Memorial to Kim Koo by Chung Young Gok aka Kang Ho, a friend of Kim Koo. The second and third photos here are of Chung Young Gok with Kim Koo. The calligraphy states that it was composed on the occasion of a 1978 memorial ceremony to Kim Koo (1876 - 1949), the leader of the independence movement during Japan's occupation of Korea. The ceremony was at Baek Beom Sa Buddhist temple...

Very interesting and unusual Tibetan Thangka (also known as a scroll painting) depicting the bhavacakra, or wheel of life, representing samsara (cyclic existence). Thangkas are often found on the walls of Buddhist temples and are meditated upon in order for monks to reach enlightenment. The bhavacakra has different layers, each with a different meaning: The first and center layer represents the three poisons of ignorance, attachment, and aversion. The second layer represents karma...

An interesting tubular shaped Mashiko ware vase by Hasegawa Tsugio. The vase is done in the ash glaze method where the ash that circulates inside the kiln covers the fired piece creating interesting patterns and colors, late 20th century. Size: Height: 8" Length: 5" Width: 2.25"

White splashes into the pale terracotta of this large basin by world renowned artist Suzuki Osamu enclosed in the original signed kiri-wood box. The bowl measures almost 12 inches (28.5 cm) diameter, 3-1/2 inches (9 cm) tall and is in excellent condition, stamped on the base with the character Su in a square cartouche...

Gorgeous blue clouded mottle lies over oribes vibrant green crackled glaze on this thick slab of clay by world famous artist Kato Shuntei (b. 1927-1995) enclosed in the original signed wooden box. The upturned edges create a border where none exists allowing the dish to blend with other table elements and yet setting it apart as an individual work (asif the size alone were not enough!). The piece is literally supported on beaded drips of glassy green glaze...

A deep, almost bulbous, Wan-gata Chawan by Ueda Tsuneji Titled Kikumon, or Chrysanthemum, enclosed in the original signed wooden box. The large bowl is covered in speckled green glaze turning blue on the lower edges, with a bodacious mum in blue and black. It measures 5-1/2 inches (14 cm) diameter, the slightly tapered rim just over 3 inches (8cm) tall...

These 6 teacups for sencha of Hagi ware were made by 11th Saka Koraizaemon (1912-1981) about 50 years ago. Each teacup has the stamp of the potter. Hagi ware pottery is one of the most well-known pottery types in Japan since early 17th century...

Wood fired Mino-ware with a deep and expressive iron glaze, this tea bowl is a delight to hold in the hand.

A native of Aichi Prefecture, the potter Kajiura Soshyu was born in 1916 and studied under Hayashi Sekko and Kimura Giichi. A multitalented artist, he is also rumored to have worked in painting and calligraphy...

An original North West Native American Haida Indian carved cedar panel. With Eagle and Bear tribal design motif initials carved into the wood on the verso R D attrubited to Robert Davidson. 24.5" W x 35.25" H x 1.5" D. A beautiful example of North Coast Native Indian art.

Kawase Hasui
Evening Snow at Terajima Village
Date: 1950-60s.
Size: 5.625 x 3.625 inches.
Woodblock print is attached along its top edge only to original blank card.
Card size: Approximately 7 x 4.5 inches.
Publisher: Watanabe Shozaburo.
Not sealed by the artist. We've had a later sealed example.
Condition: Excellent.

Kawase Hasui
Pagoda in Rain (Inoruga no Ame)
Date: 1950s-60s.
Size: 5.75 x 3.75 inches
Publisher: Watanabe Shozaburo
Reference: Hotei #Hp-62.
Woodblock print is tipped along its top edge to original cardstock.
Condition: Excellent.

Tomoe (after Hasui)
Rainy Street Scene
(This smaller unsealed print is clearly based on "City in the Rain" by Kawase Hasui).
Date: 1950s-60s.
Size: 5.5 x 3.625 inches
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print attached along its top edge only to original blank card (7 x 4.625 inches).
Condition: Excellent.

A beautiful old Chinese rose wood oblong shape stand or table in excellent condition. L:45cm W:26cm H:16cm

A beautiful mid-century Chinese spinach green Jade pendant with Chinese character "Longevity". Mounted on silver and in excellent condition. D:1-1/2"

Japanese print of a seated Buddha by the artist Shiko Munakata (1903-1975). A member of the sosaku-hanga movement and the mingei folk arts movement in Japan. As a young artist, Munakata was influenced by Vincent Van Gogh and studied oil painting. Later he was inspired by Buddhist religious imagery which became the main subject matter of many of his prints...

Tsuchiya Koitsu
Benkei Bridge
Date: 1933. This edition early postwar.
Size: Oban. Approximately 15.5 x 10.5 inches.
Signed and sealed by the artist.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Bears the Doi watermark.
Koitsu catalog no. TK-DH-3.
Medium: Japanese woodblock print.
Condition: Tape marks in right margin. Light fading.

