Antique Japanese kogo, or incense box, used in traditional tea ceremony. The box is squared in shape with the lid ornately done in maki-e gold and red lacquer chrysanthemums, resembling the front cover of a story book with the revealed inner "page" done in silver. The interior of the box and base are done in nashiji gold flake lacquer, sometimes called pear skin for resembling the texture of the Asian pear...

A Japanese Arita dish, in Kakiemon style, of rhomboid shape with rounded, spreading sides rising from a circular foot. The inside is decorated round the sides with a continuous 'classic scroll' boldly moulded in relief, and below with a design painted in pale blue, red, green, black and pale yellow enamels. The rim is glazed brown. The exterior is painted in enamels with sprays of camellia and pairs of flying birds...

Antique Benin cast Bronze Royal Couple Sculpture, good condition other than heavy natural looking bronze rot from what appears to burial causing the surface metal to chip away easily . Size H 6" W 3.5" Old French collection

Scroll painting depicting a humorous Daikoku, God of Wealth and kitchen, brings prosperity to the household. He is holding a mallet and a sack and standing on a huge daikon / radish. Painted in Zen style, ink on paper. Inscribed and dated: Taisho 1924, sealed and signed. Picture size: H 87 x W 30 cm. Scroll full size: H 175 x 39 cm. Condition: fair, a few stains. Recent mounting.

Two Saga-men, Okame and Hyottoko which were sold in front of temples in Saga region in Kyoto since late Edo period (the first half of the 19th century). They were sold as charms against bad luck and evil but interrupted in early 20th century and revived in 1950s. Both are made in late 19th to early 20th century. Many layers of wastepaper are pasted on the plaster model and colored. Hyottoko-men is not finished. Okame mask has some paint came off...

Pair of Chinese blue and white porcelain cups, with small hand carved hardwood wood stands. Each cup has a calligraphy inscription with two chops, imagery of flying cranes and a house below a pine tree. Each cup is signed with two character mark on the foot.

17th/18th Century

Dimensions: 2 1/2" x 1 3/4" H (each)

Lobed Lidded Jar with the Eight Immortals
ca. 1800-1840
Jiaqing / Daoguang Period, Qing dynasty
Porcelain with overglaze famille rose enamels
h: 25.7 cm, d (at widest point): 21 cm
Very good condition: chips to jar rim, one deep chip partially filled. No hairlines, cracks, or restorations.
From a Midwest, USA private collection

This interesting jar dates to the early 19th century, and features the eight immortals in molded relief...

This is a very fine and rare Japanese cloisonne box. The piece could have been made by Kumeno because of the style and quality. This box has been masterfully repaired on the bottom underside to chips in the dark blue enamel. The repair look great with no silver wire work and none of the flowers affected. The box has also not been sprayed. It has gilded bronze rims and this has worn. The box measures 4 3/4 by 4 1/4 and is 2 1/4 inches tall.

Attractive black-glazed oinochoe with trefoil spout and arched handle. The neck area decorated with grape wine and tendril motifs suspended from bands. The applied white color partially ‘gilded’ with a yellow ochre wash.
Fingerprints around the foot indicate that the vase was dipped into the glaze.
For a related example, cf. Beazley Archive vase no. 1001099.
Ceramic
Greek, Gnathian, around 300 BC
H. 11.5 cm (4.5 in)
Intact. Trefoil mouth chipped...

Longquan ware, Zhejiang. Well potted porcelain body with a very nice golden celadon glaze. Song to Yuan Dynasties, thirteenth to fourteenth centuries. D : 7 cm. H : 5,7 cm. Condition : Perfect

Small seal of square base, with a snarling tiger on its top. Bronze, with partly encrusted reddish-green patina. China, Ming Dynasty or earlier. Height: 2.9 cm. Very good condition.

Antique Japanese framed painting, with silver and gold flake accent clouds, sprouting ferns with pebbles in gray and green pigment, red chop and signature possibly by Ogata Korin (1658-1716), Rinpa School.

Size: (entire frame) 28.5" L x 25" H (artwork only) 18.75" L x 13.5" H

A fabulous Japanese cloisonne vase purchased from the 1893 Chicago Exhibition. Inside the vase is an old decaying leaflet given to the buyers by the exhibitors. On a fragment one of the massive vases displayed by Suzuki can be seen on this paper (See image). There is more to this faded image on the reverse buy it is hard to see. The vase is one of the well known vases with the eagle finial. Every one of the Suziki pieces was approved by the Emperor for this exhibition. This vase is special...

1900's Chinese Silk Embroidered Cloud Collar with Peony & Butterfly

It is 24.2 inches (61.5 cm) long by 29.9 inches (76.5 cm) wide.

It has pulling and loose threads, stains, discoloration, browning, frayed and tears at the silk, missing piece and bug bite hole (as seen in the photos).

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This exquisite and rare Scythian bronze quiver strap-crossing is believed to date back to the 5th century B.C. It features a stunning and detailed design of a feline, with intricately crafted details and features that showcase the impeccable skill of the ancient Scythian artisans...

Japanese bronze vase in the shape of a stalk of bamboo, with a snail crawling upside down on its frontside and a toad leaning against its base, looking up at the snail. Has a signature signed Atsuyoshi with a seal from the workshop by the artists of Maruki studio and cartouche on its lower backside.

Taisho period

Size: 15.25" tall, 11.5" wide

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...

Statue of crowned Amithaba Buddha, in formal attire, sitting cross-legged on an elevated throne, his hands in dhyana mudra (meditative posture). Wood, with remnants of lacquering and gilding. China, early Qing Dynasty, 17th/18th century. Height: 34 cm. Chip on top of crown, abrasions, otherwise very good condition.