Brush box (fudebako) made of wood and lacquer. On the lid, lacquer decoration representing sagittarius, a flower inlaid with ceramic and a leaf inlaid with mother-of-pearl (raden).
Interior and base of the box in nashi-ji lacquer.

Taisho Era (1912-1926)
Height: 1.4 in. (3.5 cm) - width: 2.8 in. (7.2 cm) - depth: 9.4 in. (23.9 cm)

Four-square inrô in hiramaki-e lacquer, maki-bokashii and mother-of-pearl inlay (raden) in the form of a man sailing on a boat, against a mountain background. On the back side, bamboos are in the foreground.

Horn netsuke of a man resting against a stone, a fan in his right hand.
Ojime in stone painted with white carnations.
Sold in a box which is not original.
Small boxes formed of interlocking compartments, inrō (印籠) are traditional Japanese clothing items...

Small iron lantern of rectangular format stretched in height with its base. The paper comes from a book page of classical Japanese literature. This writing is developed from the 8th century and is borrowed from the Chinese writing.

Japon - early 20th century Height: 11 in. (28 cm) - width: 3.4 in. (8.7 cm)

Wood and lacquer lectern (kendai) with a drawer at the foot. Takamaki-e decoration representing an eagle on a rocky promontory, surrounded by vegetation. Head down and wings half unfolded, it is about to fly away, perhaps to hunt its prey.

The eagle is considered as the king of birds. Its tail feathers are said to be the best feathers for an arrow...

Wooden sculpture of a mouse on a mushroom. The qualities of wood have been skillfully exploited to signify the lamellae of the mushroom, not visible unless the sculpture is lifted.

In Japan, the term nezumi refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of commerce and wealth...

Beautifully plaited bamboo basket we think by Iizuka Sounsai of the famed Iizuka Family of reknown basket makers in the Taisho and Showa eras. It is not signed but exactly like the signed Kyokusho (Sounsai's art name) pc4 we have on the site. Circa 1920 – 1940. Iizuka Kyokusho was a brother of Iizuka Rokansai and Iizuka Hosai. He worked in Tokyo, and liked to work with slat bamboo. 12" tall by 10" wide. Great condition. Ask for shipping quote.

Rather unusual 19th century Japanese bronze scroll weight cast in a form of a two-horned chimera with a long tail standing in alert attitude on a base in a form of a tiny island surrounded by a gentle stream. Can serve as a brush rest as well. Superb elegant modeling of the beast with its thin limbs and slightly upturned face, wonderful patination ranging in color from dark red to brown to black, in excellent condition, pleasantly heavy...

A woodblock print on washi with 29 ways of wearing tenugui which is the Japanese hand towel made of cotton. It has been using as hand towel as well as hat or scarf. In good condition except for a break in one of the corners. Printed by "Isetatsu which was founded in 1864, very late Edo period in kanda in Tokyo. The second half of the 19th century." 25cm x 37.5cm

This is yosegire Patchwork silk katazome kimono textile in Edo period(1603-1867). All are originals from the Edo period. There are four kinds of itajime-katazome, and seven kinds of katazome is included. The part of the sleeve is yuzen-dye that is drawn by the hand and dyed. The lower side is stripes of the silk in Edo period.The lining is red silk and has discoloration. There are no damage on the surface...

This is japanese antique kihada nature colour katazome sodenashi hanjyuban in Edo period(1603-1867). Katazome of kihada ground is very rare. Textile seems to be hand spun and woven and and has soft touch . The collar is yuzen and shibori of silk. There is neither stain nor damage. It is very beautiful. size: Length: 63cm (24.8inch) / Shoulder width 43cm (16.9inch)

This is a Japanese antique indigo stencil dyed thick cotton kimono from the Meiji period (1868-1912) with a rare weave. It is a very beautiful indigo stencil dyeing. There is a thin stain. It has one small hole, but is in very good condition. Made from hand-spun cotton and naturally dyed. Size: Length 140cm (55.1inch) Sleeve to sleeve: 123cm ( 48.4inch) Box.2

This is a rare Japanese antique natural indigo dye hand-spun thick hemp and cotton katazome fabric. It is a traditional Japanese pattern dyed with a beautiful tree pattern.The horizontal thread is hemp and the vertical thread is cotton. Katazome of antique linen is rare. There are no stains or damage, and the fabric is in very good condition. Size: Length: 640 cm ( 251.9inches) / Width: 35.5 cm (13.97 inches)

Beautifully symmetrical granite stone buddhist stupa. Late Taisho Period Ca. 1920. excellent condition. Ask for shipping quote. H: 17" by W: 41/2".

