Max Pollak, Austrian/American, 1886-1970, "L'Dia". A very fine original etching in colors by Max Pollak, image size 11 1/2 x 4 3/8 inches, c. 1930, from a small edition of 60 impressions, pencil signed, titled and numbered. Max Pollak was grew up in Vienna, Austria and attended the Vienna Academy of Art where he studied with portrait artist Fernand Schmutzer. Pollack became well known for his portraits and his etchings, and in 1910 won the Prix de Rome...

Harold Kerr Eby, American, 1889-1946, "The Lobster Fleet," etching, 9 3/8 x 11 1/2 inch etching and sandpaper ground on wove type paper, ed. 100. Cat: Giardina 193. Printed in 1937. Pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself. Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms...

Jean Louis Forain, French, 1852-1931, Etching, "L' Imploration Devant la Grotte, Lordes", image size 10 1/2 x 7 3/4, third plate - first state, circa 1900, pencil signed

Unframed 1959 lithograph print 'Card Players', numbered in pencil lower left 100/100, and pencil signed lower right. The print is now in a protective sleeve with clear plastic sheet (through which a few photos were taken---allow for reflections). The sheet size is 20" by 26". The print is reverse-taped at top edge, in three places, as shown, and is NOT laid down...

Original etching by Alfred Hutty (USA, SC, 1877-1954). This work is titled "My Doorway on Tradd Street" or "Stairway, 46 Tradd Street". Signed in pencil by the artist and with the snail cypher. In excellent condition. Provenance: Childs Gallery Boston.

TWO pen and ink drawings, identical size and frames, 9 7/8" by 7 5/8", one titled "Down the Gulch" and the other "Slave Quarters, Glen Haven, Colo.", each signed "A.C." and one dated 1936. I don't know who "A.C." might be/have been, but, if you collect Colorado art, you might like this pair of drawings of a mountain road and a mountain cabin. You might wish to reframe them. If anyone knows who the artist is, please do let me know.

John Stockton deMartelly, American, 1903-1979, "Give Us This Day". This is a beautiful original lithograph by American Regionalist artist John deMartelly. The image size is 13 1/8 x 13 5/8 inches, 1937, pencil signed. John deMartelly studied at the Pennsylvania School of Fine Arts, as well as in Italy and London...

Unsigned “The Temptress”, a Baltimore School Artist, 10x8” Please see catalog #913 for a painting by the same artist. The pair can be $1800.

Etching on paper, 5 1/4" by 6 3/4" (10 1/4" by 14 3/8" as framed), the subject the old downtown of Sawbridgeworth, Hertfordshire, England, including a church and medieval buildings, by the important American printmaker JOHN TAYLOR ARMS JR. (1887-1953). Arms was one of the best known and most highly respected American printmakers of the first half of the twentieth century...

By the French Symbolist artist MAURICE DENIS (1870-1943), this is a remarque proof on Chine Volant paper, edition of 260, from the year 1939. The print, Cailler #169 in the definitive catalogue raisonne of Denis' prints, is from the "Five Poems" by Francis Thompson...

An interesting pastel drawing of older high rise apartment buildings in a major city, perhaps New York, signed at lower right with initials "EM" or "EW" and dated there 1939. The work, 15" by 11" (21" by 16 1/4" in simple gold metal frame), deals very skillfully with what could potentially be quite sterile subject matter in the wrong hands. This could be seen as a commentary on the anonymity of high rise living in any city...

Early 20th century Dutch harbor scene by Gerard Wiegman (1875-1964). The painting depicts a large cargo ship moored at harbor and surrounded by a variety of smaller ships, fishing boats and tugs. The sky is painted in moody shades of grays that echo the colors of the dark smoke rising from the other large ships in the background. This choice of coloring suggests the obvious industrial nature of this unidentified harbor...

Original oil painting on panel by well-known Dutch painter Willem Van Den Berg (1886-1970), circa 1930-1940. A wonderfully compact composition with fishermen of Urk (Holland) hauling their nets and contemplating their catch with boats in the background. This painting measures 26cm by 19 cm (painting alone) and 44cm by 38cm in its frame. Inscribed verso and on the frame "WVB #128"; also "FG #919" verso, and "Guildhall #919" on the frame. Plus other inscriptions...

