Engraved print and facsimile autograph of Tsar Alexander II, Emperor of All the Russias. The plate was engraved after the original painting by noted American artist Alonzo Chappel. Chappel is mostly known for his paintings of great Americans such as Lincoln and the Founding Fathers, and the subject of a Russian Czar is unusual. He produced the paintings specifically for Johnson, Wilson & Co. Publishers who used them in books dedicated to history, politics and world affairs...

Oil on board painting of a winter landscape, unsigned, 15" by 18" (17 1/2" by 20 1/2" framed), executed by a talented yet still naive hand, circa late 19th century. A pleasing work for the antique house or Americana and folk art collection. Notably, there is some abrasion and scratches, principally at lower left center near the fence, but also a bit in the trees at left and right and one in the sky, and varnish is yellowed.

Mid nineteenth century watercolor, gouache and gum arabic drawing on paper of a young woman with the ringlet hair and prim dark dress fashionable at the time, holding the back of a Hitchcock chair, all against an extensive landscape. The drawing measures 6" by 4 1/4" inside the mat, and comes with a newish 1" wide gold colored frame. I don't see a signature. The gum arabic has oxidized and aged and is crackly, with tiny losses in the sleeve, and her lower face has lost some detail...

Rosemary Zwick "Galena" limited edition Buildings c 1950s nice print signed numbered and title "Galena" image 10" by 6.7"

A nicely painted oil on Masonite work featuring pears and apples arranged in a still life that is quite colorful and harmonious, the fruit softly modeled. The work measures 16" by 11 3/4" (19 1/2" by 15 1/2" in bright gold framing) and is signed at lower right with a signature that appears to be "Ardi T. Santi" or similar. The painting is very decorative and attractive in its gold frame.

A vintage impressionist oil on board painting with modernist touches, unsigned, 20" by 16". The work is probably by a listed artist but alas there is no signature. The almost Cubistic handling of the cloth and rear drape and the foreshortened space are most interesting. The work probably dates to about the 1940's. Unframed, and with some small faults common to older paintings, including light soiling, a few minor losses, edge losses etc.

This is an original hand-colored, 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON, from the nineteenth century series in the small octavo size. Inside the present mat, dimensions are 6" by 10" (13 1/4" by 17 1/4" as framed). The title is "Clapper Rail or Salt Water Marsh Hen" and this is Plate number 310 in a long series of bird prints in the small octavo size...

Charcoal drawing on paper laid on thin board, 28" by 38", unframed, signed at lower right "McBride". I am not familiar with the apparently unlisted artist might be but he or she was talented and possibly familiar with the San Francisco School/California School, Northern California School of art---artists like David Park, Nathan Oliveira, Elmer Bischoff and Manuel Neri. The haunting face especially reminds me of some of these esteemed artists' works...

A painting on board, unsigned, subject one of the 21 California missions, the size 9 1/4" by 12" (12 1/2" by 15 1/2" as framed). The piece has some age but is not extremely old by any means. Gold frame adds to the appeal. For your Southwestern interior.

An old ink drawing of Carmel Mission in Central California, signed at lower left C Walker, or C F Walker, and dated there 1925. Measurements 4 1/2" by 3 3/4" (10 3/4" by 9 1/4" in pleasing, old, likely-original frame)...

Watercolor on paper, 9 1/8" by 6 3/4" inside the mat (14 1/4" by 11 5/8" in its simple green frame), unsigned, the subject a Spanish (most likely) church tower with arched and arcaded breezeways. I've opened this and don't find a signature nor other information. My best guess is that this would be one of the famous buildings in the south of Spain, such as Granada, Sevilla, etc., though I suppose it possible that it could be elsewhere in the Mediterranean region...

Etching on paper, 10" by 7 1/4" inside the mat, 16" by 12 3/4" framed, signed at lower right in pencil by well-known New Orleans artist EUGENE F. LOVING (1908-1971). The print is titled at lower left, "The Marchand Court Old New Orleans", and bears the artist's notation "Ed/200" at lower center. Loving was a familiar figure on the New Orleans art scene for decades, painting and executing prints as well...

The frame size: 28"x 31" Image size: 19 1/4" x16 1/2". The subject of serigraph title, "Op Sail". It is excellent condition of Serigraph and frame. It is signed and numbered 106/150 by the artist, Phillip Kelsey and numbered on lower right in pencil. It is Original Serigraph, not Offset print. Printed on Arches paper. It came with Certificate of Authenticity (Parkwest Gallery)

Colorful drawing of fruit and a vase of flowers on a table, 20" by 24" framed, signed at lower right "Laurel Scherer". The drawing is beautifully executed by a sure hand, in what appears to be oil crayon or similar medium. I don't see a listing for an artist by this name so will offer this on its decorative merits. Condition is excellent. This colorful, vigorous drawing will look great in a dining area or large kitchen.

