Description: Wonderful oil on board painting of Jerusalem's old bazar, vibrant colors, artist's signature, A. Sal, is displayed on the lower left, sight 15.5" x 11.5" housed in a 23" x 19" wood frame. Great condition and shipping is FREE within the U.S.

Metal bust of a cat with glass eyes, gray color metal with remnants of silver, mounted on a round green marble pedestal, bust has written information on back, but is only partial and not legible. Measures 5 1/2" high and pedestal base is 3 3/8" in diameter. Very fierce yet charming cat, very well sculpted with intense glass eyes, he is a wonderful desk companion. The head is hollow and something rattles about when shaken. Condition is good, he may have been silver plated at sometime, as ther...

A quality work, the medium watercolor on a very thin linen type canvas, framed behind glass, 14 1/4" by 18 1/2" (22" by 26" framed), signed at lower right and bearing there a monogram cypher in an oriental art style, by San Diego artist and collector ELSIE STEWART KIMBERLY (1882-1966). There is little information on this talented woman artist, who was evidently most known around the San Diego area...

78-2 (Water) In 1978 Haku Maki was nearing the end of his artistic effort using kanji (Chinese characters) as the main theme of his work. This print is one bold kanji, for Water. To make it easier for his gaijin admirers to know what it meant, he wrote "water' in the bottom margin...

Old impressionist oil on canvas laid on wood board painting of a typical Dutch scene with windmills, boats, and a waterway, 9" by 11 1/4" (13 1/2" by 15 3/4" in 20th century frame). There does appear to be a signature at lower left but despite my best efforts I am unable to determine that name...

Gouache on paper drawing of a Baltimore Oriole and a blue jay, 12 1/2" by 16" (23 3/4" by 28" framed), signed at lower right by the noted Disney illustrator AUGUST CURLEY LENOX (1908-1986). This is a really nicely executed work, in the style of an illustrator like Lynn Bogue Hunt or William Schaldach or Rex Brasher. Colors are vivid and the realism is such that the viewer can almost "hear" these birds. I suppose it could have been executed as a book or magazine illustration...

A Fine Mountain Landscape Painting, probably from the 1930's or earlier. Measures about 24" by 16", in its frame of about 26 1/2" by 18 1/2". Signed lower right by the artist, it looks like "Chas Lowe". Great look.

Recently acquired from a Southern California German-American family liquidating a household, are twenty-one watercolor paintings by "Uncle Max" (Markus "Max" Hansen, 1898-), featuring mostly Old World landscapes and street scenes, with a few interiors in the mix. Some are framed in wood, some unframed, some have glass, some do not, some are signed, some are not. The artist was talented but is unknown outside of the family...

Watercolor on heavy paper, 6 1/4" by 9", (9" by 11" as framed), unsigned, the subject a marble Parthenon-like classical ruined temple at right, several picturesquely dressed figures in the right foreground, and a cypress tree at left framing the scene. I would guess the age as circa mid 19th century. Unfortunately there is no signature nor other hint as to authorship...

Large, impressive 1981 painting of an arched stone footbridge over a brook in a leafy, park-like setting, 38" by 50" framed, signed at lower right TOSTRUP. There is a listed artist by the name of Axel Tostrup (born 1947) but I am not certain that this is that artist. What is certain is that the painting is beautifully executed by a talented hand. The sun-dappled effect would have been difficult to achieve; the work features excellent handling of light and shadow...

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

Detailed antique watercolor drawing of a country villa in a park-like setting, an elegant horse-drawn carriage approaching from left, 6" by 9 3/8" (11 1/4" by 14 1/2" in modern day frame), signed at lower right "Herter" and dated there 1838. The villa seems to have Italian or other Mediterranean architectural characteristics, so perhaps we are in Italy, and the artist is a traveler from Germany. This is all speculation as I cannot locate an appropriate artist of this name...

For those who STILL profess their love for NY despite its flaws and problems and challenges, this is an impressionist oil, painted on the rough side of the Masonite panel, 27" by 38 1/2" as framed, the subject Central Park in winter. The scene is of one of the East-West cross-park motor routes. Classic yellow taxis enliven the scene, as does a lone spectator figure at lower right. A richly worked composition by an artistic hand...

