Sukisha is the word is used to refer to a person who is an enthusiast of sado (tea ceremony) beside his or her profession, or it refers to a person who owns collectable tea utensils.

The selected pieces include Takahashi Dohachi III (1811-1879) persimmon glaze Tenmoku tea bowl, Mashimizu Zoroku II (1861-1936) Kobiki tea bowl, Hozan kiln tea bowl, Akahada Hakeme tea bowl from the early 19th century , Kohagi tea bowl from the early to mid-Edo period, and Karatsu Itome tea bowl from the ...

I thik this is Japanese (?) candlesticks dated from the Meiji period (1863 - 1912). Some holes. The biggest one is shown in the enlargement #7. These are generally caused by too much dampness in Japan. 17 1/2" high.

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

Wonderful playful expression on this Bizen ceramic Shishi. Showa Period Ca. 1930. Excellent condition. 9" long x 7" tall x 5" deep. Ask for shipping quote.

Man's han-gappa which was worn over kimono when he went out and made of hand-spun cotton, both outside and the lining. It is in very dark green, dyed with natural indigo and vegetable yellow. It has beautiful two kinds of katazome (stencil-resist dye) for lining which is natural indigo dyed. The collar is made of imported wool...

This is an item used in a village headman for Edo period. As for this, cotton is spun by hand and is dyed with an indigo plant. This is that the theme of the pattern is happy. A pattern is round, and this is drawn. It is simple, and this is good-quality Tsutsugaki. This does not have a stain and damage. Size 180cm x 94cm (70.8 "x 37")

Very refined Japanese lacquered wood tray representing a branch of plum blossoms and bamboo leaves in gold and brown lacquer. The decor is placed on a brown base in the style of a basket weave. The back is in black lacquer (ro-iro). The protective wooden box is original and signed on the lid and inside. Dimensions: 10 x 18 cm. Period: Meiji (1868-1912) 19/20th century.

This is a Japanese antiques, a small Porcelain figurine For calligraphy tool suiteki around 1868-1900, a very nice wall clock design . suiteki is used to make ink for calligraphy. suiteki is a container for pouring water into the inkstone. There are two small holes (wind hole and water hole), and a small amount of drips are dropped. You can fine-tune the density of the ink with the water that flows out little by little...

A pair Japanese hairpins in the fluttering style, worked in silver alloy and having attached metal strips. Showing beautiful peony flowers, one with tiny coral beads forming the center. Ending in a mimikaki (ear spoon). Condition: missing metal stripes, professional cleaning needed. Dimension: 16.9 cm long x 4.5 cm wide.

1800s

Made in Mino in Gifu prefecture, these e-shino type small bowls were produced in sets of five or ten and used to serve guests the special foods of the Kaiseki meal that often accompanied formal tea ceremonies. These two bowls were wheel-formed, then shaped while the clay was still wet. They were then painted with simple, almost abstract designs using iron oxide for the pigment...

Excellent painted work of Okuda Mokuhaku (1800–1871) who is known as the reviver of the Akahada ware traditions during the late Edo and the early Meiji periods.

Mokuhaku Okuda, a wealthy merchant, was also a notable tea master of the nearby city of Koriyama, worked in the Akahada kiln in the mid 1800`s...

This is Noren used by a cotton merchant in Kyoto during the Edo period. Cotton is thick and spun by hand. It is boldly written in Tsutsugaki. It is dyed with natural indigo. It has a faint fade that is sparse in part but does not stand out.It has a small hole but is not outstanding. Size Length 143 cm / 56.2inch Width 128 cm / 50.3 inch ケースF

Quintessential Oribe tea ceremony sweets plates with feldspar iron markings of chrysanthemums and rich olive greens. Hanko seal on back. Set of 5 plates. No chips or cracks. Taisho Period C.1920. 6" long and about 4" deep. Ask for shipping quote.

Very rare and unusual bronze buddhist temple hanging lantern from the Taisho Period or late Meiji. The latice work on all the panels is exceptional. One panel is hinged at the top to open. (can be papered and lighting source added upon request) 12" tall by 7" in diameter. Ask for shipping quote.

19th Century, nicely Hand-Carved Netsuke depicting Two Standing Karakos (Chinese Boys), wearing the customary customs, and shown with the double puffs of hair on the side of their heads; one of them is wearing an Otafuku mask. Nice mellow patina, with a couple of age hairlines. Use and holding has made the netsuke sleek and lustrous; it feels very smooth in the hand. Unsigned. It measures 1.33 inches (3.4cm) wide, and 1.47 inches (3.7cm) tall...

This is a finely hand-carved netsuke in Ebony wood of a Nasube (Aubergine or eggplant). Netsuke was carved by an unknown artist from the Iwami Province sometime during the 19th century. The carving exhibits similar material and carving characteristics of a netsuke (Photo #7) made by Kyokusui; item 133* of Bonhams catalog. Observe the smoothness of the surface, and the realistic form of the piece. Netsuke is unsigned. It measures 2.44 inches (6.2cm) tall...

This 8" high wooden figure of the sitting Tenjin was carved during the Edo period, the mid 19th century (1850). Tenjin is the Japanese "god" name name given to the Japanese statesman and scholar, Sugawarea Michizane, the 9th century poet and writer of Chinese prose and verse.

Possibly carved from cryptomera wood and darkened with age, this carved figure has both a simplicity and elegance which are, for me, the major characteristics of Japanese asthetics.

This early 19th century Japanese Imari vase is 10 ½ inches high and 4 ½ inches on the widest part. The top of the vase had been cut and polished. Two peony blossoms were painted over the lower part. Three small circles on the upper were painted pine, plum blossom and bamboo. It has a green “Fuku – Happiness” mark on the bottom. Aside from some faded color due to its age, it is in great condition.