Japanese glass ojime in a form of tombodama bead with two flowers on stems with prickly leaves - appear to be some species of a thistle. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.76 inches.

Japanese glass ojime in a form of tombodama bead of flattened ball shape with black body and 2 pairs of sunflower and face designs. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Diameter 0.81 inches.

Japanese glass ojime in a form of tombodama bead with bright red flowers floating in a stream, fine gols foil flakes background. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.64 inches.

Japanese glass ojime in a form of tombodama bead of flattened ball shape with inlays of a butterfly and cherry flowers. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Diameter 0.78 inches.

Japanese glass ojime in a form of tombodama bead with cherry red body and 2 clusters of white flowers and beautiful ribbed leaves. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals and yellow centers of the flowers and fine structures of the leaves, in perfect condition. Height 0.65 inches.

Japanese glass ojime in a form of tombodama bead with numerous cherry flowers and a crescent moon, silver foil flakes background. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.64 inches.

Japanese glass ojime in a form of tombodama bead with black body and of numerous white flowers and beautiful ribbed leaves. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals and yellow centers of the flowers and fine structures of the leaves, in perfect condition. Height 0.6 inches.

Japanese glass ojime in a form of tombodama bead with milky white body and multicolor brocade pattern. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Height 0.68 inches.

A silk fukuro obi sash. On a background of woven gold-thread and cream-colored silk is a repeating diamond-shaped pattern of stylized flowers and feathers in gold-thread brocade and brightly colored silk (orange, yellow, green, blue, red and white).

Woven-in manufacture mark turned inside and obscured by the seam.

Japan, Showa era, ca. 1960s-1990s

L 169 x W 11.75 in. (ca...

Vintage Japanese wooden okimono carved in a shape of a doll of Zen Patriarch Daruma enveloped in his monastic robe. Good size and unusually fat sculpture carved out of chosen matsu (Korean pine wood), its face done in ittobori (one cut) style characteristic of Hida school with clever use of wood colors and structure to add to the charm of the piece. Excellent sense of volume, pupils are inlaid with metal, beautiful patina. Signed on the back with 2 characters that can be read as KOKUEI...

Early Showa period (1930s) Japanese kogo (box for incense during tea ceremony) of turned wood, top and bottom are lacquered with concentric circles of different colors. Elegant object in Japanese taste with overwhelming simplicity, two parts fit perfectly, beautiful surfaces, in excellent condition. Diameter 1.9 inches.

An old Japanese temple lantern made entirely of bronze. Sacred jewel called Hoju is represented in the finial. Hinged door allows access to the interior.

TANUKI INCENCE BURNER

Pottery incense burner of raccoon dog with such a kindly face, Taisho period (1912-1926), Japan, approx. H 14.5 x 13.5 x 13cm (5.70 x 5.31 x 5.11in). In well-used condition for long years as seen sooted inner part. Five small chips at upper lid as is...

A silk fukuro obi sash. In jacquard weave with 2 hues of gold-thread and red, green, yellow and brown silk. Clematis meandering upwards against a yellow-golden background, partially obscured by copper-golden stylized flower shapes.

The back of the obi is plain cream-colored silk, as is about 1.5 meters on the front, which would be invisible when wrapped around the body. The last 16.5 inches of the obi seamlessly fit onto the rest of the design.

Japan, Showa era, ca...

Han-juban (short under kimono) made of plain weave silk and beni-itajime (clamp-board dye) with hand painted Yuzen design. The red dye is chemical which was practiced from Meiji period (late 19th century), after beni-itajime with beni(safflower), practiced in Kyoto in Edo period. The last image is beni-itajime with Yuzen dye. The lining is cotton. In excellent condition...

Chirimen (crepe) silk kimono imprinted with Okinawa bingata design of irregular bands of flowers and plants of the seasons, in roundels, on waves, on vines etc. The outlines and basic forms are in brown, ochre and brown-red, while the flowers and leaves are colored in the red, yellow, green, and purple. Along the bottom is a band of stylized waves in red and brown.

On the inside white silk or rayon lining in top half...

Late Meiji to early Taisho (1920s) Japanese Kutani porcelain obidome (sash ornament) with enamel decoration of various flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Nice design, good quality painting with gold and other enamels, bar on the back for an obi cord, pleasant patina. Marked on the back bar with 2 characters reading KUTANI. Length 1.7 inches.

