Mary Stevenson Cassatt 1844-1926 American This is a fine original etching by American Ex Pat, Mary Cassatt. The title is: Looking into the Hand Mirror, No. 3. It was created and printed in 1905, done in drypoint on an antique thin laid type paper, unsigned as typical of this image. The image measures 8 3/4X5 1/4 inches. This image appears in the Breeskin catalog as image number 202. Very light toning to the sheet, some imperfections in the paper from when it was produced, unobtrusive ...

Italian Artist Garafolo de Luca, "Pinnochio and Geppetto" measuring 30x48 inch in a beautiful gold baroque frame

An antique colorized engraving (after Jean Honore Fragonard) by Jacques Couche. Housed in an ornate a gold gilt period frame.Height including bonnet 22-1/4" x 13-3/4".

Joseph Pennell, American, 1857-1926, etching, "St. Dunstan's, Fleet Street", image size: 11 x 7 3/8 inches, 1903, ed. probably 50, cat. Wuerth-269, pencil signed lower left.

Manuel Robbe, French, 1872-1936, "Claudine," colored etching and aquatint, plate measures 12 x 9 3/4 inches on 24 x 17 3/8 inch arches laid type paper. Print 26 in an edition of 65. C. 1903. Published by Sagot, Paris. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.

Alphonse Legros, French, 1837-1911, etching, "Les Bords De La Liane", image size: 5 7/8 x 7 3/4 inches, c. 1900, pencil signed lower right. This airy, impressionistc etching depicts a man fishing in a forested landscape. Provenance: Baldwin-Wallace College.

Paul Cesar Helleu 1859-1927 French This is a fine Belle Epoque portrait in drypoint by French artist Paul Cesar Helleu. The subject is: Madeleine Chéruit. This image measures 15 1/2X11 1/2 inches, hand signed in pencil by the artist in the lower right border. This drypoint is housed in a Foster Brothers period gilt frame.. Madeleine Chéruit was one of the most fashionable French dressmakers of her time. Her house of courture took inspiration from the Belle Epoque through to the Jazz Age...

Mortimer Menpes, English, 1860-1938, "Interior of St Maclou, Rouen". This etching by Mortimer Menpes measures 12 3/8 x 6 3/8 inches, pencil signed, c. 1902, edition of 50, looking towards the Gothic Baldachin. Menpes attended the School of Art in London in 1878 and started exhibiting at the Royal Academy in 1880. He became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself.

Manuel Robbe French This is a fine original color aquatint etching by French artist Manuel Robbe. The title of this work is: La Coquette. It was created and printed circa 1905. It is hand signed with pen and ink in the lower right border. Printed on a medium weight laid type paper. The image measures 14 1/8X10 3/16 inches. This image appears in the Merrill Chase catalog as image number 22. A fine example of his "belle epoque" style of expression.In a fine gilt foster brothers frame.

Jean Louis Forain, 1852-1931, French, etching, "La Lecture Du Dossierr", image size: 10 3/4 x 8 1/2 inches, 1909, cat. Guerin-53, inscribed 1st etat, pencil signed lower right

For the collector of Ashcan School/The Eight, or early 20th century American art, here is a special work: a pencil signed print by JOHN SLOAN (1871-1951), titled "Man Monkey", and inscribed "100 proofs". This special piece, which dates to the year 1905, came from the personal collection of Peter Morse, who wrote the catalog raisonne of Sloan's graphic work. There is a charming typed letter in a sleeve on the reverse side, on the letterhead of Morse in Washington, D.C., dated Christmas 1966...

Peter Moran, American, 1842-1914, etching, "Church of San Miguel, Santa Fe", image size 4 15/16 x 6 3/4 inches, plate signed lower left

Mary Stevenson Cassatt 1844-1926 American This is an original drypoint etching by American artist Mary Cassatt. The title is Denise holding her Child, created in 1905, this image is the first state of two, printed on an Ivory laid type sheet. The image measures 8X5 3/4 inches. Unsigned as issued. This image appears in the Breeskin catalog as image number 204.

Joseph Pennell, American, 1857-1926, "Waterloo Bridge and Somerset House". A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed with publishers label on the backing. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography...

Edgar Chahine, French, 1874-1947. Framed etching on laid paper, image size 10 7/8 x 7 3/4 inches, 1904, cat: Tabanelli-135, plate signed, pencil signed and titled. An early signed proof, which was later published in "Revue de l'Art," 1905. From an edition of 50. Provenance Gerhard Wurzer Gallery.

Biography Samuel Arlent Edwards was born in 1862 in Somerset, England. He studied art and architecture at the Kensington Museum Art School from 1877 to 1881, and then continued studies in engraving with Appleton, Josey & Alais in London. He achieved early success in making mezzotint reproductions of well-known paintings, a path he was to follow all his life...

This is a very fine etching with drypoint by French artist Edgar Chahine (1874-1947) The title of this work is: "Mademoiselle Delvair de la Comedie Francaise,", it was created and printed in 1901, pencil signed lower left border. The image measures 18X11 1/2 inches. Printed on a medium weight wove type paper. This image appears in the Tabanelli catalog as image no. 73. It also appeared in the Holme's book, Modern Etching and Engraving, published 1902.

Colored etching, 7 3/4" by 4 3/8" inside the mat, 13 1/4" by 9 3/4" framed, pencil signed at lower right margin, with "No. 18" notation, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This is a sympathetic depiction of a common woman of the lower class, gathering sticks on a chilly day for her cooking fire or hearth. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects...