DESCRIPTION: A fine smoked bamboo ikebana basket woven in a tall ovoid form with entwined bamboo handle. The basket is crafted with a vertical diagonal weave from both wide and narrow splints in contrasting colors. This sturdy and handsome basket has a beautiful aged patina with no losses detected; early 20th century. DIMENSIONS: 18 ½” high x 8 ¾” diameter.

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi and a Zen buddhistic infinity symbol.

It is in perfect antique condition and comes with an antique wooden box.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides...

19th century boxwood netsuke of Jurojin (one of the 7 Gods of Good Luck, usually associated with longevity) leaning on a long gnarled staff and accompanied by one of his familiars - a crane (symbol of longevity). Essentially, the netsuke is a wish for a long life. Wonderful carving, great smiling benevolent face, excellent patina. Height 2 inches.

A large Kuro-Oribe chawan, hand thrown and carved from fine Mino clay during the later Meiji Period (1868 - 1912). It comes with a very good Japanese wooden box.

Oribe-yaki – I guess no other pottery had a greater influence on the aesthetics of Japanese pottery.

Oribe ware is a historically important Japanese pottery variety that emerged during the late Momoyama and early Edo periods in Tajimi, in modern day Gifu prefecture...

Dry lacquer mask of the traditional Gigaku Theater, finely carved and lacquered to depict an elderly man (old widower) with a long aquiline nose, full red lips forming a smile, elongated earlobes, and deeply carved wrinkles. The eyes and mouth are pierced. The back with a label inscribed inside deszcribing the mask and with the artist signature. Rich, dark patina. Height: 25 cm...

19th century wooden netsuke of a group of three eggplants: the larger one is ripe, its skin ruptured to show the flesh of the vegetable, and one of the smaller vegetables is hollowed and lacquered on the inside to be used as a sake cup. Cleverly designed, superb detailed carving - see the texture of the vegetable in the ruptured area, very pleasant wear consistent with age. Dark dense wood - ebony or kurogaki (black persimmon), extraorinary sheen to the surface...

19th century decent size Japanese champleve vase with high shoulders and two black and white enamel registers consisting of repeating characters FUKU (happiness), ROKU (wealth) and JU (longevity), and two registers of intricate scrolls, pendant leaves on the shoulder. Essentially the vase is a wish for happiness, prosperity and long life. Very powerful design, awesome presence, in excellent condition...

19th century wooden netsuke of a sitting boy wearing a shishi mask that is too big for him and hitting a drum in front of him with a striker. These mask are usually used in shishimai dance, and the face of the boy can be seen inside the mask (see Enlargement 2, difficult to photograph). Nice dense shitan wood (Southeast Asian rosewood), beautifully carved, eyes of the mask are inlaid with copper. Superb wear and patina, large and deep himotoshi...

Early 19th century wooden netsuke of sitting man with a folded fan in his lap. The figure probably represents a traveling street entertainer - a storyteller. Superbly expressive face left unlacquered to allow for detailed carving, the rest of the netsuke is lacquered in Negoro style - red lacquer over black, so as it wears the black and then wood starts showing, thus adding yet another color to the piece...

19th century marine netsuke in a form of a woven mat with a bunch of grapes with vines and leaves, and a snail exploring them. The piece is probably carved by a member of Asakusa school with characteristic detailing and staining. The netsuke is hollowed inside, so can be classified as ryusa type. Excellent carving, characteristic beautiful sheen to the surface, wonderful wear and patina. Length 1 1/2 inches.

Late 19th century netsuke of four blind men fighting, characteristic bumps on their heads. Excellent carving with a lot of detailing, superb faces, subtly incised textile patterns, very pleasant patina. Height 1.46 inches.

An unusual Bizen stoneware figural group depicting three sages with attributes in clouds in a stele formation. One with wheat and sword flanked by attendants, one also with wheat and sword and the other with a palm frond or banana leaf fan...

19th century netsuke of a bamboo shoot containing a hollow section with anabori (cavern carving) of the Seven Sages of the bamboo grove looking at an open scroll. (see the detail on the first photo), The inside is almost impossible to photograph, but all the sages are there, need a flashlight even to see them. Very clever joke on the usual depiction of the sages being placed among bamboo stalks, not inside them...

Gold forms a billowing pine tree lavishly applied to the dark lacquered body of this wooden water jar enclosed in the original wooden box titled Ikkan Mage-Mizusashi, Oimatsu signed by both the wood craftsman and the lacquer artist. It is 15 cm (6 inches) diameter 16cm tall and in excellent condition, dating from the early 20th century...

Early 19th century boxwood netsuke of a standing blind masseur with a staff in his hands and a habitual bump on his head. Wood is lacquered in Negoro style - red lacquer over black, so as it wears the black and then wood starts showing, thus adding yet another color to the piece. Wonderful elegant carving with fantastic sour face and clean lines of his robe, rich warm patina. Height 2 1/8 inches.

The outside of this elegantly understated container is simply semitransparent red lacquer over cloth in the Tame-nuri style opening to reveal an interior glowing with large patches of applied gold and silver. It is 20.5 cm (8 inches) square, 10 cm (4 inches) tall and in overall excellent condition, with minor marks from use on the bottom. Inside the box is contained a number of papers as well as a receipt from the late Meiji period, circa 1910.

A Pair of Kutani Vases. Each decorated with a scene of a figure and two attendants on a terrace. The reverse with floral panels on a red ground. Nine character mark to base. Meiji period 19/20thC Height; 13.2 cm; Condition; excellent

Height: 18.2 cm (7.4 in)
Width: 11 cm (4.4 in)

Fine Japanese akasuke / pigeon blood cloisonné vase with marked silver rims; very good condition

Height: 9.5 cm (3.7 in)
Width: 4.7 cm (1.9 in)

Fine Japanese Satsuma vase; two main scalloped panels, one depicting a gathering of individuals the other shows two travellers in a mountain setting; signed Kozan; good condition

Height: 2 cm (0.75 in)
Length: 3.6 cm (1.5 in)
Depth: 4.1 cm (1.7 in)

Japanese netsuke of a monkey on a chestnut; natural material; typical early angular form; circa late 18th/early 19th century; good condition with old patina

Width: 11.5 cm (4.7)
Height: 5.4 cm (2.2 in)

Quality Japanese Satsuma bowl by the artist, Kozan; fine depiction of individuals wandering through a forest; gilt highlights pick out aspects of vegetation and clothing surrounded by minute stippling; gilt diapered borders inside under the rim; externally decorated with a band of florals and gilded crashing waves; signed

Partly gilt wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with a small stylised Amithaba on the front, standing, her hands joined to hold a bowl. The goddess face reflects a profound meditation. Fine age patina. Japan, Edo period, early 19th century, maybe earlier. Height: 24.2 cm. Old insect attack on the right side (no more danger), otherwise very good condition.

Height: 3.5 cm (1.3 in)
Length: 4.2 cm (1.7 in)
Depth: 2.2 cm (0.8 in)

Japanese dragon fish netsuke modelled in the form of a Mokugyo bell; natural material; inlaid horn eyes; signed within an oval panel

This is Patchwork silk fukusa of an impressive carapace of a turtle of the very rare Edo era(1800-1867). It has slight stain and damage. However, it is in a very good state. I recommend it to collection of you. size:43cm x 42cm (16.9" x 16.5")

Height: 4.1 cm (1.7 in)
Width: 3.8 cm (1.4 in)
Depth: 2 cm (0.8 in)

Japanese netsuke of a Hotei with one hand in his bag; natural material; early angular form; very good patina; good condition

This is beni-itajime silk hagoromo jyuban kimono textile of the Meiji era. It is special jyuban made with technique of beni-itajime from the Edo era through the Meiji era. In beni-itajime, the collection of the national history folk museum was displayed in 2011. It is jyuban made with the same hagoromo robe of an angel motif. It has damage with a few thin stains. However, it is in a very good state...

Length: 3.8 cm (1.7 in)
Height: 3.2 cm (1.3 in)
Depth: 3 cm (1.2 in)

Japanese carved netsuke of a boy crouching over and holding a large peach; natural material; very well-modelled; good condition

This is itajime(katazome) chirimen-silk and hira-silk hanjyuban textile of the Edo era(1800-1867). It is the auspicious motif of this lobster, sea bream, tortoise, auspicious decoration for gifts, pine, bamboo, plum. It has few stains. There is not damage. size:75cm x 128cm (29.5" x 50.4")

Height: 3.5 cm (1.3 in)
Width: 2.8 cm (1.2 in)
Depth: 1.7 cm (0.8 in)

Japanese netsuke; probably whale tooth or walrus; depicts a Hotei with his bag; early angular form; very good honey-coloured patina; good condition

This is Indigo dye cotton & katazome dotyubaori coat textile in Edo period(1800)1868). The material is thick cotton in Edo period. Textile seems to be hand spun and woven¡It is very impressive, and beautiful. You can wear it. There is a little, thin stain. However, there is no damage, and the state is very good. It recommends it for your collection. size::Length:93cm(36.6inch) / Cuff to cuff, across the back: 122cm (48inch)

An antique Japanese Satsuma Jar that measures about 18" tall x 13" in diameter. The jar has the "thousand faces" design, skillfully executed in gold and raised moriage enamels. On one side is Kannon, the Buddhist Goddess, and on the other I believe it is the Immortal, Lu Tung-pin, who has the power to slay dragons and evil. Additionally there are eighteen Rakan, all of which have the same face. Also there is a dragon flying beneath the Kannon. The vase has four large Satuma Mons, and is sig...