Vintage Japanese Komai metal obidome (sash ornament) with gold decoration of chrysanthemum flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Nice design, superb quality crisp metalwork, two fittings for a cord on the back. Length 2.08 inches.

Vintage Japanese glass obidome (sash ornament) with complex interwoven red, black and white streaks resembling kelp strands.. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Excellent crisp work, very pleasant to hold. Length 0.88 inches.

Unusual vintage Japanese wooden obidome (sash ornament) carved as a peony flower with leaves resting on an open fan. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Excellent sharp carving, beautiful painted highlights, very pleasant to handle. Signed on the back with a kakihan (carved monogram) of the artist. Length 3.1 inches.

Bonhams sale catalog THE BLUETTE H. KIRCHHOFF COLLECTION OF NETSUKE AND SAGEMONO that took place in New York on September 16, 2009. Soft covers, 276 lots described and illustrated in color, excellent reference book, in great condition.

Tsuchiya Koitsu
Mandarin Ducks
Date: 1930s.
Size: Mitsugiri-ban. Approximately 15.75 x 7.5 inches.
Publisher: Doi Hangaten.
Reference: Koitsu catalog no. TK-DH-76.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Medium: Japanese woodblock print.
Condition: Excellent. Back top margin has tape residue.
Note: An usual subject for Koitsu.

Vintage Japanese sunburst jasper obidome (sash ornament). Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Nice stone, natural lines in the material, beautiful finish, very pleasant to handle. Brass frame with two fittings on the back for a cord. Length 1.6 inches.

Japanese glass obidome (sash ornament) with flowers floating on a stream with air bubbles and silver foil flakes. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Nice design, wonderful quality glasswork, very pleasant to hold. Length 0.88 inches.

Wooden panel covered with a thick layer of green urushi lacquer decorated with a lake landscape. A pontoon on stilts in light relief brown, ocher and yellow lacquer is surrounded by flowering Irises. The leaves are also in green thick lacquer and the flowers are in mother-of-pearl and eggshell, probably ostrich. The work is particularly neat and very solid. No signature, but certainly an excellent artist...

Brown silk homongi formal kimono with dots in jacquard and with gold threads interwoven, so that the fabric sparkles when the light hits it. The upper part is undecorated, except for three crests of the Sakagami family on the back...

Magnificent Ko Iga flower vase made by Zoroku Mashimizu (1861-1936)

Zoroku Masashimizu was born in Kyoto with the childhood name Jutaro.
After his father passed away, he devoted himself to pottery under the guidance of his mother, Chika. In 1882 he succeeded to the name Masashimizu Zoroku. In 1884 he received a medal at the Kyoto Exposition. He also won the first gold prize at the Nanto Expo. In 1917 he moved his kiln to Nishinoyama, Yamashina Ward, Kyoto City.
During t...

Contemporary Japanese glass obidome (sash ornament) with multiple rods depicting various flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Beautiful design, superb quality glasswork, very pleasant finish. Metal fixture with two loops on the back for an obi cord. Diameter 1.07 inches.

Vintage green stained staghorn obidome (sash ornament) carved as a running lizard. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Clever design, good quality carving, nice finish and patina, two metal fittings on the back for an obi cord. Length 2 inches.

Japanese bronze okimono (also can be used as scroll weight) of a resting ram by the metal artist Masahiko Katori (1899-1988), who was recognized in 1977 as a holder of Intangible Cultural Property - the term refers exclusively to human skills possessed by individuals which are indispensable to produce Cultural Properties...

Lilian May Miller (1895-1943)
A Japanese Garden
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Light crease at lower right corner.

TAGETA

Old Japanese wooden clogs used in agricultural work at rice fields or in walking through marshy ground, so-called 'Tageta'. Showa period, 20th century. approx...

PHALLIC TALISMAN AND OLD HAND-COPIED SUTRA

Set of wooden charm with Somin Shorai's name (ref. 'Somin Shorai' - https://en.wikipedia.org/wiki/Somin_Sh%C5%8Drai) and the sutra with myriads of 'Hail Amitabha Buddha' in Japanese, originally acquired from the dealer from Tohoku region. Early-mid 20th century, Japan. Charm: H 20cm (7.87in), Sutra: 41 x 16.5cm (16.14 x 6.49in). Aged deterioration as is.


