A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.

This elegant pin/pendant consists of an oval of onyx in a sterling frame. The bail tests as 14kt, the pin stem tests as 10k yellow gold. In the center are inlaid gold stars, and along the periphery are inlaid flowers, most likely platinum. The frame is decorated with a silver twist, and a floral motif. It measures 1-15/16 x 1-5/8 inches, and weighs 25.9g. Circa 1880. There is some loss to a couple of the flowers, but it’s still a striking piece. The photos are part of the description. Please ...

Pair of Victorian sterling silver goblets. Make by Elkington & Co. Ltd in Birmingham in 1860. Each: Ovoid bowl on knopped stem; raised foot. Chased and engraved horse scenes. On one, mounted horses amble through the countryside. On the other, it’s a race to the finish with raised whip, the grandstand in the background. Victor’s wreath grapevine frame engraved with interlaced script monogram. Tooled and beaded borders. Gilt-washed interior. Fully marked. Very good condition.

Dimensions: H 6...

24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.

This intriguing (and slightly strange!) pair of pins is from the Art Nouveau era. They feature a woman’s face flanked by flowers, and her hair is greenish – just a little scary! We have been unable to determine what the metal is, so assume it’s not precious. They measure 1-1/4” x 1/2”. The pin stem assemblies are old, but they may be replacements. Circa 1900. The photos are part of the description; please examine carefully. Thanks! Shipping, handling & insurance within the USA included...

Pretty Victorian Classical sterling silver tray. Made by Meriden Britannia (part of International) in Connecticut, ca 1900. Shaped rectangular well and everted shoulder; scrolled rim applied with leafing scrolls and heraldic shield frames (vacant) surrounded by flowers. Fully marked including Meriden Britannia stamp and no. C1975. Very good condition.

Dimensions: H 5/8 x W 12 1/8 x D 8 3/4 in. Weight: 13.8 troy ounces. #BZ541

Victorian Classical sterling silver baby cup. Made by Gorham in Providence in 1888. Straight sides and lobed bracket handle with reeded bands. Stylized ornament: Scrolled frame surrounded by scrolls, leaves, flowers, and a couple hovering insects. Butler finish. Mouth rim has egg-and-dart border. At bottom cast low-relief rinceaux band between reeded borders. Gilt-washed interior. Interlaced script monogram. Full marked including maker’s stamp, date symbol, and no. 3875. Very good condition.

Ideal for Mother's Day (yes, there is still time to bring it home) this antique Victorian brooch is perfect to show your love and affection year round as well - whether to somebody else or yourself is up to you to decide! Wrought in the aesthetic style its decorative elements develop on different plains thus adding architectural interest and a dramatic depth of field. Tender roses in full bloom and leaves, some raised, some flat, textured with stippling and hand-etched details hold center stage ...

An elegant Victorian 18K gold pendant featuring an onyx plaque centered with a seed pearl. The gold setting is ornately worked in a rope twist motif and with bright-cut engraving. Three tiny seed pearls complete the design. The pendant is stamped with French 18K gold marks.

• Origin: France, ca. 1870
• Condition: excellent
• Dimensions: 1-7/32” x 5/8”
• Weight: 3.0 grams

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old mine cut diamond. The diamond has bright (G-ish) color and is VVS2 clarity. The griffin is depicted against a background of swirling foliage. The back is engraved to match the texture of the front. The griffin has two loops on the backs of the wingtips so it can be worn as a pendant. It originally also had a removable pin...

A really inventive Victorian 14K gold book chain necklace, each link in the form of a heart. The links are further enhanced with heart appliques engraved in a floral pattern. The necklace is completed with a large reeded bolt clasp that could easily hold multiple pendants or charms. Tested and guaranteed 14K.

• Origin: America, ca. 1880
• Condition: excellent
Dimensions: 18-3/4” long
• Weight: 32.1 grams

Victorian Classical sterling silver tray. Made by Tiffany & Co. in New York. Solid oval well with curved sides. Shoulder wide with chased flowers, scrolls, and open diaper in scrolled cartouches. Rim has applied leafing scrolls, flowerheads, and scallop shells. Fully marked including maker’s stamp, pattern no. 11239 (first produced in 1892), and director’s letter T (1892-1902). Very good condition.

Dimensions: H 1 1/4 x W 12 1/2 x D 10 1/8 in. Heavy weight: 20.5 troy ounces. #BZ617

An elegant Victorian bangle bracelet, the front set with a triple row of 76 natural seed pearls that splay open toward the center which is set with a floret of old mine cut diamonds. The pearls have cream body color and fine luster and are perfectly matched. The diamonds are F/G color and VVS2 clarity. The center diamond is .34 ct and the others are .06 ct each. The clasp is well-concealed and it is stamped “15 Ct” and also has French import marks.

