Old Japanese gift cover, fukusa with a black mask and a mask box, bells, hat and fan used in the Noh(No) play, Okina (the sacred old man). The Dance of Okina start with a comtemporary prayer for 'a peaceful reign over the land' Okina wearing a white mask. The black mask is worn by the Kyogen actor in the third dance, "Sanbaso". Embroidered on satin, lined with red crepe silk. Dimensions: 28" X 29"

Wood Carved Okimono 8 Turtle Signed, Meiji (1868-1912) Period

It is 5.5 inches (14 cm) tall, and 3.5 inches (9 cm) wide.

It is in good condition with no cracks, or chips, except 2 of the turtle's heads had been repaired (as seen in the photos).

Large format photos available upon request.

Our Guarantee: We stand behind all of the items that we sell...

Japanese woodblock print by Yoshitoshi, from "36 Ghosts" series.

This is a superior Takeda ningyo (doll), an old Japanese theater doll which was most likely modeled after the character, Teiseiko from “Kokusenya-ya-Gassen.” It was a popular theater play in 18th to 19th century Japan. The setting of the play is during mid 17th century China towards the end of the Ming Dynasty. Teiseiko (also known as Watonai) was fighting the battle for the old dynasty...

Antique Japanese warrior dolls, musha ningyo displayed for the Japanese Boys Day. Clad in armor is a beautiful young widow, the Empress Jingo with her faithful retainer/high ranking minister, Takenouchi no Sukune. He is holding her baby Ojin (Oh-jin) who was later known as “The God of War”, the 15th Japanese emperor, Emperor Ojin. These are all original dolls including the baby.

Some old records indicate that in 300 AD, God came down to talk to Empress Jingo in her sleep...

Japanese bronze statute of a peasant maiden. Signed Hidemitsu. Meiji Period. Height 30-1/2"; diameter of base 9-1/4".

This late 19th or early 20th century Japanese cloisonné vase is 11 3/4 inches high and 4 1/2 inches on the widest part. It depicts a rooster and hen in a bamboo grove. It is in excellent condition.

This early 20th century Japanese silver wire cloisonné vase is 7 3/8 inches high and 4 inches on the widest part. It depicts a rose blossom and buds. It is in excellent condition.

This late 19th or early 20th century lacquered bronze statue of a boy is 8 ¾ inches high, 4 inches wide and 2 ½ inches thick. It has a signature “Mantoshi” on the back. Aside from some wear due to its age, it is in good condition.

This is a colorful porcelain Japanese Imari plate centered with rising phoenix surrounded by blue and red diaper pattern and gilt accents and rims; rimmed with medallions on the reverse, late 19th century . Condition: Very good with a chip and small hairline at the rim. Measurement: 9" dia.

Namikawa Cloisonne Perfume Bottle Unsigned, 19th Century

The bottle is 2.45 inches (6 cm) tall, and 2 inches (5 cm) wide.

It is in good condition with no repairs, or chips, except very faint hairline cracks at the side (as seen in the photos).

Large format photos available upon request.

Our Guarantee: We stand behind all of the items that we sell...

Lac Burgaute with Gold Snuff Bottle, Meiji Period (1868-1912)

The snuff bottle is 3 inches (7.5 cm) tall, and 2 inches (5 cm) wide.

It is in good condition with no repairs, chips, or cracks.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Satsuma Miniature Teapot Signed Kozan, Meiji Period (1868-1912)

The teapot is 1.75 inches (4.5 cm) tall by 4.5 inches (11 cm) wide.

It is in good condition with no repairs, or cracks, except rubbing of gold and a chip at the underside of the lid (as seen in the photos).

This teapot is being feature at the Architectural Digest's May 2006 issue, page 140 under "Great Design Japan."

Our Guarantee: We stand behind all of the items that we sell...

Satsuma Geisha Square Vase by Kizan, Meiji Period (1868-1912)

The vase is 4.5 inches (11 cm) tall, and 2.5 inches (6.4 cm) wide.

It is in good condition with no repairs, chips, or cracks, except minor loss of gold (as seen in the photos).

Large format photos available upon request.

