A flat and circular kogo – incense box – made out of skillfully turned pine wood, stained or thinly lacquered dark brown...

19th century Japanese ceramic wall vase for use during tea ceremony as a flower container. Bizen ware made in Okayama Prefecture - one of the 6 oldest kiln centers in Japan. Wonderful free potting, beautifully indented by potter’s thumb on the front, subtle glaze ranging in color from gray to olive to brown. Excellent piece in Japanese taste, very pleasant warm patina, overall in excellent shape. Iron ring for hanging, inscribed with potters’s mark on the bottom. Height 4 3/4 inches.

19th century netsuke of a kneeling boy holding a theatrical mask of Hyottoko (perplexed peasant) above a paper pinwheel on a stick. Extraordinary portrait quality face with a slight smile, superb carved textile patterns on his robe, clever use of ink to highlight his hair. Beautifully carved knot on his back, wonderful patina and wear. Signed on the bottom SHORAKU - the artist is Ono Shoraku, discussed on p. 972 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...

Japanese fukusa, a silk satin gift cover depicting the Seven Sages of the Bamboo Grove. The development of the Japanese fukusa is closely associated with their custom of gift giving. Japan has been a farming country until recently and crops were directly affected by nature (draft, floods, etc). The rituals were held within their own communities and fresh crops were offered to god. To irrigate and lay the roads, they needed the better their work relationship...

Japanese hand-forged iron tsuba, used to protect a swordsman's hand from sliding up the blade during use as well as to provide balance. The front depicts two joyful festival performers, one holding a drum and the other holding a fan, the figures in relief with gilt accenting throughout. The backside of the tsuba shows a large mallet and mortar traditionally used for pounding rice into mochi.

Dimensions: 2 3/4" x 3"

Chinese Silver Boy Bell Pendant, Ca. 1900, 2" high, 1" wide, 5/8" deep, this boy has very loud bell inside him, both side has same raised design, his mouth open and laughing, holding Peach with 2 hands, with Chinese style Pig Tail hair do. He is very happy boy and the condition is tarnished silver.

Description: Superb and one of a king hand made Gold Mirror, 19th century Quajar era, wooden mirror covered by pure gold panels, chisel and engraving work is absolutely fascinating depicting different figures in different position, boarders with floral design. Dimensions: The height of mirror is 15 inches with the width of 7.75 inches and depth of 5/8 inches...

Tall zushi with wooden sculpture of Yakushi Nyorai standing on a high, double lotus base. In his left hand he holds a medicine jar, while his right hand is raised in mudra. Very simple, country style carving. Lotus base very well carved in wood, covered with gold lacquer. Figure is plain wood covered with soot patina. Names of the donors written in ink on the bottom of the case. Date unreadable. Edo period, mid 17th century, possibly earlier. Height of case 25 3/4 in. (65.8 cm)...

1900's Chinese Gilt Famille Rose Porcelain Tureen

It is 6.5 inches (16.5 cm) tall by 6.8 inches (17.5 cm) wide. It is 2Lb.

It has skip glazes, dark spots, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Large two-door shrine holding inside the figure of Kujaku Myoo sitting on a lutus dais on the back of a peacock. Kujaku means peacock and is revered for transmuting the "poisons" of greed and anger and for eliminating karmic hindrances. The peacock (in India) eats poisonous plants and snakes and is thus thought to guard against evils from poisoning or calamity. Kujaku has four arms, holding a pomegranate, peacock feather, and either a lotus flower or a Buddha-fruit (one attribute is missing)...

A small Japanese earthenware vase beautifully decorated with fruit basket and flowering branches in thick enamels and gold. Unsigned. Condition: tiny enamel loss (basket). Dimension: c. 14.3 cm high.

Antique Japanese small zushi (traveler's shrine) with unusual scene of Buddha seated on a lotus throne which rises out of billowing waves. Below him, two lords stand on top of the water while smaller lotuses bloom around them. Carved of wood with painted and lacquered details.

Age: Edo Period (1603 - 1867)

Dimensions: 5 1/2" high x 4 1/4" wide (9 1/4" wide when open) x 2 5/8" deep.

Japanese pair of hardwood pulleys, carved out of Keyaki (elm) wood with hand-forged iron hooks and hardware. Two wooden wheels on the inside are built to support a rope. Each pulley is branded with a signature on both sides.

Meiji Period (1868-1912)

Dimensions: 7" x 14" (each)

19th century marine (walrus tusk) Asakusa school netsuke carved as a group of four Fungus of Immortality. Wonderful realistic carving, beautiful staining, superb patina, very pleasant to handle. Length 1.62 inches.

Additional photos #4 for Chinese Tongzhi Cup details

A large Chinese Porcelain censor with blue monochrome exterior and white interior. There are three rounded bumps at the base that represent the three feet of a censor. The bowl measures about 5 1/2" high x 9 3/4" in diameter and dates to the Ching Dynasty. The condition is very good with some interior kiln flaw and glaze crawl. The asking price includes shipping within the USA.

Antique Japanese carved Buddhist figure with flaming nimbus, standing on a rock in noble garb and holding a sword. Carved of wood, painted with bright colors and gold details.

Age: Edo Period

Dimensions: 20 1/2" high x 9 1/2" wide x 6 1/2" deep

Pair of Japanese Kutani tall porcelain bottle vases, with elongated bodies slightly tapering to the short neck and gilt rim, decorated with red enamel landscape scene and gilt clouds over white crackle ground. Each vase signed with 2 character mark.

Circa 1900

Dimensions: 3" x 9 1/2" H