• Origin: England, ca. 1900
• Co...

A nice pair of mid-Victorian earrings worked in chocolate brown lava set with pearls in 14K yellow gold. The earrings are designed as two acorns flanking an elongated amphora form surmounted by a lady’s head. The girandole arrangement (three elements suspended from a single element at the top) is relatively rare among lava earrings. Archaeological Revival lava jewelry from Pompeii was a very prized souvenir of a wealthy visitor’s Grand Tour through Italy due to the ongoing excavations there ...

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old mine cut diamond. The diamond is graded as G color, SI1 clarity. Griffins in brooches are often shown in a crouching position, but in this example, the creature is standing upright in a more assertive pose. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The pendant is stamped ...

A stunning early Victorian snake necklace in 18K gold. The body is worked in a graduated series of scaled links terminating in an ornate emerald- and garnet-set head suspending an emerald-set foliate drop. The construction of the snake’s body is very flexible and feels silky like a true snake. The ornate head with repoussé and chased decoration is more fanciful and resembles a Chinese dragon. The eyes are set with bright garnet cabochons and the head features a row of collet-set emerald cut ...

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old European cut diamond set in a milgrain platinum collet. The diamond is graded as I color, VS2 clarity. The griffin is surrounded by a circle of woody foliage. The back is engraved to match the texture of the front. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The bottom has ...

A lovely late Victorian 18K gold locket, the front and back covers worked in a stippled texture with engine-turned engraving along the borders. The front is further enhanced with a spray of vivid blue forget-me-nots and green foliage. In Victorian flower language, forget-me-nots symbolized true love or the desire to be remembered—either one a very fitting sentiment for a locket. The back cover has a monogram reserve that was never engraved. The interior retains the original frames and glass on...

Pair of Victorian Classical sterling silver sauceboats. Made by Tiffany & Co. in New York, ca 1883. Each: Rectilinear body with lip spout and curved corners on same raised foot; high-looping leaf-covered handle with ribbed cast volute scroll terminal between scrolls and incised volute scroll mount. Repousse rinceaux band between molded lines. Stylized egg-and-dart rims. Fully marked including maker’s stamp, pattern no. 7370 (first produced in 1883), and director’s letter M (1873-91). Very go...

George II sterling silver mug. Made by Samuel Welles in London in 1759. Baluster bowl with leaf-capped double-scroll handle. Raised foot with tooled leaf border. Chased and engraved bucolic scene with hounds racing through an orchard. A later Victorian homage to the tranquility of rural life. An even later engraved presentation in the frame formed by the leafing, overhanging trees: “Palm Beach Golf Club / Florida / State Championship / 1916 / First Prize / Runner Up / Won By”. No name follow...

Victorian Classical sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1877. Globular bowl with drum-form neck, small lip spout, and c-scroll handle. Bowl has vertical ornament in form of applied acanthus leaves alternating with embossed gadroons. Neck has applied harps in wreaths between leafing scrolls. Handle has applied rosette and leafing stem. Fully marked including maker’s stamp, pattern no. 4706 (first produced in 1877), and director’s letter M (1873-91). Very good ...

Pair of Victorian Classical sterling silver open salts. Made by Tiffany & Co. in New York. Each: Bellied bowl on 3 shell-mounted hoof supports. Repousse flowers and fronds. Everted rim with repousse scallop shells. Interlaced script monogram engraved on underside. Fully marked including maker’s stamp, pattern no. 4174, order no. 4997, and director’s letter T (1892-1902). Very good condition.

Dimensions: H 1 1/2 x D 2 1/2 in. Total weight: 3.4 troy ounces. #BZ171

This pin is unusual due to its length: it measures 2-1/4” x ½”. The fancy engraving is enhanced with black enamel, and the pin is centered by a faux pearl. The central element makes us think of a gear – this would be great to wear to a Steampunk event, or any event with a Victorian theme! It shows a little wear, but it’s still very pretty. The clasp might be a replacement. If so, it’s an old repair. The photos are part of the description. Please examine them carefully. Thanks! Shipp...

Victorian Modern sterling silver box. Made by Joseph Braham in London in 1895. Rectangular with straight and plain sides. Cover hinged and tabbed; top gently curved engine turning bordered by same. Box interior cedar lined. Cover interior gilt-washed. Underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 1/2 x W 5 5/8 x D 3 3/4 in. Gross weight: 17.5 troy ounces. #BZ621

This graceful pin is from the Edwardian/Art Nouveau era. The round peridot is framed by an oval of seed pearls, between delicate arabesques of gold set with more seed pearls, for a total of 30 (2 are replacements). Stamped 14k on the back, with an illegible maker’s mark, it measures 1-½” x 7/16" and weighs 2.0g. The peridot is slightly scratched, and the safety is a little loose and fussy, but in overall very good antique condition and with a nice patina. Circa 1910. Brought to Europe by th...