In the style of famous American abstractionist Sam Francis (1923-1994) is this abstract oil (acrylic?) on canvas "splatter" or "drip" painting, unframed, 25" by 23 1/2", unsigned. The work appears to have some age, to perhaps the 1970's. Note the width of the stretcher (almost two inches). The painting is very clean and would make a smashing decorative work for the most modern of interiors...

Watercolor on quality watercolor heavy paper, 14 3/4" by 20" (18 3/4" by 24" as framed), the scenes a tropical street with historic old wood houses, likely Key West, Florida, and another street scene with a lone figure, signed in pencil at lower right something like "Meish...." or "Weish....."; I cannot decipher the name. The aritist probably created this in the 1960's or 1970's, and he or she was skilled with watercolor. The brush strokes are brisk but expertly placed. Condition is excellent...

Elegant, smart, modern composition of geometric forms, painted on canvas in a limited range of subdued colors, signed at lower right with initials "jmc"...

Oil on canvas painting of yellow roses and fruit in a blue vase, 18" by 24" (27" by 33" in original frame), signed at lower left and signed again and titled "Yellow Roses & Fruit" on reverse, along with the artist's then-address at 330 South Coast Blvd. (now called South Coast Highway) in Laguna Beach, California. This is an excellent example of Kerr's work, likely dating to the 1960's when he had a gallery in Laguna before moving to Mendocino County in Northern California. Kerr was born i...

Watercolor with touches of gouache painting, on heavy grade watercolor paper, the subject a small ranch on a coastline, 18" by 29" (26" by 39" framed), unsigned, the subject I feel possibly in Hawaii or Australia, given the scenery and the obvious tropical touch (the plantation-shutters and banana trees, and the detail of the front of the structure). Unfortunately I have not been able to locate a signature anywhere. The frame is simple wood, (not pictured) but possibly available, at no extra c...

Samuel Colman (1832-1920, sometimes misspelled as "Coleman") is today regarded as an important American artist of the nineteenth century, some of his works selling into the six figures at major auction. A traveler, he strayed far from his New England roots, taking in exotic locales in the Mediterranean, continental Europe, Mexico, and, notably, the American West. After training under Asher B. Durand and Carolus-Duran, he exhibited at the National Academy of Design in New York as early as 1850,...

Oil on board painting of a farmstead in spring, 17 1/4" by 25", 21" by 28 1/2" framed, signed at lower left by the noted Swedish artist CARL MANSSON (1892-1976). Mansson was a prolific painter of country and farm scenes in southern Sweden. There does not seem to be a lot of biographical information available, but he left behind a body of work focusing on rural scenes of his native land. This example is quite typical of the country paintings, and it displays his evident affection for the land....

A fine contemporary 9" by 12" pastel (19" by 21 1/2" nicely framed) drawing titled "Mission Seating", of a sun-washed stone bench in the historic courtyard of Mission San Juan Capistrano in Southern California, signed at lower right by noted California Art Club artist KAY BONANNO (1935-). The work retains on the backing a label indicating that this work was exhibited in the spring of 1996 at the Carnegie Art Museum in Oxnard, California. The exhibition was named "Puertas del Santuario: Painti...

Oil on canvas, 22" by 18 1/2", unframed, the subject a vase of colorful flowers painted in a highly impressionistic manner. The painting is signed at lower right center with the notoriously difficult to decipher signature of the artist HENRI d'ANTY (1910-1998). The age would appear to be circa late 1950's or early 1960's. D'Anty was born in France and painted scenes in Brittany, northern France, and along the banks of the Marne River. He is known for his vigorous paintings rich with color, brus...

An example of a black and white poster (29" by 24") of the 1971 work "Canal, Netherlands", by important American photographer BRETT WESTON (1911-1993), the poster published by the Photography West Gallery, Carmel, California. The poster is HAND SIGNED in marker by the photographer above the large printed signature. Brett Weston (1911–1993) was born in Los Angeles, the second son of renowned photographer Edward Weston. In 1925, Edward removed Brett from school so the thirteen year old could be...

