Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents’ wish to inspire their sons in manliness, discipline, bravery and the honor codes that are associated with them.

Toyotomi Hideyoshi has been one of the popular characters for Boy’s Day. He was born in a peasant family and worked his way all the way up to top commander of Japan...

Early Meiji Period Japanese Bronze Incense Burner in the form of a Dragon Fish, a mythical animal. This is a rare subject for a Japanese incense burner. It has a wonderful mythical character and presence. It has a beautiful camel bronze patina. An amazing sculpture with its original black lacquered box. Height: 9 inches, 23 cm.

Ink and pigments on paper with gilding, ca. early 1600s

Originally mounted as a fan and later remounted on a fusuma sliding door or folding screen...

An antique Japanese Ko Tansu (personal storage chest) made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. All original hardware including the Warabite bronze handles and hand made iron fittings. Constructed using straight dovetail joinery and hardened wooden nails. Two small drawers are hidden behind the hinged door.

Chests such as these were used primarily by a Japanese family to store their documents, letters, ephemera, photos and other treasured keepsakes...

A very rare example of an Antique Japanese iron samurai chest armor (dou) with Fudo Myo-o. Made in the five plate, four hinge go-mai chest armor sendai or yukinoshita style. On the breastplate, Fudo Myo-o, one of the five myo-o or Lords of Light stands with sword in hands, the flames of his nimbus swirling around him as he stands on churning waves. Fudo is a fitting subject for samurai armor as his name means "the unmovable or unshakable one"...

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This piece, although in the shape of a jue, is done in fine, powdery-blue celadon and is described on the tomobako as being a jue-shaped incense burner (korou).

Suwa Sozan the first (1852—1922) was born in an area of what is known today as Ishikawa prefecture...

Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)

From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1860. Main image by Kunisada depicting the miracle occurance

Signed Toyokuni (III), publisher’s seal and censor’s seal on left margin, very good impression and color, very minor wear and light stains on the margins.

Oban tate-e: 10 x 14 ½ in.

Rice bag made of hand-spun and vegetable indigo dye cotton fragments which are kasuri, katazome (stencil-resist dye) stripes etc. It was used when people dedicated rice or other grains to temples or shrines. It has beautiful fine katazome cotton cloth for lining. In good condition but string in the hem is damaged and cord for binding is lost. 19th to early 20th century. W:37cm, H:27.5cm

This is a are Banko teapot in pristine condition. This sea creature pattern is one of the most collectible ever created by the Banko factory.It has some history written on the underside that the buyer can remove or leave.

A very fine sometsuke dish of scalloped octalobed form painted with a mon form central motif of a symmetrically arranged pair of leaping carp. Framed by a continuous band of botan karakusa, Peonie lotus scroll, within which are reserves containing, dragons, Ryu, in clouds and a gilt rim, kin-beni. The reverse decorated with hagi-karakusa, vine pattern and a six character mark for the Chinese Emperor Jiajing. The quality of the painting is of the highest quality...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted...

Japanese bronze rooster with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Height 15.7 C.M. / Width 5.3 C.M. / Length 11 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

It is a Japanese antique natural indigo dye old silk katazome kimono. It is a Excellent condition.It does not have a stain and the damage.It is a pine and a pattern of igeta. size:Length: 140cm (55.1") sleeve to sleeve 120cm (47.2")

Unusual 19th century lacquer ojime (slide bead for tightening the cord going from netsuke to inro) of seed shape with faceted surface showing variously colored layers of lacquer from which the piece was built. Wonderful design piece, metal liner, in great condition. Height 0.67 inches.

This is shijira Noshime kimono of the samurais with luster dyed with an indigo plant of nature of the Edo era. This has two places of small holes and thin stain This Nosime features deep indigo dyeing with clean luster and Kasuri of transparent blue. In this way, Nosime of the indigo dyeing of Sijira with the luster is rare. This was made in Kyoto and was used in Akita. Size 141cm x 132cm (55.5” x 51.9”)

An antique Japanese Sendai Tansu made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. The front features a beautiful finish of natural Urushi lacquer with a top and sides finished in a wiped lacquer technique. The Sendai tansu showcases a wide top drawer lock plate that highlights an incised stylized Chrysanthemum blossom with its corresponding leaves. The Mokko style handles also feature Chrysanthemum back plates...

Enclosed in silver wire of varied thickness, boldly enameled iris grace this deep blue 6.5" Japanese cloisonne vase.

Condition: Three tiny red cloisons under the top rim are missing, behind these are small chips. The damage is under the rim at the back of the vase above the single iris bud and is not easily seen. There are no other issues.

Well incised and delicately crafted Japanese carved horn netsuke figure; of Shi-Sri in sitting position, Meiji period (1868-1912) to Taisho period (1912-1926). Size; Length of carving is 1 inches with height of 2 inches. Condition Report; Excellent condition, no imperfections.