A large lidded basket, 21" high and 15" diameter, circa mid to late 20th century, likely of Indonesian origin. The handwork is impressive as is the design. Condition is good, there seems to be a slight asymmetry at bottom, with a little "lean" there, and "$20" was written on bottom at some point in time. Compare to images of baskets from Indonesia. I speculated that this could be African or possibly Central American but consensus seems to point to Indonesia...

This child's waistcoat is from Indus Kohistan, located in the province of Pakistan formerly known as the North-West Frontier Province (NWFP), recently re-named Khyber Pakhtunkhwa. It is a superb piece, embroidered on black cotton fabric and embellished with coins, multicolored glass seed beads and pearly buttons. The vest measures 32 cm by 37 cm with the neck yoke measuring 11 cm. It is estimated to date to the middle to late 20th century...

Very unusual “janus” designed mushroom mask; one side shows the native wrinkled face of the mushroom whereas the opposite side shows a smooth face with more carving work. Eyes and mouth are common to both faces. The mask has ear pendants, which are made with 2 different seeds, one is rudraksha bead which is the seed of a very common tree in Nepal...

Japanese 20th century porcelain vase by Japan Living National Treasure, Tokuda Yasokichi III, born Tokuda Masahiko in Komatsu, Japan. The vase is done in a globular form on the bottom, cylindrical shape in the middle with a flared top. The overall glaze is a dark eggplant color with blue, yellow and green coloration on the top. Tokuda Yasokichi III became Living National Treasure in 1997 and is recognized for work with Saiyu, glaze color gradation technique...

Phallic charm from Lamphun Northern Thailand- serendipitously enough, where they have an annual sausage festival...

Glass ojime (slide bead for tightening the cord going from netsuke to inro) in a form of tombodama bead in barrel shape with semitransparent body and decoration of Santa Claus, Christmas tree and falling snow. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Beautifully made, very pleasant patina. Diameter 0.72 inches.

Japanese Brown Stoneware Tokkuri, Sake Bottle, 1980, heavily potted stoneware and Black splash design on one side, small flake chips around the top rim.

Japanese Stoneware hanging Vase with green and purple color drip glaze over dark brown unglazed surface, 4 3/4" high, 3 1/4" x 3 3/4" wide, the condition is good, no damages.

An interesting modern, abstract koro. The compressed sphere with elliptical, off centered opening. A warm, brown temmoku glaze with darker brown glaze dripping from the top and stopping in controlled fashion above a well - continuing to form the unglazed foot in ogee fashion. An artist seal (three or four stylized Kanji characters within an oval) is impressed into the concave base near the foot rim. Very good condition. Some burnt on kiln residue on the foot goes to 'wabi'...

Serving plate. Over a grayish brown stoneware a geometrical design in blue, brown and green glazes, partly with fine crackle. Unsigned, but clay, color and design remind one of Mashiko ware. Diameter 10 ¼ inches, height 2 inches. Japan, 2nd half 20th century. Slight traces of usage (tiny scratches and water stains), otherwise very good condition.

Cambodian Angkhor Thom design hinged Silver Box, 1 1/2" high, 6 3/8" wide, 3 7/8" deep, impressed design of Angkor Thom within impressed scrolling leaves and vines design border on top, and scrolling leafy design on all sides, impressed mark on the bottom. The condition is good.

Bonhams sale catalog THE BLUETTE H. KIRCHHOFF COLLECTION OF NETSUKE AND SAGEMONO that took place in New York on September 16, 2009. Soft covers, 276 lots described and illustrated in color, excellent reference book, in great condition.

Wood tray with traditional Ainu pattern made by Ainu people in Hokkaido. Generally in good condition but has some scratches and the reddish color came off. 20th century. 30.5cm x 20.2cm x 1cm

Vintage Japanese kogo (box for incense during tea ceremony) made out of natural clam shell painted with lacquer on the inside with of a gnarled trunk and cherry flowers. Very clever design, rather suggestive erotic (see Enlargement 6) connotation as is usual with clam shape in Japanese culture, two parts fit perfectly and stay closed very well, in superb condition. Signed with a seal of the artist that seem to read TOGAI. Wonderful piece in Japanese taste. Length 3 5/8 inches.

Wall vase for ikebana flower arrangement, to be hung at one of the vertical beams of the tokonoma. Brown stoneware with white inclusions, splash of greenish glaze...

Hamada Shoji saku (made by Shoji Hamada,) Ryuukyuu Kamado (Okinawa Kiln,) Aka-e Chawan (Red overglaze enamel Tea Bowl,) 1972. H. 3”(7.75cm) x Dia. 4.5”(11.5cm.) Footring diameter 2”(5cm.) Weight 13.5oz(384g.) Signed wooden box included. Okinawan motif and color palette (red, green, ochre on white background) on bowl with 9 facets around (see enlargement #2, bottom view.) Small areas of glaze loss around rim (see enlargement photos & comments below) measuring from 30mm to 2.5cm in length...

Beautiful Japanese silk kimono decorated with lovely understated design of flowers in a paste resist technique, painted details in gold, some use of gold thread, peach colored silk, Showa Period. Size: 61" long x 51" wide (cuff to cuff)

Katagami which is used for katazome (stenci-resist-dye), made of many layers of washi (Japanese handmade paper). It is painted with kakishibu (persimmon tannin) for waterproof and strength. The pattern "Kanze-mizu" is derived from the crest of the Noh drama player Kanze Dayu which is whirl of water. He was the founder of Kanze style Noh (15th century). In good condition. 20th century. 38cm x 45cm