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Vintage Japanese lacquer kogai style kanzashi - a hair pin - with black and gold lacquer decoration. Kogai type kanzashi consists of two sticks featuring a design on each end, which tend to be wider than the centre. Kogai resemble sheathed swords, with one end being removable in order for it to be placed in the hairstyle. Wonderful elegant lacquer work, some chipping to the edge of one stick at the center of the piece. Signed with one character in gold lacquer, appears to read JI. Length assembl...

Vintage Japanese lacquer kogai style kanzashi - a hair pin - with lacquer decoration of flowers in a stream. Kogai type kanzashi consists of two sticks featuring a design on each end, which tend to be wider than the centre. Kogai resemble sheathed swords, with one end being removable in order for it to be placed in the hairstyle. Wonderful lacquer work, in very good vintage condition. Length assembled 4 1/4 inches. Part of East Coast Japanese hair items collection.

Late Meiji period (1890s 1912) Japanese buffalo horn kushi (hair comb) with overlayed decoration of a fan, a mallet and 2 fan tops, design continuing on both sides. Nicely made, good work in Japanese taste, some insect damage as seen on photos. Length 3.7 inches. Part of East Coast collection of Japanese hair items.

Japanese glass ojime in a form of tombodama bead with four white petaled flowers with multicolored stamens, leaves and fine tiny silver foil inclusions. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.8 inches.

Japanese glass ojime in a form of tombodama bead with nine yellow petaled flowers with orange stamens, leaves and 24K gold leaf inclusions. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.8 inches.

A stand made of a fine piece of heavy, cypress wood emulating a rock. The top with a flat, smooth area on which to place items for contemplation or small ikebana arrangements. H 11 x L 24 cm. Japan or China, most probably from around 1920. Condition: Excellent with a wonderful patina.

Ohara Shoson (Koson)
Pheasants and Maple Tree
Size: Approximately 5.25 x 3.25 inches.
Date: ca. 1930s.
Shoson seal at lower right
Publisher: Watanabe Shozaburo.
Reference: AS.15 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

BECKONING CAT

Lovely vintage pottery 'Maneki-neko' (https://en.wikipedia.org/wiki/Maneki-neko). Showa period, early-mid 20th century, Japan. H 11 x 6 x 6cm (4.33 x 2.36 x 2.36in). The condition is as is as seen.


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Very rare carving of the Three Wise Monkeys, sanzaru in Japanese, sitting on two logs. The one who hears no evil (kikazaru) and the one who speaks no evil (iwazaru) are sitting together. A little separated from them sits the one that sees no evil (mizaru). Carved in facet-cut (abstracted style) in soft cedar wood (sugi).

Signature in the bottom: Masahide.

Japan, first half of to mid-20th century.

H 3.25 x W 8.75 x D 2.1 in.

Short splinter on the base, otherwise very ...

Modern, large roundish bamboo flower basket Hanakago Material: Madake bamboo, rattan, lacquer. It comes with the original lacquered bamboo water receptacle Otoshi. Artist’s inscription to bottom: CHIKUHOUSAI. H 27 x D 29 cm. Perfect condition. **** Okasaki Chikuhousai was born in Beppu in 1933; Kyushu. Studied under his father Chikuhosai I. In 1953, he was selected for the Japan Traditional Art Crafts Exhibition. Since 1975, he has exhibited at the Seibu Kogei Exhibition, winning a...

Vintage Japanese woven bamboo ikebana basket with four woven “feet” forming a square on the bottom, squat round body and long neck, excellent for use in tea ceremony or flower arrangement. Superb piece made in Karamono (Chinese, more formal than Japanese) style with shape and execution of the weave in regular rows. Finely woven smoked narrow bamboo strips, rich warm patina from smoking process and age, black lacquered bamboo insert. The basket is in excellent shape. Signed HONAN SAKU (made b...

KATAKANA

45 pieces of vintage Japanese metal letterpress movable type, 'Katakana' (Angular form of Japanese syllabary, primarily used for words of foreign origin). Showa period, 20th century, Japan. One piece: approx. 1.5 x 1.5 x D 2cm (0.59 x 0.59 x 0.78in)


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A sashi (obi) made of plain weave silk with katazome design whose motifs are Edo Hikeshi (fireman) such as hanten (jacket) with brigade's marks, matoi (brigade's symbol) etc. Lining is twill weave black silk cloth. In excellent condition. The first half of the 20th century. 31cm x 4m12cm

Japanese shin hanga woodblock print titled “Santa Fe” by Toshi Yoshida (1911-1995) dated 1971. The print is titled and dated in Japanese in the left margin. The artist’s block signature and English title are in the bottom margin. This image was printed posthumously by the Yoshida family from the original blocks. On the back in the lower corner is written in Japanese “later printing by Komatsu Heihachi.” Paper: 14 1/2” x 21 1/2" (image: 11 3/4" x 19 1/2"). Very good overall cond...