Oil on canvas, 14" by 21" (20" by 27" as framed), the subject a landscape near the sunset of a winter day in the Netherlands. Classic elements of the scene include bare trees, billowing gray clouds, a distant windmill, modest waterside homes, small boats, and a figure with her back turned towards the viewer...

A beautiful Art Deco oil on canvas unsigned work “Ashcan School” circa 1930 24x30 inches, original hand made frame

Hendrik Glintenkamp 1887-1946 American This is a finely detailed wood engraving by American artist Hendrik Glintenkamp (1887-1946) The title is: Manhattan construction, Radio City, N.Y. It was created and printed in 1932, and is numbered 25/100. Hand signed in pencil lower border and also on the back of the sheet. Very fine condition.

Mother Duck and Ducklings Oil on board 5 3/4" x 12 1/4"w/o frame,14 1/4" x 20 3/4" framed This Dutch, Hague school genre artist has become hudgely popular for painting serene landscapes however was a diverse artist and equally skilled at painting portraits, children, animals and street scenes. His landscapes often included animals with ducks a recurrent theme...

Early 20th century Dutch harbor scene by Gerard Wiegman (1875-1964). The painting depicts a large cargo ship moored at harbor and surrounded by a variety of smaller ships, fishing boats and tugs. The sky is painted in moody shades of ochres and grays that echo the colors found in the water. This choice of coloring suggests the obvious industrial nature of this unidentified harbor. The impasto lends nice texture and depth. Signed lower right “G. Wiegman”. The painting is framed in a mid...

Oil on canvas painting (18 1/2" by 15", 24" by 20" in later frame) of a canal and old buildings in Amsterdam, a church towering (possibly the medieval Oudekerk) in the distance, signed at lower right by the listed Dutch artist KEES (CORNELIS) TERLOUW (1890-1948). The scene is painted in a very impressionistic style by an artist known for his landscapes of the Netherlands in all seasons, as well as genre scenes and still life. Fresh from a local estate, the painting is in excellent condition an...

Emanuel Glicenstein Romano, 1897(Rome,Italy) - 1984(New York). Portrait of Lady, Oil on Canvas, 25.5" by 33.5", signed, in Silver Leaf Frame, circa 1960-1980. Known for: portrait, figure, still life, murals. Emanuel Romano became a painter, illustrator, muralist and teacher in New York City where from 1944 to 1945 he taught at the City College of New York. One of his murals is in the Klondike Building, Welfare Island, New York. He studied in Switzerland and exhibited at the Pennsylvania Academy ...

Swiss Alps Landscape oil on canvas of Tarasp Castle, measuring 18x26 inches,frame size measures 25x33 inches ………… Otto Altenkirch (2 January 1875, Ziesar – 20 July 1945, Siebenlehn) was a German Impressionist painter and set designer. He was the sixth child born to Johann Christian Friedrich Altenkirch, a Master saddler, and his wife Dorothea Wilhelmine Auguste née Müller.[1] In 1889, after completing primary school in Zeisar, he went to Berlin to serve a four-year apprenticeship ...

Lithograph on paper of a clipper ship, 12 1/4" by 9 1/2", unframed, signed by the noted marine illustrator, painter and etcher/lithographer GORDON HOPE GRANT (1875-1962). Grant was born in San Francisco but is associated with the northeastern part of the country, his marine paintings and lithographs now eagerly sought out by dealers and collectors. There is light foxing (the largest spot adjacent to the bird in the sky), and moderate age toning of the paper, and the reverse side appears quite ...

Chinese-inspired lithograph by American artist THOMAS SCOFIELD HANDFORTH (1897-1948), pencil signed by the artist at lower right, where the artist wrote ed. 25 - 9. Handforth was an American artist best known today for his etchings and lithographs, many of which dealt with Asian subject matter. Born in Tacoma, Washington, Handforth studied at the University of Washington, and later at the Art Students League and National Academy in New York. After military service in Europe in World War I, he ...

A gouache on paper painting of a vase with white flowers, blue on white plates, green bowl with cherries, a decorative leaded window beyond, the work signed at lower right corner with what appears as "Louise Brentnall" and dated there 44 (or, I think less likely, 77). The piece measures 9 1/4" by 7" (12 3/4" by 10 3/4" in simple strip frame). I do not see an artist by this name, if I am reading the name correctly. I thought it might read "Louise Brumback", but that artist died in 1929. So, ...