Our Guarantee: We stand behind all of the items that we sell...

Japanese early 20th century art deco bronze swan. The swan is done in a silver and gold finish. Beautifully designed and executed by artist, JOSHIN. Signed JOSHIN on the bottom. The swan measures 8 3/8" tall, by 9" long and 3 1/2" wide. Comes with box.

This superb Japanese ivory okimono is 6 ¾ inches long 2 ¾ inches high and 2 ¼ inches on the widest part. It depicts 6 immortals accompanied by a dragon over the ocean...

This very well carved and designed Japanese ivory okimono is 5 ¾ inches high, 2 ¼ inches wide and 1 ¾ inches deep (measure from the base). It depicts a Buddha standing on the back of a dragon which is rising from an ocean wave. It has great patina. There is a red maker’s mark on the bottom. Aside from an old loss which had been re-carved and polished, it is in excellent condition.

This 19th century Japanese ivory okimono is 4 ¾ inches high, 2 inches wide and 1 ½ inches deep. It depicts a hunter fighting a deer with a long spear. The impression of the hunter and the animal are realistic and wonderful. It is not signed. The tip of the spear has been broken. Aside from this and a few age cracks, it is in great condition.

This very well carved 20th century Japanese netsuke is 1 1/8 inches high, 1 ¼ inches wide and 3 quarters of an inch thick. It depicts a worried monkey carefully pulling a splinter from his leg. The impression on his face is just great. It is signed but not readable and is in excellent condition.

This early 20th century Japanese netsuke is 2 inches high, 1 inch wide and 1 inch thick. It depicts a smiling old man. He is holding a long handled bucket in his left hand; a large woven basket is in his right hand. It is signed “Gyokusho” and is in great condition.

This very well carved early 20th century Japanese netsuke is 1 ¼ inches high, 1 ¾ inches wide and 1 1/8 inches thick. It depicts a demon sitting in a straw sandal. It is signed “Masatsugu” and is in great condition.

This early 20th century Japanese netsuke is 1 ½ inches high, 1 ½ inches wide and 3 quarters of an inch thick. It depicts a mythical beast with a human face. The creature has the body of a horse; however, it is covered with horns and flames raise from its legs. It is signed “Masayaki”. It is in great condition.

This very well carved early 20th century Japanese netsuke is three quarters of an inch high, 1 3/8 inches wide and 1 ½ inches deep. It depicts two playful mice sitting in a woven basket. Both mice have inlayed horn eyes. It is signed “Shozan”. It is in excellent condition.

The Japanese samurai dolls are part of the display used for Boy’s Day on every 5th of May in Japan. The dolls are the figures of historical heroes or legendary people to inspire the boys in the family (probably husbands are also included today) in their manliness and hopefully discipline and bravery to go with them. Samurai’s Yoroi armor, Kabuto helmet with swords, bow with arrows are popular items chosen today for the day.

Very large doll for this kind...

This late Meiji (1868~1911) 3 piece calligraphy lacquer box is 7 ¾ inches long, 6 ¾ inches wide and 1 ¾ inches high. The outside of the cover depicts an open winged eagle resting on a stand; autumn flowers and plants before a full moon appear inside. There are two movable pieces decorated with gold maple leaves in the box. Also, there is a small round metal container, maybe a water dropper, decorated with a gold and silver crane and plum blossom tree...

Chikubushima Moon - Tsunemasa (Chikubushima no Tsuki - Tsunemasa). Printed: 3.1886. Engraver: Yamamoto. Signature: Yoshitoshi. Seal: Taiso. Publisher: Akiyama Buemon. Format: Oban tate-e. H. 12.75 x W...

The Moon of Yamaki Mansion - Kagekado (Yamaki Yakata no Tsuki - Kagekado). Printed: 3.1886. Engraver: Enkatsu. Signature: Yoshitoshi. Seal: Taiso. Publisher: Akiyama Buemon. Format: Oban tate-e. H.12.75 x W. 8.75". Condition: Good Impression and colors. Some soiling, including an ink spot (from original printing?) on the lower portion of print. Slight margin trimming. "Karazuri" embossing on Kagekado's clothing and cartouche. Faux woodgrain on panel behind Kagekado. Katou Ka...

