19th century netsuke of Edo omiyage (gifts from Tokyo) including a straw bundle with clam shells, a pouch inscribed Kaminari Okoshi and containing sweetened puffed rice cookies from Asakusa, a necklace of so-called donguri (acorn) sweets, a toy whistle, a small shallow box, the back of the netsuke with a round box inscribed Omori Karashizuke Yamamoto (mustard marinated pickles from Yamamoto of Omori)...

19th century netsuke of 2 biwa (loquat) fruits on a stem. Elegant design in Japanese taste, superb quality realistic carving down to the last detail - see the rendition of bark on branches and perfectly etched terminals of the fruits. Beautiful wear and patina, himotoshi formed by natural openings in the carving. Signed MASATSUGU in oval reserve on the stem - the artist is listed on p. 740 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1.21 inches.

Umimatsu cup. Late Edo. 7,5 x 6 x 3 cm Minimally sculpted, this cup as a particularly elegant form, including an handle, mostly coming from the natural form of the Umimatsu (black coral) root. Cannot be exported.

Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula)...

Japanese Porcelain Blue and White large Hibachi with cut out handle on both side and rounded deep top rim, Ca. 1900, 12" high, 19" diameter outer size, with rounded curved inside to make round top rim, underglaze blue and white design is bold and large, covers entire side with pine tree, steep streams in large scale of natural landscape. The handles on both side is cut out from the main body makes easier to lift and handle the heavy piece of Hibachi. The condition is good, no damages.

Hand-sashiko is a hand-spun, moderately soft cotton cloth dyed with high-quality indigo dye. The good color of natural indigo dyeing and the stabbed with soft hand-spun cotton cloth make a beautiful change with moderate effort. It is the tranquility used by wealthy farmers in the Shonai region during the Edo period. This modified natural indigo dyeing has something in common with the dark blue comfort of Van Gogh's painting The Night Café...

Katsugi or Kazuki which is worn over the head down and fully covers the body, which is made of hemp, whose wefts and warps are hand-plied. Originally, the kazuki was worn by a noble woman when she went out from Heian to Kamakura period (about 9th to 13th century) over kimono. The collar is lowered to cover a head. This one is probably made in early Meiji period (the latter half of the 19th century) in Shonai region in Yamagata Prefecture and worn at the wedding...

Set of two bronze ewers for pouring sake at a banquet or wedding ceremony. One sake ewer with a long handle and two spouts (called naga-e choshi), used to serve sake to guest. At smaller gatherings, only one spout is used; when larger numbers of people need to be served, both spouts may be used...

A bucolic scene of temples and rugged seaside hills dotted with pagodas in silver and gold wraps around the black surface of this deep tray dating from the Momoyama to early Edo period (16th-17th century). It is 27 cm (10-1/2 inches) diameter, 8.5 cm (3-3/8 inches) tall. The bottom has been re-lacquered at some time in the past...

Flowers. Painted with ink and pigments on paper. Signed Baiitsu and sealed. It is attributed to Yamamoto Baiitsu(1783-1856). Circa 19th c.

Yamamoto Baiitsu(1783-1856) was a Japanese Nanga/literati style painter of the late Edo period (1603-1868). Studied painting with famous painter Cho Gessho（1772-1832）. Baiitsu was excellent at painting flowers and birds...

A Bronze elephant under attack by two tigers, one tiger is on his back, and one is under his front foot. The elephant has a finely chased hide and original ivory tusks, and the tigers have etched bronze strips. There is a makers mark inscribed on the bottom of the elephant's right front foot which says "Jonon"(south castle). The okimono measures about 7" wide x 7 1/2" tall, and dates to the Meiji Period. The condition is excellent, and it comes with a burl wood stand...

This is Yogi of the great high quality of Edo period. As for this, the Kaiki- silk of the high quality is used. As for this, silk Katazome is used for the part of the shoulder. It is dyed with an indigo plant. And it is a cover for the shoulder regions. As for this, around four holes from 2cm to 3cm are seen in a Katazome part. The green Tumugi- silk thread is basting thread. In this Yogi, good-quality silk spun by hand is used...

Japanese gyosho bako or "peddler's box"/ship box, made of kiri and sugi wood, with iron hardware, handle on top, front door with a pin locking mechanism, which opens to reveal four rectangular drawers and two locking compartments, each with iron handle. Edo period (1603-1867) Size: 15.5" height, 13" width, 17.25" depth

Iron kozuka inlaid with a bronze or brass lobster.Details in silver. Simple but powerful good work. It reminds me of the Onin style tsuba. This kozuka seems to me very old 18 ° or before. Its simple appearance while being of good quality, its solidity makes me think that it was not made during the peaceful and sumptuous Edo period but before during the agitated war period of Muromachi. Dilmensions about 100x15 mm

The elephant is made of hard enameled porcelain, the artist modeled it with care, it is very likely that it was created using several molds. It carries on its back a vase which serves as a receptacle for incense. The statuette is hollow, vents to evacuate gases during cooking were discreetly made under the ears. Examining the underside we can see the shrinkage slots in the porcelain, which could have broken during firing. In the 19th century it was difficult to fire porcelain with this complex...

HORNED TRAINEE MONK

Details unknown, but I think he must be a very great old man, since it has remained for long years until today as a wood carving statue. Edo period, 19th century. approx. H 25 x 11 x 8cm (9.84 x 4.33 x 3.14in)


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Japanese koi fish made of bronze. Well crafted with animated expression and body language. Nicely detailed with original patina. Showa Period (circa 1960's) Dimensions: 8" Long X 4" Wide X 4" High

Japanese iron pagoda statue, with a tall, ridged finial and five "stories". Its base is removable and can hold a candle inside to act as a lantern. Early 20th century. Height 9.5"