Important and rare bowl, large in size, scalloped in shape, with a small heel, from the Satsuma kilns. On a blue enamel background, the decoration represents cherry blossoms with a couple of peacocks among peonies inside. The whole is of a very good quality of gold and polychrome enamels. Meiji period (1868-1912). Signed Koshida. Diameter 18,5 cm height : 7 cm.
Tall Eboshi-shaped fire hood for a samurai, made of hand-spun cotton, both outside and inside, and dyed with vegetable indigo. In Edo period, the town of Edo often suffered from massive fires, so that "machi hikeshi" by town people as well as "samurai hikeshi" were organized. This hood was worn by a samurai together with samurai fire costume when the fire broke out. In good condition except for slight dirt in the top part. The piping is silk. 19th century. W:53cm, L:69cm
Beautiful Early Showa 'asa' hemp noren curtain with auspicious congratulatory crane and turtle for happiness and longevity. 5'ft by 3ft. Great condition. Ask for shipping quote.
For the tea and cloisonne collector: A signed totai cloisonne on Kyoto ceramic cha-ire (tea jar). Decoration in red, black rose, pink, green, blue and yellow of flowers, butterfly and other motifs on blue background. The jar with both lid and cover. Late Meiji era (1868 - 1912). Good condition. Height, 3 5/8 inches (9.2 cm)
A fine, small ginbari cloisonne vase with pale blue, silver background and peonies decoration; one panel with pale purple background and bird, bamboo and flowers decoration; and another panel with blue background and flowers decoration. Impressed artist's mark on the metal base. Meiji period (1868 - 1912). Good condition with tiny, oxidized pinholes in the enamel surface from the firing (not detracting from condition or presentation). Height, 3 1/2 inches (8.9 cm)
The large vase with silver wire cloisonne on ceramic with "tree bark" textured surface. Decoration of butterflies and peonies, with the blooms depicted in enamel tones of sienna, umber and dark mica, and the stems and leaves in dark green - almost black. The body of the vase covered with a dark, warm brown lacquer on intentionally course texture like tree bark - which it emulates. The Kyoto, crackle glazed greyish porcelain body visible from the foot. Taisho era (1912 - 1926). Good condition...
Rare and pretty Inro opening with four compartments and a lid in urushi lacquer with a black background decorated in hiramaki-e with gold lacquer, mitsuda, kirigane and mother-of-pearl inlays, of a traditional cottage above which a bird flies; on the other side, a set of objects including a large basket, branches and a cup. Height: 5.8 cm. Japan Edo (1603-1868) 17th century. Provenance: Maurice Feuillet collection. Label with inscription “Maurice Feuillet collection” and N°138
Suzuribako - Important model of urushi lacquer writing case from Japan, offering a rich decoration of a Kabuto and a sand on the top of the lid, on a hirameji lacquer background. Gold and silver lacquer with rare finesse of decoration. The interior offers a particularly remarkable scene, of two deer in autumn foliage. Takamaki-e and hiramaki-e. Dimensions: 4.6 cm x 21.3 cm x 23 cm. Japan Edo (1603-1868) early 18th century.
Netsuke – Lovely wooden model carved by Sukeyuki representing a Shishimaï dancer. Dancer depicted seated with only legs visible beneath his wide cloak and lion mask. Signed under the base. Height 4 cm. Japan Edo (1603-1868) 19th Century
Hard porcelain vase created by tominaga genroku (1860-1920). Decorated with peonies painted underglaze in a classic cobalt blue, yellow, green and pink enameled details. Elegant shape, well-designed flowers, harmonious colors. Classic model typical of this period. The Ureshino kilns located in kyushu produced this type of porcelain from the end of the 19th century.Peonies are a symbol of immortality. A crack in the neck. Cobalt blue mark painted below: Made by Tominaga Genroku
Height 31cm.
Hard porcelain bowl, produced in the Fukagawa kilns in Arita. Very artistic decor, typically Japanese, separated into two clearly distinct parts. On the one hand, two cranes in flight pass in front of misty Mount Fuji. The mountain and the sky are painted in underglaze cobalt blue and it is the absence of color which draws the clouds. The birds are in white, black and red enamels, they are meticulously drawn...
