Old watercolor and gouache painting of pink roses, unsigned, first half of the 20th century, 15 1/2" by 31 1/2" framed. The long and narrow work is very clean and ready for that special wall. Has a very shabby chic feeling.

An original drawing of early twentieth century biplane and car, 9" by 12" (17 1/2" by 20 1/2" framed), signed at lower right "Lantz". The work is most likely for an advertisement, for publication. The unusual name makes it tempting to link this to the famed Woody Woodpecker artist Walter Lantz (1899-1994)---and it was found in Southern California, where he worked at the Hollywood studios----but the signature is dissimilar and the work is not the cartoon art for which he is so well known...

This is an original hand-colored, mid 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON, from the nineteenth century (circa 1849) quadrupeds mammals series in the small octavo size. It is not a late restrike/reprint. Inside the present mat, dimensions are 6 1/4" by 9 1/4" (13" by 15 1/2" as framed). The title is "Carolina Shrew" and this is Plate number 75 in the long series...

David Teniers the Younger (Dutch 1610-1690) copper plate engraving of men and perhaps a woman gathered around a table in a house with a rough floor, a bed alcove and some implements on shelves and hooks. The focus of the print is a man playing a violin while a standing man with drink in hand addresses him, perhaps singing, as is a seated man. Another man, behind the musician, reads and possibly sings from what looks like a broadside...

A color etching of houses in mid winter in Hungary, signed below the image at right by Hungarian listed artist ISTVAN ELESDY (1912-1987). The artist, trained at the Academy of Fine Arts in Budapest, is known for watercolors and his graphic art. This print is laid down (affixed permanently) to a soft cardboard. There is some water staining at the edges and foxing/discoloration in the very wide margins but that can be easily matted out...

A small watercolor on paper within an oval, featuring a short vase filled with wildflowers, the piece measuring 8" by 7" as framed; at the lower portion in pencil is an inscription in German: "Die Heimat Blumen Grussen Dich", and "Plauen Mai 1920". This translates roughly as "the flowers of home/homeland greet you". "Heimat" evidently is a German word with no clear translation into English...

A brown ink drawing of two standing men in conversation, signed at lower right in Hebrew script. A Hebrew reader tells me the signature could read "Yashkovsky" or "Shaikovsky" or similar. The work measures 8" by 6" (15 1/4" by 13" framed). The drawing was likely executed circa 1960's to 1980. A simple work which demonstrates the skill of the draftsman.

This is a most attractive watercolor on paper painting of a landscape with feathery trees bordering a foreground area, and a wider view beyond, 11 1/2 by 14 1/2" in modern inexpensive protective-only framing, unsigned. Found in New England, it reminds of California eucalyptus school work. The artist would likely be someone listed. The age could be circa 1920's to 1950. The work sorely needs a proper mat and framing...

A watercolor painting of a fountain on an elegant seaside or lakeside property, 8 1/2" by 6" (12 1/4" by 9 3/4" framed), signed at lower right by listed Swiss artist JOSEPHINE VERNAY (1861-?). Vernay's birth/death dates are suspect, or possibly confused with those of her brother, artist Francois Joseph Vernay; one source lists hers as 1864-1950, the same as her brother's. My brief net research has failed to turn up a painting dated after 1918...

A decorative painting on a fragment of unstretched canvas, a slightly irregular shape, but almost square at 12 3/4" by 12", unsigned, in the famous drip and splatter/splash style of famed Abstract Expressionist Sam Francis (1923-1994). The work is housed temporarily in a protective-only simple black frame. The paint is likely acrylic. The work is a lot less expensive than a real Sam Francis.

By noted South African artist, Otto Klar (born in Austria, 1908-1994), this drawing depicts a group of huts, some figures, and hills in the background. In a simple wood frame, it measures 10 3/4" by 12 5/8" (sight size 6" by 8"), and is inscribed on the back, "Christmas South Africa, 1977, Gift from Otto Klar, Dec 2nd". In pencil, on buff colored paper, frame and double matting are clearly original, and the drawing appears to be in excellent condition...

Oil on canvas painting of a street scene, presumably in Israel, 16" by 11 1/4" framed, signed at lower left "Moshe M.". This does not appear to be by Moshe Mokady, the best known artist with whom that name corresponds closely. Nevertheless it is a competently handled work in excellent condition.

This is a PAIR of color aquatints, each 8 1/2 by 12 1/2" inside the framing, 11 3/4" by 15 3/4" as framed, the subjects Notre Dame cathedral and the famous booksellers by the Seine in Paris, and (I believe) the famous column at the Place Vendome, each print numbered at lower left out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991)...

