A pair of tall Sheffield plate candlesticks with conforming bobeche. On round bases with lines alternating with elongated ovals up the base, column and socket. This style was current around 1800. The wear or “bleed” where the copper shows is on the high places. They are 12 inches (30.5 cm) tall and 5 ½ inches (14 cm) diameter at the base. No marks. Probably English.

Condition: no breaks or repairs...

Two pairs of plates with underglaze blue transfer decoration of a woman holding a tray of cakes with a child pulling at her dress and an oriental jardinière to one side surrounded with an elaborate floral swagged border. The smaller are more like shallow bowls than like plates. These two are porcelain and both marked with Hilditch and Sons mark for the period 1822-1830. The larger plates have overglaze lustre highlights and are not porcelain...

A set of tiles with a letter of the alphabet on each tile; one side with the small letter and the other side with it in capitals. Interestingly the small “s” is in the form of a small “f”, known as a “long s.” Its use was archaic by the early 19th century and since these types of tiles are thought to be used to teach spelling it seems likely that they would date from no later than the early 19th century...

C.1860 18ct Pietra-Dura Flower Brooch Antique 18K Gold Pietra Dura Brooch, Italy C.1875. Oval shape brooch with fine pietra dura floral green, robins egg blue inlay colors,and white and gold flowers as accents. 18K surround gold mount with 8 gold X's soldered symmetrically around the gold border.

Antique 9K gold Victorian "message" ring, "Mizpah, symbolizing a bond between two people, comes from a bible quote in the book of Genesis, "The Lord watch between thee and me, when we are absent one from another". Mizpah is the Hebrew word for "Watchtower", a pillar of stones which symbolized the covenant between Jacob and Laban. Mizpah rings were often exchanged between two people in the hope of protecting the two during a period of separation, often by war.

Lovely gray lava beads which were inspired by the ruins of Pompeii in Italy. Lava jewelry was actually made from the lava of Mt. Vesuvius as souvenir jewelry fro travelers on the Grand Tour. Notice how the beads are properly graduated, as one would only see on early jewelry made before mass production. The smallest beads at the clasp gradually getting larger until the central bead, which is appropriately the largest and the place where the eye is drawn to.

Delightful Victorian deep blue Vauxhall glass bug will be wonderful to wear for dress up or casual events. Vauxhall mirrored glass jewelry was made at the Vauxhall Glassworks in the outskirts of London, as a way of using their extra shards of mirror glass. It was sold to courting couples at the Vauxhall Pleasure Gardens, and became immensely popular for its intense colors and the exceptional quality of the glass...

Very large Art Nouveau sterling silver picture frame. Rectangular window in flat surround engraved with dense and fluid scrolls and flowers. Top rail center is vacant. With glass, silk lining, and velvet back and hinged support. For portrait (vertical) display. An eye-catching showcase for an important forbear. Fully marked including no. 720 and stamp for IN Deitsch, a New York maker who was active from ca 1904 to 1915. Very good condition.

Dimensions: Frame: H 17 x W 14 1/2 in...

English Georgian sterling silver salver, 1726. Square with lobed corners and same corner supports. Beautiful early Georgian. Fully marked including London assay stamp; maker’s mark worn. Good condition with nice period wear.

Dimensions: H 1 x W 5 3/4 x D 5 3/4 in. Weight: 6.4 troy ounces. #BT656

Chinese box padlock with key, made of brass, probably c 1900. Finely engraved with a bird and a dragon, a bridge and a cottage. Length "1 ¾ / 4.3 cm. Condition: fine.

Exotic mixed metal tea caddy. Made by Tiffany & Co. in New York, ca 1910. Sterling silver ginger-jar with squat and tapering sides, short neck, and snug-fitting cover. Copper ornament with irregular scrollwork. Fully marked including pattern no. 11975, director’s letter m, and phrase “Copper and Silver”. Very good condition.

Dimensions: H 3 3/4 x D 3 3/8 in. Weight: 5.6 troy ounces. #BT602

A large, Museum Quality tomb pottery figure of a female attendant. Se carries a dish in front of her chest.

The figure dates to Ming Dynasty, 1368-1644 AD.

The figure is placed on a large Lotus throne on top of high hexagonal plint, both are in fine deep cobolt blue and turquiose coloured glaze, as is the robe.

Her hair is styled very artfully and her head has finely hand painted facial details...

