This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...
The overall condition of the globes is very good with the imperfections and wear expected given their 130+ years of age. The decorative frames are sturdy and the globes hold water with ease. At some point ...
This circular box is lacquered in brownish black with mother of pearl inlay encircling the lid which is well-fitted to the bottom box. The top is painted in slightly-raised gilt lacquer with two characters: “fu” and “shou,” for happiness and longevity. There is light wear to the edges of the lid, inner rims and to the base, as would be expected, and also a few minor touch-ups. Overall, considering the age and use, the box is in good condition with the mother...
清康熙 苹果绿棒槌瓶一对
瓶底和瓶身内部施白釉。两个瓶...
The slightly tapering form is sturdily potted and is enameled in grisaille with a bird perched on a wisteria branch amid roses toward the base. The scene, repeated on the broad sides, is reserved in a ground of yellow enamel. The narrow ends show two wisteria branches. This composition is known on other porcelains, all of which were commissioned for the Empress Dowager. The interior as well as the base are glazed white and a scrolling design in thin red enamel is ...
This vase has a graceful, slightly tapering long neck rising from a bulbous body – a classic Song Dynasty form, but this one was produced in the Qing Dynasty in the Song style. The dark “iron wire” crackle pattern covers the entire exterior, including the base, and extends in the the mouth. The interior is also glazed. The glaze is of a thick pale grayish-green celadon type, thinning slightly to a paler gray tone on the mouthrim and stopping just above the footring where th...
Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth th...
This item was made in China for the domestic market as a temple or home alter piece in the early 18th Century, probably during the reign of the Kangxi emperor (1662-1722).
Condition - excellent - no damages and no restoration.
8...
A brass body of classical dome form and small conical finial surmounted by an elaborated openwork finial, the central wide band adorned with four large copper, inlaid and pierced, medallions containing a calligraphic Arabic inscription, profusely inlaid in thick silver and interrupted by four elaborated cart...
This figure of a seated scholar is glazed turquoise with amber colored highlights. The back is mostly unglazed except for the original white slip coating, now darkened with age. The interior is hollow and unglazed, exposing the reddish clay body. The white slip coating continues for an inch or so into the interior cavity. The face is covered with a thin white slip (now darkened) but is otherwise unglazed. The turquoise glazed hat has a few old losses to the glaze wh...
The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.
It has hairline cracks, glaze crazing, stains, numbers written at the bottom, and surface wears and scratches (as seen in the photos).
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