Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Chinese Qing dynasty Kangxi marked monochrome beehive form water coupe (taibo zun) covered overall in a copper red glaze. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. This type of water pot was used to refill a low flat brush washer. 5 1/8” diameter by 3 1/2” high. Guangxu period (late 19th century). The neck and mouth have been carefully ground down. The pot is otherwise ...

The size of Large Imari Bowl: 15 1/8" Dia x 5 1/2" High, 38.5 cm x 14 cm
This is top quality Japanese Ko Imari Porcelain Bowl from early Meiji
Period, 1868-1912, circa around 1860-1880's. It has main background
design of Kasane Noshi and Dragon design. Noshi is happy blessing
symbols Ribbon design for the well wish when peoples getting marry.
More Noshi you have more blessing you are getting happiness.
There also total 8 crane origami design decorated in the Noshi...

Large Chinese Ming dynasty wide-mouthed globular form guan jar with short, vertical collar-like neck and wide angled mouth covered overall in a dark brown/black crackled glaze that coats the interior and ends at the base. A thread relief moulded band of scrolling foliage decorates the upper section of the jar. A narrow floral band is above it. A circular trademark with four small flowers surrounding it is in relief on the flat, unglazed base. 11” high by about 11” diameter. Circa 16th/1...

The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish lik...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

Antique, 19th century, Russian Orthodox icon of Saint Sergius of Radonezh. The icon is finely hand-painted with egg tempera, gold leaf, and gesso on a wooden panel with a splint (shponk) inserted in the back.

The icon depicts the Russian Orthodox saint Sergius of Radonezh. On the upper left side, Christ Pantocrator is shown blessing the saint, with the Gospels labeled in the Old Church Slavonic alphabet at the top.

The edges are painted with eight different saints, the family's patron s...

An extremely finely and delicately painted eggshell porcelain bowl by Wang Yijun. The poem on the reverse side reads "Wen ji qi wu xiang feng nian, fu gui rong hua ren ping an. Wang Yijun zuo" which can translate as "Practice the sword while hearing roosters (meaning work hard) and enjoy the affluence of the year; wish people wealth, prosperity and safety. Made by Wang Yijun"The seal mark to the base reads "Jingdezhen Zuo" - Made in Jingdezhen. Wang Yijun (1904 - 1989)was born in Anhui, China. A...

This is a very fine pair of Japanese satsuma vases that stand just 4 1/4 inches tall. Attractive form, enamel colors and very fine details. They look like they have spent most of their lives stored in the box. One has the original sticker and both are signed. The signature looks a bit like the Kozan mark but we are not sure. Some of the larger flowers remind us of work seen on Bizan and Yabu pieces.

A Chinese Bronze Censer, Qing Dynasty. Diameter approximately 11.2 cm (across handles), height approximately 4.5 cm (without the stand) 6.7 cm (with the stand). The censer has few tiny dents. Good condition.

A Chinese Bronze Censer, Qing Dynasty. Weight approximately 660 gram, diameter 12.4 cm (across handles) and height approximately 5.8 cm. It has few soft scratches and a soft tiny dent. In good condition.

RED-PAINTING PAPER PLATE

Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. Thank you.

Description:

A bronze figure was finely cast in good size and was depicted by great craftsmanship.
Nice patina was preserved on the surface when accumulations were found within the pleats.
It was heavily cast in hefty weight.

Date: Ming Dynasty, 15th/16th century.

Height: 28cm.
Weight:1292 grams.

A CUSTOM-MADE SILK BOX IS INCLUDED.

A Cobalt-Blue Painted White Porcelain Incense Burner Joseon Dynasty 19th Century. A true treasure. A similar example recently sold at auction in Seoul for 1.5 million dollars. The cracks are not damage. They are original to the piece and happened during firing. The polyhedral incense burner set on a square four-leg foot, overall covered with underglaze cobalt blue paint, decorated in white porcelain low-relief of the Ten Signs of Long Life (Shipjaengsaeng) with finely incised details, the flarin...

A fine and very rare 'Transitional' vase painted in inky blue depicting a mountain landscape in classical scholars' taste. This item was made in the Dehua kilns, Fujian province, southern China, in the 17th Century, probably circa 1670-1680, early in the reign of the Kangxi emperor (1662-1722). For many additional pictures please view item #0626 at our Liverpool shop website at 69aliverpool.co.uk. Condition - very good - there is a light brown under glaze "production" hairline inside the mou...

Very rare and fine, museum quality 19th century Straits Chinese peranakan sirih or tobacco box. Silver with gilded decoration details. A wonderful and outstanding work of silver art. D : 9 cm.

These 12 porcelain dinner plates were produced in England by Spode Copelands China in the 1890s. They were produced especially for the high end retailer T. Good & Co. of London. The plates measure 10 ¾ inches in diameter. They are made of fine, white bone china. The set was used for decoration only. They are completely hand painted with floral centers and border reserves. No two plates are the same. Around the borders there are triangular ornaments painted with branches of berries surrou...

Wanli period, late Ming Dynasty, ca. late 1600s

This bowl is painted overall with a floral design in orange, green, and yellow enamels with black enamel outlines. The interior rim is decorated with a similar motif, and a single flower is painted on the interior base. The foot is encircled with double lines in underglaze cobalt blue and an underglaze cobalt blue design is painted on the base. The bowl has typical rim-fritting, and there is a small chip to the interior of the foot that has b...