A Japanese dark patina boxwood netsuke depicting an articulated lotus flower. The lotus is a symbol of purity and rebirth, as the flower emerges immaculate from the mud of the lakes...

Antique Japanese Oribe mizusashi (water container) for use during the Tea Ceremony. Coil form body, glazed with thick deep green glaze with hints of a lovely deep red in areas. Custom fitted with a simple black lacquer lid.

Meiji Period (1868-1912)

Dimensions:5 3/4" high x 5" wide diameter.

A shell incense box (kogo) painted in relief pure gold with waka writing inside with probably poetic or romantic references. Very similar to shells for the game of kaiawase, but larger in size. Edo period 19th century Sizes: 5 x 10 x 8 cm Condition report: Good condition – with tomobako

Japanese stunning cast iron Choshi (Sake kettle) from the Edo Period around 1750.

It is designed with a great relief, showing an Ebisu. Ebisu, also transliterated Yebisu or called Hiruko or Kotoshiro-nushi-no-kami, is the Japanese god of fishermen, luck, and workingmen, as well as the guardian of the health of small children. He is one of the Seven Gods of Fortune, and the only one of the seven to originate purely from Japan without any Hindu or Chinese influence...

REMAINS OF HANIWA

Large remains of the ornament part of ancient Japanese hollow unglazed terracotta figure from the Kofun period (3rd-7th century) so-called ‘Haniwa'. 20 x 14 x 4.5 cm (7.87 x 5.51 x 1.77in). Still left original paint as a rare piece. Bonded repair as seen...

Early Meiji Period c.1890 red negoro lacquered Shishi mythical lion head used in the festival dances. In pristine condition with horse hair and gold gilt eyes. Fabulous mingei folk art piece. H:18" x W:14". sk for shipping quote.

Fantastic Meiji Period c.1885 earthenware storage jar from Shigaraki, one of Japan's pottery and cermics centers In Edo (17th, 18th) and Meiji Period 1868-1912. Wood fired in a 'nobori gama' climbing kiln, the natural ash glazes produce startling textures and patterns. The Shigaraki clays have 'choseki' or white stone which means long life. This tea leaf storage jar has a beautiful green glaze down the entire jar. Ask for a shipping quote. (H:30cm; diam.:23cm)

Antique Japanese framed floral painting, with silver and gold flake accent clouds, of sprouting white lilies, with red chop, possibly by Ogata Korin (1658-1716), Rinpa School.

Size: (entire frame) 28.5" L x 25" H (artwork only) 18.75" L x 13.5" H

An antique Shigaraki jar created and fired in this famous kiln region of Japan that was heavily potted. The skin shows the characteristic pock marks and imbedded fieldspar with a natural ash glaze. Originally used for tea storage, it has become a fine example of Japanese Wabisabi or understated elegance as well as an epitome of Mingei folk art.

Age: Edo Era (1750-1800)

Dimensions: 15 3/4" High by 13 1/4" Diameter

Antique Japanese jingasa (samurai hat) with Ōgi (folding fan) crest. Covered in black lacquer with the mon in gold. The underside is lacquered red and still has remnants of the original silk padding. With a custom metal stand.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather...

A wonderful patina lacquered Japanese black power container. Consisting of lacquered washi paper wooven tightly onto a natural gourd. The woven basketry work is detailed with the original attached stopper and copper lined interior neck.

Meiji period (1868-1912)

Size: 7.5" L x 3.5" W

Antique Japanese framed painting, with silver and gold flake accent clouds, sprouting ferns with pebbles in gray and green pigment, red chop and signature possibly by Ogata Korin (1658-1716), Rinpa School.

Size: (entire frame) 28.5" L x 25" H (artwork only) 18.75" L x 13.5" H

Very rare. Simple wooden zushi with a figure of Fudo Myoo sitting on a high rock before a flaming halo. In his right hand he holds a sword, in his left a rope.
On lower levels of the rock formation sits Seitaka doji, holding his scarf in his left hand and a (now missing) club in his right, and stands Kongara doji, holding a lotus flower in his hands.

Light brown CLAY, hand modeled (not molded!), fired at low temperature, painted dark brown...

Description:

An excellent bronze sculpture of a mantled eagle was finely cast.
By vibrant posture, the fierce bird spreads her wings when resting on the rock peak.
The wings and the base were detachable.

Date: 19th century,

Provenance: Japan,

Dimensions: Wing to wing:58cm, height: 51.5cm

Condition: perfect.

Six matching antique Imari plates with the classic black ship design showing Dutch ships and sailors. The plates measure about 1 1/4" high x 9 3/4" in diameter, and date to the end of the Meiji period. They are all in excellent condition with no damage or repairs. One dish has a small kiln flaw on it's foot rim. A complete range of Imari colors has been used in the elaborate design work. On the underside each dish is marked in gold with the character for longevity...

Hanging scroll. Various insects walking in line with luggage, simulating a lord (daimyo) traveling with his entourage to or from the capital (samurai or daimyo gyoretsu). A butterfly, suzumushi, praying mantises, yellow jackets and grass hoppers are traveling in a line, holding flowers and grasses for keyari, carrying a honeycomb for a palanquin, and berries for luggage.
Black ink and colors on silk.
Signed Bunrei; two red seals reading bun and rei...

18th century good size netsuke of a grazing horse with its head lowered to the left and its tail swishing around at the back. The eyes are inlaid with black horn, differently sized and deep himotoshi in accordance with the habit of the time. Great face, wonderful depiction of its mane, stands on its own on a flat surface. Beautiful sheen from wear, honey colored patina on the back. Netsuke of characteristic 18th century triangular section, old age line along the spine of the creature...

19th century netsuke carved as a Chinese sage holding an oni mask in his hands, and a little boy seated by his feet. Wonderful carving, excellent faces, superb staining, graceful flow of their robes and delicately incised textile patterns. Wonderful warm yellow patina, very pleasant finish to the surface, old age lines. Signed NAOMITSU in irregular reserve on the back - the artist is listed on p. 822 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...