Ca. late 1800s

This large rectangular bronze dish is cast with a bamboo basketwork design on the exterior and the base. In the center of the base is a raised rectangular cartouche with the maker's signature. It is supported by four short feet in the shape of bamboo stalks, and on the sides there are two vertical cylindrical handles. It retains its original even, brown petina overall...

Japanese Sterling Silver Teapot w Rattan Handle

Description & Size: 8.89 x 13.33 cm (3.5" x 5.25") height without & with rattan handle, 10.16 x 12.06 cm (4" x 4.75") wide without & with spout; Weight: 214 gram (7.54 oz)

Age: Meiji Period 1900'; Material: Sterling Silver; Production: Handcrafted; Original: Antique

This Japanese sterling silver teapot w rattan handle is hand hammered has the look of a barrel design...

Black lacquered double door zushi portable shrine opening to a well-carved and polychrome painted image of Jizo Bodhisattva, sitting in repose on a lotus throne, his hand holding a staff with sacred rings, framed by a gilt metal mandorla. Accompanied by two attendants in a rocky grotto setting. Size:14.5"W closed, 29"W open x 11.5" D x 20"H. Edo Period, circa pre 1850s.

A nice quality Ko Imari bowl decorated with three ogee shaped niches containing a stylised Lotus motif against an iron red ground inset against a diaper brocade ground over painted in light gilt with a figure of a Daoist immortal carrying a pine bough over his or her shoulder. The conventionalised pose of the figure is similar to He Xiangu, who carries a Lotus in a similar manner; the only female member of the Baxian...

Antique Japanese Kesa with the design of chrysanthemum, lined with silk, Meiji period. Dimensions: 35 1/4" x 64"

Ca. early 1900s

Heavy bronze mallet is cast with a stylized floral motif framed by a key fret design in a rectangular panel wrapping partially around the barrel-form mallet head. The mallet faces are both inlaid with copper and niello (copper, silver, sulphur alloy). The handle is inlaid with niello and incised with the artist’s signature reading “Kozan saku” (made by Kozan). The hole in the base of the handle was for a decorative silk cord, now missing...

A covered bowl or tureen probably made for the European market, but of conventional Japanese form, decorated with a pattern of Peony branches to the exterior in iron red and underglaze blue with green and black enamels and gilding. The interior painted with an enamelled green and black peony petal mon covering a round area of unglazed biscuit porcelain, that suggests that further bowls may have been stacked within the bowl during the original firing...

A large, very decorative blue and white Imari vase from the 19th. century with a underglaze blue mark to the base. H. : 78 Condition : No damage . There is a fiering crack from the time when this vase was produced ( which can be seen on the last enlargement ) so that it is legitim to say that this piece is in it´s perfect original condition.

A fine square form dish kakuzara decorated with a scene of a large Pavillion or Temple Complex set upon a lakeside shore with Peony scroll motifs to two corners and a high foot ring with traditional comb foot. The design is one of those originally selected by the Shogun Ieharu (1737-1786) in 1773, and continued to be tendered and reserved for presentation to the Shogun during the Edo period...

Antique Japanese bronze usubata made of woven bronze. An usubata is a floral arranging container for ikebana. The base is made in the form of an open weave bamboo basket with a six point star pattern. The top is a close weave. The handles are bamboo branches with leaves climbing over the basket. Meiji period 1868-1912. It measures 12" wide 11" tall.

A fine quality early Eighteenth century export saucer dish decorated with a central kikkumon and sprays of Chrysanthemums and Prunus branches in a five colour palette sans aubergine enamel. The reverse decorated with three prunus sprays. The dish has elements of slightly raised moulded decoration in the form of three plum flowers and three chrysanthemum blooms...

Japanese Silver Box w Roses & Brown Bird Signed

Description & Size: 4.44 x 13.71 x 10.16 cm (1.75" x 5.4" x 4") height & length & wide

Weight: 431 gram (15.20 oz)

Age: Meiji - Taisho Period

Production: handcrafted

This is a beautiful Japanese silver box handcrafted with dark rose wood. The silver box has a large 3D silver rose with etched leaves, a rose bud, & a raised brown bird...

Antique Japanese bronze lantern with "braid" and crosshatch style sides, a hinged door with locking latch, roof style top, and sitting on four legs. Great patina. Size: 12" height, 10,5" width

Rare Japanese keyaki wood choba tansu with 15 exterior drawers (3 interior drawers) and a locking bar, keyaki (elm) wood front and frame with dramatic grain and lacquer finish, elaborate iron metal wood including moko shaped drawer pulls, locking bar has iron work with bamboo motif, the safe box has a key and the three small drawers on the inside are made all of kiri wood with handles to match the front exterior, Edo Period, Makuni area. Size: 38" high x 34" wide x 14 3/4" deep.

A small Japanese Arita kilns blue and white porcelain sauce dish, or mamezara, of mokko-gata form. Namban (or Nanban, Southern barbarian) decoration of a foreign figure, with dog, falconing in picturesque landscape. Painterly shironuki decoration in the cavetto of cranes flying among clouds. Edo period, Circa 1800. Good condition for its age, with two small chips inside the foot rim and a small glaze abrasion just above the foot rim. About 3 15/16 inches (10 cm) square.

Japanese Silver Okimono of a Puppy Signed, Meiji (1868-1912)

It is 2 inches (5.1 cm) tall by 3.2 inches (8.2 cm) wide. It is 4.87 oz.

It is in good condition with no repairs, chips, cracks, or dents except tarnished.

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A sometsuke o-zara decorated with an intricate Tako-karakusa, Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu...

A circular dish with slightly everted rim decorated with a landscape freize to the cavetto. The pattern is split into equal halves, by a zigzagging screen wall on one side, and an S shaped motif with ruyi cloud shaped motifs. The first portion of the design shows a pair of scholar’s playing Go sitting beneath a Bodri Tree set in a landscape with a scholar’s refuge cum tea house and oddly oversized autumn flowers, kikyo, bell flowers, and suisen, Japanese narcissus...