A Dutch Delft Jardiniere.Of flaring square form. Each side decorated with prunus in the Kakiemon style. Mid 18thC. Height: 11.2 cm. Condition: glaze frits and chip 1.2 cm in rim

Stickpins, also known as tie pins, have been collected since the 18th century when neckwear for men came into fashion. They were made in all manner of styles well into the 20th century, with no limits to the imagination as the pursuit of novelty came into full swing. The sun moon and stars motif represents the flow of time as our world cycles through from day to night...

Wonderful 15ct double sided Victorian locket ready for your favorite photograph! This lovely chased gold locket can be worn in 2 ways, with the belt buckle motif on the one side, or the old cut diamond on the other. Both sides are beautifully chased. The buckle and buckle motif was popularized by Queen Victoria, and the belt and buckle motif represented the Order of the Garter. The Order features the garter, which is imbued with the symbol of protection, fidelity, and loyalty...

Fabulous Berlin iron ring decorated what appears to be agricultural tools, including a scythe. The band has a floral motif. It is possible the ring was owned by a landowner farmer...

A very modern looking Niello locket with a modern design on its face and back in black enamel and silver. This most unusual locket would look wonderful hanging from your silver chain...

The rare fob pendant that is 3 pieces in 1; it includes a beautiful large niello dog clip which attaches to 3 niello links which further attaches to a 2 compartment round locket, .75 inches in diameter.. Long and elegant, the dog clip allows you to connect the pendant from any metal chain. The beauty of niello is that the colors work equally well with yellow gold, rose gold, silver, or even a niello chain. The locket has 2 compartments from which to hold photos. This niello technique derives...

This porcelain plate was produced in England by Brown, Westhead & Moore between the late 1870s and 1880s. It was produced especially for the renowned retailer Wilhelm Graef of New York. The plate has a diameter of 10 ¼”. The deep cobalt blue enamel ground is decorated with embossed gold flying herons and chrysanthemums. The flowers themselves are raised turquoise enamel. The design is Asian inspired and a fine example of the Aesthetic Movement. The striking contrasts and stunning design...

A large heavy porcelain ice-water pitcher made in either America or France but decorated in America, probably by E.V. Haughwout, a major New York City retailer of porcelain, glassware and silverware. This form, with a bridge near the spout for holding back ice cubes, is also known as a “sweetheart pitcher,” because of the vaguely heart-shaped wreath on either side. In that wreath on this pitcher is painted a view of the Green river in Wyoming and on the other side in gilt the name, “Mathew...

Large and well decorated porcelain pitcher with a group of flowers on one side and on the opposite side inside a gilt cartouche “L. Cummings.” in Gothic letters. The country of origin may be either France, in which case it was probably brought here blank and then decorated here or possibly it was made by an American manufacturer. The hard paste porcelain is unlikely to have been made in England, though they did on occasion import French blanks. Anyway, nice decoration from about 1870. 9 inch...

American decorated heavy porcelain ice-water pitcher. The porcelain in probably American, though it might be French. This form, with a bridge near the spout for holding back ice cubes, is also known as a “sweetheart pitcher,” because of the vaguely heart-shaped wreath on either side. On this pitcher, outside the “hearts” is a solid magenta ground, inside the hearts on either side in gilt Gothic letters is written, “Crescent Valley/House.” It is 9 3/8 inches (24 cm) tall. This form w...

An antique German silver mesh purse with pierced frame showing deers and roses. The frame marked with the crescent moon and crown, "800" and a maker's mark. Condition: a tiny hole in the mesh, two links of the chain a bit distorted. Dimension: frame: c. 19 cm wide, purse: c. 18 cm high, weight: 360 g.

Offered together as one lot, THREE pewter antique plates: one 8" diameter, bearing touch marks of London pewterer Samuel Ellis (1721-1773) and cursive initials "M P"; one, 8" diameter, no touch marks but antique initials, a primitive "P G" cut into the surface on bottom (and, considerably heavier than the other plates); finally, a plate of 9 1/4" diameter, no markings. The larger one appears polished and has pitting and significant dents, the others in somewhat better condition but also with c...

Dainty Georgian pansy pin set with amethysts and citrines in 18K gold. Pansy pins were often given as a gift from a loved as the sound of the word pansy was similar to the French "pense", meaning "think, remember me". Time to continue the tradition.