Antique Japanese woodblock print by Koitsu Tsuchiya (1870-1949) entitled Moon at Sumanoura Beach. A lone villager walks on the beach lit by the full moon. In the foreground are gnarled pines.

Koitsu Tsuchiya began studying the art of woodblock printing at the early age of 15. He studied for 19 years under the ukiyo-e master, Kiyochika Kobayashi. In 1931, Koitsu turned to creating landscapes in the Shin Hanga style.

Publisher: Doi Hangatan

Age: 1938

Di...

Albert W. Barker, American, 1874-1947, "Beyond Paul Point," Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.

Harry Herman Wickey 1892-1968 American This is an original regionalist lithograph by American artist Harry Wickey 1892-1968. This lithograph is hand signed in pencil and editioned as 100 proofs. The iage measures 11 1/2X12 1/8 inches. Printed on a medium weight wove type sheet. For the remainder of 1935 and most of 1936, Harry Wickey returned to his family farm near Stryker, Ohio. He became fascinated with the activities of the farm animals he found there and created many drawings, water...

Woodblock on very thin, delicate Japan type paper, 14 1/2" by 10" inside the old mat, signed at lower right margin in Hebrew, numbered there 53/100, (part of the numbering apparently in green ink), the subject a holy or religious Jewish orthodox man with traditional clothing and hair style. I am not able to read the Hebrew and a friend who can was not able to decipher the writing. Regardless of artist name, the print is beautifully conceived and executed. It is a sensitive portrait of a subje...

The work is in gouache on paper on board, 10 1/2" by 13", signed at lower left, the subject a split rail fence in a brushy late autumn subdued landscape, This has a frame, of sorts, but it is old and cheap and falling apart. The art has some condition problems, most notably at lower right, where I think moisture exposure has sort of erased the image in that corner. Properly framed, this little work by a listed woman artist who painted a number of western Virginia landscapes will live on. Barr...

This is one of the very scarce, desirable prints "Le Nid--Coree" ("The Nest--Korea") by the important French-Japanese printmaker artist PAUL JACOULET (1902-1960). In December 1941, as war exploded upon the world, the image was created by the artist as a gift for his mother, who never got to actually see it. The edition in this size/coloration is said to have been fewer than 200 examples. This particular image of a bearded old Korean man in traditional clothing tenderly feeding a dragon fly to hu...

"Winter Landscape with Grazing Cows" by Ernest Fiene. 1939. Framed Print. 18 x 17".

Original lithograph in colors, on smooth wove paper, "Stars" (French version was known as "Etoiles"), 1938, after a gouache by the well-known important Russian modern artist WASSILY KANDINSKY (1866-1944). This print, signed at lower left in the stone with Kandinsky's "K" monogram, was published by Teriade, Paris, for publication in the French avant-garde magazine Verve. The edition, printed by Mourlot, consisted of approximately 2000 or 2500 impressions. This example is in good condition thou...

This is a fine work of art, 21 1/2" by 12 1/2", ( 24" by 16" as framed), unsigned on front but bears a handwritten notation on reverse "Vinnie Gjere", which definitely refers to the artist; see a companion piece also on my site, which is actually signed with a conjoined "VG" monogram on the front. The artist's biography, from the net: "Contributor S Hemingway added this: The Journal [New Ulm, MN] June 14, 1980 Mrs. Vinnie (Ralph) Stewart, 81, well-known artist and musician, died F...

Gouache on paper or paper on board, 6 1/8" by 7 3/8" and 1 3/8" frame, (14" by 15" overall as framed), signed at lower left "Bud" DUNCAN, no date but likely executed circa 1940. This is skillfully executed, in high key colors of pink, yellow, and violet shades. There are some condition issues; a 1" hairline diagonal surface abrasion in sky at center, and several punctures/pressure cracks from the reverse through to the drawing at left and top, and in the busy sage clumps at right . Frame has s...

This early work, done November 1931, while Studying in New York with other ashcan School Artist……. Alfred McNamara was born in Tompkinsville, Staten Island and lived most of his life in Staten Island. He was heavily influenced by John Sloane, Edward Hopper, and others of the Ashcan School in the 1920's and 1930's. During the 1930's, he received his basic art training under Walter Drewes, through a program sponsored by the WPA (Works Projects Administration) at the Brooklyn Museum of Art. ...