A finely executed Oil Painting depicting the ARC DE TRIOMPHE in PARIS, FRANCE, by artist J.Linz, signed. Size: 24" x 31" (60 cm x 79 cm). Good condition overall. Price does not include shipping costs by FedEx or DHL. To get a shipping quote they need your address and postal zip code.

Peter Moran, American, 1842-1914, etching, "Church of San Miguel, Santa Fe", image size 4 15/16 x 6 3/4 inches, plate signed lower left

Antique drawing in charcoal on paper of four women who appear to be in surf or sand at water's edge, apparently unsigned, probably European and 19th century. The figures are somewhat heroic, as if survivors. Possibly a preparatory study for a painting, this work's authorship is unknown, but obviously the artist was talented and probably even listed and known. The sheet, 8 1/4" by 14", is seemingly glued to an illustration board backing. The paper is not rag paper so that would likely limit t...

A fine pastel drawing of a small structure that appears to be almost adobe-like, surrounded by trees, signed at lower left and dated there 1970 by American artist WILLIAM BEAL (1914-1995). The work measures 9 3/4" by 14 1/4" (17 1/2" by 21 1/2" in silvery mid century frame). Beal was the son of important American artist Gifford Beal and nephew of Reynolds Beal. Born in New York City, he spent much time in Maine at Port Clyde and on Monhegan Island, becoming friendly with artists Edwin Gunn an...

A charming small painting of a cold winter day in the country, a lone woman braving the elements with her cane, in front of a modest cottage doing its best against the harsh elements. Some smoke comes from the chimney as a hint of warmth in an otherwise bleak scene. Measurements as framed are 9" by 13 1/2". There is no signature. The reverse shows this is painted on a circa 1870's gray English art board from a London supply house. The overall style reminds of Dutch 17th and 18th century Old...

Pastel on soft old board, the subject a light green and white sensitive spring landscape, measuring 14 1/4" by 19 1/8" (19 1/2" by 24 1/2" as framed), not signed on the front that I can see but on the reverse in old hand is written "Blossom Time/F J Girardin/The Old Watering Place/To Leighton DeMen". This is a satisfying impressionistic work by a Kentucky-born artist who early in life painted in downstate Indiana, where he was a fixture in the early 20th century art colony, and who later in li...

Oil on board painting of Crater Lake, Oregon, including Wizard Island at left, 11 1/2" by 13 3/4" as framed, unsigned. Compare the scene to online images of Crater Lake. The work is nicely executed and were it signed we would likely know that it was created by a listed artist. The date I would estimate as circa 1920 to 1940 or so. There is a two inch scratch at right center in the base of the trees. A cleaning and especially some varnish would really improve the appearance and would be well...

Oil on canvas laid on board landscape of a river in a mountainous scene including a few picturesque structures, signed with initials "LJGC" at lower left, and dated there 1904. There is a high likelihood that the artist who created this attractive painting was from mountainous Wales in the British Isles, as I have seen another painting online, identically signed, dated 1914, the scene depicted in that example given as the River Wye in Wales. The work measures 14" by 16 1/2" and 18 1/2" by 21"...

A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100. So we can assume that this was a limited edition. Perhaps this particular example was a proof, accounting for its being signed by the printer, "P,...

Description: This Indian miniature plaque measures 4 1/2"L x 3 1/4"W in very good condition with no chips or cracks or any sign of restoration. Shipping is FREE and within the U.S ONLY!

A total of FOUR watercolor paintings, framed as pairs, in two frames, each watercolor 10" by 4 7/8", each frame 17 3/4" by 17 3/4". All of the watercolors are signed at lower left with initials "FD". Judging from the scenes, these are likely Northern European and of late nineteenth century date. Condition is excellent, one frame has a little nick at top right. Some research may help determine the identity of the artist.

Rare and complete book and portfolio with text and loose prints by famous late Japanese print maker Tokio Miyashita 宮下登喜雄 (1930-2011). Text is in Japanese. Title: Inu to kurashita jūninen: aiken Jun no shogai [犬と暮した十二年 : 愛犬ジュンの生涯 ] (Twelve Years of Living with a Dog: The Life of Beloved Dog June) Publisher: Gohachi Shobō (吾八書房) Year: 1996 Edition: 136/170 Number of prints: 6 (plus woodblock printed title slip) Technique: 2 woodblock prin...

