A circa 1920 painting of a waterfall emerging from a steep cliff above a gorge, signed at lower right by artist S. P. Christesen. I do not see a listing for an artist by this name, or Christensen, but clearly he/she was talented. The scene would appear to be western American, though I recently viewed photos of the noted Montmorency Falls in Quebec, Canada, and there is a strong resemblance to this scene...
Linocut print, the sheet 10 1/4" by 14", unframed, numbered at lower left 70/100 and pencil signed at lower right and dated there 1971, the "HB" blind stamp nearby, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title...
DON'T COME
Anonymous vintage Japanese oil painting on canvas, Showa period, 20th century. The border area of coastal landscape between Fukushima and Ibaraki prefecture called 'Nakoso' which means "Do not come." in old Japanese words. Attached with an original frame without glass. Frame: 63 x 55 x 6 cm (24.80 x 21.65 x 2.36in). Slight deterioration at frame due to aging as is...
Gouache on paper landscape drawing, 14" by 21" (27" by 33 1/2" framed), signed somewhat illegibly in the lower right corner in pencil and dated there "43", the subject a small village on the shore of a lake or ocean. The scene, including small white church steeple, reminds me vaguely of the quaint coastal tourist town of Mendocino north of San Francisco. There is no hint as to where the subject is, so, we will just have to guess. The signature might be "Pien" or "Pian" or similar...
PAIR of framed Chinese or Japanese landscape watercolor paintings in traditional style, each featuring a mountain landscape, a small river in one and a waterfall in the other running into the lake or ocean. Blue-roofed buildings pine trees add to the beauty of the scenes. Each has a red chop mark and some calligraphy at lower right, presumably the name of the artist. Measurements 12 3/4" by 9 3/4" each (23 1/4" by 15 1/2" framed).
NICE STONE
Age unknown, Japan, approx. 22 x 16 x 2cm (8.66 x 6.29 x 0.78in)
selected by Jinta
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A double sided Seventeen Century Bavarian Hymn, Hand Written Illuminated 20x16”
A charming little drawing, exceptionally well-traveled, and with a story to tell: pencil on paper, 6 1/2" by 9 3/4" inside the present mat opening, 12 1/2" by 15 3/8" as framed, not signed, but with inscription "Cesanne Aug. 13/74" at lower right, and "copper buckets" at lower left. And, on the backing, written in a modern hand: "Purchased at Kingston, Jamaica Municipal Art Museum/The date is 1874--purchased previous to 1974. Probably a sketch of town fountain in rural France...
A portrait of Hollywood actress Natalie Wood (1938-1981), painted by an unknown artist, showing the artist as she would have appeared in the 1970's. The image shows a sultry Wood in her prime, staring at the viewer with her famous brown eyes...
Oil on canvas painting, 25" by 34 1/2", unframed, unsigned, after the French impressionist masters Renoir and Monet, who often painted on the Mediterranean in the late 19th century. This is a contemporary work by an anonymous artist. Colors are beautifully handled, as is the golden light...
Large and complex abstract drawing, possibly in oil stick or oil pastel, 27 1/2" by 18 1/2" (37" by 24 1/2" as framed), signed at lower right "Zohar" and dated there "12/89". This is a fairly common Israeli name and there are listed artists by this name but the style and signature do not seem to match up with them, so I am offering this as a great abstract that is sure to please from the decorative standpoint...
PAIR of pochoir (airbrush over stencil) prints, one titled "IRIS I", the other "IRIS II", the first numbered 123/250 and measuring 28 1/2" by 20" (36" by 27" framed), the other numbered 161/250 and measuring 30 3/4" by 22 1/2 in thin wood frame (no mat), both signed in pencil and dated at lower right 1980. These are works by the popular California-born Photo-Realist artist BRIAN DAVIS (1946-). Davis grew up in the San Fernando Valley of Los Angeles and has lived in Reno, Nevada...
Japanese 1974 glazed earthenware pot rare glaze 4.5”x4”
For the dog fancier, an unusually charming drawing of what I believe to be perhaps a border collie or Australian Sheepdog, 13 1/2" by 10 1/2" (16" by 12 1/2" framed), signed illegibly at lower right and dated 1979. The artist was obviously talented and perhaps listed, but I cannot to date decipher the signature. The dog's expression is unusually energetic, charming, and even amusing. This is certainly among the most lifelike portrait drawings of a dog I have encountered...
Charles Baudelaire de face, etched portrait by Edouard Manet. The French poet was photographed by Félix Nadar in 1862 and the photo was the starting-point for Manet’s portrait. More than one version exists of the etching and this is number III. Signed in the plate Peint et Gravé par Manet 1865, and Imp. A. Salmon (printer´s name). On creme coloured wove paper, size of plate "3 ½ / 9.4 cm x "3 ¼ / 8.2 cm. The partly silvered frame measuring "7 / 18 cm x "7 / 18 cm. Condition: fine.
This is a fine drawing on heavy paper, the subject a young woman, in mixed media including pencil, red chalk, wash, and some white gouache for highlights, signed at lower right only with conjoined initials that could be "TH" or some variant of that. Below her portrait is a sensitively rendered pencil sketch of a hand and forearm, beautifully drawn...
This is the 1928 (issue date) work "L'Eglise de Limours", dated and signed 1922 in the plate at lower left, after a painting by French School of Paris master artist MAURICE UTRILLO (1883-1955), with the graphic art assistance of also important master artist Jacques Villon. The work, unframed, and measuring 19 1/2" by 11 1/4" presently, is one of the very collectable "Chalcographie du Louvre" impressions...
A circa mid 20th century oil on Masonite landscape painting of trees and a wide stream, 20" by 36" (25 1/2" by 31" framed), signed in Russian or possibly Ukrainian (or, Armenian?) at lower left. The work currently has a yellowish cast which appears to be nicotine from cigarette smoke. Were it to be cleaned the painting might well be totally a different color, but the yellowish "autumnal" tone seems to work on its own. Condition is very good with only a few light abrasions.