“Karl Marx dinner gets about to devour the world portrait of Mussolini on the right foreground 1933 with the exception of Hitler sealing the doom of Europe”by N. MacLeish (1933). Framed Oil on Canvas. 33 x 35" MacLeish was born on August 29, 1890, in Glencoe Illinois, to wealthy parents and became a painter and graphic artist. He studied at the Art Institute of Chicago and with Pierre Vignal in Paris. MacLeish was a member of the Chicago Society of Artists and exhibited at several venues...

The Venetian Giovanni Battista Tiepolo (1696–1770) was arguably the greatest painter of eighteenth-century Europe and the outstanding first master of the Grand Manner. His art celebrates the imagination by transposing the world of ancient history and myth, the scriptures, and sacred legends into a grandiose, even theatrical language. His art, with its genial departures from convention and its brilliant use of costumed splendor, celebrates the notion of artistic caprice (capriccio) and fantasy ...

Albert Abramovitz, Latvian/American, 1879-1963, "The Hold Up". A dramatic original linocut by Albert Abramovitz, image size 6 3/4 x 5 3/8 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris. While in Paris he was a member and juro...

This decorative, complex gouache drawing appears to be possibly a wallpaper design of the Art Deco period, or, it could just be a drawing in its own right. On the reverse is written the name "T.M. Abell". The eye-teasing geometric design seems to vibrate almost in the way that Op-Art of later decades vibrates and challenges the eye. Colors are greens, oranges and yellows, with white and black lightning-bolt type diagonal borders making for a most dramatic pattern. Googling the name written o...

Albert Abramovitz, Latvian/American, 1879-1963, "The Family," etching, 10 1/2 x 8 inch linocut on wove-type paper. Pencil signed and titled. C. 1932. Plate initialed in the lower right corner.

A circa 1930 colorful, beautiful, accomplished woodblock print of a Christmas cactus, by Austrian-born artist HUGO NOSKE (1886-1960). Noske was born in Vienna and was a very talented artist, perhaps best known today for the technically accomplished, wonderful woodblock prints of floral subjects, often specifically cacti or Christmas cacti, on tissue-like Japan paper. This is one of those prints. Measurements are 12" by 13 1/8". The highly delicate paper is NOT laid down, just taped at upper...

Album leaf with sleeve illustration for kimono, produced ca. 1930

Very good impression and color, thick paper, very minor soiling on margins, remains of backing tape

Overall size: 10 x 14 in.

Clifford Lewis, American, 20th Century, Lithograph, "Red Mountain", 1937, edition 3/25, image size: 9 1/2X13 1/4", p/s,D

A vintage woodcut print in black with touches of yellow and red in the windows of the picturesque seaside structures, unsigned, titled in the image "NOEL", white speckles (sprayed?) indicating snowflakes, 12 1/2" by 9 1/2" framed. The scene resembles Maine villages such as Port Clyde or Castine. Likely a work from that region, circa 1940's, possibly 1930's. I opened up the backing and found no further information.

An example of the 1934/35 lithograph "Ruf Des Todes", from the "Death Cycle" series of lithographs by famous German artist KATHE KOLLWITZ (1867-1945). The sheet which measures 19" by 16" was long ago laid down to a board. Evident past attempts to remove an over mat has resulted in skinning of the paper in the lower portion, and residue from the over mat remains at top. There is a line from the old mat all around, with the paper within that line lightly browned. The significantly flawed areas...

Todai-ji Temple, Nigatsu-do Hall, Shuni-e. woodcut print signed and seal mark this may be a watercolor but we don't want to unframe it . Framed with linen mounting and glass. sight 14" by 10" frame 20.5" 24.5" Shuni-e, meaning ceremony of the second month, is a series of Buddhist rituals in which priests pray to repent for the sins of the profane world to the goddess Kannon, who is enshrined in Nigatsu-do Hall, a sub complex of Todai-ji Temple in Nara. These rituals, annually held between ...

Original woodcut circa 1930's, the subject a man working machinery in an urban setting with high rise buildings, stamped at lower right margin with the estate stamp of American artist IRVING GEORGE LEHMAN (1900-1983). The work is unframed and currently housed in a mat, and is taped at extreme top edge in two places, to that mat. There is a roughly rectangular pressed-in area of the paper at lower left and some wrinkling of the extremely delicate thin paper at bottom. Sheet measures 15" by 10 1/4...

Albert W. Barker, American, 1874-1947, "Upper Barn, Winter," etching, 8 3/4 x 7 1/2 inches on 14 x 11 1/2 inch watermarked wove type paper. C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.

