Wa-sarasa futonji made of cotton and dyed with pigments. Wa-sarasa is Japanese calico which is first made in Edo period immitating calico from abroad and stencil-resit dye or woodblock print. The product places were Nabeshima (Saga Pref. in Kyushu), Sakai (Osaka), Nagasaki (Kyushu) etc, however it is not clear where this futonji was made. In excellent condition. The latter half of the 19th century. 130cm x 168cm

19th century kagamibuta (“mirror lid”) netsuke with the top carved in low relief with a seated boy wearing rich robe decorated with brocade pattern and intently looking at koi fish swimming in a large bowl in front of him. Wonderful depiction of robe lines, elegantly incised textile decoration. Wonderfully depicted drops of glaze on the bowl shoulder. Beautiful patina, swinging metal loop at the back for the cord. Diameter 1 9/16 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of plant motif, design continuing on the back. Beautifully made out of dense wood allowing for fine teeth, very good lacquering, wonderful work in Japanese taste, overall in good condition. Length 4.4 inches.

An antique Japanese Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Sugi (Cryptomeria) woods. Originates from northern Honshu in the Tohoku region. All original hand forged iron hardware including the double pine tree catch on the lock plates and the plum blossom handle stoppers (called Atari)...

Height: 4.2 cm (1.6 in)
Width: 3.2 cm (1.3 in)
Depth: 1.8 cm (0.7 in)

Very high quality wooden mask netsuke depicting Okame; fine carved modelling throughout; signed to the reverse, Ryukei; good condition

Mask of the traditional Noh theater representing the character of Obeshimi. Wood, with polychrome painting meant to enhance the features of the face. Japan, end of 19th century. Height: 20.2 cm. A few chips onthe painting, obvious signs of great age, otherwise good condition. NOTE: Obeshimi is used for Noh plays featuring "tengu", mythical demons that defy Buddhist law.

A rare antique Japanese Kusuri Tansu (herbal medicine pharmacist chest) made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. All original finish and hand made iron fittings. Includes swivel side carrying handles which when flipped up allowed a wood or bamboo pole to slide through allowing two attendants to carry the chest about. Sliding doors allowed access to a storage area where herbal books, customer notes and prescriptions were stored...

18th century netsuke of a seated mother monkey patiently suffering the indignity of her young grabbing her ear as it climbs onto her head. Fantastic expression of existential contemplation on her face, excellent incised and etched coat, beautiful wear. Netsuke of characteristic 18th century triangular section, superb honey colored patina. Height 2 inches.

A brilliant set of 5 gentlemen from the Edo Period C.1850 by Kunisada I, one of the masters of the time. He was given the name Toyokuni III by his famous teacher Toyokuni in 1844. Fine detail and colors still very vivid. Framed in 3D out away from the surface would make a spectacular piece of art. H:28" x w:29". Ask for shipping quote.

The pine, bamboo and plum blossoms are all auspicious motifs found in nature. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent...

Keyaki (zelkova) wooden pulley, used to scoop water out of a well. Wooden wheel with forged iron block. The inside of the wheel groove (where the rope would run through), lined with a thin sheet of copper...

An impressive mokubi painting in ink and gold on silk depicting the Zen Buddhist patriarch Bodhidharma/Daruma in profile. Signed and sealed: Imai Tenroku (b. 1866), a specialist in the painting of Buddhist subjects. The present painting is dated Taisho 8 (1919). Fully inscribed box and paper w. artist’s data. L 185, W 52 cm. Picture frame: L 112 cm, W 40.5 cm. Condition: Very fine (at the bottom a small portion of the silk has loosened from the mounting).

Antique Japanese wooden bowl carved in the form of a wide lotus leaves. On the inside of the bowl, a frog with turquoise eye climbs the stalk of a lotus blossom. Two more frogs cling to curling leafy edges. The underside of the bowl is carved like the underside of a lotus leaf including it's spiraling stalk.

Age: Meiji Period (1868-1912)

Dimensions: 12 1/4" wide diameter x 3 1/4" high

A quintessential 16th century design in worn gold covers all the dark surfaces of this lacquered wooden box dating from the Momoyama period. Here auspicious cranes and turtles, reported to live a thousand years, laze among pines. About the lid boaters enjoy leisure seas. Ichimonji checkerboard patterns rising diagonally up the sides alternate with garden trees, the ends decorated with wisteria and ivy. The box retains the original inner tray in festive red decorated with garden grasses...

19th century wooden netsuke of hibachi (portable charcoal-burning brazier) on 3 low legs and filled with short pieces of wood and charcoals. Unusual and clever subject in Japanese taste, perfectly caught “wabi-sabi” essence of the object with its elegant simplicity. Beautiful carving, wonderful depiction of wood structures in the logs, excellent wear and patina...

Small iron lantern of rectangular format stretched in height with its base. The paper comes from a book page of classical Japanese literature. This writing is developed from the 8th century and is borrowed from the Chinese writing.

Japon - early 20th century Height: 11 in. (28 cm) - width: 3.4 in. (8.7 cm)

Meiji (1868-1912) Japanese Mixed Metal Bronze Gourd Shaped Vase with Birds and Morning Glory

It is 9.6 inches (24.4 cm) tall by 5 inches (12.7 cm) wide. It is 3.8 Lb.

It is tarnished and has been repaired at the bottom. It also has missing some flowers, oxidation, and surface wears and scratches (as seen in the photos).

For more photos, please see gy5518A.

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Japanese fukusa, a silk satin gift cover depicting the Seven Sages of the Bamboo Grove. The development of the Japanese fukusa is closely associated with their custom of gift giving. Japan has been a farming country until recently and crops were directly affected by nature (draft, floods, etc). The rituals were held within their own communities and fresh crops were offered to god. To irrigate and lay the roads, they needed the better their work relationship...