A pair of 19th century signed Japanese porcelain Imari bowls with covers. Each of rounded form decorated under glaze with blue, iron red enamels, panels of stylized bamboo and leaves on red ground and gilded.
MEASUREMENTS: 5 1/8 inches (13cm) in diameter. Height: 3 ½ inches (9cm).
CONDITION: in good condition except for one hairline crack in the interior of one bowl. No repairs or restoration...

Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies...

A miniature vessel in the shape of a Japanese water bucket. Earthenware finely decorated in enamels and gold with a flowering tree. Base signed below the Kinkozan Kyoto paper label next to an old price label. Condition: fine. Dimension: 6.4 cm high, weight: 28 g.

A miniature vessel in the shape of a Japanese water bucket. Earthenware finely decorated in enamels and gold with iris flowers. Base signed below the Kinkozan Kyoto paper label next to an old price label. Condition: fine. Dimension: 6.5 cm high, weight: 32 g.

Japanese Satsuma foliate form bowl decorated in overglaze pigments and gilt highlights with a large bird in a cherry tree at the foreground set against a landscape scene with beauties in a pavilion at the right and a waterfall at the left. The exterior features three flying female mythological figures. The base bears a gold on black square “Satsuma Hotoda” mark and circular Satsuma family crest. 4 1/4” diameter x 1 3/4” high. Meiji period (late 19th century)...

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece...

Fantastic Meiji Period c.1885 earthenware storage jar from Shigaraki, one of Japan's pottery and cermics centers In Edo (17th, 18th) and Meiji Period 1868-1912. Wood fired in a 'nobori gama' climbing kiln, the natural ash glazes produce startling textures and patterns. The Shigaraki clays have 'choseki' or white stone which means long life. This tea leaf storage jar has a beautiful green glaze down the entire jar. Ask for a shipping quote. (H:30cm; diam.:23cm)

Early 1900s

Exterior is covered in black lacquer with silver rims encircling both the bottom and lid. The interior of the lid is decorated in very finely-painted gold and silver lacquer with a scene of fish swimming among seaweed. A small rectangular red lacquer signature in seal form is seen on the left margin of the painting. The base of the box is also signed by the artist in gold lacquer. The interior is covered overall with sprinkled gold...

A lovely and cute Japanese pickle relish dish dated to the late Meiji period (1868-1912). The type is known as geisha ware due the subject matter so wonderfully represented. It is further without chips, cracks, or any damage whatsoever. It measures 9" long x 3.25" wide.

Edo period, 1700s / 1800s

A molded clay Buddha image encased in a lacquered wood shrine with a gilded interior. A small bronze ring on top allows attachment to the obi sash of an individual's kimono. There are some losses to the lacquer normal wear from use and handling. Acquired in Japan in the early 1970s.

Height: 3 3/8 in.

1700s or earlier

Classic Japanese Mingei folk art figure probably from a Buddhist altar or rural roadside Shinto shrine. The forearms are missing. It is darkened from incense and candle smoke. Acquired in Japan in the early 1970s.

Height: 7 ¾ in.

1800s

Carved, lacquered and gilded wood. There are losses to the right hand and both feet, otherwise, it is in good condition. Acquired in Japan in the early 1970s.

Height: 12 ¼ in.

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)

1700s / 1800s

The lacquered case opens to reveal a molded earthenware figure of Fudo Myoo, one of the 'five great kings of ligh.” The ceramic figure has an old, restuck break horizontally across the top of the base, otherwise it is in very good condition. The figure sits neatly into a carved recessed part of the interior base of the case. The case is lacquered a brownish black and is in good condition. Acquired in Kyoto in the early 1970s.

Height: 3 ¾ in.

1600s or earlier

This figure has old losses to both forearms. The features are worn and it is blackened overall from incense and candle smoke, but it has a pleasant, soft patina. A metal nimbus was originally attached to the back with a small strip of metal that still remains. Acquired in Kyoto in the early 1970s.

Height: 6 in.

Edo period, 1600s / early 1700s

The seated Buddha image has traces of gilding darkened from years of candle and incense smoke. The mandorla is thin metal repousse. There are chips, wear and losses to the lacquered wooden case.

Height: 9 ¼ in.

Japanese Satsuma cup and saucer finely decorated in overglaze enamels and heavy gilt highlights with alternating reserves featuring various activities of the noble classes and Buddhist arhats. The inner rim is decorated with a hanging lantern motif and the interior bottom with Buddhist arhats. The base of each piece bears a gold rectangular Satsuma mark and circular Satsuma family crest. Saucer: 4 7/8” diameter; cup: 2 1/2” diameter x 2 3/8” high. Meiji period (late 19th 20th century)...

Beautiful Kutani ware porcelain standing figure of Kannon Bodhisatva (Quanyin), she stands in a relaxed pose with flowing black robes decorated with feathers, she has elaborate gold jewelry and crown with a small buddha in headdress, carefully sculpted and painted from her lovely face to her toes which rest on lotus leaves, late Meiji/early Taisho Period. Minor repairs. Size: 17 1/2" high x 5 1/2" wide

Japanese late 19th century sleeve from a stage costume. The sleeve has design hand embroidered on front and back. The front has a large pearl with 3 dragon claws showing around the edge. There are also plum blossoms, bamboo leaves and stylized clouds. The reverse has the 3 friends, bamboo, plum and pine with cloud designs. There is also a fabric handle for the piece. This type of sleeve was not actually worn, but held against the body during a performance...

