This japanese antique katazome thick noragi is made by splicing together fabrics from the Edo and Taisho periods. The katazome of the Edo period, hand-spun indigo dyed cotton, is very beautiful. Light stains do not stand out. There is one damage on the back. Size:Length:82cm (32.2inch) Cuff to cuff: 122cm 48.0inch)

An antique Japanese Kotansu (personal storage chest) made of Kirinoki (Paulownia) wood. Hand forged iron hardware with Warabite style handles and corner drawer front reinforcements. 5 drawers for storage and organization with 2 side handles for carrying this chest from room to room. Constructed using straight dovetail joinery and hardened wooden nails. Perfect side chest or bedside night stand.

Age: Meiji Period (1880-1890)

Dimensions: 22 1/2" Wide by 22 1/2" High by 12" Deep

An antique Japanese Kyoto Mizuya Tansu (kitchen chest) in 2 sections made of Keyaki (Zelkova) and Hinoki (Cypress) woods. All original hand forged iron hardware with bronze sliding door handles and Warabite style drawer handles. 3 sets of sliding doors each set progressively larger with removable shelf behind each set. Side slats provide strength, stability and visual architectural design...

Funny brown-patinated bronze featuring a mouse standing on its hind legs on a squash.

Japan – Meiji (1868-1912)

Height : 14 cm (5.51 in) - Length : 24 cm (9.45 in) – Width : 8 cm (3.15 in)

This is a beautiful old style Plique A Jour vase signed fr Kumeno. Rims are silver. It stands 3 1/2 inches tall and is more attractive than the images show. There is a hard to notice line shown in the last image.

A finely potted large Chinese Imari three colour Charger decorated with a design of a garden with elaborate fence with Lotus finials to the posts and Mudan, flowering Peonies, Asters and various other flowers, coupled with a flowering Baicai, white cabbage (Pak Choi); traditional symbols of prosperity and wealth. The cavetto is undecorated and the rim painted with a further auspicious arabesque of entwined Peonies and Chrysanthemums, symbolising longevity and eternal youth. The reverse is pain...

Half cylinder shaped (Hanzutsu) tea bowl, thrown from light, coarse Mino clay, with very little inclusions a clay found on earlier Shino bowls. The walls are cut with a potters knife.

The bowl has been covered fully (with the exception of the foot ring) first with an iron bearing engobe (oniita) and after the decoration had been incised with the typical ash and feldspar glaze inside and outside creating the nezumi-shino glaze...

Japanese Marquetry wood inlaid Hanging Cabinet or hanging cupboard with doors, one(1) shelf inside, Meiji period, later part of 1800's, 24 3/4" high, 22 1/2", 6" deep. All the Marquetry inlaid wood designs are on the front part of the doors and the top area, representing typical Japanese Artistic Symbols on the Hardwood Cedar and other mixed wood, and Brass key hole is not complete...

Beautiful Japanese scroll painting depicting farm women with large baskets on their backs making their way up a steep mountain path, the snowy slopes of Mt. Fuji rise out of the trees in the distance, a beautiful rural scene, painting in light mineral colors and ink on silk, after Hokusai, Meiji Period. Size of painting: 38" high x 16 3/8" wide Total size of scroll: 71" high x 21 1/4" wide (23 1/2" wide including ends)

Japanese antique carved boxwood figure of Soko-tanuki. Here he is disguised as a monk with a large temple bell. The story goes that a tanuki (who is famous for his shapeshifting abilities) worked in the temple for many years. One day while he was taking a nap, he was caught in his original form...

Japanese Kura samurai saddle in red lacquer, with black and gilt lacquer. The maewa (front arched plate) and shizuwa (rear arched plate) are adorned with a copper inlay flying crane. The red lacquer area surrounding the crane is hand-carved with scrolling vines of flowers and shippo pattern in gilt lacquer. The maewa and shizuwa are connected by two igi (contoured side bands)...

Rare and Spectacular Edo Period Musha Ningyo of Toyotomi Hideyoshi (circa 1780). A musha ningyo (Warrior doll or Boy's Day doll) modeled after the seated Toyotomi Hideyoshi in armor with an eboshi winged hat and a sword, holding a gunbai-uchiwa (military fan). This is the first one found by the same maker as the Hideyoshi in the famed Ayervais collection (cf...

Length: 4.6 cm (1.8 in)
Height: 1.5 cm (0.6 in)
Depth: 3 cm (1.2 in)

This Japanese netsuke is a lovely example of deer antler carved into a duo of abalone shells, the smaller resting on the surface of the larger shell. The piece has a wonderful old patina and is very tactile to the touch. The himotoshi are large and deep and there appears to be a very worn signature to the underside. This netsuke is in good condition with no damage.

This is an extremely rare Japanese cloisonne enamel. It appears to be an early Ando piece. I say this because of the form used and the enamel technique used on this vase. The enameling has characteristics similar to some of the unique signed Kawade pieces with their mottled flowing enamels done in various colors. The enamels also vary from translucent to opaque. The vase is heavy due to the thick enameling...

19th century Japanese small lacquered wood netsuke representing a theatrical mask of Namanari. The mask is mostly used in the play The Cursed Metal Head-Ring for the role of the wife who is crazed with jealousy beyond any possibility of redemption. Uncommon image, excellent ferocious face, long lower jaw resulting in wide open mouth, great patina. Crisp detailing, nicely lacquered, some wear to the surface...

A 19th century Bronze incense burner int eh shape of a burning Buddhist jewel supported on five legs of curling smoke tendrils, alternating with five looping handles. It is 20 cm (8 inches) tall to the finial, and in excellent condition.

This is the one in the middle of Edo period. (1603-1867) Tsutsugaki textile of very valuable museum class. Tsutsugaki textile of museum class Rare It used it in the buddhist temple at the ceremony. Please look at the leaf of the lotus. The expression of the technology of the shadow is very wonderful. Moreover, it is very difficult to express the picture only of this in hemp. It is because hemp is not dyed easily. Tsutsugaki to make good use of this advanced exact technology is very rare...

Meiji (1868-1912)Japanese Bronze Turtle Okimono Signed

It is 1.77 inches (4.5 cm) tall by 3.2 inches (8.2 cm) long by 2.8 inches (7.2 cm) wide. It weighs 214.7 gram.

It has oxidation and surface wears and scratches (as seen in the photos).

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