Japanese dark Kiri wood Merchant's display document box and shelves with drawers, Meiji period, Ca. 1880, 19" high, 20" wide, 7" deep, two(2) shelves above three(3) small drawers, two(2) larger drawers at the bottom, all the drawers have brass round knob. The grains are beautiful and very decorative cut out design of pine tree and other Japanese design on the both side...

Edo Period, early 1700s

This small, double-doored black lacquered shrine contains a carved and gilded sandalwood image of a Bodhisattva sitting on a lotus throne. The gilding is original and is worn from age and use. There are also some losses to the lotus leaves. The two doors are attached by small gilt bronze hinges and a brnze ring is affixed to the top for attachment to a garment belt. Acquired in Kyoto, Japan in 1973.

Height: 4 in., Width: 2 in., Figure height: 3 in.

This is a fine antique Japanese cloisonne vase and probably a cabinet piece. It stands just under 5 inches tall. The glowing beauty and quality are more impressive when seeing it in person. The vase is in excellent condition.

Authentic Antique Japanese Edo Period (1600-1868 A.D) Wedding Bronze Mirror Kagami

The mirror is of a design typical of the sixteenth century incorporating a large calligraphic Japanese characters two Cranes, sotsuru, conjoined at the beak with a tortoise kame-gata form central pierced boss in a “Y” shaped formation In addition there is a set of three stylized flowers, karahana mon...

Antique Japanese shinto shrine mirror. The mirror has a central motif of a turtle meeting the beaks of two cranes. Three baby cranes and a small turtle walk along the beach. The three auspicious symbols of pine, bamboo, and plum blossoms invoke the island of longevity, horaisan. There is an inscription to ward off calamities. This mirror would have been placed on a wooden stand at the entrance to a shinto shrine for the visitor to see their reflection as they entered. Edo period, (c1800)...

This is a fine early Japanese Satsuma vase. It was made before 1900 and is one of the better examples I have seen from this artist.. The enamel work and relief dragon are done very well. The vase is interesting and has a lot of character. It is very heavy and in very good condition. The only real flaw is a broken horn on the dragon which is a common occurrence with these pieces. This can be fixed fairly easily and I could arrange for this small repair for the buyer. Stands 9 1/2 inches tall.

Japanese carved bone three(3) monkey design Fan Holder, Meiji period, 1 1/8" high, 2 1/4" wide, 1/2" deep, with opening on the bottom and wider opening on the top, carved serious money faces with black enameled wide eyes. There are some stains and wears on the surface.

Japanese carved wooden NETSUKE. Beautifully carved wood figure of FUKUROKUJU resting against his money bag. Unsigned. 1 1/4" length, 1 3/8" width by 1 1/16" tall.

Height: 3.3 cm (1.4 in)
Width: 3.5 cm (1.5 in)
Depth: 2.7 cm (1.1 in)

Japanese carved shishi dog seal block; inlaid eyes; natural material; minor wear; good condition

Original Japanese woodblock print by Yoshitoshi (1839-1892) of a Japanese captive insulting the King of Ancient Korea. From the series Kyodo Risshiki (Instructive Biographies) and published by Matsuki Heikichi, it is dated 1885. In excellent condition, it measures 14.75 inches high, 10" across.

Tranquil sitting Nyorai Zen Buddha on a tiered stand. Wood is hinoki or Japanese cypress. Beautifully lacquered with a gold gilt covering. The Buddha has a jeweled forehead and a swirling leaf backdrop. It sits on a lotus stand. The bottom of the stand is swirling Buddhist clouds. c.1885. (11" x 6") (28cm x 15cm). Ask for shipping quote quote.

We are glad to can offer you a real authentic piece of real Japanese tea ceremony culture, a Shigaraki-yaki Edo period antique mizusashi (water jar) with its o r i g i n a l and signed antique wooden box.

Dated Bunsei 13 (1830).

This is one of the rare originals, which are hard to find in and outside Japan.

As it is in brilliant condition, it can still be used for the tea ceremony.

Height : 14,5 cm

Diam...

A fine shoe-shaped - katsugata tea bowl of black Oribe (oribe-kuro chawan), the coarse Mino clay is covered with a thick black glaze, on one side a cartouches featuring irregular strips patterns in iron-brown glaze on creamy ground. Japan, Edo, Meiji period, 19th cent. L 13.5 cm, H 6.5 cm. Condition: Excellent with signs of use and wear.

Furoshiki (wrapping cloth) with bold and nice family crest design which are katazome (stencil-resist-dye). It is made of hand-spun cotton and vegetable indigo dyed. In good condition but has two mending patches and a few breaks. 19th century. 130cm x 126cm

19th century netsuke depicting Ashinaga seated next to a basket, his absurdly long legs raising higher than his head, wearing a skirt, a short European jacket and tiger skin pants. In Japanese legends he is often accompanied by Tenaga (long arms) whom he puts on his back and goes fishing. Very nice work, wonderful smiling face, buttons are inlaid with horn, pleasant wear and patina. Height 1 3/8 inches.

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting an actor portraying a samurai sitting on a veranda overlooking a garden with a beauty in the center panel. Published by Joshuya Kinzo prior to 1842. Each panel bears the signature "Gototei Kunisada ga", a publisher's seal, and the kiwame censor's seal used from 1790-1842 (see enlargement 5). Each panel measures about 14 1/2"V x 9 1/2"H. Very good overall condition...

Antique Japanese bronze suiban with raised designs of dragons on the front and back. Swirling mist motifs decorate the sides of the suiban and continue on the four feet it stands on. A key motif runs along the edge of the rectangular container. Four character mark on the bottom. Suiban are intended for displaying flowers (with a kenzan) or for displaying suiseki scholar stones for viewing and contemplation...

A square shallow bowl in the form of a Japanese rice measure, masu, which was considered to be an auspicious form decorated to the exterior with two Dragons in different stances with two eight character poems with seals. Presumably the shape was intended as a play on the word, namasu, a term used to traditionally describe a serving of pickled vegetables and the related bowl...