This is a rare Japanese antique natural indigo dye hand-spun thick hemp and cotton katazome fabric. It is a traditional Japanese pattern dyed with a beautiful tree pattern.The horizontal thread is hemp and the vertical thread is cotton. Katazome of antique linen is rare. There are no stains or damage, and the fabric is in very good condition. Size: Length: 640 cm ( 251.9inches) / Width: 35.5 cm (13.97 inches)

A small Japanese earthenware vase beautifully decorated with fruit basket and flowering branches in thick enamels and gold. Unsigned. Condition: tiny enamel loss (basket). Dimension: c. 14.3 cm high.

Brilliant Taisho Period ca. 1920 natural dye cotton futon cover for wedding celebration. Featuring Japan's 3 famous auspicious symbols for happines and longevity; cranes, trutle and pine. 4ft x 3 1/2ft. great condition with a little shredding on one edge. Ask for shipping quote.

A hatasashimono is a flag worn by samurai since the Warring States period on their armor to show their existence and affiliation on the battlefield. It was also necessary to instantly distinguish between enemies and allies in battle.There is a stain, but there is no damage. Mori is a Japanese clan who was a samurai and a Chinese clan. His real surname is Mr. Oe. The family crest is three stars per character. During the Edo period, his descendants became the daimyo of the Choshu clan under th...

Finely detailed bronze tea house koro or incense burner. Very unusual daruma window in relief. Taisho Period c. 1920. Roof is superb. Condition excellent. 5" tall by 4 1/2 " wide. Ask for shipping quote.

Toyokuni print, please contact for details

A brilliant set of 5 gentlemen from the Edo Period C.1850 by Kunisada I, one of the masters of the time. He was given the name Toyokuni III by his famous teacher Toyokuni in 1844. Fine detail and colors still very vivid. Framed in 3D out away from the surface would make a spectacular piece of art. H:28" x w:29". Ask for shipping quote.

Japanese two(2) section Tansu, Cedar and Cypress Wood, Chest on chest, Meiji period before 1910's, 42"high, 34" wide, 17" deep, 2 large long graduated size drawers on upper section above one long drawer above shorter drawer next to 2 small drawers on the right side, lacquer painted Crane on the black iron round back plates, and pulls. Some of the small upper section black iron pieces are broken off and one top round black iron back plate has no crane design, maybe replaced later date some time ...

Japanese Cedar, Cyprus wood two(2) section Tansu, Ca. Meiji period 1890's, 42" high, 35 1/2" wide, 16 1/2" deep, 2 graduated size long drawers above 2 long drawers in lower section, total 4 long drawers. Old red lacquer on black iron back plates are still visible. Small hole on the lower left side of bottom frame. The condition is original as found condition.

The shape of this oval Japanese Arita dish derives from European forms. The combination of colors (Celadon and blue & white) is known to be produced from 1780 – 1820, a late Edo example. The dimensions: 7 1/2" x 6"

A small Japanese square bronze table screen with a flying crane in openwork, raised and supported on the backs of two kirins, a mythical beast in Chinese mythology. At the top two holders, maybe for a brush. Condition: a small loss (one ear), one leg restored (see photo No. 11), bottom of sreen maybe with lost part?, patina. Dimension: c. 15.5 cm high, 18.5 cm wide, 8.3 cm deep.

Elegant Japanese bronze hanging lantern from the Taisho Period, C.1920. Each of the four panels has a different scene of auspicious symbols: bamboo, plum blossoms, cherry blossoms. On the top and base is a wave diaper pattern. Thick bronze chain is attached. 11" tall and 9" wide. Ask for shipping quote.

This is Noren used by a cotton merchant in Kyoto during the Edo period. Cotton is thick and spun by hand. It is boldly written in Tsutsugaki. It is dyed with natural indigo. It has a faint fade that is sparse in part but does not stand out.It has a small hole but is not outstanding. Size Length 143 cm / 56.2inch Width 128 cm / 50.3 inch ケースF

Thick, coarse asa (hemp) kimono in beautiful condition: The collar is made out of an old cotton Kasuri, all hand done. Rare find from the Meiji period (1868-1912).

38 inches (sleeve to sleeve) x 36 inches (shoulder to bottom hem)

Lovely Negoro lacquer'Yuto' water pot from the Meiji Period, Ca.1900. Natural cylindrical body carved out of cypress wood and flush fitting cover all with beautiful negoro lacquer finish. Copper metal fittings. Slight tiny wear on the handle corner. (see picture). H:12" x W: 12" x diameter 8". Ask for shipping quote.

