A fine bronze oval plaque of George Washington as general done most likely for the sesquicentennial of 1882.

Charles Bird, English Mezzotint Watercolor late 19th Century 12x15 inches

Oil on canvas landscape of country cottages and feathery trees on the banks of a small pond or marsh, 9" by 12" (13" by 21" in its modern frame), signed at lower right "S. Clark", the subject given on the framing label as "On the Arun--Sussex". This is a painting by SAMUEL JOSEPH CLARK (1841-1928), a noted 19th century painter of rural landscapes and genre. Sometimes he is listed as Samuel JAMES Clark--there appears to be some confusion in the auction record...

Stephen Parrish, American,1846-1938, "Riverdale, Cape Ann", etching, image size 10X5 inches, pencil signed

Abraham Lincoln Bust By Leonard W. Volk 1828-1895 32”x24” Original plaster made from the life mask that was done for Lincoln in 1860. The artist did both plaster and bronze large and small formats somewhere designed as Hermes format others were done such as this piece in the classical style 32”x24”

A beautiful American casting of statesman Daniel Webster dressed in Roman Toga by the sculptor Thomas Ball, 1819-1911 Boston

Oil on canvas painting of a peaceful eastern scene including distant pyramidal mountain peak, luminous sky, feathery trees and rock formation, the only sign of man an idle rowboat in center foreground, 12" by 20" and 2 1/2" wide period frame, signed with the conjoined initials of the artist at lower left (in red) and dated there 1882...

Watercolor on paper, 10" by 8" (16" by 13 3/4" in a contemporary gold frame), the subject a white house looming above a country lane on which a horse-drawn carriage moves at left. The scene is obviously in the tropics or sub-tropics, there being palms and other exotic vegetation. It could be Bermuda, or, perhaps, somewhere in the Caribbean basin. The work is signed in pencil at lower right "J. Pittaway" and "'24 & '25" is adjacent...

John Syer, (British, 1815-1885)

Two Views of the West of England

A pair of oils on canvas, retaining Frost and Reed Gallery labels.

Sight Size: 10.25" x 13"
Canvas Size: 12" x 14 1/2"
Frame Size: 17.5" x 20"

Born at Atherstone, Warwickshire, England on May 17th, 1815, Syer studied with J. Fisher, a miniaturist, and settled in Bristol. Syer was one of the prime favorites of the Victorian era...

A 19thC framed watercolour picture of a child 1860-80. This late Victorian period unsigned framed water color on paper is a piece of early memorial folk art and it was possibly made by a family member as a reminder of a deceased child, with typical muted colours and austere pose...

A beautifully executed watercolor painting of ladies on the shore of an Italian lake, high mountains and a red-roofed town on the opposite shore, signed at lower right by artist "L. Vian". This is likely a scene of one of the famous northern Italian lakes such as Lago Maggiore or Lago Como. The bright light is captured with skill and perspective and color is obviously well handled by a talented artist...

Watercolor and gouache on paper scene of young trees along a bucolic dirt road in a hilly landscape, 12" by 15", (19 1/2" by 23" as framed), signed at lower right "C .GRANT DAVIDSON", and signed again in longhand in a margin area, dated there 1894. This is a work by CHARLES GRANT DAVIDSON (1865-1945), an American artist based out of New York who painted oil and watercolor scenes in the northeastern states. He is often confused with a British artist by the same name...

Exceptional Grand Tour Micro-mosaic plaque with an extremely fine oval micro-mosaic image of the Pantheon in Rome: on a cartouche shaped black marble ground, with an oval malachite surround. Italian circa 1860.

4" x 3"

A watercolour depicting a romanticised rural harvest scene painted by popular Victorian artist and illustrator, Myles Birket Foster (1825-1899). Condition: in its original ('distressed') inner frame;the painting is un-restored with some water marking but with no tears or losses. 34cm(13.3 inches) wide; 24cm (9.3 inches) high. 维多利亚时期皇家水彩画协会会员Myles Birket Foster所绘水&...

Simon Lake’s argonaut on the seafloor oil on canvas 1898 F. Wightman artist 25x37 inches If that white man who is in Richmond Virginia shows the first documented use of a submarine in the construction of a seawall or lighthouse I believe it was in Portsmouth Virginia or Virginia Beach very very rare

A watercolor painting of raspberries in a small wicker basket, signed at lower right center with what appears as "J. L. Guinand", and dated there 1895. The work could be by a French artist or perhaps by an American with a French name. I do not see a listing for such an artist. The work measures 7 1/4" by 11 1/2" and 17 3/4" by 21 3/4" framed. The paper is slightly puckered and there is a small unexplained blue area at far right edge that seems out of place...

Watercolor on paper drawing, unframed, 15" by 21 1/2" inside the gold mat, the subject two proper late Victorian women with parasols, on a small boat in a lake landscape, towering trees in the background, signed at lower left with what appears as "D. G. Streeton", and dated there 1898. This is a nicely executed work, probably American. I cannot seem to match it to a known artist. It is not the work of Australian Arthur Ernest Streeton...

Watercolor on paper, 13 1/2" by 9 1/2" (and simple frame 1 3/8" wide), unsigned, the subject a hushed redwood forest obviously in Northern California, the sunlight dappling the forest floor, and a slight hint of man's intrusion in the form of a split wood fence or gate. The colors, handling, and subject matter suggest the hand of important early California watercolorist LORENZO P...

A wonderful pair of miniature portraits of two young near identical twin boys, painted on organic material...

