Sagemono complete with four-compartment lacquer inro decorated in gold and turtle taka-maki-e depicting Raijin and Fujin. Relief decoration with finely engraved turtle depicting Rajin, god of thunder, and Fujin, god of wind. The figure of Raijin is recognized as the god of thunder and lightning, he is represented as a demon, an Oni, with drums. The figure of Raijin is often associated with another deity, also connected to meteorological events, namely Fujin, the God of Wind. The inte...

Tentosorkon – Tnt-sArknA Overseer

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun...

Original Sino-Siamese Polychrome Porcelain BENCHARONG-BENJARONG VESSEL WITH COVER 18/19th Century. Colors: Maroon, Blue, Gold, Green, Yellow and White. Size: 9 x 7.5 cm. Top condition, no flaws nor restorations whatsoever!

A Fine Bronze Seated Buddha Sakyamuni Figure, U'Thong Style, Early 16th Century. Seated in Sattvasana, his hands in Bhumisparsa and Dhyana mudra. Wearing a sanghati with long sash. His face with meditative expression, downcast eyes under incised arched eyebrows, broad triangular nose and outlined lips, elongated earlobes. His hair arranged in rows of small curls...

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

Japanese Satsuma cup and saucer finely decorated in overglaze enamels and heavy gilt highlights with alternating reserves featuring various activities of the noble classes and Buddhist arhats. The inner rim is decorated with a hanging lantern motif and the interior bottom with Buddhist arhats. The base of each piece bears a gold rectangular Satsuma mark and circular Satsuma family crest. Saucer: 4 7/8” diameter; cup: 2 1/2” diameter x 2 3/8” high. Meiji period (late 19th 20th century)...

This is an extremely rare Roman dark blue heavy rough glass block with superb silver "Rainbow" iridescence patina, said to have been found in a Roman glass work place northern Israel! The pictures tells 101 tales

Glass is formed when sand (silica), soda (alkali), and lime are fused at high temperatures...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony...

Black-glazed dish of shallow form with thick wall and slightly flared base. Shallow rounded floor.
Fingermarks around the base, where held during dipping. Black all over with reserved bottom.
Fine light beige clay, very much depurated and hard fired. Possibly of northern Campania production.
Closely related to Beazley Archive vase no. 9006503
Ceramic
Campanian, 350-300 BC
D. 7.2 cm (2.8 in)
H. 3.3 cm (1.3 in)
Intact...

1920's Japanese Solid Silver Hibachi

It is 8.5 inches (21.5 cm) tall by 8.3 inches (21 cm) wide. It is 1242 gram.

It is tarnished and has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

This Shou Shan stone carving of Zhang Guo (or Kuo) Lao is a mid 19th century product. It depicts a seated Zhang Guo Lao. In his left hand, he is carrying his emblem Yu Gu (or Ku) or fish drum which is a tube-shaped bamboo drum with two iron rods. His right hand is resting on his knee. There is a straw hat hanging on his back. The statue is 4 ½” high, 3 ¼” wide (from the bottom) and 2” thick. The carved wood base is not included. The carving is simple and elegant...

Chinese 14th-15th Century celadon bowl decorated with flowers. Bowl has been broken (please see on the picture). 19,5cm diameter.

Interesting pair of horse straps in bronze with thick silver plating, c. 9th-10th. century.

Size: c. 3 cm.

Ex. Hafnia Coins inventory (Copenhagen), aquired in the late 1990s.

Nicely carved statue of Hindu god Vitthal, standing, wearing formal attire and jewelry, arms akimbo. Wood, with fine glossy dark brown patina. India, early 19th century. Height: 25.7 cm. the statue is nicely mounted on a custom stand. Left and front lower side partly missing, slight abrasion, otherwise good condition. NOTE: Vithoba, also known as Vitthala, is a Hindu god predominantly worshipped in the Indian state of Maharashtra and Karnataka...

A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820). At this period the kiln was probably produc...

Please feel free to enjoy this Chinese wood carving of a seated Guanyin, early Qing dynasty. The Guanyin is seated in rajalitasana, royal ease, on a pierced rockwork base with one leg lowered and the other with knee raised supporting the right arm, the face carved with a poised and calm expression, wearing a tiara and loose robes falling over the shoulders and open at the chest to reveal an elaborate beaded necklace.

There are no repairs visible, but pieces of laquer had been chipped...

Interesting set of large beads or perhaps spindle weights, carved with geomethric patterns, c. 3rd.-2nd. millenium BC.

Scarce objects in hard burnt stoneware, that came to us as part of an Egyptian collection. Guaranteed authentic as everything we sell.

Size: Up to 32 mm. in diameter.

Ex. Old German collection, aquired in the 1980s.

Egyptian Faience Blue and Green Floral Amulet 1,9 cm

Faience is a glazed ceramic known for producing bright colours, especially blues, turquoises and greens. It is produced from quartz or sand crystals mixed with other compounds and can be cast into moulds to create beads or amulets like these ones. Faience gimmers in the light and was believed by the Egyptians to represent rebirth and immortality. The colours had different symbolisms for example, blue was thought to reflect fertilit...