MAD POETRY BY SHOKUSANJIN

Hanging scroll with such unstrained and refined calligraphy of 'Kyoka' (lit. 'Mad poetry' - Humorous style of Japanese tanka poetry with joke or irony or satire / ref. https://en.wikipedia.org/wiki/Ky%C5%8Dka) by a late Edo-period Japanese poet, 'Nanpo Ohta' (1749-1823 / ref. https://en.wikipedia.org/wiki/%C5%8Cta_Nanpo) aka 'Shokusanjin' (lit. 'Copper mine man'), circa 1810-1823, Total: approx. 35 x 181.5cm (13.77 x 71.45in)...

Japanese antique black and gold lacquered kanban (shop sign). Decorated with unusually beautiful calligraphy advertising cosmetics with words like 艶 tsuya "luster/gloss/sheen" and 白粉 Oshiroi which literally means "white powder"; the powder foundation worn by kabuki actors and especially by geisha and their maiko apprentices...

Antique Japanese cast iron tetsubin (kettle for heating water for tea). Made with a tall handle and bell-shaped body. Raised shells adorn one side with a raised abalone shell on the other. The intentional casting of rough edges adds a natural beach-like appearance. The lid is also made of cast iron.

Age: Meiji Period (1868-1912)

Dimensions: 11" high (including handle) x 7" wide x 6 1/2" wide

1909's Japanese Nippon Porcelain Coralene Fully Beaded Bowl with Louts Flowers Marked

It is 4.72 inches (12 cm) tall by 7.28 inches (18.5 cm) wide. It weighs 1.7 lb.

It has a hairline crack at the lip and a small chip close to it. There are several small spots of missing coralene beads. It also has surface wears, rubbing of gold, and yellowing at the bowl's interior (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

This is a Japanese antique old beautiful natural hemp Roll textile.There is very little dirt, but there is no damage. Size: Length: 7m 90cm (311inch) Width: 36cm (14.1inch).

This is a Japanese antique nature indigo dye hemp & cotton thick Roll textile.It is unused roll textile with beautiful natural indigo color. Size: Length: 17m70cm (696.8inch) Width: 36cm (14.1inch)

This is a Japanese antique natural thick hemp roll textile.Slight discoloration in 2 places and a stain on the edge of the roll. No damage. Size: Length:5m 50cm (216.5inch) Width: 36cm (14.1inch)

This is a japanese antique indigo dye thick hemp katazome Plaid long Roll textile. It is a handspun & natural indigo dye katazome. There is no stain.There is no damage and it is in very good condition. Size:Length:1143cm(37.49ft) / Width: 33cm(12.9inch)

This is a japanese antique Indigo dye katazmome thick hemp long roll fabric, hand-spun thick hemp long roll fabric. There are no stains and damage and the fabric is in very good condition. Size: Length: 848cm(27.8212 ft) / Width: 36cm( 14.1inch)

This is a Japanese antique indigo dye thick hemp katazome Stripes long fbric. It is a handspun & natural hemp. There is no stain.There is no damage and it is in very good condition. Size:Length:300cm / 118.11inch Width: 36cm / 14.1inch

Japanese antique wood block print of the sumo wrestler, Unryū Kyūkichi (Unryū Hisakichi) with beard and wearing a keshō-mawashi (ceremonial apron-style belt). Unryū Kyūkichi was in the makuuchi league since 1852. Name used from 1850-1865. He retired in 1865. Signed by Kōchōrō Toyokuni ga and date seal between 1851-1853. Framed print.