Hemp furoshiki (wrapping cloth) made of hemp whose warps and wefts are hand-plied. It is dyed with vegetable indigo. It has many original mending patches, holes and worn out. The second half of the 19th century. W:105cm, L:112cm
Ivory netsuke depicting a monkey skillfully grasping and riding the legendary earthquake fish Namazu, an imposing catfish-like creature with an eel-like body, which was believed to cause earthquakes with its movement.
The famous Kadori Myojin is represented by a monkey...
An ivory netsuke depicting a Takarabune “treasure ship”, complete with the Seven Sages (Shichi Fukujin) of good fortune.
The netsuke is signed Tomochika under the base.
Origin: Japan
Period: Edo 19th century.
Dimensions: 2.3 x 4.4 x 1.7 cm.
State of conservation: Very good
This vase is a masterpiece of Japanese Kutani artistry whose detailed enameling makes it a piece worth owning. The traditional elements of birds have highly articulated details, several with spread wings in flight, while others are flocked on the ground in front of brilliantly blooming pink flowers punctuated with delicate blue flowers. Behind all of this wonderous foreground naturalism are hills and lakes...
1930's Japanese Cloisonne Enamel Long Neck Vase with Millefleur
It is 9.56 inches (24.3 cm) tall by 2.75 inches (7 cm) wide. It is 0.4 Lb.
It has minor missing enamels and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...
Antique Japanese small Satsuma ware tea pot. Decorated with detailed scenes in color and gold. On one side are seven arhats and on the other side are ladies. Minute detailed pattern and flowers. The tea pot is complete with small, square lid. With Satsuma mark on the bottom.
Age: Meiji Period (c.1880)
Dimensions: 3 3/4" high x 4 3/8" long x 2" wide
Antique Japanese small Satsuma ware ceramic vase. Crackle glaze decorated with a continuous scene of noble men and women with children. Painted with colors and gold. Incised 2 character mark on the bottom.
Age: Meiji period (circa 1880)
Dimensions: 5 3/4" high x 2 1/2"wide
Gorgeous Taisho period Ca. 1920 gold lacquered dragon carving from a buddhist shrine. Carved intricately out of cypress and set in maroon frame. Great condition. 34" long x 10" tall. Ask for shipping quote.
An antique Japanese bamboo basket made for Ikebana flower arranging. Depicts an archaic Chinese bronze vessel with flared open mouth design with side handles. The weave of the body suggests the pattern that would have imbued if this were a bronze form. Base is a six pointed foot with maker's sign that reads Sarihen.
Age: Meiji Period (1880-1890)
Dimensions: 11 1/2" High by 11 1/2" Wide by 9 3/4" Deep
Brilliant Taisho Period ca. 1920 natural dye cotton futon cover for wedding celebration. Featuring Japan's 3 famous auspicious symbols for happines and longevity; cranes, trutle and pine. 4ft x 3 1/2ft. great condition with a little shredding on one edge. Ask for shipping quote.
1900's Japanese Gilt Bronze Mixed Metal Incense Burner Koro with Beast Finial
It is 11.7 inches (29.8 cm) tall by 8.5 inches (21.7 cm) wide. It is 7.5 Lb.
It is tarnished and has rubbing of gilding, missing one wing and a chip at the wing, cut marks, surface wears and scratches (as seen in the photos).
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Museum piece. Inscripted on the bell are two dates: Kiei 4 (ca. 1851) and Meiji 28 (Ca. 1895) along with donor names. We are not sure why there are two dates. Also written,it is from Gyoshin-ji Temple in Omi no Kuni which is the Edo Period Ca. (1614-1868) name for present day Shiga Prefecture next to Kyoto. Also written is "prayers for peace donor group founded by Kuzan Gyoin, a monk. Excellent condition and sound.
21" tall x 12" in diameter. Ask for shipping quote.
A Japanese totai cloisonne (on ceramic body) bottle vase. Blue, white, rose, green, red and yellow enamel decoration of flowers. A silver rim encasement original to the vase. Good condition. Height: 5 inches
Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months...
Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box...
Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens...
Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics...
An unprecedented 19th century ceramic sculpture of a tumble of Shishi lions in a playful fight covered in unusual green-blue glaze. The Banko mark is impressed into the white clay of the base. It is very unusual to find large sculptures or works in Banko ware. This is 30 × 25 x 26.5 cm (12 x 10 x 10-1/2 inches) and in excellent condition...
Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance...
This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.
The brushwork is done by a Rinzai sect m...
Antique Japanese 4-panel small screen painting of landscape. Mountain landscape with rocky outcroppings, huts and trees on the edge of a wide expanse of water. A group of scholars contemplate a water fall. More figures sit outside waterside huts. A lone figure fishes from a boat. Painted in ink and light colors on paper. Signed Unkoku Toeki (1591-1644).
Unkoku Toeki was the second son of Unkoku Tōgan. (1547–1618), heir to the artistic legacy and patrons of Sesshû Tōyō (1420–15...
During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...
An antique Japanese Ikebana bamboo basket in an elegant satchel style with woven bamboo rope handle. Original smoked patina with flattened bamboo panels interwoven with the construction of the weave. Finished with a volcanic ash. Bottom has three bamboo slats woven into a triangular structure. Comes with lined bamboo insert.
Age: Meiji Period (1880-1900)
Dimensions: 16 1/2" High by 10 1/2" Diameter
A Japanese painting of a pair of songbirds perched atop a Peony Tree. Mounted single panel using a colored Sumie technique. Silk bordered on a silver leaf background.
Age: Taisho Period (1912-1926)
Dimensions: 70" High by 28 5/8" Wide
An antique Japanese Ikebana bamboo basket in a tall slender design. With a matched Wisteria handle that sweeps high over the top of the basket and dramatically extends to the waist. The body is divided by three levels, each separated by a distinct weave. Base is comprised of three layered concentric rings that provide a strong foundation for this work of art.
Age: Meiji Period (1880-1900)
Dimensions: 7 1/2" Diameter by 23 3/4" High
A Japanese bronze Wakizashi (short sword) from Edo Period (1603-1868). It comes with a Tokugawa symbol - the “Triple Hollyhock”.
A Japanese inlaid Shakudo bronze flower pot from Meiji Period (1868-1912).
A large Japanese Cloisonne enamel vase from the 19th Century from Meiji Period (1868-1912).
Japanese antique silk fukusa tsuzure nishijin textile.This is a beautiful fukusa from the Meiji era.
This is a high quality silk fukusa with a design of a parent and child crane. Also recommended for antique collections. There are some stains. However, it is not noticeable. There is no major damage and it is in very good condition. Size: 72m (28.3 inches) / 64cm (25.1 inches)
This is a beautiful fukusa from the Meiji era.
This is a high quality silk fukusa designed by Fukurokuju (one of the Seven Gods of Fortune). Fukurokuju is said to govern happiness, status, wealth (being blessed with money), and longevity.
This is a fukusa that can be easily displayed on the wall. Also recommended for antique collections. There are some slight stains. However, it is not noticeable. There is no major damage and it is in very good condition. Size: 55m (21.6 inches) / 52cm (20.4 ...
This is Patchwork silk yosegire child kimono textile in Edo period(1800-1867).This yosegire kimono is a patchwork of natural safflower dyed shibori, shikon dyed katazome, and indigo dyed kaiki-silk.All are originals from the Edo period. The lining is red silk, and the stains on the outer material are due to the red silk. There are slight stains and damage. Recommended for collection. Size: Length 110cm (43.3") / Sleeve to Sleeve: 104cm (40.9")
Rare bronze mythical turtle koro or incense burner from the early Meiji Period Ca. 1880. In the form of one of Japan's most famous legends is this mythological giant turtle known as the 'Minogame' or straw raincoat turtle due to the tail resembling a farmers straw coat. The Minogame is regarded as a very auspicious creature in Japan representing long life and good fortune. Sitting on its back is a nest of bronze waves holding a Hoju sacred gem koro or incense
burner. 43cm long x 25cm wide x 25c...
A boxwood netsuke depicting a snake coiled around a turtle, with eyes made of horn.
Origin: Japan
Period: Edo 19th century.
Dimensions: 3.7 x 5.5 x 4.8 cm.
State of conservation: Very good
Kodansu in ivory in the shape of an elephant, resting on four feet, enriched by refined inlay applications in the sophisticated Shibayama technique.
The upper opening, facilitated by a bronze grip, reveals its interior.
It bears the signature, engraved on the side.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 6 x 26 x 4.2 cm.
State of conservation: Very good
A Japanese Satsuma ceramic vase with a globular body that captures attention thanks to its reserves of various shapes.
