19th century Japanese woven bamboo ikebana basket to be used as a wall vase for tea ceremony. Superb piece made in free Japanese (as opposed to Karamono - more formal Chinese) style, metal fixture on the back for hanging, bamboo insert. Beautifully woven small bamboo branches cut in half lengthwise - rather unusual technique. Excellent deep brown color due to smoking process. Nice rhythm to the weaving of the bottom, extraordinary warm patina with great feel of age...

Late Taisho (1920s) Japanese woven bamboo ikebana basket, can be used both as a free standing vase and as a wall vase for tea ceremony. Superb piece made in free Japanese (as opposed to Karamono - more formal Chinese) style, woven loop on the back for hanging. Finely woven lightly smoked narrow strips made from awesomely beautiful finely spotted bamboo, which grows in Kyoto region. Perfect symmetry to weaving of the bottom, wonderful warm patina, black lacquered bamboo insert...

Japanese tonkotsu, traditional box used to contain tobacco powder, aromas or medicines, made in root and decorated with mother-of-pearl floral applications. Floral applications made of mother of pearl are applied to the surface of the box, creating a contrast with the color of the root. In addition, a butterfly is also present on the tonkotsu. The netsuke ryusa manju, carved, is decorated with floral details while the ojime is in green stone. Period: Edo 19th cent. Dimensions: 7,5...

19th century boxwood netsuke of the Zen Patriarch Daruma sitting in meditative pose enveloped in his monastic robe with cape. Great carving, fantastic face, beautiful flow to the lines of his robe, superb staining and patina. Differently sized himotoshi lined with light and black buffalo horn. Signed SHUMIN on the bottom for Hara Shumin - this excellent artist is listed on p. 995 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Wonderful sculpture...

19th century lacquered wood netsuke of a standing boy wearing in shishi head piece and beating a drum with strikers. Wood is lacquered in Negoro style - red lacquer over black, so as it wears the black and later wood start showing. Very well carved, excellent detailing - see the ferocious mask, old loss to the tip of the left ear, beautiful patina. Does not stand on its own, but hangs well. Height 2 inches.

Meiji (1868-1912) Japanese Silvered Ground Satsuma Earthenware Vase with Geisha and Samurai by Kinkozan

It is 7 inches (17.78 cm) tall by 4 inches (10.1 cm) wide. It is 0.7 Lb.

It has tarnished silver and has rubbing of paint and gold, a hairline crack, and surface wears and scratches (as seen in the photos).

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Antique Japanese tall rectangular form basket for ikebana flower arrangements. Made of split bamboo woven tightly in a vertical zigzag pattern. The corners have larger sections of bamboo that end in four feet. The bamboo has been left it's natural color and acquired an attractive patina over time.

Age: Meiji Period (circa early 1900's)

Dimensions: 15" high x 5 3/4" wide x 5 1/2" wide

Antique Japanese lacquer suzuri bako (writing box) and matching large stationary box inspired by Korin Ogata of the Rinpa School tradition. The larger box was used for writing paper while the smaller box was used for writing implements. Inside the suzuri bako is an ink stone and a metal water dropper. Both boxes are decorated entirely with a highly raised design of blossoming cherry branches on a gold lacquer ground. Each flower is made of inlaid shell...

Antique Japanese rectangular box decorated with gold and silver dragonflies on a black lacquer ground. The lid is fastened on by a green chord. Inside is a removable tray lacquered with gold and silver crickets in wisps of golden grass. This box comes in a cedar tomobako.

Age: Meiji Period (1868-1912)

Dimensions: 5 1/8" high x 7 3/4" long x 5 1/2" wide

Matched pair of Satsuma vases with cobalt ground, each depicting two large panels with Japanese women and children in a landscape with a lakeside village and mountains in the background, flowering trees on outcroppings, gilding highlights over clothing of women and children, both signed with Shimazu crest and Kinkozan mark. Measure 12" high, 7" wide at shoulder, and 4 3/8" at base. Well painted and detailed vignettes of lovely women and children in an idyllic landscape, the images very similar...

Japanese bronze representing two mice, one of them pulling a treasure bag.

The mouse or the rat (both called nezumi in Japanese), one of the zodiac signs, is a symbol of fortune. This bag can be compared to the treasure bag of Hotei, one of the seven gods of Happiness. A figure of prosperity, he is also the god of joy, abundance and the guardian of children...

Late Meiji to early Taisho (1910s)) netsuke of himono (dried fish, this one appears to be salmon) on top of a woven bamboo basket. Well captured essence of the objects, beautifully realistic desiccated texture of the fish. Cursively signed on the bottom - possibly reads KAWAYUKI. Excellent sense of volume, wonderful patina. Length 2.3 inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with multicolored streaks. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.75 Inches.

DECORATIVE HORSE ROPE

Tied-up rope made of twisting white and organic indigo dyed cotton once used for ritual horse-decoration, early 20th century, Japan. Tied as seen: approx. 30 x 90 x D 18 cm (11.81 x 35.43 x 7.08 in), Untied: approx. 1000 cm (393.70in)...

Antique Japanese makie lacquer suzuri bako (writing box) and matching large stationary box signed with bold signatures on the bottom reading: 光琳　青々Kо̄rin Seisei, an artist name used by Ogata Kōrin (1658 – 1716).
Both boxes have domed lids and are decorated entirely in gold lacquer with highly raised designs of flowers and silver pine branches. The flowers are further embellished with inlaid shell...

19th century Japanese wooden nyoi - a Buddhist scepter - in a form of a branch with bulbous head. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Natural tree branch with a growth forming the head of the scepter, no carving as such, wonderful patina to the surface from being handled, very pleasant to hold...

19th century Japanese bronze for an altar of a Buddha seated in lotus position with his hands in anjali mudra - a gesture of greeting, prayer and adoration - in front of him. Very nicely cast, beautiful patina, good devotional object. Height 2.72 inches.

Hard porcelain dish from the Arita kilns. Decor painted in cobalt blue underglaze high-fire. A couple of fallow deer are represented in an autumnal landscape. It would seem that the female is reluctant to fall mating because she is lying down while the male at her side rears up desperately to attract attention. In the background clouds (erotic symbol of the "game of clouds and rain") and a maple tree for autumn. On the right a weeping willow tree symbol of lovers. The small building on stilts se...