing in its simplicity creation, it is nevertheless a hefty, quite serious piece of jewelry. It feels beguilingly “familiar” around the wrist and conforms to every movement effortlessly. A real pleasure to behold and to wear, a bracelet around which collections are built...

Admittedly my favorite Mexican modernist, Salvador Teran seems to have never had a "bad" moment during his career. There is not one piece of his that I have come upon which I have not loved for its quirky abstraction, its sometimes tongue-in-cheek genius, its magical way of playing with layers, abstraction and oxidation. The mod pendant presented here provides a good illustration, I believe, of the point I am trying to make...

A beautiful ring converted from an antique French stick pin. The ring features an 18K gold and platinum crown set with sparkling rose cut diamonds around a bright red ruby. The gemstone crown is attached to a 14K yellow gold band. The delicate style of this ring makes it perfect for wearing as a stacking ring or for a young lady's first gemstone ring.

Finger Size: 6-1/2 (can easily be sized). Dimensions: crown, 7/16" (11mm) diameter. Weight: 1.9 gr...

An early Mexican Deco bracelet, made in Mexico City as indicated by its hallmarks, this massive piece is as well-crafted as it is impressive. Impressive might even be an understatement, actually. Though it is true that vintage Mexican silver jewelry is not of the delicate, demure kind, even after so many years of researching, buying and selling them, I find myself at a loss for words when a piece like this shows up...

Maestro Nestor is one of Taxco’s well-kept little secrets. He is not widely known - only the very dedicated vintage Mexican silver jewelry collectors are aware of his work - and his pieces can vary in style and inspiration. Yet when he is at his best, he can be truly spectacular. I believe the necklace at hand is expresses one of those creative moments...

A beautiful ring converted from an antique French stick pin. The ring features an 18K gold and platinum crown set with natural pearls and sparkling rose cut diamonds around a bright royal blue sapphire. The sapphire has an almost velvety appearance. The gemstone crown is attached to a 14K yellow gold band. The delicate style of this ring makes it perfect for wearing as a stacking ring or for a young lady's first gemstone ring.

Finger Size: 6-1/2 (can easily be sized). Dimensions: crown...

Very reminiscent of jewelry created in the 1950s by Graziella Laffi, the Italian-born jewelry designer habitually referred to as “the Spratling of Peru”, this is a rarely surfacing creation of Carmen Beckmann’s. Thick, hand-hammered silver sheet that was then oxidized is used to form the bracelet’s main body. Upon that an impressive fish applique marries the piece’s Arts and Crafts feeling with the stylization of ancient Meso-american glyphs. The applique’s thickness adds sculpturali...

One of my favorite "less celebrated" maestros whose jewelry, however, has been experiencing a constant rise in appreciation among collectors, A. Tobias was a contemporary of Matilde Poulat's and I believe he was probably also working in Mexico City. His creations caught my attention several years ago for their characteristic "Mexico City style" repoussage and their beautiful craftsmanship. I have since come to find out that he also designed some amazing "mask" brooches and tried his hand at impr...

Saturated blues and greens juxtaposed to the warm glow of well-aged silver soften the austere geometry of this Los Castillo modernist cuff bracelet. Out of the workshop’s “mozaico Azteca” line which celebrates the art of seamless inlay, the cuff is also showcasing the beauty of azur-malachite. There is nothing superfluous here - economy of design, honesty of materials and craftsmanship of the highest level combine in a visual power-house, a piece of mid-century wearable art. The cuff has a...

A beautiful ring converted from an antique French stick pin. The ring features an 18K gold and platinum crown set with a bright royal blue sapphire surrounded by a sparkling halo of rose cut diamonds. The edge of the design is finished with delicate pierced gallery. The crown is attached to a 14K yellow gold band. The delicate style of this ring makes it perfect for wearing as a stacking ring or for a young lady's first gemstone ring.

Finger Size: 6-1/2 (can easily be sized). Dimensi...

Exquisite Matl Salas Mexican silver, coral and turquoise brooch, I believe this piece to have been made in the years following Matilde Poulat’s death in 1960 based on the quality of the materials used and the high level of craftsmanship. Maestro Salas, Matl’s nephew, worked alongside his aunt for most of Matilde’s career and upon her demise, he (and later his family) took over the workshop and continued making jewelry based on Poulat’s designs. Steeped in Mexico’s folk tradition, the b...

An image of a crowned queen graces the front of this antique locket. Her crown has a row of 7 tiny single-cut diamonds, and one slightly larger full-cut diamond at the top. Her hair cascades down to her shoulder, and gold disks hang from the crown. There is a tiny dent at about cheek bone height. The back has a monogram, perhaps an S, and has several little dents, which are highly exaggerated in the photos. The rose gold (it was very hard to photograph the color accurately) tests at about 12k. I...