Age: Edo Period

Dimensions: Framed 19" high x 14 1/2" wide. Image: 13 1/2" high x 9 1/8" wide

Japanese antique wood block print of the sumo wrestler, Tsuneyama Gorojin wearing keshō-mawashi (ceremonial apron-style belt). Gorojin was in the Makuuchi league since 1843. Name used from 1842-1856. He retired in 1859. Print by Kuniyoshi Utagawa and dated 1852 (year of the Rat) or 1853 (year of the Ox). Framed print.

Age: Edo Period

Dimensions: 20" high x 15" wide (framed). Image: 14 1/4" high x 9 3/8" wide

Big, oval shape bamboo flower basket, Hanakago, with a large mouth for use in important, large flower arrangements. *Material: smoked Madake bamboo, rattan, lacquer...

Small cast iron tea-pot. One side is decorated with lotus flowers, the other side is without any decoration. The spout is doubled in bronze, the handle is in copper as well as the lid which has a decoration of small rounds in light relief of different patina, perhaps formerly gilded. The grip button is in silver plated copper and shakudo...

This is a Japanese antique Boro noragi indigo dye hemp Meiji (1868-1912). The indigo dye hemp fades with use is very charming. size: Length 75cm (29.5inch) sleeve to sleeve 123cm (48.4inch)

18th century or earlier unsigned iron Japanese sword tsuba depicting four scholars and an attendant boy in a bamboo grove. Nicely designed piece with copper, bronze and silver inlays with gilding, old deterioration to both top and bottom part, but the design and detailing is there - see their faves and robe patterns. Great example of early work. Height 3.14 inches.

BLACK AND RED LACQURED CONTAINER

Old wooden lidded container for storing food like vegetables, lacqured up in the refined two tones of black (for surface) and red (for inside), once used among the middle class or richer in the Edo period (1603-1868) in Japan, D 35 x H 26cm (13.77 x 10.23in). Some lacqure-peelings due to aging as is. Books in the last photo are not attached.


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Kicho made of kosode (meaning kimono with small opening of wrists) which is made of silk damask dyed with beni (safflower). All embroideries are also vegetable dye silk yarn and gold yarn. Kicho is a kind of screen used as blinder, wind guard and partition. It was used in the house of the aristocrats since Heian period (late 8th to 11th century). This one is recycled from kosode kimono possibly late Edo or early Meiji period (mid to late 19th century. The lining is also beni dyed silk damask. In...

Interesting Arita Imari bowl, late Edo with scalloped rim and panels with reserves of flowers and figural scenes of an elderly teacher (?) surrounded by pupils, the reserves contoured in raised overglaze black. Brocade or diaper patterns in green, red, blue and gilt surrounding a stylized turtle in underglaze blue. The exterior shows three Buddhist symbols repeated three times in underglaze blue, red enamels and gilt. Bull’s eye base and a green-glazed Uzu-Fuku mark. Diameter "6 ¾ / 17.5 cm, ...

SEA BREAMS AND WAVES

Wood carving decoration with the remains of original bule paint as the actual fragment of a certain Japanese temple/shrine construction, Edo-Meiji period, 19th century, approx. 58 x 30 x 6.5cm (22.83 x 11.81 x 2.55in). Unusual type as a rare find.


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since yo...

Antique Japanese kannon biraki tansu. Single section with hinged doors which open to reveal 4 interior drawers; two large and two small. Made all of kiri (paulownia) wood with iron hardware. The large, round lock plate and cross bracing are classical aspects of this type of chest. Used for storing clothing and outfitted with handles for carrying.

Age: Meiji Period (1868-1912)

Dimensions: 20 1/2" high x 37" wide x 16 1/4" deep

Small gilt copper pot, decorated with flowers in cloisonné enamel. No artist signature but excellent quality. Small precious object Height: 6cm Diameter: 8cm. Good condition. Japon Taisho period.

Nabeshima hard porcelain dish. Okawachi kilns. Decoration in underglaze cobalt blue and overglaze enamels. Although the model already exists at the beginning of the 18th century, we do not believe that the dish presented here is authentic. The enamels are perfect, one can distinguish with a magnifying glass discreet wear of use and the enamels show age cracks, but the cobalt blue on the reverse is too pale. It is not a modern copy, as it has been in the Sakura collection for about forty years. I...