Large and beautiful Burmese dry lacquer seated buddha, black lacquer with gold gilt, decorated all over with inlaid mirrors and colored glass, compassionate expression.

A mudra in Buddhist statues is a gesture and body posture holding special meaning and commemorating a few of the important moments in the Buddha’s life. One of the most common and popular mudra found depicted in Buddha statues is the Bhumisparsha, translated as the "touching earth gesture". The gesture represent the ...

Japanese black lacquered on woven Bamboo Trunk, with red lacquered wooden frame on the bottom, Ca. 1920's, 14 1/2" high, 27 1/4" x 15 1/4" wide, two(2) black iron lock compartment on the side and large handles in front and back and corners are wrapped around with black iron. Wooden stretchers on the bottom to support for strength, blue rice paper lining inside the top and the bottom. Some black lacquer loses on the surface and corners are worn.

Japanese Black Lacquered on woven Bamboo and hinged top Trunk with wooden frame for strength and Black Iron hardware, Ca. Meiji, 1880's, 22" high, 31" wide, 16" deep, Red lacquered leaf shape mon decoration with Kanji Characters, original woven rope handle in the back, and original Rice Paper lining inside. Some black lacquer finish pieces are off from the woven Bamboo surface.

A beauty!! Black Seto Chawan. This chawan is made by Seto-based potter Sugiura Yoshiki(1915-?), it reads Yoshiki on the base. Nice shape. Perfect to enjoy powered green tea (all season). Very good condition (please see photos). Width: 4.6". Height: 2.3". Weight: 0.59lb (270 grs).

Japanese Cedar, Cyprus wood two(2) section Tansu, Ca. Meiji period 1890's, 42" high, 35 1/2" wide, 16 1/2" deep, 2 graduated size long drawers above 2 long drawers in lower section, total 4 long drawers. Old red lacquer on black iron back plates are still visible. Small hole on the lower left side of bottom frame. The condition is original as found condition.

Elegant old lacquer towel rack, makie on black lacquer. The dimensions are 25" across at the top, 20 1/4" at the bottom and 22 1/4 inches in height.

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

Vintage bisque Halloween black cat candy container. The bottom is marked "Made In Japan." Circa 1930. Condition: excellent.

RIMPA SCHOOL INKSTONE CASE WITH BAMBOO FOREST IN MAKIE

Bold and refined gold and silver three-dimensional makie lacquer design with the black background in the style of 'Rimpa (Rinpa)' (ref. https://www.metmuseum.org/toah/hd/rinp/hd_rinp.htm). Edo period, Japan. 21.8 x 16.5 x 5 cm (8.58 x 6.49 x 1.96in). Some scratches in places and slight bend at lid due to age, but considered in generally very good condition for such aged lacquerware.


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A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.

Cedar wooden ‘post-hide’ or hashira kakushi that is used as a decoration of the vertical post in a room that is not a corner post, or the vertical post of the tokonoma (niche). The post-hide is the same width as the the vertical pillar posts in a Japanese house, hiding it thus almost completely in width.
Dark stained cedar wood, the sides covered in black lacquer, the front inlaid in ceramic with Raiden the thunder god who is angling with an anchor for one of his thunder drums that dro...

Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Japanese Marquetry inlaid Table, mid 1800's, beautifully detailed various design and color of wood Marquetry works are displayed in this three(3) functional table, all in one(1) table as a Book Stand, a Chess table and a Sewing or Work Table, 33 1/2" high, 13" deep, 35 1/2" wide when it is open, 17 1/2" wide when two(2) leaves are closed, with inlaid 4 side brackets support leaves on both sides. This multiple purpose table comes in two(2) parts, separate stand with curved black lacquered legs ...

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species.

Hat and sake bottle are attached to the tanuki with braided silk cords.

Mingei.

Root wood with black...

Ca. 1700s / early 1800s

This circular box is lacquered in brownish black with mother of pearl inlay encircling the lid which is well-fitted to the bottom box. The top is painted in slightly-raised gilt lacquer with two characters: “fu” and “shou,” for happiness and longevity. There is light wear to the edges of the lid, inner rims and to the base, as would be expected, and also a few minor touch-ups. Overall, considering the age and use, the box is in good condition with the mother...

DESCRIPTION: A skillfully lacquered suzuri-bako (writing box) from the Meiji Period, early 1900’s. The lid of the rectangular box is decorated with a takamakie floral design in gold, silver and shu (a hue of red-orange) lacquer on a black ro-iro ground. The interior of the lid and box are sprinkled in a nashiji cloud motif. This suzuri-bako is a complete set, fitted with the original water dropper and inkstone and its original kiri (paulownia) wood box with inscription. Excellent conditio...

Japanese two(2) section Tansu, Cedar and Cypress Wood, Chest on chest, Meiji period before 1910's, 42"high, 34" wide, 17" deep, 2 large long graduated size drawers on upper section above one long drawer above shorter drawer next to 2 small drawers on the right side, lacquer painted Crane on the black iron round back plates, and pulls. Some of the small upper section black iron pieces are broken off and one top round black iron back plate has no crane design, maybe replaced later date some time ...

Japanese Kiri wood two(2) section Tansu, Kiri and Cedar chest on chest, Meiji period, before 1900, 42" high, 33" wide, 17" deep with 5 graduated size long drawers, and carved and engraved floral shape black iron back plates have different motif carvings, and black iron handles. Pine wood used in the back and split in some areas caused by dryness and old age, shows wear and tear in original condition, as found condition from Japan.