A vintage drawing in brown and sepia colored pencil, featuring the ruins of the historic old Tumacacori Mission between Tucson and Nogales, Arizona, signed "Marjorie Hardaway", titled and dated 1946. The work is by a talented artist of the day who appears to be not recorded. The mission on the Santa Cruz River was started by the Spanish in the late 1700's and by the early years of the 19th century had already been replaced and enlarged...

Interesting gouache abstract painting in subtle grays and blues, signed on the reverse side of the Crescent art board "Jeannine Isaacs". The piece, measuring 9 3/4" square inside the mat opening, comes in an aluminum frame without glass. I do not see a recognized, listed artist by this name. The art probably dates to the 1970's I would suggest. Condition is excellent.

Watercolor on paper painting 19" by 24" (27" by 34" frame in which found is available at no extra cost), the subject northeastern-style clapboard homes in late autumn season, signed at lower right by artist BEN ROSEN. The painting projects a certain naive charm as a bird's eye view has the viewer contemplating the scene from a unique perspective. There are small edge tears at extreme top that would be entirely hidden by new mat/framing...

Watercolor on paper, 12 1/2" by 9 1/2" inside the mat, 18 1/2" by 14 1/2" as framed, the subject the Museum of Wooden Architecture in Suzdal, Russia. Suzdal is in the province of Vladimir, approximately 150 miles northeast of Moscow...

Mid nineteenth century watercolor, gouache and gum arabic drawing on paper of a young woman with the ringlet hair and prim dark dress fashionable at the time, holding the back of a Hitchcock chair, all against an extensive landscape. The drawing measures 6" by 4 1/4" inside the mat, and comes with a newish 1" wide gold colored frame. I don't see a signature. The gum arabic has oxidized and aged and is crackly, with tiny losses in the sleeve, and her lower face has lost some detail. This looks...

Charcoal drawing on paper laid on thin board, 28" by 38", unframed, signed at lower right "McBride". I am not familiar with the apparently unlisted artist might be but he or she was talented and possibly familiar with the San Francisco School/California School, Northern California School of art---artists like David Park, Nathan Oliveira, Elmer Bischoff and Manuel Neri. The haunting face especially reminds me of some of these esteemed artists' works. Condition is generally good with a few mino...

Old vintage pastel on paper drawing of a New England landscape in the fall, including a white 19th century house and a lone figure, 12" by 9" (15 1/2" by 12 1/2" framed), no glass, signed very faintly at lower right corner as (I believe) "F. Will" (or, T. Will, or T. or F. Wills). I do not think the artist is the listed Frank-Will. This particular scene seems to be after a well known original by a noted American artist. I have encountered versions of it by any number of artists, but have not...

A small oil on canvas painting, 9 1/2" b y 12" (13" by 15" in wood frame), featuring an arid landscape with blossoming spring tree in the middle foreground and distant houses scattered over the middle distance, signed at lower left and dated there 2002. An Armenian speaker identifies the signature as "S Baboumian" (or, Babumyan, or other variation possible). This contemporary work shows a skilled hand and is in excellent fresh condition. There is a bit of a modernist, Cubist touch in the hand...

A contemporary painting of the famed "Winter Palace" of St. Petersburg, Russia, oil on canvas, 9" by 11 1/2" (12" by 14 1/2" in complementary charcoal black framing with gold liner), signed illegibly presumably in Russian at lower right. The green-blue facade is the trademark of one of the world's most famous buildings, which served as the official residence of the Russian Emperors from 1732 to 1917. Per Wikipedia information: as of 2021 the palace and its precincts form the Hermitage Museum. S...

Oil on board painting of a winter landscape, unsigned, 15" by 18" (17 1/2" by 20 1/2" framed), executed by a talented yet still naive hand, circa late 19th century. A pleasing work for the antique house or Americana and folk art collection. Notably, there is some abrasion and scratches, principally at lower left center near the fence, but also a bit in the trees at left and right and one in the sky, and varnish is yellowed.

Oil on canvasboard painting of a lonely rutted dirt track in the California desert, 16" by 20" (21 1/2" by 25 1/2" framed), signed at lower right by artist Helen Hausman. I think the painting probably dates to the 1950's or very early 1960's. It is very dirty with yellowed varnish and grime. A cleaning would work wonders.

Watercolor on paper, 9 1/8" by 6 3/4" inside the mat (14 1/4" by 11 5/8" in its simple green frame), unsigned, the subject a Spanish (most likely) church tower with arched and arcaded breezeways. I've opened this and don't find a signature nor other information. My best guess is that this would be one of the famous buildings in the south of Spain, such as Granada, Sevilla, etc., though I suppose it possible that it could be elsewhere in the Mediterranean region. The top of the tower has a Moo...