A scarce lithograph print, the sheet 10 3/8" by 6 3/4" (13 1/2" by 10 1/2" in inexpensive modern framing) signed in the plate and dated 1893 by the noted French artist PAUL-ALBERT BESNARD (1849-1934). The image is a self-portrait of the Paris-born artist, who initially worked in the academic tradition before changing over around 1880 to an impressionist style. Besnard was commissioned to execute a number of murals at significant venues around Paris. This print shows the artist at age 45 (who ...

Attractive 1940's watercolor painting of coastal surf and rocks, 11 1/2" by 15 1/2" (18" by 22" in attractive gold carved frame), signed at lower left by listed California artist CARL RUBEN WALLINE (1884-1976). Affixed to the backing is a very old Spectrum Club/Long Beach label and the title "Breakers", and the date June 8, 194(X). The watercolor is very light and impressionistic; there could be even sun fading, or this effect could be the way the artist painted it; difficult to determine. T...

Oil on canvas American painting of a clipper foundering in a storm, 20" by 27" (22 1/2" by 29 1/2" in a nice old gold period frame), unsigned, circa 1870's. The work strongly resembles that of American marine artist CLEMENT DREW (1806-1889) but is unsigned. The painting is in poor condition currently. It appears to have had a reline decades ago, and likely overpainting. Now there is craquelure throughout, flaking paint and other issues. It could well be a work by Drew but its being unsigned...

Watercolor on paper of two spaniels, the hunter nearby in a wooded landscape, " by ", unframed, signed at lower left with monogram that resembles the monogram of noted American artist JAMES DAVID SMILLIE (1833-1909). This is obviously an American work, not European, but I cannot confirm that it's by the noted American artist James David Smillie. I researched the monogram and see the clear resemblance to that of Smillie. Regardless of authorship, this is a fine late 19th century drawing and sh...

Dramatic linocut print, the sheet 13" by 20", unframed, numbered at lower left 6/12 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title, but skulls and other references to death seem to predominate, and the ink is black. At lower l...

An unusual, elegant "embossed relief" print on heavy grayish-tan earth-tone hand-made paper that appears almost like tooled leather, or parchment, featuring in the design organic forms such as leaves, signed at lower right in Chinese characters and in Roman letters by the artist, HA BICK CHUEN (1925-2009) (also known as XIA BIQUAN). The work, dated 1975 adjacent to the signature, is numbered at lower left 26/50. It measures 28" by 23 3/4" (31 1/4" by 26 1/2" in hardrock maple box style frame w...

Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos. I say apparently because the painting is signed with what looks like Mabel "Lemus" and it is clearly dated 1948, yet the Hughes biography and online information shows her ...

Pencil on paper drawing, 6 1/4" by 15", unframed, signed at lower right and dated there 1991, by the noted contemporary sculptor, ceramicist, designer and painter PETER SHIRE (1947-). This complex modern drawing is imaginative, three dimensional, and whimsical, and could only have been created by a true artist. Shire was becoming known on the art scene with his now famous teapot sculptures in the early 1980's, attracting the attention of Memphis figure Ettore Sottsass. He was invited to Italy, t...

"William Hogarth" Taste in High Life The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches ...

A small pencil drawing of several structures on rolling hillsides, drawn in a very impressionist hand, and signed "A C Goodwin" at lower right by one of Boston's most beloved artists, ARTHUR CLIFTON GOODWIN (1864-1929). Written on the backing presumably by another hand and at a later date is the artist's name and "Berkshire Landscape, pencil drawing". The work was acquired in suburban Sudbury, Massachusetts. Goodwin was born in Portsmouth, New Hampshire and did not become active artistically ...

Adolphe M.T. Beaufrere 1876-1960 This is an original drypoint etching by French artist Adolphe Beaufrere (1876-1960) The title of this etching is "Cottages by the Stream", it was created and printed circa 1930. It is editioned as 19/60. The image measures 8 1/2X8 3/4 inches. Hand signed in pencil in the lower margin.

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: appr...

