18th century netsuke of a standing Dutchman with his mouth open, clutching a long-tailed rooster to his chest with one hand, wearing a hat, long coat, gaiters and shoes. Rare subject - Englebert Kaempfer (doctor with the Dutch East India Company who traveled to Edo in 1691-92) singing for Shogun Tsunayoshi at the annual reception of the foreigners in Edo...

19th century netsuke carved as a Chinese sage holding an oni mask in his hands, and a little boy seated by his feet. Wonderful carving, excellent faces, superb staining, graceful flow of their robes and delicately incised textile patterns. Wonderful warm yellow patina, very pleasant finish to the surface, old age lines. Signed NAOMITSU in irregular reserve on the back - the artist is listed on p. 822 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...

19th century netsuke of an octopus wearing a jacket and towering over a monkey seated on an abalone shell. Unusual subject - normally they are wrestling, but here it does not seem to be the case - the monkey is smiling. Superbly carved, excellent faces, wonderful detailing - see the coat of the monkey and abalone texture. Eyes of the octopus are inlaid with black horn. Beautiful wear and patina consistent with age, turning yellow on the back...

Late 19th century netsuke of four blind men fighting, characteristic bumps on their heads. Excellent carving with a lot of detailing, superb faces, subtly incised textile patterns, very pleasant patina. Height 1.46 inches.

This is han-jyuban in Edo period(1800-1867). Silk tsumugi itajime of the safflower dye is an arabesque motif in the lion. The shoulder surrounding is scenery of the travel (Tokaido) in Edo period. The katazome is very exact and beautiful. The material of katazome is wool. There are a little color variation and a small hole. The state is very good. It is very rare han-jyuban. size:90cm x 85cm (35.4" x 33.5") Size:Length:86cm( 33.8") / Cuff to cuff, across the back: 91cm (35.8")

Noren, a shop curtain made of hemp (taima) whose wefts and warps are hand plied and dyed with kakishibu (persimmon tannin). It has the shop logo "Tawara (俵）”with sumi. All hand sewn. In good condition but has some stains and a hole (1cm x 0.5cm) and mending stitches. The second half of the 19th to early 20th century. W:125cm, L:147cm

19th century netsuke in a shape of a sake cup made out of half of kurumi (walnut shell) with lacquered inside and silver floret shaped fitting with a loop for hanging. Very clever piece, beautiful warm patina, old stable crack lines, well done old kintsugi (gold lacquer) repair. Length 1.4 inches.

Late 19th century netsuke of a peasant seated on a bundle of firewood smoking a pipe and helping to light the pipe of the other man with a rain hat. Old loss to the smoking parts of both pipes, Very good carving, great faces, multiple inlays to their clothes. Signed CHIKUZAN on inlaid lacquer plaque on the bottom - there is an artist who signed with these characters listed in NETSUKE by Neil Davey (p. 453, number 147), but I am not sure it is the one who carved this netsuke...

Early 19th century boxwood netsuke of a seated inebriated oni with a sake cup in one hand, and the other raised to his head indicating a hangover. Strong early carving, great face, inlaid pupils and horns, powerful muscular limbs. Himotoshi is formed by his legs, very good patina. Height 2 inches.

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 24.4 C.M. / Width 9.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Jumping Koi/Carp. Paited with ink on silk. Signed Eishuku Ujinobu and sealed. It is attributed to Kano Eishuku(Ujinobu).

There is a waterfall legend about “The Dragon Gate": thousands of koi fishes tried to jump to the waterfall for hundreds of years but failed, and after sometime passed one koi determined to reach the top of the waterfall and finally made it to the top. The Gods rewarded the koi by turning him into a beautiful, shiny, Golden Dragon...

A beautiful 2 Stage lacquered container covered in black lacquer decorated with flowering vines. The domed lid opens to reveal a circular tray removable to open a deep container. It is 8.5 cm (3-1/4 inches) diameter, 11 cm (4-1/4 inches) tall and in excellent condition.

Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hiramaki-e lacquer on a nashi-ji background. The edge is decorated with cherry blossoms in gold and silver takamaki-e. Interior and base in nashi-ji.

Japan – Edo period, 18th century
Height: 1.9 in / 4.8 cm – width: 6.1 in / 15.5 cm – depth: 3.5 in / 9 cm

19th century marine ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved in the round with shishi (Buddhist lion) frolicking among rocks and flowers. Beautifully carved, excellent patina, metal liner to the central hole. Diameter 0.68 inches.

19th century marine ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved in the round with Thunder God Raiden running through the clouds beating his drums, thus creating thunder. Beautifully carved, excellent patina, metal liner to the central hole. Diameter 0.61 inches.

Meiji (1868-1912) Pair Japanese Makuzu Kozan Studio Vase Chrysanthemum & Flowers Bamboo Weaving Basket Marked

They are 12 inches (30.4 cm) tall by 10 inches (25.4 cm) wide. The total weight is 17.6 Lb.

One vase has repaired (glued back) at the foot. One vase has chips at the underside of the lip. One vase has yellowing at the vase's opening. They have black spots, firing cracks, and surface wears and scratches (as seen in the photos)...

19th century netsuke of a head of a nio - (also called Kongōrikishi) - a wrathful and muscular guardians of the Buddha standing at the entrance of a Buddhist temple. Nio are dharmapala manifestations of the bodhisattva Vajrapani, the oldest and most powerful of the Mahayana Buddhist pantheon. This particular image represents Naraen Kongo, his mouth is closed representing the vocalization of the sound “N” - the last letter of the Sanskrit alphabet...

19th century tall netsuke carved as a dancing fox standing on its hind legs with its front paws raised to one side and its tail erect. This particular model seems to represent the Inari fox - the benevolent and well disposed creature, being the messenger of the God of rice and harvest, as opposed to the other foxes, which are generally believed to be evil creatures...