Felipe Martinez opened his shop, "Piedra Y Plata" in 1950. A former sculptor who had worked with Hubert Harmon in the 1940's, Martinez was known for his work with beautiful stones which melded seamlessly into his silver designs. This bracelet is an exquisite example of what he was known best for. It's a thick and substantial piece, with six silver panels - each having three sections of azurite stone inlay...

An elegant pair of Victorian 14K yellow gold earrings set with Mediterranean coral. The engraved mountings are set with coral bars and an applied vine motif. The drops can be removed from the surmounts for a more restrained appearance for daytime wear. Tested and guaranteed 14K gold.

• Origin: America, ca 1860.
• Condition: excellent; all original.
• Dimensions: 1-5/8" from top of wire.
• Weight: 5.5 grams.

Presented in its original box, a lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889...

A handsome pair of 18K yellow gold knot cufflinks. The ropetwist texture distinguishes these cufflinks from other knot style pairs. The toggle backs are 14K gold, but the knots are tested and guaranteed 18K.

Origin: America, ca. 1950. Condition: excellent. Size: 1" x 1/2". Weight: 20.0 grams.

A very elegant pair of double-sided Edwardian cufflinks in 14K yellow, rose and white gold. The faces have engine-turned stripes in alternating colors surrounded by a yellow gold border of laurel leaves. One face of each pair has a square reserve for a monogram (never used). The cufflinks are stamped with an unidentified maker’s mark “T14K”.

Origin: America, ca. 1915. Condition: excellent, no monogram. Dimensions: 5/8” x 9/16”. Weight: 9.6 grams.

A classic pave pearl puffed heart pendant and brooch worked in 10K yellow gold. The back retains the original findings including a watch hook. Marked “10K.”

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 13/16” x 27/32” (excluding bail)
• Weight: 4.3 grams

Circa 1930's-1940's, this is a spectacular hand-wrought pectoral necklace. Hallmarked simply "Sterling 925", I do believe it to be Mexican in origin. The style and manner are very much in keeping with the work of Geraldo Lopez, Los Castillo, and Alfredo Villasana. This stunning necklace lays perfectly upon the neck. The center portion measures 6" wide, 4" tall. Closed, wearable length is 16". Closure is a "J" hook. Weight is 86.9 grams. In excellent vintage condition...

This is a very early work from Sigi Pineda, and dates to the early 1950's when he first opened his own shop. The shop was named "Plateros", later renamed "Sigi".

It's an amazing piece, with three huge red coral branches in a modernist setting which is sterling silver with 14k gold plated over it. The gold is perfect and even throughout, both front and back. The coral measures from 2 1/4" to 2 1/16"...

A lovely Art Deco ring of 10K yellow gold enhanced with a geometric pattern of apple green and black champlevé enamel. The mounting holds a cushion cut synthetic spinel of a pale green color that beautifully accents the enamels. Art Deco enameled rings were popular for a short period around 1930, but are extremely difficult to find now, especially without enamel damage...

A fine pair of Art Deco 14K yellow gold double-sided cufflinks, the octagonal faces decorated in black and white opaque champlevé enamel. The cufflinks have a very graphic appeal. The backs are stamped with the 14K hallmark for George O. Street & Sons, one of New York’s leading manufacturing jewelers and a supplier of cufflinks and other jewelry to Tiffany & Co. The backs are marked with Street’s 14K hallmark.

Origin: America, ca. 1925...

$650.00 Circa 1944-1946, this iconic pin by William Spratling features a butterfly or moth with bronze markings on sterling silver - likely 980 silver. This piece has a two pronged clip fastener. From his first design period. This design, in a different size, (there were four sizes made) graces the cover of "Mexican Silver". Measures 2 5/8" x 1 5/8". Signed and hallmarked with the WS Print Circle (Spratling Made in Mexico), Spratling Silver, and the eagle assay 1...