English watercolor paintings on both sides of the paper, circa 1880, one side a lovely classic scene of several cows on a dirt track by a cottage with branching tree, the other side sheep grazing around a tree, a church steeple in the distance. The paper measures 11" by 15" and 17 1/2" by 13 1/2" in a modern frame (I suggest discarding the non-glare cloudy style glass). There is no signature nor other indication of authorship. Display the better image (the cows and tree) and the other side is...

Esther Anna Hunt (1875-1951) is known today in California art circles as a keen observer of the traditional culture as displayed in San Francisco's Chinatown. Her paintings and plaster bust models of young girls in traditional costume make regular appearances in auctions of California art. This work appears to have been created by one of Hunt's many early 20th century imitators. Unsigned, there are what appear to be initials "M.E.E." on the inside of the mat and on the inside of the backing. ...

A contemporary watercolor painting of a flowering shrub, unsigned, 12" by 18" (20" by 26" in attractive gold frame in good condition), possibly of east coast origin as the framer's sticker is from Boston. This reminds somewhat of mountain laurel, the state flower of Connecticut, but that is pure speculation (mountain laurel is usually more white though there are pink and dark pink varieties). In any event, botanical questions aside, this watercolor is nicely executed and in excellent condition...

California watercolor landscape scene of a water tower above outbuildings in a tawny landscape, signed at lower left by artist Compton. The work measures 14" by 20" inside the present mat and 25" by 31" as framed in simple light wood, (no glass). The painting is in excellent condition despite the lack of glass. Mats are soiled and should be replaced. A well executed work squarely in the "California Style" of watercolor painting.

A painting on board, unsigned, subject one of the 21 California missions, the size 9 1/4" by 12" (12 1/2" by 15 1/2" as framed). The piece has some age but is not extremely old by any means. Gold frame adds to the appeal. For your Southwestern interior.

Oil on canvas laid in recent times on wood panel, 19 3/4" by 15 3/4", unframed, the subject three Roman women watching from an exposed cliffside residence as they search the sea below for the ships of loved ones returning home. This is after an 1895 work by well-known, important, English Victorian artist LAWRENCE ALMA-TADEMA (1836-1912), titled "A Coign of Vantage". This is not painted as finely as the original, to be sure, but the artist was moderately skilled. There is stable craquelure. T...

Oil on canvasboard, 18" by 24", the subject dramatic, fluted, snowy mountain ridges pictured perhaps in late fall, as autumnal colors dominate the creekside grasses in the foreground, the painting signed at lower left "A. Nebeker" and dated there 1966. The location might be but I feel it could be most likely somewhere like Utah or Colorado in the intermountain West, or possibly the eastern slope of the Sierra in California. The only possible hint is an Oakland, California art supply stamp on t...

A vintage impressionist oil on board painting with modernist touches, unsigned, 20" by 16". The work is probably by a listed artist but alas there is no signature. The almost Cubistic handling of the cloth and rear drape and the foreshortened space are most interesting. The work probably dates to about the 1940's. Unframed, and with some small faults common to older paintings, including light soiling, a few minor losses, edge losses etc.

A nicely painted oil on Masonite work featuring pears and apples arranged in a still life that is quite colorful and harmonious, the fruit softly modeled. The work measures 16" by 11 3/4" (19 1/2" by 15 1/2" in bright gold framing) and is signed at lower right with a signature that appears to be "Ardi T. Santi" or similar. The painting is very decorative and attractive in its gold frame.

For collectors of early Floridiana, here is a prize---a circa 1930 hand colored photograph of a lazy slough with a clump of distant palms, titled in lower right margin "Miami River, Fla.", and at left margin in pencil is "Harris". This work, measuring 3" by 7" (the photo portion alone), and the entire piece 7" by 10 3/4" in most interesting old original frame, is by the noted photographer best known for his early images of Saint Augustine, W. J. HARRIS. The area depicted is today very close to...

Miniature oil on canvas laid on board painting of an ancient stone church in Mexico with a market under umbrellas completing the scene, 6 1/4" by 6 1/4" as framed, signed on the reverse paper and inscribed there "Market Day in Old Mexico by A. J. Merrill of Taos N.M. March 1970". Condition is excellent. Merrill was born in St. Louis but spent his early life in Montreal, Canada, graduating from McGill University in 1911 and taking art classes with A.J. Musgrove of Winnipeg and Franz Johnston (o...