A clutch worked from a 19th century Chinese silk embroidery with Peking knot, the space beetween filled with tiny white seed glass beads. White lining and green jade imitating glass knob. Condition: lining with few traces of usage, clean. Dimension: c. 19 cm x 12.5 cm.

American Art Nouveau inkwell with engraved silver overlay, ca 1886. Bellied and faceted; short neck in silver collar and hinged and faceted silver cover. Overlay in form of dense and connected leafing and flowering branches. Glass is clear. Marked “Sterling Silver” and patent date “Jan. 5 86”. Very good condition.

Dimensions: H 3 3/8 x D 3 1/4 in. #BT470

Parian group of a baby being roused by a puppy. Modelled c 1890 by Rowland James Morris (1842 – 1898), engraver and sculptor. R J Morris was born in Staffordshire and is known to have worked as a modeller to more than one porcelain manufacturer. He became especially well known for the Dainty White service and for Parian groups with children and dogs, one of them the immensely popular “Can’t you talk?” His models were all sold to Shelley & Wileman in 1896. Crowned shield mark with an S, a...

Poesy rings were popular in England and France during the 16th through the 17th centuries as lover's gifts. The quotations were often from courtship stories and are usually inscribed on the inner surface of the ring as is the case in this one. This ring amusingly reads "A virtuous Wife Preferreth Life". We imagine that in the 17th century, a woman was indeed better off being virtuous! We think this could make a more unusual and unique wedding band than a gold band. As all gold jewelry in England...

A beautifully-detailed 19th Century Anglo-Indian desk set elaborately carved in ebony with a center storage box topped by a fabulous carved elephant with ivory tusks, one drawer, and lion paw feet. Excellent antique condition, there is one age crack, see photo. Measures including feet 16.5 long, 7" high including elephant, 10" deep.

Very rare, circa 1888, English tapestry ware biscuit jar with hand painted scenes of a pair of quail and a pair of herons in their appropriate settings. The surface is very clean and feels smooth to the touch. Marked on bottom is the Taylor,Tunnicliffe & Co. of Hanley with the rare Kings Crown logo which was registered in 1886. In excellent condition, no chips, cracks or repairs, it measures 6" high With handle down x 5.5 diameter.

Please note: My photos make the texture look rais...

This porcelain plate was produced in France by the Boyer studio at Rue de la Paise between 1817 and 1834. There is a coat of arms with a Latin motto in the border. It reads, “Vel Arte, Vel Marte” or “Or Skill or Initiative”. The plate measures 10” in diameter. The hand painted scene shows a noble hunting party on horseback, accompanied by packs of dogs, chasing a deer. This was painted by a highly accomplished artist, using depth and proportion with fine detail. It has a photogr...

This porcelain plate was produced in France by the Boyer studio at Rue de la Paise between 1817 and 1834. The plate measures 10” in diameter. There is a coat of arms with a Latin motto in the border. It reads, “Vel Arte, Vel Marte” or “Or Skill or Initiative”. The plate measures 10” in diameter. The hand painted scene of a young maiden dressed in silks and satin, is picking flowers barefoot. It appears to be dusk and there is a sense of mystery in the approaching darkness. The ...

This porcelain plate was produced in England by Mintons in the late 19th century. The date markings are obscured so it is not possible to specify the year. It is signed by the renowned artist, Antonin Boullimier, trained at the Sevres Porcelain Manufactory. The plate is 9 ½” in diameter. The blank is made of fine, white bone china with a reticulated border. The center of the plate has a hand painted scene of a sweet girl, sitting on a log, dangling her feet over a lily pond. Flowers fill...

This porcelain vase was produced in England by Coalport in the 1890s. It is 6 5/8” high with a diameter of 5 ½”. The vase has a blown out, melon shape, has scrolled feet and has a molded rococo style border at the top edge. The decoration is very ornate, to appeal to Victorian taste. A cobalt blue collar is over laid with gilding that is mosaic like. Within that collar, on the front of the vase, is a reserve containing a hand painted land and water scene with mountains in the backgroun...

Sophisticated and smart double sided 18K French cufflinks with the "owl" hallmark. The cufflinks are marquis shaped with 4 X's, or "kisses". The construction of the cufflinks is extremely well thought out, as the "free" end of the cufflink toggles on a hinge so it can be pulled with ease through the back cuff. For the French cuff type of guy!