This mid-century Salvador Teran modernist pendant doubles as a pin. The three stones are pink quartz, chrysocolla, and jasper. It's a spectacular design, nice and large at 2 5/8" x 1 7/8". Weight is 36.1 grams. Signed and hallmarked "Salvador Sterling Mexico", with the design # 124. In excellent vintage condition. Pin closes with a roller.

*On Hold* This mid-century masterpiece from Talleres de Los Ballesteros is a book-piece design shown on p. 227 of Warman's Jewelry 3rd Edition. It's an iconic bracelet, with gorgeous faceted amethysts and incised stars which are oxidized in the recesses. The amethysts sit high in four pronged settings. Opens wide to easily fit over the wrist and closes with a tight and secure tongue in box clasp. Closed, interior length is 6 3/4", with a 1 3/4" width. Weight is 122.3 grams...

A wonderful vintage 14K gold acrostic charm using the first letters of each of the gemstones ( Diamond/Emerald/Amethyst/Ruby/Emerald/Sapphire/Topaz) to spell out the secret message “Dearest”. Acrostic jewelry first appeared in the 18th century and remained popular, though somewhat uncommon, throughout the Victorian era. The gold is enhanced with bright-cut engraving a pattern like that seen on sundials...

*On Hold* Circa mid-century, this Los Ballesteros bracelet is a tour-de-force statement piece which immediately garners compliments to the wearer.

It's an iconic book-piece design, shown in "Warman's Jewelry" by Christie Romero, there with amethysts. I have the amethyst bracelet in my shop, as well.

This bracelet features eight faceted stones, in an array of vivid colors, in high five pronged settings...

An elegant yellow gold ring featuring a rare blue-to-violet color-change sapphire surrounded by seed pearls, converted from an antique stick pin. The sapphire has extremely fine clarity and excellent cut, but the best part is the marked change of color depending on lighting conditions. The stone appears a vibrant violet shade in incandescent light and royal blue in daylight. The sapphire and pearls are elegantly backed with a hand-pierced gallery...

A great vintage sterling pin by Frank Patania Sr. designed for the Southeast Arizona Sports Car Club. It was originally a car hood or grill ornament that a previous owner had made into a pin. Measures 3” long and wide and weighs 36 grams. It is signed as shown. No need to be a member of this club to love the pin!!

Nice and long at 27 1/2", this mid-century Antonio Pineda pendant necklace features a starburst design pendant with turquoise colored stones. The pendant itself measures 2 1/2" tall, just under 2" wide. Both pendant and chain are marked with with Antonio Taxco crown, and the chain can be worn on its own or with another pendant. Please see pics for additional hallmarks. Weight is 50.5 grams. In excellent vintage condition. On Consignment.

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889...

The spectacular violet color of this oval brilliant-cut glows in this lovely 14K yellow gold Art Nouveau setting featuring iris blossoms and foliage. In Victorian flower language, the iris often represented the sentiment "I have a message for you," but in this instance I think the use of irises probably relates more to the purple tones of the gemstone. The reverse retains the original pinstem and folding bail, so it can be worn as a brooch or pendant. The setting is marked "K14."

NOTE: Th...

Centered with an intensely violet amethyst, this Victorian pendant will add a pop of rich color to any wardrobe. The gold setting in a fleur-de-lis pattern is adorned with natural seed pearls that contrast beautifully with the intense color and brilliance of the large amethyst. This piece was originally a brooch, but now has new life as a wearable pendant. Tested and guaranteed 14K.

• America, ca. 1890.
• Excellent condition.
• Dimensions: 7/8” x 1-1/16” (excluding bail and ...

Circa 1940-1945, this bracelet is a book piece design produced by Hector Aguilar at the Taller Borda, known as "Six Spheres". It's a spectacular piece, wide and substantial, and it drapes over the wrist with a luxurious feel. Shown in bookplate III-88, page 130, of the Penny C. Morrill book “Silver Masters of Mexico”. Measures 7 7/8” without the tongue portion of the clasp. Closed, wearable length is about 7 1/4”. Width is 1 5/8”. Clasp is a tight and secure tongue in box. ...