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

A 950 silver Komai damascene panels bracelet circa 1900 1920. This scarce bracelet from Japan features eleven 1-1/16" x 3/8" loop-linked panels with inlaid silver and gold on a black matte (actually iron) ground. The panels resemble those in room dividing screens, and each has a different design and a simple engraved design on the back of the silver sections. It also has a long safety chain and a box clasp which is stamped 950 SILVER. This bracelet measures 7-1/8" x 1/1/8". It is in excellent...

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor...

A rare Burmese book with paper (made from mulberry tree bark) pages, the front and back covers with lacquer relief decoration with small inset glass spangles. The central panels showing the title of the book in Burmese script. Approximately 280 pages, handwritten in black Burmese script, edges gilt. Condition: covers are dusty (one is dirty) and with some wear, some corners with small losses. Pages with few stains, but wormholes. Dimension: 39.4 x 17.6 x 9.5 cm, weight: 2.4 kg.

Modern, large roundish bamboo flower basket Hanakago Material: Madake bamboo, rattan, lacquer. It comes with the original lacquered bamboo water receptacle Otoshi. Artist’s inscription to bottom: CHIKUHOUSAI. H 27 x D 29 cm. Perfect condition. **** Okasaki Chikuhousai was born in Beppu in 1933; Kyushu. Studied under his father Chikuhosai I. In 1953, he was selected for the Japan Traditional Art Crafts Exhibition. Since 1975, he has exhibited at the Seibu Kogei Exhibition, winning a...

This dramatic Big Red—a name Daniel Tretiak attached to Haku Maki’s large red prints, usually of single Chinese characters (kanji) on black backgrounds—is a character meaning ordinary or commonplace. But Maki has done it in a stand-out way. It is 17.5in W x 24.5inH. NOTE: Dan Tretiak also referred to other large single-character ones of other colors as Big Yellow, Big Green, etc. See an interesting discussion of this between him and a friend at entry #1191431 below.

Many fine antiques were exported via Hong Kong in the beginning Chinese economic reform days. This fine sancai warrior statue was exported to Japan round '80 and stored by Japanese famous collector. It was excavated from the room of huge tomb as one of the twelve god guards It is seemed the warrior had a sword, it is seen monster animal's face on the both sleeves that is a influence from Persia. It is guaranteed as genuine piece by Noriki Shimazu the famous Japanese researcher for Asian antiques...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...

Rare Chinese Ming Dynasty Blue & White Hexagonal Porcelain Jar

This rare blue & white porcelain jar of hexagonal form was made during the 16th Century. It is quite "heavily-potted" and attractively decorated in underglaze blue of good colour. Each of the six sides features a chrysanthemum blossom (the emblem of friendship and representing a life of ease). Around the shoulder is what is possibly a cloud collar (representing long life). As can be seen, on the edges of the sides there is "frit...

Fine & Rare Chinese Ming Dynasty Blue & White Kraak Porcelain Dish

This fine "kraak" porcelain dish was made in the late 16th century, during the Wanli reign (1573 - 1620) of the Ming Dynasty, or possibly slightly later. The dish has a moulded lobed cavetto and is decorated in underglaze blue of good colour. The rare and unusual pattern features a singing bird sitting in a blossoming tree (no such dish with this pattern appears in the "bible" of kraak porcelain, "Kraak Porcelain" by Maura Ri...

Fine Chinese Ming Dynasty Blue & White Conical Covered Porcelain Box (Ex. Lammers Collection)

This attractive small round porcelain box of rare and unusual form was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. The underglaze blue decoration is of a particularly good colour. The decoration to the conical cover comprises two chilong dragons. The lower section is decoration with a floral pattern.

Diameter 5.5 cm. It is in fine condition with no repair or restoration, altho...

Fine Chinese Ming Dynasty Blue & White Porcelain Brush Washer

This attractive small porcelain jar, a brush washer, was made during the late 15th to early 16th century. It is relatively heavily-potted and decorated in underglaze blue of very good colour with a pattern featuring scrolling lotus blossoms. Both inner and outer surfaces are coated in a thick glaze. The foot and recessed flat base remain unglazed.

Diameter 6.75 cm. A fine example in fine condition. No repair or restoration. ...

Chinese Ming Dynasty Blue & White Porcelain Brush Washer (Ex.Lammers Collection)

This attractive small porcelain jar, a brush washer, was made during the Hongzhi reign (1488 - 1505) of the Ming Dynasty. It is relatively heavily-potted and decorated in underglaze blue of good colour in a pattern featuring scrolling lotus blossoms. Both inner and outer surfaces are coated in a finely-crackled glaze. The foot and recessed flat base remain unglazed.

Diameter 6.75 cm. It is in very good condi...

Large Chinese Ming Dynasty Blue & White Porcelain Dragon Dish (Ex. Lammers Collection)

This attractive porcelain dish was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. This particular type of ware is referred to as "Zhangzhou" or "Swatow" ware and it was commonly exported around south-east Asia. The underglaze blue decoration is of very good colour. The pattern features a chilong (qilong) dragon in a landscape with three further dragons around the cavetto interspersed with p...

Chinese Ming Dynasty Blue & White Porcelain Covered Jar

This attractively-shaped porcelain jar was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. Both jar and cover are decorated in underglaze blue with scrolling floral and lotus patterns, and coated in a silky smooth glaze. The inner surface of the jar is also glazed whereas the underside of the cover and the recessed flat base of the jar remain unglazed revealing the pale porcelain body.

Diameter 11 cm, height 11 cm. C...