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix...

Japanese carved wooden NETSUKE. Beautifully carved wood figure of FUKUROKUJU resting against his money bag. Unsigned. 1 1/4" length, 1 3/8" width by 1 1/16" tall.

A Japanese tooled leather tobacco pouch decorated in low relief in gold and colors with shaped panels of boys at play, roosters, peonies, ducks, etc, silver peony shaped clasp; the pipe case in pressed fiber in imitation of rattan; agate ojime. Meiji period.

A Japanese leather tobacco pouch with pipe case (kiseruzutsu) and ojime made out of stag horn. The pipe case is finely carved in relief with an eagle on a pine branch above a waterfall; the ojime is engraved and decorated with a key fret design; the pouch with a patinated copper clasp modeled as a frog. All and all, it feel muscular (large) and detailed with quality. Pipe sold separately (Listed, item # 1036417). Meiji period (1868 - 1912). To search by the item numbers, just enter the num...

Japanese Edo period round-form bronze kagami (mirror) decorated in high relief with a finely detailed motif of crane and its young among pines. The perforated boss in the center, which holds a tassel, is in the form of a minogame (tortoise). There is an inscription at one side (see enlargement 6). We are unsure of the precise dating, but confirm it dates no later than Edo period (pre-1868). 4 3/4" diameter with a 3/4" high rim. Very good overall condition with typical wear for its age. For cent...

Japanese antique Jizai or "J" hook, made for hanging a large kettle by rope from rafters over fire pit, made of keyaki (elm) wood, wonderfully rough hewn and sculptural, carved with eight sides, great patina from smoke and use, Meiji Period (1868-1912). Size: 30 1/4" high x 15" wide x 4" think (10" wide including small cross beam at top).

Japanese silk obi, Nagoya style, dyed with the design of Chinese Empress and court attendants in the bamboo grove. It appears that this was converted to current Nagoya style obi (from kimono?). The design of this obi is unique. The wide and narrow area of this obi has different designs on both sides and all seams appear clean. By taking one side of the seam apart, you have a large fabric to work with (double in size with one seam in the center). Making into a tapestry, wall hanging on c...

Noh Mask (noh-men), Hanakobu Akujyo (Akujou), bumpy nosed fierce old man. Besides the distinctive nose, he has a deep V-shaped crease between his eyebrows and the veins on his temples to his forehead, piercing bulging eyes, teeth painted in gold, with a tan colored horsehair beard and mustache. Not an ordinary face of an old man, he appears to possess something supernatural. This men(mask) is very lightweight. Written on the reverse side is "Hana kobu Aku jyo" in gold. His mask is large for ...

Additional Photos for Satsuma Vase Item # 947590

From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of tapered hexagonal form depicting a continuous procession of figures underneath a canopy of hanging wisteria. The vase is of the highest quality, as are all of our satsuma offerings. Note in particular the exceptional gold detailing to the robes of the figures, or look for example at the detailing of the two bijins standing with the open parasol: The work is extraordinary. We hope the pictures have done this...

Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside. The edges ...

Musha Ningyo of Shoki the Demon Queller, mid-19th Century late Edo early Meiji Period. An unusually large and early version holding a captured Oni (demon). This is a rare find for this subject. He is powerful and majestic. His face carved of wood with crystal eyes and massive beard and hair made of silk is a masterwork. He wears a Chinese cap and a robe with gorgeous, sumptuous brocades. According to Japanese folklore, the spirit of Shōki is able to scare away demons. Families with ma...

Tumulus Period (AD 250-552) Clay Haniwa (Haniwa means “circle of clay”) forms were installed in the tumuli (burial mounds) that were built throughout Japan from the Third to the Sixth centuries. The Haniwa formed part of the rites used in sending off the dead. Today, these Haniwa, made in the shape of buildings and possessions which do not exist now, and also in the form of animals and even people, show us what things were like in those times. This Japanese Haniwa of a Woman’s Head i...

Japanese Meiji Period Blue and White Arita Porcelain Sculpture of Jo and Uba, an old and wrinkled couple who care for the pine trees and gather needles in Takasago, (based on a Noh play). Jo is depicted with a rake and Uba with a broom of twigs. This famous couple symbolizes Marital Love and Fidelity, and were created by Arita porcelain masters to bring marital bliss to a home. Male: 14.5 inches (37cm) high, Female: 13 inches (33cm) high.

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE. PLEASE CHECK BACK WITH US IN JULY OR AUGUST AFTER THE NEW RULES AND GUIDELINES ARE SUPPOSED TO HAVE BEEN MORE FUL...

Japanese kiri (paulownia) wood trunk, original deep red lacquer finish, iron hardware, trunk has curved lid and 2 drawers along the bottom (one large and one small), Edo Period (early 1800's). Size: 26 3/4" high x 34 1/2" wide x 16 3/4" deep.

Elegant bronze sake pourers with superb metal craftmanship and mythical dragons in raised relief. The edge of the pourers and the lid has detailed diaper patterns also in raised relief. Wonderful bronze workmanship. C. 1920 Taisho Period. Excellent condition. Ask shiping quote. (h:6 1/2"; w: 7 1/2" )