This bracelet features an iconic design by Abraham Paz. Paz designed and produced jewelry not only for himself, but for Fred Davis as well. This piece is composed of five hand-carved and polished obsidian masks which alternate with silver shields. Measures a closed, wearable length of 7 1/8", with a width of 15/16". Weight is 38.2 grams. Signed and hallmarked "AP Sterling Mexico", along with the eagle assay 1. Collector quality.

This Antonio Pineda "Silver by Toño" hallmark dates 1948-1953. It's a timeless design. elegant and classy, which works with any outfit and is quite flattering. Measures a closed, wearable length of about 6 7/8". Width is 3/4". Closes with a pin on a chain. Weight is 50.1 grams. Signed and hallmarked "Silver by Toño Mexico". In excellent vintage condition. Collector quality. Offered on consignment.

Hallmarks date 1948-1962. Three chrysocolla stones and an edgy geometric design combine to make this a very unique bracelet. Easy to wear and very comfortable on the wrist, this piece goes with just about any outfit and occasion. Measures a closed, wearable length of 6 1/2". Width is just over 1/2". Signed and hallmarked "HA .940 Taxco Mexico", with the eagle assay 9. Weight is 44.1 grams. In excellent vintage condition.

A handsome pair of double-sided 14K yellow gold cufflinks set with oval lapis lazuli cabochons. The stones have even, deeply-saturated violetish-blue color. The backs are marked "585" for 14K and also have an unidentified European maker's mark "MO."

Origin: Continental Europe, ca. 1930. Condition: excellent. Dimensions: 1/2" x 11/16". Weight: 12.9 gr.

Circa pre-1948, this bracelet was produced by M. Velazquez. Velazquez was known for his superb repoussé silver work, and this piece is a killer example. Composed of five floral panels, each with a coral center, the design is elaborate and speaks to the amazing skill of this artisan. The center panel is 1 5/8" wide, and this bracelet measures a closed, wearable length of 6 7/8". Seamless when closed. Deep, rich patina. Signed and hallmarked M. Velazquez Made in Mexico 925. Weight is 54.1 gr...

A 14K gold Art Nouveau enameled violet and horseshoe pendant using the Victorian language of flowers to convey the sentiments "good luck" and "I'll always be true." The violet is centered with an old European cut diamond and the horseshoe is studded with seed pearls. The back retains the original pin and a folding, so the piece can be worn as a pin or pendant. The clasp is marked "14K."

• America, ca 1900
• Excellent condition; no enamel damage
• Dimensions: 13/16" x 7/8" exclud...

Classic Fred Davis chevron bracelet featured on page 27 of the book MEXICAN SILVER by Morrill and Berk. They date it c. 1930. It measures 7 1/2" end to end and is 1" wide. It weighs 44 grams and is in fine original condition. Signed as shown. Very beautiful and wearable.

A fabulous Necklace Set by Sigi Pineda features four separate strands of brushed sterling silver beads which can be combined with one of three different silver and obsidian clasps to create various style necklaces. The beads measure 14 1/2", 15 1/2", 16 1/2" & 17 1/2" long. The clasps measure 7/8" by 1/2", 1" by 5/8" and 2 1/2" by 1 1/2". The largest also has a pin back so it can be worn as a brooch. All clasps are hallmarked. No damage noted. This is a fantastic and rare set from an important M...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais ...

Felipe Martinez opened his shop, "Piedra Y Plata" in 1950. A former sculptor who had worked with Hubert Harmon in the 1940's, Martinez was known for his work with beautiful stones which melded seamlessly into his silver designs. This bracelet features five chrysocolla stones with a trapezoidal shape alternating with concave silver panels. Closure is a tight and secure tongue in box, with a safety chain. The stones are absolutely gorgeous, with various shades of green and copper. The silver is...

A glamorous pair of drop earrings in a formal Georgian style set with rose cut diamonds and richly colored pear-shaped rhodolite garnets. The gems are set in silver-topped 12K gold to heighten the color of the diamonds, in the manner of period Georgian jewels. The main body of the earring is hinged and swings freeely from the surmounts. The earrings are completed with a diamond-set fringe at the bottom edge. The rose cut diamonds have nice sparkle that nicely complements the rich purple color of...