Tsuchiya Koitsu (1870 - 1949)
Kameido Tenmangu Shrine.
Date: 1933.
Size: Oban. Approximately 16.75 x 11.25 inches.
Publisher: Doi Hangaten. Also has Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: TK-DH-4.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed the print from its original folder.
There is also a version of this print in which the shrine is red...

Shoda Koho
Country Scene (With Moon) from the Hasegawa Night Scenes series. Also known as "Canal by Moonlight"
Size: Chuban. Approximately 10.75 x 8.0 inches.
Date: 1938-60.
Publisher: Nishinomiya Yosaku.
Sealed by artist. "Made in Japan" stamped on lower right verso.
Medium: Japanese woodblock print.
Condition: Excellent. Light crease at lower left corner.
Compare with our Koho073 Country Scene With Moon (Canal) (1).

Tsuchiya Koitsu
Plum Warbler
Date: 1940.
Size: Oban. Approximately 16.25 x 11.25 inches.
Publisher: Doi Hangaten.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-60.
Medium: Japanese woodblock print.
Condition: Very good. Slight creasing. Soft corner bends. Faint foxing at upper left margin...

Toshi Yoshida
Heirinji Temple Bell
Date: 1951.
This edition later from original blocks.
Size: Oban. Approximately 15.75 x 10.75 inches.
Toshi Yoshida seal and block-signed signature.
Medium: Japanese woodblock print.
Condition: Top back margin corners have paper residue.

A rare carved boxwood figure of a barefoot peasant girl holding a scythe and a sheaf of corn made in China, circa 1968 to 1970, during the Cultural Revolution period...

Tsuchiya Koitsu
Zojoji Temple in Snow, 1933.
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Doi Hangaten. Also bears Doi watermark.
Carver: Harada.
Printer: Yokoi.
This seal combination indicates an early post-war edition.
Condition: Excellent. A couple of nearly imperceptible waves in the paper.

Tsuchiya Koitsu (1870 - 1949)
Tokaido Numazu Harbour.
Date: 1940.
Size: Oban. Approximately 17 x 11.25 inches.
Publisher: Doi Hangaten. Publisher's watermark at upper left margin.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: TK-DH-63.
Medium: Japanese woodblock print.
Condition: Paper is slightly toned.

Tsuchiya Koitsu
Miyajima in the Rain
Date: 1941.
Size: Oban. Approximately 16.75 x 11.0 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada: Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-066
Medium: Japanese woodblock print.
Condition: Very good. Margins and margin corners toned.

Tsuchiya Koitsu
Ginza in Rain, 1933.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: Koitsu catalogue no. TK-DH-9.
Medium: Japanese woodblock print.
Condition: Fading in yellows and greens.
Note: This print is rare in any edition. Old cars are seldom seen in shin hanga.

Artist: Unidentified
Title: Miyajima
Print size: Approximately 5.75 x 3.75 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Top margin edge slightly toned.

Ohara Koson
Owl and Moon
Size: O-tanzaku. Approximately 14.5 x 8.5 inches.
Date: 1930s. This edition post 1950.
Reference: K20.6 and page 97 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins. Never framed.

Kawase Hasui
Byodo-In
Date: 1930s. This edition 1950-60s.
Print size: Approximately 5.5 x 3.5 inches.
Woodblock print is tipped along its top edge to original 7 x 4.75-inch blank card.
Oval Hasui seal at upper left.
Publisher: Watanabe Shozaburo.
Condition: Excellent.

A mounted painting of a bird perched on a branch with a signature and seal signed Zhao Shaoang (1905-1998). Zhao Shaoang was known for his contemporary and bold styles specializing in bird and flower images. The strokes used for the plants reminisce strokes seen in calligraphy. Age: 20th century. Size: length" 28.25" height 40.5"

An original limited edition Kiyoshi Saito woodblock print entitled Chapel France that was made in 1960 and numbered 11 of 120. Deep purple hues border a silvery road which visually leads to the bare branches of a tree in winter. The focus then turns to a somewhat distant church in the background which is this prints main theme. Saito then layered this print with textured paint adding a depth unlike most of his other prints. With watermark and stamped artist label on back stating “self-carved...

Shoda Koho
Futamigaura - Wedded Rocks
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 11.5 x 8.5 inches.
Date: 1910s-20s. This edition 1938-60s.
Publisher: Hasegawa/Nishinomiya Yosaku. Seal at left margin.
Sealed by artist at lower right.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Spring Moon at Ninomiya Beach
Date: 1932.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Also bears the Doi watermark.
This seal combination indicates an early postwar edition.
Reference: Hotei #273.
Condition: Toning in margin. Two back corners have tape residue.