Isaac Friedlander Open Isaac Friedlander configuration options 1890-1968 Latvian-American This is an original pencil signed wood engraving by Latvian American artist Isac Friedlander. This image is titled Self Portrait, New York and dated 1935. The image measures 10 3/4X8 3/4 inches. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, ...

A fine woodcut print on Japan type thin, delicate paper, 8 1/2" by 6 1/2" inside the mat, no frame, signed in pencil at lower right and dated there 1931, a monogram in the printed image at lower left, adn inscribed "To Hal" at lower left, by the well listed artist IGNATZ SAHULA-DYCKE (1900-1982). The dramatic subject is mysterious and difficult to describe: a woman, perhaps somewhat sinister or even possibly Death, comforts a young girl, as a younger boy looks on from the right lower corner. ...

This is an original woodblock print by American artist Isac Friedlander. it is titled: "Vanquished" it was created and printed in 1938, it is editioned as 1/4 impressions. The image measures 10X12 inches, printed on a light weight laid type paper. It is hand signed,titled and editioned in pencil in the lower margin. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art t...

Lazar Markovich Lissitzky, 1890 – 1941, better known as El Lissitzky was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian Avant Garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices t...

Japanese Print Shiro Kasamatsu (1898-1991) – Evening Rain, Shinobazu Pond. Publisher : Watanabe Shozaburo. Size : Oban (10″x15″). Signed. Around 1940-1950. Framed.

Chalk and charcoal drawing on brown paper, 23 3/4" by 17 3/4", unsigned, in old frame on which is written "ADELE WATSON Ex. Coll. Pasadena Art Inst.". This is a skillfully executed portrait of a seated young woman. There is a bit of red color in the pot at her feet, in the collar area, and in her face, to go along with the white and black chalk. Unfortunately the piece is not signed, but the framing appears to be totally original, and in addition to the inscription, there is a very old, early...

A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s

Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.

Overall size: 11 3/8 x 14 in.

This is a print from the original woodblocks, of the work "Jongleur", 1938, from the series "Le Cirque de l'Etoile Filante (Circus of the Shooting Star) by the important French artist GEORGES ROUAULT (1871-1958). The print is quite small, 2 7/8" by 2 1/8" inside the mat (9 1/2" by 8 1/4" as framed). I believe that this is from the edition published at a later date by the Collectors' Guild of New York, as other examples I have seen are identically framed, and with their label on the reverse. ...

Oil on Canvas on Board, 13" x 10" unframed Juan Pablo Salinas was born in Madrid in 1871. He studied at the San Fernando School of Fine Art. In 1886 he moved to Rome where his older brother Augustin, also a painter, was there since 1883 on a scholarship awarded to him by the government of Saragossa. The two brothers lived in Augustin's studio at Via Margutta in Rome. At the same street there was Chigi Academy where Juan Pablo took classes. In 1887 Juan Pablo attended the National Exhibition o...

Antique Japanese woodblock print by the artist Hasui Kawase (1883-1957) entitled Chuzenji Lake, Utagahama. Depicting figures, most likely pilgrims, walking near a red torii gate at water's edge. The sun shines on boaters on the lake and tall trees give shade on the shore.
The artist, Hasui Kawase is considered one of the major landscape artists of Japan. He was born the son of a silk merchant and studied both Japanese and Western style painting. He showed at the Tatsumi Exhibition of ...

A beautiful Bronze measuring 6 inches wide 7 inches tall 4 inches deep …….John Gutzon de la Mothe Borglum (March 25, 1867 – March 6, 1941) was an American sculptor best known for his work on Mount Rushmore. He is also associated with various other public works of art across the U.S., including Stone Mountain in Georgia, the statue of Union General Philip Sheridan in Washington, D.C., as well as a bust of Abraham Lincoln which was exhibited in the White House by Theodore Roosevelt[6] and wh...

Original white line woodcut (aka Provincetown woodblock or woodcut) by Virginia Bill (USA, 1865-1960), circa 1930. In excellent condition. Archivally matted and framed. This work is signed by the artist lower right and is titled lower left "Portuguese Jewish Cemetery 11th Street N.Y." This is a view of an ancient Sephardic cemetery in New York, or rather of what was left of it after most of it was destroyed by road construction. A great work by an elusive proponent of the white line technique...