Circa pre-1948, this coiled snake necklace is the early work of "CEL". I seldom come across pieces by this artisan, but the few I have had are all in the same folk art style of Matilde Poulat, as is this design. Like produced in Mexico City, this necklace is in superb vintage condition.

Composed of alternating spiral and coiled links, the closure is a turquoise jeweled snake head and tail which joins together. You can wear it with the snake at center front, or on the side. Both ways l...

This mid-century ring is a very rare and possibly one of a kind piece from Antonio Pineda. It is absolutely stunning with a large presence, and it's collector quality. The face of the ring features nine dense green stones topped with four pearls. The face measures 1 1/16" x 7/8", and has a height of 7/16". The ring size is 7 1/4. Weight is 15.5 grams. Signed and hallmarked with the Antonio Taxco crown, 970 Hecho en Mexico, and the eagle assay 17. In excellent vintage condition.

A substantial sterling silver pendant and chain by the noted Peruvian silversmith, Graziella Laffi.

Signed G. Laffi Peru and 925. Depicts the Inca God Virococha wearing his sun crown and holding his thunderbolts.

Pendant measures 3 1/2" long and 1 7/8" across including the bale. The original hand wrought chain measures about 24" around.

Has a very secure locking mechanism. Weighs 113 grams. Very nice condition, some very minor tarnish and surface scratches.

Well made and impressiv...

An elegant pair of 18K yellow gold cufflinks in a style blending elements of Aesthetic and Art Nouveau design. The round faces are decorated with a finely-pierced design of grapevines complete with clusters of fruit. The faces are joined by chains to torpedo backs. These would be a wonderful gift for the true wine lover and connoisseur. Fully marked with French hallmarks for 18K.

Origin: France, ca. 1890. Condition: excellent; sharp detail. Size: 9/16” diameter. Weight: 5.8 grams.

This elegant and stylish bracelet by Antonio Pineda features thick silver links set with an oval cabochon Amethyst stone on one side with a luminous Pearl on the other. Beautifully crafted in thick heavy silver it measures 6 5/8" long by 7/8" wide and weighs 67.1 grams. In good condition with a secure box clasp and attached safety chain with light minor wear and tarnish. Hallmarked with the Antonio Taxco Crown, Sterling, Taxco and the eagle 208 (see photo). A beautiful bracelet with a timeless e...

I don't use the term "rare" very often when presenting my jewelry yet in this case, I just had to! Because this specific version of one of my favorite designs, the multi-row repousse semi-spheres hinged bracelets usually adorned with turquoise cabs, is indeed very very difficult to come upon. What elevates the bracelet at hand above and beyond other similar examples is the sheer size of the repousse semi-spheres that make up its two "wings". Big, bold and beautiful, their voluptuousness enhanced...

A very good pair of doubled-sided 18K yellow gold cufflinks, the faces made from carved mother-of-pearl punctuated with gold “stitches” and finely-worked laurel wreath borders. The backs of the faces are beautifully decorated in an engraved foliate pattern. The faces are connected by chains. Fully marked with French “tete d’aigle” hallmarks for 18K.

Origin: France, ca. 1900. Condition: excellent, all original. Size: 9/16” diameter. Weight: 6.3 grams.

A lovely Art Nouveau locket worked in 14K yellow gold depicting a poppy blossom and buds. In the Victorian language of flowers, the red poppy represented "consolation," certainly an apt choice for a locket that might hold a portrait. The interior of the locket retains both of the original frames and glass covers. The jump ring is marked "10K", but the locket is tested and guaranteed as 14K.

Origin: America, ca. 1900. Condition: excellent; sharp detail; the back cover appears to have had a ...