A pleasant watercolor painting of a small lake in what appears to be a mountain setting, 8 1/2" by 5 5/8" (13" by 10 1/2" framed), signed at lower left with what appears to be the name Howard B. Smith. I had at first believed this by listed eastern-born, California artist HOWARD E. SMITH (1885-1970), known as an illustrator, portraitist, landscape painter, and etcher. However now I believe this by a Howard B...

A vintage drawing in brown and sepia colored pencil, featuring the ruins of the historic old Tumacacori Mission between Tucson and Nogales, Arizona, signed "Marjorie Hardaway", titled and dated 1946. The work is by a talented artist of the day who appears to be not recorded. The mission on the Santa Cruz River was started by the Spanish in the late 1700's and by the early years of the 19th century had already been replaced and enlarged...

For collectors of early Floridiana, here is a prize---a circa 1930 hand colored photograph of a lazy slough with a clump of distant palms, titled in lower right margin "Miami River, Fla.", and at left margin in pencil is "Harris". This work, measuring 3" by 7" (the photo portion alone), and the entire piece 7" by 10 3/4" in most interesting old original frame, is by the noted photographer best known for his early images of Saint Augustine, W. J. HARRIS...

Circa 1900 American pastel landscape drawing, 22 1/2" by 9 3/4" (29" by 15" framed), apparently unsigned, in the style of William Chandler and the pastel school of the period. The work is framed behind non-glare glass, which blurs the detail. Condition appears to be excellent. The vertical format would fit your hard-to-fit narrow wall. See other American pastels of the late 19th century/early 20th century period in my shop.

A contemporary painting of the famed "Winter Palace" of St. Petersburg, Russia, oil on canvas, 9" by 11 1/2" (12" by 14 1/2" in complementary charcoal black framing with gold liner), signed illegibly presumably in Russian at lower right...

Print in grays, black and white with some subtle color, on silk, 10 3/4" by 13 1/4" inside the mat, 21 1/2" by 23" in silvery gray frame, pencil signed at lower right margin by the noted Austrian artist HANS FIGURA (1898-1978). Figura is known for his aquatints on paper and silk, featuring scenes of the Tyrolean Alps, Venice, other European locales, and even New York and elsewhere in the United States. He was prolific. The inscrutable signature has I believe hindered his receiving wider recog...

Miniature oil on canvas laid on board painting of an ancient stone church in Mexico with a market under umbrellas completing the scene, 6 1/4" by 6 1/4" as framed, signed on the reverse paper and inscribed there "Market Day in Old Mexico by A. J. Merrill of Taos N.M. March 1970". Condition is excellent. Merrill was born in St. Louis but spent his early life in Montreal, Canada, graduating from McGill University in 1911 and taking art classes with A.J. Musgrove of Winnipeg and Franz Johnston (o...

An example of the work of famous, prolific, commercially successful American illustrator artist, ROBERT ATKINSON FOX (1860-1935), this image featuring a garden fountain in its elegant surroundings. The print measures 21 1/2" by 13 1/2" (28 1/2" by 20" nicely framed in lustrous faux burl look, with pink mat). Fox was born in Toronto and arrived in the United States around 1885. He worked for publishers such as Brown and Bigelow, Edward Gross & Co. in New York, Master Art Publishers (Chicag...

Interesting gouache abstract painting in subtle grays and blues, signed on the reverse side of the Crescent art board "Jeannine Isaacs". The piece, measuring 9 3/4" square inside the mat opening, comes in an aluminum frame without glass. I do not see a recognized, listed artist by this name. The art probably dates to the 1970's I would suggest. Condition is excellent.

Colorful landscape painting of a modest dwelling perched on a rise above a turquoise aqua colored sea, leaning coconut palms framing the scene and two small sail boats in the distance, signed at lower left "Dickerson". The work, on panel, measures 12" by 15 1/2" (14 1/2" by 18" simply framed). The scene could be Hawaii or the Caribbean; hard to tell. The impressionist palette, and especially the various shades of blue, make for an appealing painting. A bright gold frame would be a worthwhile ...

An old print featuring a panorama of Florence, Italy, with the famous architecture and bridges seen across the Arno River. The print appears to be a lithographic process of some type. Measurements are 18" by 33" in its contemporary-age black attractive framing, so this horizontal piece works well on a long wall space in need of some art. Plexi makes for safe shipping; there are some light scratches on that. The print does appear to be likely old, but I am not sure if I can call it antique; th...