A very finely crafted watercolor painting of an 18th century dandy in an elegant aristocratic interior, " by " (" by " framed), dedicated "Yours Sincerely" at lower right, and signed rather illegibly below that. The work's quality means the artist must be listed but try as I might, I cannot decipher the name. More than likely the work is circa 1890. Condition is excellent. I opened the old backing in hopes of finding more information or writing but there was none to be found. The short nail...

Oil on canvas, 9 1/2" by 13 14" (18" by 22 1/2" as framed), signed in red at lower left "J. A. McClurg" and dated there with what looks like "1900" or "1908". There's a vintage Denver artists materials sticker on the stretcher, Considering the scene and the sticker, I am tempted to call this one a Colorado plains/edge of the Rockies picture, in the nineteenth century tradition of Bierstadt, Worthington Whittredge, Samuel Colman, and so many others in that school......I do not see a listing for...

Nineteenth Century Nassau Bahamas “Straw Market” Oil 10x14” A watercolorist, who specialized in coastal scenes, George Henry Clements grew up on his family's plantation near Opelousas, Louisiana, and worked as a clerk for the New Orleans Cotton Exchange before turning to painting in 1880. He began his formal art training at the Union Art League in New York City. By 1881 he was in Paris. He spent a year at the Academie Julian and another at the Academie Colarossi. Clements also painted...

Oil on canvas landscape painting of a New Jersey landscape signed by T. W. Vail. In very good condition, it measures in frame 17.25 inches x 13.25", site size 15.5" x 11.75". Circa 1900

James MacDougle Hart 1828-1901 American, Hudson River School This is an original oil on canvas painting by American 19th century painter, James Mcdougal Hart. This work is titled: A Bit of Cherry Valley. It is signed lower left "J.M Hart" It came to us in a period gilt frame with the brass name plate. The painting itself measures 17X21 inches, the overall frame measures 24X29 inches. Influenced by his older brother, William M. Hart, and with him is highly regarded as an important member ...

Virgilio COLUMBO Genre Scene Italy 1885 Watercolor measuring 19x12” Known for his amazing work in watercolor this work was shown in Rome at the exhibition of Italian Artist in 1885

A beautiful miniature portrait of a young man, done by William Egley. The painting is in a stickpin mounted elaborate gold case, with engraving on the reverse identifying the sitter as "John McDonnell Webb/August 1839". A plait of hair is in the glazed rear aperture.

Both the painting and case are in excellent condition, with no issues. The spots in the photos are due to external dust. Sight size is 1 5/8" by 1 1/4", with an overall size of 2" by 1 5/8".

BIOGRAPHICAL NOTE: William Egl...

Jean Baptiste Camille Corot, 1796-1875, French, "Paysage d'Italie," Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.

Oil on canvas, 20" by 30", 27" by 37" as framed, apparently unsigned, the scene of (possibly) gypsies or other peasant folk in the splendid countryside, with their animals, wagons and household goods. In the far distance at left there is a view with another small wagon and house. I suppose this could be by any number of artists, but, I have not been able to identify any particular painter, and specialists at Sotheby's and Christie's British Art departments in London have been unable to suggest...

Stephen Parrish, American, 1846-1938, etching, "Port of Nice", image size: 3 7/8 x 5 inches, 1888, cat. Schneider-145, pencil signed lower right

Watercolor on paper, unsigned, undated but likely dating from the period 1865 to 1885, 15 3/4" by 11 3/8" inside the mat, (27 1/2" by 22 1/2" as framed, but **frame is currently unaccounted for since photos were taken**), showing two young schoolgirls in the yard of a brick and wood shutters style mid nineteenth century home, such as would be found in Boston's Beacon Hill, or parts of New York City. There is a lot of skill in this drawing, and the artist was likely trained and probably could be...

Wesley Elbridge Webber (American, 1841-1914) - White Mountains, New Hampshire landscape painting with pond. Oil on canvas. Late 19th century. Canvas size: 12 inches x 20 inches. Signed by artist in the lower left and on the reverse of the canvas. Condition: one small old repair to a puncture in the sky, with minor touch-ups. Offered in an antique silver leaf frame. Wesley Webber was a 19th century painter of landscapes and marine subjects in New England. Born in Gardiner, Maine, he was lar...

A beautiful romantic genre scene of two young adult children one with a fishing rod done circa 1870. Unsigned oil on canvas, newer gold water gilded frame

English watercolor paintings on both sides of the paper, circa 1880, one side a lovely classic scene of several cows on a dirt track by a cottage with branching tree, the other side sheep grazing around a tree, a church steeple in the distance. The paper measures 11" by 15" and 17 1/2" by 13 1/2" in a modern frame (I suggest discarding the non-glare cloudy style glass). There is no signature nor other indication of authorship. Display the better image (the cows and tree) and the other side is...

Harriette F A Sutcliffe (British, fl.1881 - 1922)

Beauty and the Beast

Oil on canvas, signed with monogram and titled on the reverse

Exhibited: The Royal Academy, 1899

Miss Suitcliff was a Hampstead painter of genre and portraits who exhibited at the royal academy from 1881-1899 and elsewhere.

Source:

Christopher Wood, The Dictionary of Victorian Painters

Painting Size: 16" x 20" Frame Size: 24" x 28"

A early nineteenth century renaissance revival painting depicting the allegory of justice. Oil on canvas measuring 24x30 inches framed in a rococo gilded frame

Johan Barthold Jongkind, Dutch, 1819-1891, "Moulins en Hollande". This 1861 etching by Johan Barthold Jongkind measures 5 1/4 x 7 1/4 inches, plate signed, framed. D-14, early proof before letters, I/III.