Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring two beauties from Act 5 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the bottom of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) is located at the bottom left corner...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a lively scene from Act 11 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The seal of the publisher, Moriya Jihei, the censor seal, and the signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) are all located at the lower right. Standard vertical oban print measuring 14"V x 9 3/4"H...

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx...

From our Japanese Collection, a truly spectacular, massive, and published pair of imari double gourd vases, late Edo to early Meiji Period circa 1855 -1875, executed in the typical imari palette of iron-red, blue, orange, and gilt, with birds and dragons set against the "Three Friends of Winter" design of pine, prunus, and bamboo.

The double gourd shape is a very desirable form for imari collectors, but rarely is it encountered in such monumental proportions like this massive pair...

Just superb Edo Period zen buddhist travelling altar or zushi. The rounded contoured roof and the outstanding metal work on the door and hinges indicate a high level samurai or retainer. Thick black lacquer and fine gilt on the inside. The roof dates the piece to late edo period c. 1860. The altar on the inside has 2 pillars and a cross beam with painted buddhist symbols. Request shippng quote. (H:12"; W:8")

From our Japanese Collection, a very fine and very early imari charger, late 17th - early 18th century (circa 1690-1730), decorated with a flower pot, a scholar’s rock, and a large tree in full bloom upon a terraced pavilion, all executed in the typical early imari palette of blue, orange-red, and gilt, with the border done in a rich brocade of flower motifs.

Ordinarily, we do not gravitate much towards early Japanese imari simply on aesthetic grounds...

From our Japanese Collection, a large and beautiful imari charger, Meiji Period (1868-1912), one of two similar pieces we have, of scalloped-edge form with a basket of flowering mums in the center medallion sitting upon a terrace enclosure, and with panels of prunus, chrysanthemums, and other flowering branches in the outer border, all vibrantly executed in traditional imari palette including iron-red, blue, orange, gilt and green...

From our Japanese Collection, a large and beautiful imari charger, Meiji Period (1868-1912), one of two similar pieces we have, of scalloped-edge form with a basket of flowers in the center medallion, and panels of prunus and karakusa in the outer border, all vibrantly executed in traditional imari palette of iron-red, blue, orange, and gilt. This is a rich and gorgeous piece with great presence.

Size and Condition: A large piece at 17 1/2 inches in diameter, 2 1/2 inches deep...

From our Japanese Collection, a very fine and attractive pair of imari fan plates, Meiji Period (1868-1912), executed in the typical imari palette of iron-red, blue, orange, and gilt, depicting birds in flight against a ground of floral motifs and a prunus tree, all rendered on white porcelain in the shape of an open folding fan...

From our Japanese Collection, a fine and rare early 18th century blue and white porcelain Arita bowl, Edo Period circa 1700-1730, painted in the Chinese style, depicting Shoulao (the Chinese god of wisdom and longevity) on a flying crane in the center well, with four alternating reserves depicting the Eight Immortals on the outer wall, separated by reserves of shou characters (Chinese good luck signs), and all executed in a slightly greyish underglaze blue typical of early 18th century Arita wa...

From our Japanese Collection, a fine and large mid-to-late 18th century blue and white porcelain dish, circa 1740-1780, painted in the Chinese style depicting a home with people on an embankment, a treed outcrop in the distance with geese flying overhead, and some unidentified structures in the foreground. The entire scene is surrounded by a border of characters, and all executed in a greyish blue on dense grey porcelain paste, typical of 18th century Japanese Arita ware...

From our Japanese Collection, a fine pair of imari flared-mouth vases, Meiji Period (1868-1912), richly executed in the traditional imari palette of iron-red, blue, orange, and gilt highlights. A very decorative pair measuring 12 1/4 inches tall, 6 3/4 inches wide at the shoulder...

From our Japanese Collection, a good kutani baluster-shaped jar and cover, Meiji Period (1868-1912), executed in traditional kutani palette of iron-red, green, yellow, and gilt highlights, depicting a continuous scene of figures gathered around the circumference of the piece. A small but charming example of genuine 19th century kutani.

Size and condition: 7 1/4 inches tall, 5 inches at the shoulder...

This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.

Mask measures approx 8 inches high and 6 inches wide

Very unique group of four old Japanese scholar's seal. Two of them are made of bamboo one made of stone the other one is made of wood. Tallest is 2" High with normal wear. $360

Four flat dishes with spur marks and so probably Japanese, Meiji c 1900, all with a matted powder blue glaze, also covering the back and the foot rim. Diameter "8/ 20 cm. Condition: minimal glaze frits to the rim of two plates, as seen on photos.

A Fukagawa Koransha Arita bottle vase, the glaze a very pale pink with decoration of grey leaves and three red cherries. Orchid (Koransha) mark in underglaze blue, early 20th century. Height "7/ 18 cm. Condition: slight wear to the gilt rim of the neck.

A unique Edo Period Tengu (Devilish Imp) Mask with a handle in the back for use in parades. In fact, this was purchased in Japan in the 1960's directly from the parade participant who was using it, after the parade was over. A rare piece from a renowned collection. 8h x 5w x 5.75d inches, 20.5 x 12.5 x 14.5 cm. Wood with traces of pigment. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s...