Oil on canvas laid in recent times on wood panel, 19 3/4" by 15 3/4", unframed, the subject three Roman women watching from an exposed cliffside residence as they search the sea below for the ships of loved ones returning home. This is after an 1895 work by well-known, important, English Victorian artist LAWRENCE ALMA-TADEMA (1836-1912), titled "A Coign of Vantage". This is not painted as finely as the original, to be sure, but the artist was moderately skilled. There is stable craquelure. T...

A photographic print, apparently printed in Italy, featuring Harry Jackson's important sculpture of John Wayne on a horse, autographed and then dedicated "For my good friend Mert/All the best to you/Your friend/Harry/June 10, 1991/Cody Wyoming". HARRY JACKSON (1924-2011) was a western American artist for many decades, best known for his sculptures, some large or life-size, featuring cowboys, horses and indians. These western works commonly bring $50,000 to $100,000 at auction today, and they a...

Print of an Austrian mountain village under a towering mountain range in winter, printed in grays, black and white with some subtle color, on silk, 10 3/4" by 13 1/4" inside the mat, 21 1/2" by 23" in silvery gray frame, pencil signed at lower right margin by the noted Austrian artist HANS FIGURA (1898-1978). Figura is known for his aquatints on paper and silk, featuring scenes of the Tyrolean Alps, Venice, other European locales, and even New York and elsewhere in the United States. He was prol...

Oil on canvas painting of a street scene, presumably in Israel, 16" by 11 1/4" framed, signed at lower left "Moshe M.". This does not appear to be by Moshe Mokady, the best known artist with whom that name corresponds closely. Nevertheless it is a competently handled work in excellent condition.

A watercolor painting of a fountain on an elegant seaside or lakeside property, 8 1/2" by 6" (12 1/4" by 9 3/4" framed), signed at lower right by listed Swiss artist JOSEPHINE VERNAY (1861-?). Vernay's birth/death dates are suspect, or possibly confused with those of her brother, artist Francois Joseph Vernay; one source lists hers as 1864-1950, the same as her brother's. My brief net research has failed to turn up a painting dated after 1918. She did paint the Mediterranean coast, the French ...

If you are a decorator looking for a "look" without spending the bigger money, here is an interesting option: a PAIR of works (11 3/4" by 22" framed) that for all the world, look like antique Italian watercolors of the 19th century, featuring coastal ruins and boats in Naples waters with Vesuvius in the distance, and a coastal scene with Capri offshore. These fooled me easily, and I am a full time art dealer; I thought them originals, as the foxing spots in the sky, the browned/discolored pap...

Chinese-inspired lithograph by American artist THOMAS SCOFIELD HANDFORTH (1897-1948), pencil signed by the artist at lower right, where the artist wrote ed. 25 - 9. Handforth was an American artist best known today for his etchings and lithographs, many of which dealt with Asian subject matter. Born in Tacoma, Washington, Handforth studied at the University of Washington, and later at the Art Students League and National Academy in New York. After military service in Europe in World War I, he ...

Lithograph on paper of a clipper ship, 12 1/4" by 9 1/2", unframed, signed by the noted marine illustrator, painter and etcher/lithographer GORDON HOPE GRANT (1875-1962). Grant was born in San Francisco but is associated with the northeastern part of the country, his marine paintings and lithographs now eagerly sought out by dealers and collectors. There is light foxing (the largest spot adjacent to the bird in the sky), and moderate age toning of the paper, and the reverse side appears quite ...

Watercolor on paper painting 19" by 24" (27" by 34" frame in which found is available at no extra cost), the subject northeastern-style clapboard homes in late autumn season, signed at lower right by artist BEN ROSEN. The painting projects a certain naive charm as a bird's eye view has the viewer contemplating the scene from a unique perspective. There are small edge tears at extreme top that would be entirely hidden by new mat/framing. The watercolor has been photographed without the frame as ...

Impressionist American painting of a beautiful landscape in late spring or early summer, unframed, unsigned, contemporary, likely acrylic, on canvas laid down on a foamboard, measuring 20" by 24". The work is obviously by a trained and skilled hand. Condition is excellent; needs only a frame. This being a "standard" size at 20 by 24, a suitable, flattering, pre-made frame should be easy to locate.

Old vintage pastel on paper drawing of a New England landscape in the fall, including a white 19th century house and a lone figure, 12" by 9" (15 1/2" by 12 1/2" framed), no glass, signed very faintly at lower right corner as (I believe) "F. Will" (or, T. Will, or T. or F. Wills). I do not think the artist is the listed Frank-Will. This particular scene seems to be after a well known original by a noted American artist. I have encountered versions of it by any number of artists, but have not...