Gravemarker Moon (Sotouba no tsuki). Printed: 3.1886 Engraver: Yamamoto Signature & Seal: Yositoshi Publisher: Akiyama Buemon. Condition: Very Good colors and impression, full margins. "karazuri" embossing on Ono no Komachi's robes. Format: Oban tate-e: H.13 x W. 8.75". Ono no Komachi was a famous beauty and poetess of the 9th century. Episodes from her life became the basis of a set of seven Noh plays, the last group called Sotouba Komachi, “Gravemarker Komachi.” Here, seat...

Suzaku Gate Moon - Hakuga Sammi (Suzakumon no tsuki - Hakuga Sammi). Printed: 1st day. 2nd month. 1886 Engraver: Yamamoto Signature: Yoshitoshi. Seal: Yoshitoshi no in. Publisher: Akiyama Buemon Condition: Very Good colors & impression, full margins, "karazuri" embossing on cartouche & Hakuga's hakama (pantaloons). H. 13 x W. 8.75". Minamoto no Hiromasa (918-980,) was also known as Hakuga Sammi. He was the grandson of Emperor Daigo, and a famous musician, equally proficient on ...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition)*, The Young Wife, Ukita, Guarding her husband, Lord Tomita Nobutaka Anozu no Shiru who is mounted on horseback. Signature: “taiso Yoshitoshi”. Artist’s Seal: Taiso. Publisher: Matsuki Heikichi. Date: Meiji 35* (1902), 8th month (August,) 5th day. Format: oban tate-e, H.12.5 x W.8.25". Condition: Very good colors and impression, album backing retained, no holes or tears, o...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Toyotomi Hideyoshi seated on a tiger skin listening to a priest speaking on behalf of the Mouri clan. Text by Housai. No. 33 in a series of 52. Signature: “taiso Yoshitoshi”. Artist’s Seal: Taiso. Engraver: Kataoka (per Keyes, p 459.) Publisher: Matsuki Heikichi. Date: Meiji 18 (1885), 12th month (December.) Format: oban tate-e with printed borders, H.12.5 x W.8.25"(inc...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): kurou [9th son] hangan Minamoto Yoshitsune and Musashibou Benkei under a cherry tree )#15 in this series of 33. Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi). Artist’s Seal: Taiso. Engraver: Horikou Muneoka. Publisher: Tsunajima Kanekichi. Date: 1886. Format: oban tate-e, H.13 x W. 8.75". Condition: Very good colors with good i...

A storehouse (kura) lantern(andon) from late 19th century Japan, made of wooden base, and metal wire body, and hanging hook. Interior paper is a later addition. I have found a long Japanese medicine bottle that fits perfectly inside the lantern, making it suitable for flower arranging. H.17cm(6.7") x Dia.8cm(3").

Early 20th C. back pad from North Eastern Japan (Tohoku region, most likely Yamagata Prefecture.) In the local dialect, of the Echigo & Shonai Regions (current day Niigata & southern Yamagata Prefectures), these are referred to as "Bandori." Other areas call these back cushions "se-na-ate." This particular example is a "Koro [round[ Bandori" and is made from woven straw and encased in a marvelous webbing of "yamabudo" (mountain grape vine.) Coarse hemp rope also creates a striking design in fron...

A Japanese Samurai doll (ningyo) with the look of a Daimyo: feudal lord in the Edo period (1603-1868). The Kamishimo with long hakama trousers were only worn for special occasions in the Edo castle. The samurai's blue top kimono is made out of a wash paper (a liner to his original kimono). There is a beautiful patina on his face which is covered with a gofun mixture from the time. In the old time, doll makers used to let oyster shells sit outside for years before they could ground th...

Roof tile with a "tomoe-mon", a crest of circular repeating commas in a whirlpool pattern. Fired clay, 19th century. Diameter: 4", Width: 3/4". The round tiles such as this line the bottom roof line, above the eaves. Commonly, the crest of the family or temple was depicted on these tiles. Historically, a center of roof tile production was the town of Ogi, in west-central Japan.