An extremely finely and delicately painted eggshell porcelain bowl by Wang Yijun. The poem on the reverse side reads "Wen ji qi wu xiang feng nian, fu gui rong hua ren ping an. Wang Yijun zuo" which can translate as "Practice the sword while hearing roosters (meaning work hard) and enjoy the affluence of the year; wish people wealth, prosperity and safety. Made by Wang Yijun"The seal mark to the base reads "Jingdezhen Zuo" - Made in Jingdezhen. Wang Yijun (1904 - 1989)was born in Anhui, China. A...

A fine Chinese scholar's agate brusher washer with many of the stems and leaves worked away from the vessel in an open worked manner. The stone is a translucent light grey to almost clear color with the stems and leaves having light russet colors terminating in the leaves to an orange hue. The overall appearance resembles a lotus leaf curling on the edges with stems, leaves, and seed pod that are worked over top and around all sides including the bottom. They are finely back carved and underc...

A Chinese jade vase, carved as a lotus leaf with a flower in one corner and a ribbon tying the leaf and its coiled trailing stalk forming the base. The composition is very attractive, the body is quite thinly carved and the stone is of celadon hue. A high quality example of Qing lapidary arts, it measures 14 cm ( 5 1/2 inches) high. It comes with its own custom made wooden base. Age; 19 C. condition: excellent.

An 18th Century Japanese porcelain scalloped serving bowl, with lid, decorated with the Imari colors of red, blue, white, cream, and gold. The tureen measures about 9 1/4" long x 6 1/2" wide x 7" tall. The Shippo design family crest has been applied in gold on the blue panels. The finial is modeled as a sixteen pedal chrysanthemum blossom. The condition is excellent, with some wear to gold highlights. The asking price includes shipping within the USA.

How rare it is to find an early soft paste porcelain platter of this size, 16" X 20". This platter in excellent condition is made by the "Bow" factory circa 1765

Condition: excellent Width: 16 inches, Length: 20 inches

The last rare Joseon Dynasty Munjado-Chaekgeori combination screen offered for sale was a decade ago at auction. It will likely be at least that long until you see another, if you ever see one for sale again at all. Even most museums have been unable to find one to acquire. The Cleveland Museum has a fine example. This rare combination of Munjado and Chaekgeori was painted only in the Gangwon Province. Munjado screens have eight pictorial ideographs depicting the Eight Confucian Virtues: Hyo ...

Please feel free to enjoy this Chinese wood carving of a seated Guanyin, early Qing dynasty. The Guanyin is seated in rajalitasana, royal ease, on a pierced rockwork base with one leg lowered and the other with knee raised supporting the right arm, the face carved with a poised and calm expression, wearing a tiara and loose robes falling over the shoulders and open at the chest to reveal an elaborate beaded necklace.

There are no repairs visible, but pieces of laquer had been chipped...

This beautiful Dr. Wall period Worcester soft paste porcelain compote is a large early piece with fancy birds decoration and blue border. Its probably from the Giles workshop.

Condition: excellent Height: 11 inches

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

A very thinly potted small blue and white Ming dynasty saucer. It is so thinly potted that if held against the light, we can see through it. The centre of the saucer has a flower that looks like a lotus pod in a double circle. The porcelain is slightly grayish in colour. It has the Cheng Hua (1465-1487) six character mark and of the period.

There are minor firing faults with frittings and chips along the rim and base. No hair line crack. Generally in good condition.

The mea...

Ming cobalt blue + white porcelain platter depicting 4 Fish and Aquatic Plants. A rare collector's item depicting favoured subject during Chieng Hua (1465-1487) and Chia Ching (1522-1566) Reigns, i.e. 4 Fish identified as Qingyu (a fresh water Mullet), Baiyu (type of Carp), Lianyu (Bream) and Quiyu (Mandarin Fish). According to LiYiping, combination of these 4 Fish symbolises "unsullied and incorruptible". There are 2 natural firing cracks on the base of this dish (see last enlargement for det...

A rare Chinese enamel on copper medallion bowl decorated with three red-crowned cranes each holding a lingzhi, against a pink background. The interior with flowering peony. 18Th ~ 19th century.

The medallion bowls, three roundels against a coloured background, were produced in porcelain from the Qianlong reign to the Daoguang in the main, this bowl appears to be the enameller’s answer to the challenge.

Approximately 12.5 cm diameter. The bowl has had a slight knock to the e...

Kangxi style, but probably early 1800s

This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...

Chinese Scholar’s two-tier solid rosewood stand with carved boxwood edges. Produced in the 1950s, this is actually a copy of a 17th - early 18th century style that was made of zitan and edged in boxwood. A strong stand that will hold your heaviest object, the pieces were machine made with rough carvings, hand assembled (pegged and glued), and then hand finished and polished. In excellent condition, the stand measures 12” long x 7.25" wide x 4” high.

A beautiful early Kangxi wucai enameled tankard. Decorated with a design of different types of chrysanthemums and pendant lotus petals painted in iron red on either side of basket weave borders and flower cell borders. Silver mounted around 1750. Acquired in London. Condition. Very good condition. Small glaze ship at the foot ring. No further restoration or damage. Measurement: Hight 14 cm = 5.5 in weight 425 gram

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A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground. Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.

A rare 18th/19th Century carved agate snuff bottle with, possibly later, silver and rose quartz stopper. On the stopper is inscribed the Shanghai silversmiths "Wen Yuan" who are recorded as having traded from the Jiaqing (1796-1820) reign through until the Republic period (1912- 1949). Condition - excellent - there is a shallow chip on top, next to the mouth (please view enlargement 11) no further damages and no restoration. 5cm (2inches) high; 4.8cm (1.9 inches) wide.

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species.

Hat and sake bottle are attached to the tanuki with braided silk cords.

Mingei.

Root wood with black...