This is an item used in a village headman for Edo period. As for this, cotton is spun by hand and is dyed with an indigo plant. This is that the theme of the pattern is happy. A pattern is round, and this is drawn. It is simple, and this is good-quality Tsutsugaki. This does not have a stain and damage. Size 180cm x 94cm (70.8 "x 37")

A fine Japanese cloisonné cigarette case. The top showing a cartouche with a bird flying among flowers on a green ground, the rock with little aventurine. The reverse with blossoms. The interior, the edges and wires are gilt. Condition: fine, minor traces of usage. Dimension: c. 8.8 x 7.7 x 1 cm.

Sukisha is the word is used to refer to a person who is an enthusiast of sado (tea ceremony) beside his or her profession, or it refers to a person who owns collectable tea utensils.

The selected pieces include Takahashi Dohachi III (1811-1879) persimmon glaze Tenmoku tea bowl, Mashimizu Zoroku II (1861-1936) Kobiki tea bowl, Hozan kiln tea bowl, Akahada Hakeme tea bowl from the early 19th century , Kohagi tea bowl from the early to mid-Edo period, and Karatsu Itome tea bowl from the ...

I thik this is Japanese (?) candlesticks dated from the Meiji period (1863 - 1912). Some holes. The biggest one is shown in the enlargement #7. These are generally caused by too much dampness in Japan. 17 1/2" high.

Wonderful playful expression on this Bizen ceramic Shishi. Showa Period Ca. 1930. Excellent condition. 9" long x 7" tall x 5" deep. Ask for shipping quote.

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

19th century wood and metal kagamibuta (mirror lid) netsuke with patinated bronze top inlaid with gold, silver and bronze and depicting a puppy cautiously touching a turtle with its paw by a bamboo fence with flowering morning glory vine wrapped around it. Wonderfully captured inquisitive nature of the puppy, beautiful golden dots representing moss. Excellent textured wooden bowl with carved floriform fitting . Diameter of the metal disk 1 5/16 inches, bowl diameter 1 11/16 inches.

A pair Japanese hairpins in the fluttering style, worked in silver alloy and having attached metal strips. Showing beautiful peony flowers, one with tiny coral beads forming the center. Ending in a mimikaki (ear spoon). Condition: missing metal stripes, professional cleaning needed. Dimension: 16.9 cm long x 4.5 cm wide.

Sensational late Meiji Period C.1910 maru obi with lovely hexagons with mokko motif inside couched in pine branches of different colors on a beige silver background. Woven on both sides; folded in half is 194 cm x 2 for entire length. 13" wide. Perfect condition. Ask for shipping quote.

This is a Japanese antiques, a small Porcelain figurine For calligraphy tool suiteki around 1868-1900, a very nice wall clock design . suiteki is used to make ink for calligraphy. suiteki is a container for pouring water into the inkstone. There are two small holes (wind hole and water hole), and a small amount of drips are dropped. You can fine-tune the density of the ink with the water that flows out little by little. Over time, there are very few small stains and scratches, but overall...

1800s

Made in Mino in Gifu prefecture, these e-shino type small bowls were produced in sets of five or ten and used to serve guests the special foods of the Kaiseki meal that often accompanied formal tea ceremonies. These two bowls were wheel-formed, then shaped while the clay was still wet. They were then painted with simple, almost abstract designs using iron oxide for the pigment. Then they were dipped in a thick white glaze which was allowed to fall unevenly over the body, inside and o...

Man's han-gappa which was worn over kimono when he went out and made of hand-spun cotton, both outside and the lining. It is in very dark green, dyed with natural indigo and vegetable yellow. It has beautiful two kinds of katazome (stencil-resist dye) for lining which is natural indigo dyed. The collar is made of imported wool. The fasteners made of spiral cord show it was made in Tenpo in late Edo period (1831~1845) according to the "Kinsei Fuzoku-shi" written by Kitagawa Morisada beginning fro...

Very refined Japanese lacquered wood tray representing a branch of plum blossoms and bamboo leaves in gold and brown lacquer. The decor is placed on a brown base in the style of a basket weave. The back is in black lacquer (ro-iro). The protective wooden box is original and signed on the lid and inside. Dimensions: 10 x 18 cm. Period: Meiji (1868-1912) 19/20th century.

Excellent painted work of Okuda Mokuhaku (1800–1871) who is known as the reviver of the Akahada ware traditions during the late Edo and the early Meiji periods.

Mokuhaku Okuda, a wealthy merchant, was also a notable tea master of the nearby city of Koriyama, worked in the Akahada kiln in the mid 1800`s. His work involved various utensils and tea ceremony installments.
From creating artistic pieces to decorating utilitarian vessels, he is considered the master of Akahada ware...