Original Harper's Weekly large wood engraving "ON THE WAY TO THE DIGGINGS---HALT IN A ROUGH PASS IN THE ROCKY MOUNTAINS", May 1, 1875, signed in the print by noted artists JULES TAVERNIER (1844-1889) and PAUL FRENZENY (1840-1902). The print is generally clean and fresh considering the advanced age, with the typical center fold and just a barely noticeable 1 1/2" vertical tear extending into the image at bottom center...

John White (English, 1851-1933)

Woodland Fall Landscape

Oil on panel, signed in lower left corner, “JN White, R.I.”

Painting size: 6.75” x 10”
Frame size: 10.5” x 13.5”

Known for his rustic genre paintings and landscapes, White attended the Royal Scottish Academy. By 1877, he moved to Devon and exhibited regularly at the Royal Academy, the Society of British Artists, Suffolk Street and the New Watercolor Society...

Japanese Woodblock Print Nineteenth Century , Geisha 17x21. We have a fine selection

From our European Collection, a wonderful signed and dated (1860) oil on canvas entitled "The Offering" by British genre painting master John Bagnold Burgess (1830-1897). Burgess was a well -accomplished painter of the mid-late 19th century, regarded as highly in his own time, as he is nowadays. He was nominated to membership of the Royal Academy in 1889, where he had over 70 paintings displayed from about 1850 all the way through to his death in 1897...

Peter Moran, American, 1842-1914, "Noonday". A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.

Oil on canvas, 18" by 30" (20" by 32 1/2" framed), the subject a very English one----a peaceful summery millpond or riverside scene of low, forested hills and their feathery trees, a small peaceful settlement, and a total of six figures, three out in a rowboat for an outing, and three tiny people gathered in the village of thatch roofed buildings, engaged in conversation, beneath a pretty sky...

Wrestling Lithograph by Augustus Bernard Liege, circa 1900. 12 x 9:"

Troisième Position de Salut, Fencing, by J Delin, 18th century colored lithograph etching. 10 x 10". Frame Size 16.5 x 17.5".

Unsigned Religious Painting. 19th Century. Oil on Canvas. 8x10”, Frame Size 17x15”. Baltimore School of artist was a movement of artist that painted artwork as well as furniture from the mid-1700s to 1900

James Heron Scottish Seascape with Rocky Coast. Scottish Painter; died 1919, birth year unknown. Signed Lower Left: "J Heron 1876" Dimensions; 17" x 29"; framed 23" x 35". Excellent condition.

Fine print by the renowned artist Goya, matted and framed. Condition is good with very slight foxing at top. Although the matting could be updated, it is still in ready to hang condition. From festivalofbritain.org: Francisco José de Goya y Lucientes: Woman seized by a horse, c. 1815 - 24.Etching, burnished aquatint, drypoint and burin...

Superb quality antique late 19th century finely hand painted, Indian miniature painting depicting the Taj Mahal, Mausoleum of Mughal emperor, Shah Jahan and his wife, Mumtaz Mahal. Set under the glass in an oval silver frame mounted in a beautifully carved solid ebony wood frame carved with floral decoration standing on two ornate feet with an easel at the back to stand. The painting itself features the classic symmetrical view of the marble structure set behind its reflecting pool...

This is a well executed impressionistic watercolor of haystacks on a marsh, a popular theme in American art, addressed most notably during the third quarter of the nineteenth century by the great Martin Johnson Heade, in the marshes of coastal northeastern Massachusetts. This painting on heavy paper was laid down to an old board a long time ago. Unfortunately it does not appear to be signed, at least not on the front...

Drawing on paper, 6 1/2" by 9 1/4" the scene only, 9 1/2" by 12 1/2" as framed, signed at lower right, followed by "fec. 1818" (abbreviation of the Latin word "fecit", meaning "executed", in that year). Try as I might, I cannot make out the name. I've tried Pfohl, Pfahl, Pigott, and so on. In any event, here's a drawing that has survived in excellent condition after nearly 200 years...

Watercolor on paper, unsigned, 9" by 5 1/2", (12 5/8" by 8 5/8" as framed), the subject a mansion's impressive doorway with Corinthian columns, hanging lantern, detailed cornices, balustraded balcony, and green shutters, with lush flowering plantings surrounding the entry. Unfortunately, this is unsigned. There are some framing notes on the reverse in old hand, including "Mrs. Buckingham", but there are no clues as to artist. The drawing was purchased in New England...

Circa 1900 watercolor of the heart of Venice, Italy, including the familiar sights of canal and gondola, St. Mark's Basilica church and the famous clock tower on the Piazza San Marco, signed at lower left "E.K. Coomber". This work measures 12" by 6 1/4" inside the mat and 18 1/2" by 12" framed. The artist though apparently unknown was talented and a master of the watercolor medium. The artwork is clean, although the photos suggest otherwise; there is foxing and soil on the inside of the glass...

David Octavius Hill, Scottish, 1802-1870, "Portrait of Dr. Rintoul," photogravure, image size 8 x 5 7/8 inches, unsigned, printed by James Craig Annan.

Watercolor on paper laid on board painting of roses and hollyhocks in an intimate garden enclosed by a wall or structure, 16 1/4" by 13" and 1 1/4" wide frame, unsigned, executed late 19th or early 20th century. The artist's mastery of watercolor is clear, but unfortunately he or she failed to sign the work, which resembles paintings by members of the Stannard family of watercolorists (Henry John Sylvester 1870-1951, Lilian 1877-1944, Theresa 1898-1947)...