Inside them, a narrative rich in detail is revealed, in which not only are fascinating scenes of daily life revealed with festive characters, but also spaces are opened up for evocative landscape depictions.
Under the base, the Kizan signature in gold testifies to the authenticity and origin of this work of art.
Origin: Japan
Period: Meiji end of 19th century.
Dim...
An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi. Yobitsugi is a form of kintsugi that entails combining pieces of different objects together in order to create a ...
Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.
A piece of hand-spun cotton cloth with chrysanthemum pattern, whose ground cloth in green is dyed with vegetable indigo and vegetable yellow, but the dye of the reddish-brown mum pattern is not clear. In excellent condition. 19th century. W:32.5cm, L:130cm
Balmy autumn day. Three men enjoy drinking on the boat under the autumn moon light. Painted with ink and light pigments on silk. Signed Shoko, the artist name of Tanomura Chokunyu, and sealed. It is dated on 1838. It is attributed to Tanomura Chokunyu(1814-1907).
Tanomura Chokunyu (1814-1907) was a Japanese nanga(literati) artist. He learnt painting under Tanomura Chikuden, and for his rare talent, he was later adapted as a son. He became a leading figure in the improvement of Nanga art ci...
Antique Japanese Buddhist Painting depicted Amida Descent of Amida and Twenty-Five Attendants. They each have musical instruments in their hands and fly down while playing music. Finely painted with ink, pigments, and gold on silk. Circa late 19th C.
Some light crease and insignificant light marks are present on the painting itself, and some insignificant light crease, traces of restoration of insect damage, and other light aged damage are present on the scroll mounting due to its great ag...
This monumental Japanese porcelain charger is painted in blue and white depicting buildings on stilts overlooking mountains, waters, and trees among a beautiful waterfall, situated at the banks of a calm body of water with a boat in the distance.
The scenery is surrounded with scrolls in a band upon which lay leaves and flowers. The uniquely rendered waves add special interest.
The back of the charger has what may be seen as scrolling vine and leaf decoration. We belie...
Reverberating Zen Temple Bell from a Buddhist Temple with lacquered stand with inscription on the bell reading, 'Showa 3' (ca.1929). Deep, sonorous sound. With red lacquered striker. Excellent condition. Stand and bell height: 67cm; bell: 24cm height and 37cm diameter.
This is a japanese antique Very nice handspun & natural indigo dye thick cotton katazome kimono.
There are a few small holes. There is a light stain on the lining fabric.
They are not disturbing, and as a whole it is in very good condition.
The sleeve part is a silk shibori.
Size:Length:124cm (48.8inch) / Cuff to cuff, across the back: 120cm (47.2inch)
An antique Japanese Ikebana bamboo basket in a baluster form. A pair of twisting branches form the handle and extend in a swirl pattern around the body. The knots connecting the branches to the body take the shape of stylized cranes and turtles. The body has a criss cross spiral weave.
Age: Circa 1900-1920
Dimensions: 11" Wide by 22" High by 9 3/8" Deep
Late 19th century ojime (slide bead for tightening the cord going from netsuke to inro) made out of a section of a spotted bamboo including the node. Elegant clever design, beautiful patina. Height 0.66 inches.
19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) in a shape of a die with dots highlighted in black ink. Nice quality work, beautiful warm patina, some wear. Cube side 0.42 inches.
Unusual late 19th century Japanese fossilized pink coral ojime (slide bead for tightening the cord going from netsuke to inro) in barrel shape with natural features in the material. Nicely made, large central hole, pleasant patina. Height 0.73 inches.
Old Japanese Namiki Kokkokai Makie Lacquer Dunhill Long Cigarette Case
It is 7.1 inches (18.1 cm) long by 3.55 inches (9 cm) wide. It is 0.5 lb.
It is tarnished and has minor oxidations, and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you ne...
This is a Japanese antique indigo dye cotton Excellent Boro noragi of patched and sashiko stitch Meiji (1868-1912).
It was repaired many times, and the boro rag that were used became wonderful folk art by themselves.
The patchwork & sashiko stitch of the indigo dye cotton for the repaired is very beautiful.
This noragi can enjoy both sides.
size: Length:85cm (33.4inch)
sleeve to sleeve :87cm (34.2inch)