This delightful Victorian Art Nouveau pendant and pin features a four-leaf clover nestled inside a crescent moon, both set with seed pearls. The clover is centered with a .2-carat old European cut diamond. The combination of a flower and a crescent in Victorian jewelry was intended to convey the sentiment "honeymoon" and they were often a gift from a groom to his new bride. The four-leaf clover, of course, conveyed good luck. The reverse retains the original folding bail and a pin that's hidden ...

A nice pair of vintage 14K yellow gold rectangular cufflinks, each face engraved in a starburst pattern emanating from a bezel-set round diamond. The diamonds are I/J color, VS2 clarity. The backs are marked 14K.

Origin: America, ca. 1950. Condition: excellent. Size: 11/16” x 1/2”. Weight: 7.9 grams. Approximate Total Diamond Weight: .06 ct.

This lovely Antonio Pineda 970 Silver Bracelet features thick heavy links with a stylized leaf motif. Featured in the book Silver Masters of Mexico on page 181, it measures 6 7/8" long by 1" wide and has a substantial weight of 82.7 grams. Hallmarked with the Antonio Taxco Crown, 970, Sterling, Silver, ZZ609 and the eagle stamp 17. Secure box clasp and attached safety chain. A beautiful, elegant bracelet with timeless style.

Circa early 1940's, the Lyre necklace is an iconic design from Hector Aguilar. Shown on p. 30 of Silver Masters of Mexico, it's a necklace which drapes beautifully on the neck with a substantial presence. Measures 15 3/4" end to end. Weight is 131.2 grams. Signed and hallmarked with the conjoined HA, Taxco, and 940. In excellent vintage condition.

A handsome pair of Retro 18K yellow gold cufflinks, the faces bordered with an interesting detail that resembles coil springs. The plain gold bar in the middle of each face could be monogrammed, but fortunately, they never were. Each cufflink is fully stamped with French 18K gold hallmarks and an unidentified master goldsmith’s mark.

Origin: France, ca. 1935. Condition: excellent, all original. Size: faces, 7/16” 3/8”. Weight: 6.9 grams.

A fine pair of 14K yellow gold cufflinks featuring plaques of lapis lazulie framed in pierced Greek key borders. The lapis has very attractive violetish-blue coloring with a nice smattering of glittery pyrite. The connectors are marked "14K" and "585".

Origin: America, ca. 1980. Condition: excellent. Dimensions: 7/8" x 7/8". Weight: 16.9 gr.

Hallmarks date this very rare Hubert Harmon pin 1942-1944. This is a huge piece, measuring 4 1/4" top to bottom and a width of 1 1/2". At front and center is a huge carved face. The winged ears and turban have exquisite repoussé silver work, with amethyst cabochons for earrings, on the turban, and on the dangling necklace - which swings freely in front. The face is smooth to the touch, with internal inclusions but no chips or cracks. Weight is 53.4 grams. Signed and hallmarked Hubertus S...

A handsome man’s 14 yellow gold ring set with a large bloodstone tablet. The dramatically tapered shank is engraved on either side of the stone with a stylized papyrus motif. The bloodstone has a slightly lighter than usual greenish tint that contrasts nicely with its red markings. The interior of the shank is stamped “14Kâ€.

Origin: America, ca. 1920. Condition: excellent, all original. Dimensions: crown, 13/16†x 3/4"; shank tapers from 13/16†to 1/8â€. Finge...

Circa 1930's - 1940's, here is a huge early hand-wrought Mexican modernist bracelet. Hallmarked simply "Silver Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one. Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end. Closure is a tight and secure tongue in box. Weight is 60.9 grams. Closed, we...

A nicely-detailed late Victorian pin depicting a lion’s head. The open mouth grasps a 10-point old European-cut diamond, while each eye is set with a small cabochon ruby. The head is surrounded by flowing fur that hints at Art Nouveau styling. The design is similar to a tiger’s head brooch that was made by Alling & Co., and probably was made by one of Alling’s Newark competitors. The c-clasp is an old replacement. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: ...