Kawase Hasui
Edogawa (Edo River)
Date: 1932. This edition mid-century.
Size: Approximately 5.5 x 3.75 inches.
Print is tipped along its top edge to an original card.
Hasui oval seal and title at lower right.
Publisher: Doi. Seal at lower right.
Medium: Japanese woodblock print.
Condition: Excellent.

Charming and life-like set of iron crabs and one lobster. Crabs are two separate sizes, one large and one small. Beautifully made, this adorable set adds an oceanic feel to any home, garden, or office. Dimensions: Large Crab- 13" from claw to claw, 12" Tall Small Crab- 11" from claw to claw, 7.5" Tall Lobster- 9" Tall, 12" Long

A Japanese gilt copper hanging lantern decorated with engraved motifs of scrolling clouds, waves, and vines. The bottom contains a six petaled flower like design. The feet of the lantern is known as neko ashi, or cat legs, which is often seen in Japanese designs.Age: 20th century. Size: Height: 17.5" Diameter: 14.5"

This is a tea bowl of Japanese OHI pottery ware, which was made about 50 years ago by famous Chozaemon Ohi (1901-1986).

It has a fantastic black glaze. The work and the box has the sign of the 9th. Chozaemon Ohi. His name is inherited from the Edo era.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six. At 26,he received his title of Ninth Ohi Chozaemon following after his father. In...

Painted Tibetan Pig Mask. 13d x 11.5h inches, 33 x 29 cm.

Vintage Japanese Ash Glazed Celedon Vase, from the Iga Ueno area in Japan.The jar has green and brown colors, ringed around vase top to bottom. Beautiful crackle detail in glaze. Pleasant and sturdy. In good condition. Comes with signed Box. Circa 1970's Dimension: 8" Tall, 6" Diameter.

Large Chinese hongmu cabinet with beautifully carved motifs of scrolling clouds and dragons on the panels of the cabinets, frames, and pillars. The back and sides are decorated in lacquer with images of literati figures set in a landscape setting. Age: 20th century. Size: Height: 76" Width: 14.25" Length: 36.75"

Splendid Japanese incense container, also known as kogo, used for tea ceremony. The persimmon has a small lady bug sitting near the head of the persimmon. The incense container contains an inscription reading: Rakushisha, which is a small hut in the Sagano district of Kyoto. The hut was the summer home of Matsuo Basho's disciple, Mukai Kyorai. The hut was given the name when a hurricane blew all the persimmons off the trees planted in the estate. Ceramic incense containers are used during the f...

Korean Village Life, a Beautiful Oil Painting by Won Hyeok Pak, 1966, original frame. It comes with a 1966 letter to one of his patrons, where he explains his artistic ideas. He includes a photo of this painting with the letter, and a photo of a portrait he created of the patron, and photos of some of his other paintings. A rare and gorgeous piece of mid-20th Century Korean art and history. It captures a way of life and type of dress at a time that it was at its very end. Frame: 20 x 16 inches, ...

Hagi-yaki has a tradition stretching back over 400 years and is prized for its subdued colors and classical features, especially the glazing, which is often clear and vivid. The natural ash Hagi glaze of this piece gives it a mellow yet robust feel. In addition, the split wari-kodai at the base together with the asymmetrical hand-molded shape offers the user a unique tactile experience The sides of the bowl show pale ash, ivory, and faint hints of lavender. Overall a classic and attractive exam...

This Cultural Revolution porcelain plate from Jingdezhen is decorated with an original image by the artist Liu Haihe depicting a family as the centre of revolutionary commitment. It is very skillfully and carefully painted. This plate was created during the cultural revolution and it has a mark of “Jingdezhen Art Porcelain Factory Committee” at the base. Liu Haihe (1927-) was born in Jingdezhen. He first studied art (porcelain and painting) when he was 13. Before the establishment of the...

This is a tobacco pouch from Indus Kohistan in Pakistan, probably from Kolai or Palas Valley. Circa mid 20th century. It is embroidered in an extremely fine, solidly worked brick stitch in various colored silk threads on a black cotton background. The outer edges of the bag are embellished with beaded tassles. One side of the purse features zigzag motifs, the other, interlocking diamond motifs. The purse also features a little string that tightens the purse at the top and is used to hang the po...

A pair of vintage Chinese blue and white large ceramic Fu Dogs. The male is holding sphere which represents the world while the female is holding a playful youngling under her paw. They both sit atop their own decorative plinth each draped by a cover made to look woven.