Indonesian drawing of three seated figures conversing at a marketplace, three white chickens offered up for sale, painted circa late 1950's or early 1960's I believe, apparently unsigned, 12" by 16 1/4" inside the mat, 17" by 21 1/4" as framed. There is an old Rotterdam, Netherlands framer's sticker on the reverse. The art somewhat reminds of the work of the important Dutch/Indonesian master artist Rudolf Bonnet (1895-1978) but I do not believe the work by him. The artist has used watercolor...

A vintage oil on canvas painting of a river canyon of the west or Southwest, circa 1950's, good-sized at 24" by 32" (32" by 40" in the likely original old charming frame), signed at lower right by artist Charles Crowder. I do not see a "listed" artist name that would correspond. The work much resembles that of California impressionist landscape artist James Merriam (1880-1951). Condition is excellent.

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

A softly drawn work featuring the head of a putto, between wings, on a trimmed sheet of paper, somewhat irregularly shaped, measuring 6 1/2" by 11 3/4" (12" by 17" in modern-day gold frame). There is no signature. Frame has slight chip loss at upper left corner. A true antique drawing with considerable age; how old, it is not easy to say with certainty. There are light folds and creases. Paper is affixed at edges and corners to modern board. Allow for reflections in a few images.

Watercolor on paper, 13 1/2" by 19 1/2" inside the mat (20 1/2" by 26 1/2" as framed), signed at lower left "Roy E. Swanson" and titled in pencil on the backing board "Green Valley Church", along with the original $340.00 price. This watercolor is by a skilled hand, though I cannot seem to find a listing for the artist. There is a listing for a RAY Swanson (Cowboy Artists of America) is listed, but this is not that artist. Regardless, the work is excellent, reminding one of the California Sc...

Oil on canvas landscape painting of a traditional home at the edge of a pond in mid summer, 20 1/2" by 17 1/4" (24 1/2" by 21" framed in older gold interesting frame), signed at lower right corner J. D. Prenne or possibly J.De Prenne. I do not see a listing for that name as spelled but will continue to search. The painting is very nicely executed and pleasing to the eye; it's a very relaxing and calming view. Gathering clouds lend an ominous touch, so perhaps a summer storm is about to break;...

Watercolor on paper, 17 1/2" by 23 1/4" inside the mat (22" by 28" in very complementary jet-black and silver framing), signed at lower right in pencil "Swanson" and dated there 2002. This handsome, elegant watercolor is by artist ROY E. SWANSON, obviously a skilled hand, though I cannot seem to actually find a listing for the artist. There is a listing for a RAY Swanson (Cowboy Artists of America), but this is not that artist. Regardless, the work is excellent, reminding one of the California...

This is a fine, limited edition wood engraving by the highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1956, when the artist was 67 years old. At lower left in pencil is "Ed. 100". Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had falle...

By the highly underrated Japanese-born artist most closely associated with Minnesota, YAMADA BASKE (1869-1934), this is an early, ethereal 1904 watercolor landscape with tiny figures on a Japanese-style foot bridge, and nearby trees, in the spring, painted in a dreamy, reverie style with delicate light colors. Being so light and intentionally blanched in style, it is very difficult to photograph. The work measures 17 1/2" by 11 1/2" (24" by 17 1/2" framed). On the reverse in pencil it is titl...

"William Hogarth" The Sleeping Congregation The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 i...

This is a study in pencil by FERNAND LUNGREN (1859-1932) for an oil landscape of arid desert mountains of the American west. It measures 8" by 10 1/2". There's a mat but the work is not framed. This is a subtle work that is best viewed in person; it's very, very hard to photograph. The artist has made notations like "shaddow" (spelled like that), "all golden in warm sun", and "warm rosy gray".........showing the creative process. It would be interesting to locate the final oil with which th...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...

An interesting pastel drawing on paper, circa 1940's, the subject a clear green glass vase of violet and blue flowers set on a round table top adjacent to a high-floor window in a big city, lacy curtains framing the scene at both sides. The envelope sitting on the table appears to have a signature on it, in the trompe l'oeil tradition of the artist signing his/her name on an envelope; but that signature despite my best efforts defies reading. The work measures 18 1/2" by 12 1/2" inside the pre...