A rare, spectacular Erika Hult de Corral set consisting of two square sterling silver bangles with wood inlay (I believe probably rosewood) this pair is a feast for the eyes and such a treat for the vintage Mexican jewelry collector who also seeks out the few (but amazingly talented) female designers of the field. Ric (as Hult de Corral signed her pieces) studied at the Parson's School of Design in Paris and before opening her own workshop during Taxco's "middle period", she worked for both Sigi...

This bracelet is a seldom seen design from Sigi Pineda. It's a spectacular modernist piece with three faceted stones which graduate in size. At first glance the stones appear to be hematite, but they may well be onyx. Opens at the back nice and wide to easily fit over the wrist. Original safety chain attached. Closed, wearable length is 6 7/8". Width is 1 7/8". Weight is 91.3 grams. Signed and hallmarked "Sigi Tasco Made in Mexico Sterling", with the design #47 and the eagle assay 3. Col...

I was always in love with beaded necklaces but as I grow older I appreciate their elegant comfort even more. Whether worn alone or combined with similar pieces, with stones or all-silver, they can be counted on to save the day whatever the occasion. This specific design by Carmen Beckmann is one of my absolute favorites - I have one in my jewelry box and I will never let go. Made up of two sizes of beads, one plain, the other embellished with ornate wire-work, it is most usually found in choker ...

Circa 1940's, here is a superb pin produced by Chato Castillo. Chato Castillo apprenticed with Matilde Poulat. In the Davis/Pack book "Mexican Jewelry", it's noted that Chato's pieces are all one of a kind. He left William Spratling's Taller de Las Delicias in 1939 to help his brothers start Los Castillo. Many of his early designs were also used as prototypes for pieces later produced by Los Castillo. Measuring 5" tall, 2 1/8" wide, this pin is a sight to behold. It is beautifully crafted ...

This spectacular ring produced by Fred Davis is a very rare piece. Hand-wrought with superb repoussé silverwork and a huge oval amethyst gemstone, it's a ring which will not fail to be noticed. Measures about 6.375 on a ring sizer. The face measures 1 3/16" north to south. The stone is gorgeous, with quartz marbling and natural inclusions. Setting has four forked prongs. Signed and hallmarked with a conjoined FD and Mexico Silver. Dates 1930's - early 40's. In excellent vintage ...

It's very rare to see the work of Valentin Vidaurreta, and this piece is a beautiful example of his work. It's a book-piece design, with photos of both the front and back shown in Silver Masters of Mexico, p. 90. Circa 1945-1955. Exquisite repoussé silver work showcases two flowers with curling tendrils rising above. The pin closes with a "C" clasp and safety lock. Signed and hallmarked "VV 930". Measures 3 1/8" x 2 1/8". Weight is 20.9 grams. In excellent original vintage condi...

Generously long and imposing in its presence, this early Mexican Deco silver, copper and stone necklace with cascabeles is a great example of the way ancient Mesoamerican artifacts found their way into jewelry created during the country's 20th c. Silver Renaissance. Statuettes, clay "masks", beads of stone and silver, carved pieces of bone were unearthed on a daily basis in Mexico's countryside either by accident as people worked the land or as a result of deliberate "digging" to find them. Many...

Hallmarks date this Valentin Vidaurreta book-piece 1948-1955. Vidaurreta designed jewelry for himself, William Spratling, Fred Davis, and Hector Aguilar. As well he was a painter and illustrator. This very rare piece is shown on p.89 of "Silver Seduction : The Art of Mexican Modernist Antonio Pineda". With an art nouveau design, it is an exquisitely crafted pin. It is also collector quality.

Measures 2 5/16" x 1 3/8".

Weight is 24 grams.

Signed and hallmarked...

This huge pendant is the work of Celia Harms and likely dates 1960's-70's. Celia Harms pieces are rarely seen, and no two are identical. Measuring 6" tall, this pendant is composed of lapis lazuli and branch coral with sterling silver 22k vermeil beads. Weight is 58.9 grams. Signed and hallmarked inside the bale "Celia Harms Sterling Mexico". In excellent vintage condition. The vermeil is perfect and even.