Japanese hand warmer made from bronze, with a handle and a floral-patterened openwork lid depicting three men playing the Japanese board game Go. The sides of the hand warmer show beautiful scenery with trees, mountains, three figures in a canoe, and one figure standing over a bridge. Signed on bottom. Meiji period (1868-1912) Size: 5.5" tall, 7" diameter

An impressive Japanese Soto zen calligraphy by the noted calligrapher, Gesshu Soko (1617-1696). Gesshu was known for his research and interpretation on Dogen's work, Shobogenzo (The Treasury of the Dharma Eye). The calligraphy is a famous zen phrase which translate as: The moon reflected on the water while the breeze amidst the pines blow in this eternal evening. What is the cause or purpose on this pure twilight...

An energetic and bold zenga painting depicting the wish fulfilling jewel known as a hoju in Japanese. The jewel represents the energy of the dharma and often is used for the hope that people's wishes can be granted. Signed Shunbokuzan. Provenance James Coburn Estate.Age: Edo Period Size: Length 49" Width 22.75"

It is indigo dyeing Patched Sashiko-stitch beautiful BORO kimono of very rare and amazing in the Edo era . This is all an original state.This can enjoy both sides. As for this, the good cotton of a texture spun by hand in the Edo era is used. This was colored into Katazome, Shibori, solid color with an indigo plant of nature. This was found in the very rich area of the Tohoku district. It was food, money and an easy heart. As for this, hemp thread is used all for Sashiko...

Up for sale is our oldest Japanese Tokkuri (Sake bottle). It dates from the Momoyama Period with an age of 400 years and has a very tasteful glaze with vivid colours. Close to the bottom there is a kiln mark (refer to picture no. 6)

The Tokkuri can be used with a little flower as a wabi arrangement...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen...

We present a Hagi chawan from the Koraizaemon Saka family, offered with the original wood box, dating from the Meiji Period

No cracks and repairs.

Size: 7,9 cm in height x 12 cm in diameter.

The first Hagi wares, a glazed, high-fired stoneware, originated with the Korean potter Li Kyong. He was brought back to Japan by Lord Mori Terumoto after the invasion of Korea in 1593...

This superb ivory carving of an aristocratic young woman holding a child is a mid or late Meiji period (1868~1911) product. The woman is formally dressed in a kimono decorated with patterns and floral designs. Her hair is elaborately coiffed. She holds a boy in her left arm and a parasol in her right hand. The child is holding a branch of chrysanthemum. The piece is very well executed and stands 10 ¼” high, 4” wide and 3 1/8” thick (measured from the bottom)...

A fabulous Japanese cloisonne vase purchased from the 1893 Chicago Exhibition. Inside the vase is an old decaying leaflet given to the buyers by the exhibitors. On a fragment one of the massive vases displayed by Suzuki can be seen on this paper (See image). There is more to this faded image on the reverse buy it is hard to see. The vase is one of the well known vases with the eagle finial. Every one of the Suziki pieces was approved by the Emperor for this exhibition...

Ca. early 1800s

This bowl is divided into eight petal-form lobes, with a rim painted with alternating leaves and geometric designs in underglaze cobalt blue of medium to dark tones. The well is painted with a so-called “The Friends of Winter” design of pine, prunes and bamboo, and the interior base is painted with a bird on rocks and leafy plants. The exterior sides have a scrolling peony Arabesque, and the base has a four-character Chinese Ming Dynasty Chenghua mark. Very good conditi...

This is Tsutsugaki used in the Tohoku district. This was dyed with an indigo plant. As for it, dark blue and light blue contrast are fair. The cotton spun by hand has good texture. The local custom, the way of thinking affect the motif of Tsutsugaki. It is a very rare thing to adjust the hanging scroll of the letter to a theme happy. It is simple and sturdy, and this area assumes rusticity economy the history. There are two places of small stains. The others do not have any problem. Size: 152cm...

This is a very attractive Japanese Imari bowl. For an old Imari piece it is in excellent condition. It is also a very heavy piece potted. The bowl measures 8 1/2 inches across and 4 inches tall.

A rather curious dish of moulded Kraak form decorated with a partially obscured Chinese four toed Dragon painted in underglaze cobalt blue with gilt outlined enamelled auspicious clouds framed by a band of stylised Chrysanthemum demi-florets. The reverse decorated with further stylised clouds and a six character mark for the Emperor Yongzheng. An identical dish appears in the Shibata collection dated circa 1750-80, although I think the dish may well be more or less contemporary with the reign ...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety. The symbolism of th...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety. The symbolism of th...

A magnificent and rare Amida Nyorai bronze Buddha, made in the early Edo Period, which means in the early 17th. century. This statue was made in a way called lost-wax metal casting, also known as Rougata Chuuzou, which was popular only in the 6th. century and in the Edo time.

The statue is in good antique condition with no repairs or cracks.

Size: 7,8'' height

Shipping included

Up for sale is this special example of the beauty of Raku ware, a pottery tradition born more than 400 years ago in the ancient Japanese capital of Kyoto, from the collaboration between great tea master Sen Rikyu (1522-1591) and a potter named Chojiro ( - 1592), the forebear of the great Raku family of potters.

This particular chawan (tea bowl) was made by the 12th bearer of the Raku name, Raku Kichizaemon Konyu (1857-1932), whose works are not very diversified but who created seren...