Victorian Classical sterling silver baby cup. Made by John Bell and Frederick Brasted in London in 1860. Baluster bowl on raised foot; leaf-capped double-scroll handle. Engraved interlaced strapwork frames of which two inset with flowers and two vacant. Gilt-washed interior. Fully marked. Very good condition.

Overall dimensions: H 4 3/4 x W 4 x D 2 3/4 in. Weight: 3.8 troy ounces. #BW475

Gorgeous Victorian Japonesque sterling silver baby cup. Made by William Hunter in London in 1877. Straight and upward tapering sides; leaf-mounted bamboo-style c-scroll handle. Dense and stylized acid-etched ornament with birds flitting amongst leafing and blossoming branches. Vertical arabesque frame (vacant). Gilt interior. Fully marked. Very good condition.

Dimensions: H 3 3/4 x W 4 x D 2 3/4 in. Weight: 5.6 troy ounces. #BZ391

This is one of our very favorite rings. It would make a lovely engagement ring for a woman who wants something a bit different, and the green & red stones make it great for St. Patrick’s, Christmas, or really any time at all! The central diamond is approximately 20 points (1/5 of a carat, but looks bigger), and is set in platinum. The rest of the setting is made of unmarked but tested 14k gold of a lovely rich yellow. There are 4 tiny rubies and 3 tiny green demantoid garnets. It’s very hard...

These are very unusual! We have only seen one other pair with photos, and those were not gold. Each cuff link features a photograph of an elegant lady in a high-necked blouse with upswept hair. This pair was clearly worn a lot, based on the patina, but they still look great. The 10k marks are on the back of the fronts only, not on the “torpedo” ends. We don’t test torpedoes, so can’t promise that they are also 10k, but they certainly look it. The fronts measure 7/8” x 5/8”, the torpe...

Victorian Classical sterling silver biscuit jar. Made by Henry Holland in London in 1872. Drum form; cover flat and hinged with vasiform finial. Engraved stylized floral ornament and oval frame (vacant). Mounted to round stand with four leafing-scroll and flower supports. Beading. Fully marked. Very good condition.

Overall dimensions: H 7 1/4 x W 8 x D 7 1/8 in. Weight: 23.5 troy ounces. #BZ367

This graceful festoon or garland necklace features seed pearls set in 10kt yellow gold, with pearls included in the draping chains, and a pearl dangle. Perfect for a bride, bridesmaid, or really anyone wishing for an elegant necklace for any occasion! The whole thing measures 14-5/8” (we have gold necklace extenders if needed). The decorated section measures 1-1/4” x 3/4” including the dangle. It is in very good antique condition. One seed pearl is missing, but it’s really hard to tell -...

Signed Webb Queen’s Burmese small pedestal footed creamer. The creamer stands 3 3/4 inches tall and has the impressed Webb signature on the ground pontil.

Victorian sterling silver baby cup. Made by John Aldwinckle & Thomas Slater in London in 1887. Straight and gently upward tapering sides and c-scroll handle. Ornamental borders engraved at top and bottom including ribbon-tied garlands. Festive and celebratory with plenty of room for announcing a special event. Interior gilt washed. Fully marked. Very good condition.

Dimensions: H 3 x W 3 3/8 x D 2 3/8 in. Weight: 3.4 troy ounces. #BW400

Webb satin finish peachblow rose bowl, 3 inches in diameter and 3 inches tall. The bowl is cased in white with the exterior shaded from dark red at the top to a yellowish red at the bottom. The rim is crimped and edged in gold. The body of the rose bowl is decorated with gold prunus and a butterfly. There is a ground and polished pontil mark.

Victorian Classical sterling silver paper knife. Made by Tiffany & Co. in New York, ca 1885. Serpentine and integral with hollow handle tapering into flat blade. Handle has allover floral repousse with feathered leaf border at bottom. Blade recto has acid-etched monogram with elongated, interlaced, and whiplash letters. Fully marked including maker’s stamp, director’s letter M (1873-91), and no. 730. Very good condition.

Dimensions: H 10 x W 1 1/4 x D 3/4 in. Weight: 3 troy ounces. #BZ252...

German silver tea scoop. Imported to England in 1892 by Thomas Glaser. Leaf-form bowl with veins and wispy, irregular tips. Woody stem with coiled tendril mounts. German maker's marks and English sterling-standard import marks including London assay stamp. Very good condition.

Dimensions: H 1 x L 4 1/8 x W 1 7/8 in. Weight: 1 troy ounce. #BZ286