A large Arita celadon and Blue & White porcelain dish, 18th century.

The attractive dish with a misty village and waterfall scene within a moulded celadon border. The back celadon glazed to the foot-rim which contains a six-character Chenghua mark and five neat spur marks.

Approximately 29.3 cm diameter. Perfect condition...

A good sized bowl and cover decorated with a striking pattern of stylised Bamboo leaves with spirals and zigzag motifs. The bowl and cover are of conventional form. The handle has the form of a tied bundle of noshi, dried abalone strips, which are usually associated with the act of giving and ceremonial use, so this may possibly be a presentation piece. The bowl and cover probably dates to the late Mid Edo period, circa 1730-60, Kyoho to Horeki...

Kato Shuntai (1802-1877) Japanese Antique Seto Ware bowl. The seal of the potter is stamped on the bottom.

Kato Shuntai is a notable potter from Seto area, Aichi prefecture who lived in the late Edo period...

This is a Japanese antique edo era silk tsutsugaki natural indigo dye yuzendye fukusa textile of (iseebi)Lobster and wave pattern. Ise Lobster was drawn very precisely. It is a tsutsugaki dye and Yuzen dyeing of hand-drawn dyeing There is a slight pale discoloration. There is a small hole in the lining safflower-dyed silk. They are not disturbing, and as a whole it is in very good condition. Size:Length:47.5cm / 18.7inch Width:: 47.5cm / 18.7inch

This is a very elegant ramie summer children's kimono from the Edo period. The sleeves have a hand-painted bamboo pattern. The family crest is the rare mitsumorikumikaku. There are no stains or damage, and it is very carefully made.size: Length :90cm (35.4inch) / sleeve to sleeve :83cm (32.6inch)

Japanese late Edo period cylindrical form porcelain lidded wine pot on a raised foot decorated in underglaze blue with bands of leafy flowers set against a white porcelain ground. Fixed upright U-shaped handle. Mid-19th century. 8 3/4" high to the top of the handle x about 8” across to the tip of the spout. Very good overall condition with no chips, cracks, or repairs. Typical minor production irregularities.

A very fine sometsuke dish of scalloped octalobed form painted with a mon form central motif of a symmetrically arranged pair of leaping carp. Framed by a continuous band of botan karakusa, Peonie lotus scroll, within which are reserves containing, dragons, Ryu, in clouds and a gilt rim, kin-beni. The reverse decorated with hagi-karakusa, vine pattern and a six character mark for the Chinese Emperor Jiajing. The quality of the painting is of the highest quality...

A very fine and unusual square plate. Arita 1790 - 1820. This fits into a group of porcelains that more accurately could be called ’white and blue’ produced at the end of the 18th century and beyond. This plate features exotic figures and an elephant. See the Shibata Collection, item 3831, for an octagonal plate of similar design.

Approximately 18.6 square. Perfect condition...

Japanese ikebana (flower arrangement) basket, hand-woven of bamboo and Wisteria branches. Of a rounded body with a small slightly raised foot.

Meiji period (1868-1912)

Dimensions: 10 1/2" x 15" H

A Japanese water dropper in the form of a karashishi. It has a fine patina with the surface smooth from handling and darkened in places from accumulated grime. Inscribed signature on the base, unread. Probably 19th century.

Approximately 7.5cm long., 6.5 cm high. Perfect condition...

An Early Arita “Snowflake” plate. Circa 1680. The thickly potted porcelain dish decorated with snowflakes and flowering prunus. The back with a lozenge mark.

Provenance: R&G McPherson Antiques, London W8.

Approximately 18.7 cm diameter...

A shaped Arita blue & white porcelain dish in the form of Mt. Fuji, circa 1680 - 1700.

A similar but smaller example is illustrated in The Complete Catalogue of the Shibata Collection, item 2276.

Approximately 16.5 cm wide...

An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns...

