Rather unusual 18th century stag antler netsuke carved as young Yoshitsune holding naginata (a machete on a wooden shaft) as he performs a high jump over the hand of warrior monk Benkei on the Gojo Bridge. For an account of the historical encounter of Yoshitsune and Benkei at the Gojo bridge in Kyoto see H. Joly LEGEND IN JAPANESE ART, p. 82. Unusual treatment of the subject, supremely clever use of the natural shape of available carving material...

19th century boxwood netsuke of Okame holding a setsubun bean box in one hand and throwing beans with the other. Setsubun is performed during the New Year by throwing beans around the house to exorcise the evil spirits. Excellent carving with wonderful face and beautifully incised textile pattern of pine saplings, expert staining, beautiful mellow patina. Signed HIROTSUGU on the back - the artist is listed on p. 469 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...

Late 19th century boxwood netsuke of a seated puppy. Very nicely carved, great depiction of its chubby body and pensive facial expression. Very pleasant wear and patina, old stable shrinkage lines as seen on photos. Length 1.45 inches.

Late 19th to early 20th century wooden netsuke carved in a shape of a toy bear with red lacquer symbol on its back, which is an early pictograph representing the sun. Clever design, beautiful simplicity to the object, dense hardwood, eyes are inlaid, wonderful patina. Length 2.28 inches.

19th century wooden netsuke of standing Saigyo Hoshi with his attributes of a large hat and a staff as he looks upward toward the summit of Mount Fuji. Saigyo Hoshi was a member of the Fujiwara clan, a poet and a priest, as well as a military advisor to the Shogun Yoritomo. Netsuke is beautifully carved out of kurogaki (black persimmon wood) with excellent face and wonderful flow to the lines of the robe. Wear consistent with age, beautiful characteristic sheen to the surface it the wood...

19th century Japanese Satsuma ware one half of a belt buckle decorated with cranes among flowers and leaves. Metal back stamped with the mon (crest) of the Shimazu samurai clan - they were daimyō (great lords) of the Satsuma han, which spread over Satsuma, Ōsumi and Hyūga provinces. Excellent quality painting, in superb condition. Size 1.9 inches square.

Late 19th century Japanese ojime (slide bead for tightening the cord going from netsuke to inro) in a form of a natural fruit pit skillfully carved with 2 scenes of scholars engaged in discussions among bamboo and banana plants. Very good carving in deep relief with precise undercutting, nice mellow patina, overall in excellent condition. Height 0.57 inches.

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

Gorgeous Taisho Period Ca. 1925 lacquered wood Kamakura-bori style carving from Niigata Prefecture by the famed carver 'Murakami'. In the original signed box, the tray features the plant 'Yatsude' Fatsia Japonica exquisitely carved. 9" by 9". Great condition. Ask for shipping quote.

Taisho (1920s) lacquered wood kogo (box for incense during tea ceremony) in a shape of a drum . Elegant object in Japanese taste, wonderful lacquer work, two parts fit perfectly, in great condition, a couple of scrathes on the top. Diameter 1.86 inches.

Late Meiji to early Taisho (1920s) Japanese Kutani porcelain obidome (sash ornament) with enamel decoration of various auspicious objects: coins, key, scroll, magical raincoat, Precious Gem and others. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Nice design, excellent quality painting with gold and other enamels, bar on the back for an obi cord...

Okimono depicting a koi carp in boxwood with excellent color and blonde patina. The carp is represented in movement with glass eyes and scales superimposed on the body. The carp has a difficult to read signature under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 33 x 9.5 x 12 cm. State of conservation: Very good

Japanese lacquer inro depicting a dragon partially hidden among clouds lacquered in relief. The outer surface is covered in lacquer with dark brown nuances, which offers an elegant contrast with the dragon's shimmering mother-of-pearl. Looking at the inside of the box you can see that there are two compartments. The ojime is made of glass with parallel horizontal blue lines while the netsuke in lacquered wood and metal depicts an archaic design that could depict the Tama (the sacred Bud...

Very refined Japanese lacquered wood tray representing a branch of plum blossoms and bamboo leaves in gold and brown lacquer. The decor is placed on a brown base in the style of a basket weave. The back is in black lacquer (ro-iro). The protective wooden box is original and signed on the lid and inside. Dimensions: 10 x 18 cm. Period: Meiji (1868-1912) 19/20th century.

Snow covered bamboo. Painted with ink on silk. Signed and sealed.

Suzuki Shonen (1848-1918) was a Japanese painter from the Meiji(1868-1912) to Taisho periods(1912-1926). Born as Suzuki Hyakunen's eldest son, he learned painting from his father from an early age. Shonen became a teacher at the Kyoto Prefectural Painting School in 1898. He was good at portrait painting and received awards at national industrial exhibitions, etc...

1900's Japanese Studio Porcelain Vase with Bamboo Marked "Kanzan Denchichi"

It is 7.2 inches (18.3 cm) tall by 3.46 inches (8.8 cm) wide. It is 1 Lb.

It has dark spots, surface wears and scratches (as seen in the photos).

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Japanese Edo period wood block print. Print on paper, hanging scroll. Two artist’s seals, one censor’s seal. Print is in good condition, except for some tears and wears on the original mounting of the scroll. AS IS antique condition.

Wooden figure of a lion, companion to Fugen bosatsu. On his back he carries a lotus base, on which Fugen used to sit (figure missing). The lion stands on high and slightly stiff legs, each foot positioned on a small lotus base.
The figure has been carved out of several blocks of wood that were subsequently assembled into the final figure. This technique is called yosegi saiku and was widely used for complex sculptures like these. The tail is stuck into the back, remaining loose...