A seated bronze figure of Buddha in the earth-touching gesture. The Buddha sits on a platform with openwork scroll patterns. The face is round with facial features done in an free and unusual manner that give a tranquil, meditative expression.

Period: Burma 17th/18th Century

Size: Height = 11.8 cm, Diameter of base: 6.8 cm

Condition: Good. There is a tubular opening at the back of the platform perhaps for a canopy.

REMAINS OF HANIWA

Large remains of the ornament part of ancient Japanese hollow unglazed terracotta figure from the Kofun period (3rd-7th century) so-called ‘Haniwa'. 20 x 14 x 4.5 cm (7.87 x 5.51 x 1.77in). Still left original paint as a rare piece. Bonded repair as seen. (Clearly from the back side but not from the front side.) Handmade removable wire hanging hook is attached.


selected by antiques.iwata




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The last rare Joseon Dynasty Munjado-Chaekgeori combination screen offered for sale was a decade ago at auction. It will likely be at least that long until you see another, if you ever see one for sale again at all. Even most museums have been unable to find one to acquire. The Cleveland Museum has a fine example. This rare combination of Munjado and Chaekgeori was painted only in the Gangwon Province. Munjado screens have eight pictorial ideographs depicting the Eight Confucian Virtues: Hyo ...

Ca. 1700s / early 1800s

This circular box is lacquered in brownish black with mother of pearl inlay encircling the lid which is well-fitted to the bottom box. The top is painted in slightly-raised gilt lacquer with two characters: “fu” and “shou,” for happiness and longevity. There is light wear to the edges of the lid, inner rims and to the base, as would be expected, and also a few minor touch-ups. Overall, considering the age and use, the box is in good condition with the mother...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

Japanese two(2) section Tansu, Cedar and Cypress Wood, Chest on chest, Meiji period before 1910's, 42"high, 34" wide, 17" deep, 2 large long graduated size drawers on upper section above one long drawer above shorter drawer next to 2 small drawers on the right side, lacquer painted Crane on the black iron round back plates, and pulls. Some of the small upper section black iron pieces are broken off and one top round black iron back plate has no crane design, maybe replaced later date some time ...

Description:

A wood water basin was nicely carved in shape of a lotus leaf with a lotus pond.
It was preserved in very good condition by nice brownish patina.
Some of the seeds in the lotus pond were still movable when some were sticked but nothing is missing.
It was a charming and very rare piece by this type.
Most of the old wood pieces were made as brush pots in relief carving.
This piece was carved in delicate workmanship to imitate the lotus leaf by thin wall a...

Modern, large roundish bamboo flower basket Hanakago Material: Madake bamboo, rattan, lacquer. It comes with the original lacquered bamboo water receptacle Otoshi. Artist’s inscription to bottom: CHIKUHOUSAI. H 27 x D 29 cm. Perfect condition. **** Okasaki Chikuhousai was born in Beppu in 1933; Kyushu. Studied under his father Chikuhosai I. In 1953, he was selected for the Japan Traditional Art Crafts Exhibition. Since 1975, he has exhibited at the Seibu Kogei Exhibition, winning a...

This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.

Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...

Early American Chippendale period tall blanket chest. 18th century. Size: 46 1/2 inches high x 41 inches wide x 19 1/8 inches deep. New England origin with a lift top above two faux drawer fronts over three real drawers, and retaining the original snipe hinges. Fancy cut-scroll bracket base and apron. Brass bail handles are replacements. A rare and early tall blanket chest in a blonde finish.

A Chinese jade libation cup of pale green hue with a flash of russet, carved in the shape of a peach and standing on a five petal support. The outside has scrolling foliage and the handle is formed as a flower spray with a flat reticulated top surface. An excellent example of 16/17 century lapidary art and in excellent condition. It comes with its own custom made wooden stand. size: 10 cm long

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long. Excellent condition with some color loss, very little holes or stain...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

Japanese Kiri wood two(2) section Tansu, Kiri and Cedar chest on chest, Meiji period, before 1900, 42" high, 33" wide, 17" deep with 5 graduated size long drawers, and carved and engraved floral shape black iron back plates have different motif carvings, and black iron handles. Pine wood used in the back and split in some areas caused by dryness and old age, shows wear and tear in original condition, as found condition from Japan.

The size of Large Imari Bowl: 15 1/8" Dia x 5 1/2" High, 38.5 cm x 14 cm
This is top quality Japanese Ko Imari Porcelain Bowl from early Meiji
Period, 1868-1912, circa around 1860-1880's. It has main background
design of Kasane Noshi and Dragon design. Noshi is happy blessing
symbols Ribbon design for the well wish when peoples getting marry.
More Noshi you have more blessing you are getting happiness.
There also total 8 crane origami design decorated in the Noshi...

A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels. This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting . Important Note: There is an identical jar and cover in the Topkapi S...

A pair small Chinese porcelain jars with lids, each decorated with two foo dogs among peony flowers and scrolls in the "wucai" palette with underglaze blue. Bases without glaze. Rare to find a pair with matching lids and with so fresh colors. Including two later reticulated wooden stands. Dimension with lid: 14.3 cm high, on stand: 17.3 cm high. Condition: one cover with glued area and rim chips. One jarlet with minor kiln dust and the other jar with negligible rim fritting. The wood stands with...

A great bamboo styled vase with paintings at two sides and inscription at two sides. Great Daoguang mark in the bottom. High 23.5 cm = 9.25 inch. Has a minor glaze hairline (not trough the body) at the top inside. Otherwise great condition.

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