A kozuka with gilt and silvered bronze decoration of a general's baton and banner on dark patinated bronze nanako ('fish roe' textured ground.) The utility knife handle with shakudo (a pickled gold and copper alloy) back and sides. Surfaces showing wear and slight distress from use but in fairly good and serviceable condition. Could benefit from a light cleaning and oiling. Length, little more than 3 3/4 inches (9.53 cm)

The size of Covered Pot: 6 1/4 "Long, 3 3/4" Dia x 4" High. This is beautiful Kyo Satsuma Covered Jar with Fine design painted in Chinese wise men with boys. One side with scroll and wiseman, other side with tea drinking party scene. There are two handles with bamboo design works. The cover done with bamboo shoot. The design of crane and pine tree design. Very attractive covered pot. The condition of covered pot excellent, no chip, no crack and no hairline little gold wear on top rim and cover e...

Large and heavy Mid-Edo Period (1603-1868) Seto Ware Blue and White Dish.

Seto pottery, dated as early as the 13th century, produced around Seto city in Aichi Prefecture, Japan. It is also considered as one of the Six Ancient Kilns of Japan.

Size
Diameter 31cm
Height 5.5cm
Weight 1570g

Condition
Good, no repairs.
Please see the pictures for details.

An Arita porcelain plate (#2) decorated with a leaping carp within a moulded border based upon Chinese Ming export porcelain, ‘Kraak’ style. The dishes have faux chattering in imitation of Wanli Kraak dishes.

Arita, 1750 - 1780.

Approximately 21.5cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in G...

Cotton Wa-sarasa produced in Kyoto, called Kyo Sarasa. The word "Sarasa" means cotton cloth with designs which are hand-painted, woodblock printed and copper plate printed, Those sarasa cloth were brought by trade from India, Europe, Persia (Iran), Java etc. in 16th and 17th century. Cotton with colorful and exotic design fascinated Japanese people, especially tea ceremony masters and rich civilians. Many kinds of imitated sarasa were produced in Japan and they were named according to their pro...

Wa-sarasa futonji made of cotton and dyed with pigments. Wa-sarasa is Japanese calico which is first made in Edo period immitating calico from abroad and stencil-resit dye or woodblock print. The product places were Nabeshima (Saga Pref. in Kyushu), Sakai (Osaka), Nagasaki (Kyushu) etc, however it is not clear where this futonji was made. In excellent condition. The latter half of the 19th century. 130cm x 168cm

Futonji or shikimono (carpet) made of many pieces of hand-spun cotton cloth except for the lining. Most of pieces are vegetable indigo dyed and some with chawata (natural brown cotton)It has some holes and mending patches. Late 19th to early 20th century. 120cm x 130cm

A finely embroidered silk River or Lakeside Landscape made in Japan for export during the late 19th or early 20th Century. This item was framed in the UK by Boots the Chemist's, circa 1910 - 1925 Condition: excellent. Frame: 37cm (14.5 inches) wide;29.3cm (11.5 inches) high.

A heavily potted Arita porcelain dish featuring a rural pavilion beside a waterfall, the moulded cavetto with a celadon glaze. The blue and white landscape with touches of iron-red and gold enamel.

Arita, circa 1750 ~ 1780.

Approximately 22.5cm diameter.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

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The design of this mirror has not entirely escaped the conventions of earlier Kagami-e (Long handled Mirrors) of the late Muromachi –Momoyama era, which are essentially mirrors of conventional round form retaining a central boss to which a handle has been attached. In this example the Cranes are arranged directly opposite each other, their beaks meeting with that of the kame, to create a T form; a convention that appears in the late 16th century. Contrast that with earlier examples in ...

A small bronze, hakudo (white bronze), early handled mirror 17.2cm long. The mirror portion measuring 7.7cm in diameter. Typically for an early bronze mirror, it is basically a round handleless mirror, even down to a pierced boss for the attachment of a ribbon, with an attached handle. The mirror is of a design typical of the sixteenth century incorporating a pair of Cranes, sotsuru, conjoined at the beak with a tortoise kame-gata form central pierced boss in a “Y” shaped formation In add...