Winnowing basket called "箕（mi)"which is used by farmers to eliminate or blow out unnecessary stuffs. It is made of bamboo and covered with washi and painted with kakishibu (persimmon tannin). Bamboo mi is made in rather warmer region and bast of trees are made in colder region, however, it is not clear when these ones are made. Generally, in good condition but have some minor breaks or rips. 20th century. W:45cm to 43cm, L:36.5cm to 34cm. Possible to sell one piece for $40.

SETTING

Old Japanese tool for setting a saw, Showa period, early-mid 20th century, 22 x 47 x 5cm (8.66 x 18.50 x 1.96in). The condition is as is as seen.


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Sakiori sodenashi (vest) handwoven of strips recycled from old cotton cloth for wefts, and hemp yarn for warps. Sakiori hanten and sodenashi were made mainly in districts along the Japan Sea of the mainland, where they have much snow and cold climate in winter. Piping cloth is indigo dye cotton. In excellent condition. The first half of the 20th century. W:49cm, L:86cm

Elegant and very unusual shaped Japanese bamboo Flower Basket Ca. 1925. A series of fine butterfly knots line the bamboo on both sides and the handle. The weave is a delicate warp and weft with tiny knots embroidering the edges of the opening. H: 35cm by W: 34cm. excellent condition. No signature.

A wood bowl used by a lacquer ware maker. It has layers of red and black urushi. It is used by a craftsperson of Aizu-nuri, from Aizu in Fukushima in Tohoku district. The first half of the 20th century. Diameter:15.8cm, H:6.5cm

A wood plate used by a lacquer ware maker. It has layers of red and black urushi. It is used by a craftsperson of Aizu-nuri, from Aizu in Fukushima in Tohoku district. The first half of the 20th century. Diameter:16.4cm, H:4cm

Takahashi Shotei
Shrine by the River
Date: 1930s. This edition early postwar.
Size: 5.5 x 3.625 inches
Publisher: Watanabe Shozaburo.
Artist's seal at lower right.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin edge has slight browning.

Our favorite style of tetsubin iron tea pot. From the famed Nambu foundtry in northern Japan, this 'arare' or hail style design is very art deco. Stamped with the foundry seal, the tea pot is 9" tall and 8" in diameter. Excellent condition. Ask for shipping quote. Ca. 1950

Japanese Tsugaru / Wakasa lacquer box and six coasters, early 20th century lacquer work with a speckled and metallic surface, an old Honshu speciality. The pattern is rhombic, the lid of the box gold or bronze coloured, the coasters a reddish brown. The back of the coasters is black and slightly structured. Diameter of coasters "3 ¼ / 9.5 cm and of box "5 / 12.5 cm. Condition: small loss of lacquer to the rim of the lid, otherwise fine.

A carved and dark red lacquered oval tea tray with cherry blossom in cinnabar red and yellow-white. Made in Kamakura, the back with a stamped seal mark. Width "17/ 43 cm. Condition: minimal wear.

Vintage Japanese incense stick container carved out of kurogaki (black persimmon) wood, the body with dense leaf design, and the cover with fine lattice design and an oval reserve containing the the character FUKU (happiness. Excellent sharp work, very pleasant to handle, the cover fits neatly, beautiful patina. Very good object for a scholar’s desk. Length 9.25 inches.

1937's Kawase Hasui Unmounted Woodblock Print Zentsuji Temple in Rain

It is 15.35 inches (39 cm) in length by 10.3 inches (26.2 cm) wide. The watanabe seal is 6.58 mm in diameter.

It has discoloration, fading, toning, yellowing, and wears (as seen in the photos).

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UNREFINED JINGASA SAMURAI HATS 2pc.

Two pieces set of old wooden molds for 'jingasa' (samurai soldier's hat) or the unfinished products itself before lacquered. Either way, could be for the vintage replica, but rare find for sure. Early-mid 20th century, Japan. approx. 34 x 34 x H 10cm (13.38 x 13.38 x 3.93in)


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