Age: Mid Century (1960's)

Dimensions: Each measures approximately 9" Wide by 23" High by 12 1/4" Deep

Kokeshi, wooden folk toy of NE Japan. Height: 7.5". This is an example of kokeshi made in Fukushima Prefecture, other than its better known cousin of the "Tsuchiyu" tradition. This was made in 1968 at Takayu Onsen (Takayu Hot Spring) by the artisan, Shinogi Toshio, when he was 37 years old. Shinogi-san was born on September 3rd, Showa 6 (1931). For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which can be accessed through our Trocadero homepage.

A knotted pile hat from northern Afghanistan, made by Uzbeks. Diameter is 18 cm, circumference 51.5 cm. Circa mid to late 20th century. Condition is excellent.

9.5 feet long hand-painted Japanese carp banner (Koi-nobori) for Boy's Day. Here on this banner, a mighty little boy named Kintaro, is hitching a ride on a carp. Kintaro may be a creation from a theater play (jyoruri and kabuki) of the Edo period – although he is said to be a childhood figure of the 10th century samurai, Sakata no Kinsuke - he is extremely strong and still a popular hero figure for Japanese boys. Kintaro (Kinta) figures are often seen carrying an ax, wrestling with bea...

1970's Chinese Famille Rose Porcelain Vase with Landscape Marked

It is 13.5 inches (34.3 cm) tall by 5.95 inches (15.1 cm) wide. It is 3.3 Lb.

It has dark spots, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us wi...

Comfortable in the hand and with a unique textured black Raku glaze, this tea bowl by 20th century potter Samukawa Seiho would make a fine addition for collector and practicing tea devotee alike.

Born in Osaka at the very end of the 19th century, at a young age his family moved to Kyoto where he would later take up an apprenticeship under well-known potter Sawada Sozan. After achieving a high degree of skill in his craft, he then took a position with a ceramics company where he work...

Magnificent Chinese Dali Marble framed in a carved huanghuali stand. Stand is carved with dragons, scrolling clouds, and vines. 20th century. Size: Length: 21.25" Width: 11" Height. 30.18".

Beautiful Chinese rosewood stand, Republic Period c1910. The stand is heavy. Size 9 3/4" W x 9 7/8" D x 5 1/8" H

This magnificent Shino-yaki chawan, done in a rediscovered Momoyama period style, came from the kilns of one of Japan’s most celebrated and talented potters.

Arakawa Toyozo (1894 - 1985), designated in 1955 as one of but a handful of National Living Treasures, is best known for rediscovering lost techniques of pottery from the Momoyama and early Edo periods. In 1930 he discovered shards at the site of the ruins of an ogama style kiln at Mutabora proving that that Shino and Oribe g...

Chinese low rectangular table, made of jumu (elm) wood with beautiful dramatic grain, inset with large rectangular piece of dark gray slate carved with design of scholar objects and archaic motifs, stone is protected by glass which is also inset into the table. Size: 19" high x 46 1/4" wide x 30 3/4" deep. (size of table top: 45 3/4" wide x 30" deep.)

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time blending with the molten ash of t...

Lovely Japanese 4-panel byobu (folding screen painting), painted with a beautiful scene of chrysanthemum flowers in a garden, some use of raised gofun on flowers, painted in mineral colors and ink on a gold leaf ground, signed by the artist. Showa Period (mid 20th century). Size: 35" high x 72" wide Size:

Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day. The scene portrayed on the tea bowl is the classic image of the “shichikenjin” or the Seven Sages of the Bamboo Grove.

Although reports vary, it is generally thought that...

This beautiful chawan (tea bowl) is a Raku ware made by famous Kyuraku Kimura. It was made about 40-50 years ago. The seal of Raku is stamped on the bottom.

It comes with its originally signed and sealed wooden box and an appraisal of the Daitoku-ji Temple, Kyoto. This temple is very famous for its knowledge about chanoyu (Japanese tea ceremony). Tea ceremony items with a signature of the Daitoku-ji Temple have a high evaluation for collectors.

Also, the contrast of emera...

Vintage clear cloisonné lidded box, employing the plique-a-jour technique, lovely muted pastel colors with a “pierced” lid, most likely meant to be a potpourri to put scented herbs and flower petals in. This is a complicated and time consuming craft- please note that the bottom is cloisonné as well as having some curvature to the lid - it would have been much easier just to give it a copper bottom and making the lid flat. Excellent condition, with no damage or dents- this has some ...

This impressive han-tsutsu Shino chawan was made by the late 13th generation Mino potter Kato Seizo (1930-1979, Kagekiyo). Kato’s works are well-regarded throughout Japan and he has won a number of honors and awards over the course of his career as an artist. Not surprisingly, he is equally appreciated abroad and by foreign experts of Japanese pottery. Robert Yellin wrote of Kato: "Kato was one of the finest Mino potters after the first generation of Showa greats, such as Kato Tokuro and Araka...