A nice quality Arita porcelain bowl decorated with a design of four panels of Hosoge or Karahana, Tang Flowers, in contrasting Iron red and under-glaze blue. This design appears in a number of variations on Chinese export porcelain from the late Kangxi period onwards, whether this is the precedent or homage to the Chinese pattern is difficult to say, but the porcelain would appear to be at least contemporary with the in general poorer quality Chinese examples. It dates to the period 1710-40. S...

A very unusual enamelled polychrome Arita dish decorated with a curious central motif which would appear to be a highly stylised interpretation of double Vajra, similar motifs, are to be found of Chinese Ming porcelains of the late 15th and early 16th centuries. The whole organization of the design into two circular registers, one inset with small lobed reserves, the other with a meander and a central roundel reserve also seems to follow Chinese blue and white precedents of this particular perio...

Fine Ko Imari Katamono Style Dish c.1700 No 2 A very unusual enamelled polychrome Arita dish decorated with a curious central motif which would appear to be a highly stylised interpretation of double Vajra, similar motifs, are to be found of Chinese Ming porcelains of the late 15th and early 16th centuries. The whole organization of the design into two circular registers, one inset with small lobed reserves, the other with a meander and a central roundel reserve also seems to follow Chinese blu...

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern. Iyo-zome was very popular in...

Antique Japanese 4 pieces of crane shaped hardware, raised and beautifully detailed flying cranes, made of gilt copper repouse with dark patina, long nail in back of each, probably off of a temple or large shrine. Meiji Period (c1900). Size : 5 1/2" wide x 2 1/2" high (with 2" deep pin in back)

A large Kakiemon dish decorated with the Three Friends of Winter to the rim and a central motif of a Peony. The reverse decorated with a continuous lotus scroll and a spiral fuku in a double square. The dish dates to the late seventeenth century circa 1680-1700. The dish measures approximately 25 cm in diameter and stands 6cm high. The dish is in good condition, except for a crack to the rim and small filled chip. Shipping at Cost.

A gun powder container (kayaku-ire) made of twisted paper string and urushi (lacquer) is painted. It is very sturdy and light-weight so that it was made to many living wares such as a bowl, a sake cup, jingasa (hat), tobacco pouch, trunk, etc. from Edo period. In excellent condition with a deer skin pouch. 19th century. W:7cm H:16.5cm

Japanese seto ware ceramic chawan (tea cup). Made of dark brown stoneware with round body and small round foot. Appealing greenish glaze with drips. Artist's mark on the bottom. With tomobako.

Age: Taisho Period (early 20th century)

Dimensions: 2 7/8" high x 5 1/4" wide

A pair of wood sculpture of Ebisu and Daikoku which are two of seven gods. Ebis is for good business and Daikoku is for luck with money. They are put on the ouse shrine. In good condition but some parts are missed in Ebis (left). Late 19th to early 20th century. Base:15cm x 5cm, Height:12cm

Antique Japanese ikebana basket, all hand-woven with sections of bamboo. The body is a cylindrical shape, narrowing towards the bottom four short feet. The handle is made with natural Wisteria branches. The interior holds two small wooden containers to hold beautiful arrangements of flowers.

Dimensions: 7" L x 6.5" D x 17.75" H

The size of bowl: 6 7/8" Dia x 2 1/8" Very unusual Japanese Ko Imari Porcelain Namasu Bowl. The bowl has the design of flower motif in the center with bamboo leaves around. The side wall has two windows of phoenix bird and tropical plants. Bewteen them, gold Karakusa and spider mums design in gold and red. Very well painted. The shape of bowl is also nice with curving up. Outside has blue underglaze design. Good quality bowl. It is nice size bowl. The condition of bowl very good, no chip, no cra...

A pair of hina dolls, Obina (male,right) and Mebina (female, left) which are displayed on Hina Matsuri on March 3rd . It is also called "Momo-no-sekku" or "Girl's Day" History of Hina dolls can trace back to Heian period (A.D.794~1185), but Hina doll display began in early Edo and became more gorgeous later. Paper Hina dolls were made in early Edo period (early 17th century) They have beautiful hand-painting of women on their costume. In good condition but have some damages. 17th century. 21cm x...