This early 19th century Japanese Imari vase is 10 ½ inches high and 4 ½ inches on the widest part. The top of the vase had been cut and polished. Two peony blossoms were painted over the lower part. Three small circles on the upper were painted pine, plum blossom and bamboo. It has a green “Fuku – Happiness” mark on the bottom. Aside from some faded color due to its age, it is in great condition.

This mid. 19th century Japanese Imari (Aka-e) vase is almost 10 ½” high and 4 ¾” on widest part. There are two sections; one depicts a painted phoenix, butterfly and maple tree, the other depicts a geisha holding an umbrella standing in front of iris and hanging flowers. The rest of the vase is decorated with floral and textile designs. It is in perfect condition.

This late19th Century Japanese Imari (Aka-e) vase is 7 ½” high and 3 ¾” at its widest part. It depicts cherry blossoms and orchids in two sections, fruit (peach or persimmon) and some unknown flowers are painted on the rest of body. There are three small butterflies painted on the rim. Aside from a few blisters and smudged color due to firing, it is in excellent condition.

One of the most spectacular Japanese bronze hibachi's ever encountered and quite unusual in every way. Massive and weighing a solid 18 lbs. this hibachi features a well sculpted dragon that clutches the celestial pearl of wisdom that effort-sly glides about the wind that whips about its body, three monkeys in varying poses or positions support this cauldron-like monstrosity...

This before World War I ceramic Kutani style nude lady is 12 ¾” high, 3 ¾” wide and 4 ¾” thick. It depicts a long hair nude beauty holding a bright traditional rube and leaned on a dark rock. There is a faded red mark on the bottom. It is in excellent condition.

A fabulous early Meiji era silk fukusa with two cranes, pine trees and the brilliant sun, all symbols of longevity and good fortune. Techniques used to create this wonderful fukusa were yuzen resist dying, sumi-e hand painting, free-hand embroidery, and gold foil couching. The cranes’ crests were created with tiny hand embroidered knots...

Japanese antique fukusa, a gift cover embroidered with "The Old Couple of Takasago" on wool (rasha, felt like), padded and lined with orange crepe silk, Meiji period (1868-1912).

The story of the old couple, Jo and Uba, came from the Noh play, Takasago, which was written during the Muromachi period (1336-1573) by Zeami. Jo and Uba were spirits who resided in an old pine tree which was two trees that grew together over the years...

Breathtaking antique Japanese cloissone vase from the Ando Factory. In the original signed box, the characters read 'shigyokuju yoran kabin' meaning purple jewel glaze orchid flower vase, and 'Ando ShippoTen Tsukuri' made by the Ando Cloissone Company. The purple is striking and the musen wireless orchids fantastic. What drew us to this piece is the wonderful shape of the vase itself. Has the Ando mark on the base. Excellent condition. c.1920. (9" x 9") (23cm x 23cm).

A small Satsuma cup and saucer, probably Taisho period, c 1920. Well composed and painted decoration of a flower shrub in colours and gilt, on a finely crackle-glazed ground in pearly off-white. Painted seal mark to cup and saucer. Diameter of saucer "4¼/ 11,5 cm, height of cup "2/ 5 cm. Note: there are two more saucers of the same kind available. Condition: fine, except for some stains on the saucer as seen in photos.

A Japanese Ko Imari plate of moulded shape. Decoration in colours and gilt of bamboo on a red ground, and birds within underglaze blue Ruyi reserves, c 1850. Diameter "8¾/ 22 cm. Condition: some wear to the surface, a chip to under side of rim and to foot rim as seen on photo.

Urn-shaped earthenware vase with decoration of a lady and a boy dancing. Subtle crackle-glaze in shades of peach and pink, with gilt and white moriage (slip) articulations on an olive-green background. Unmarked, but with Japanese handwriting on sticker. Meiji period (1868-1912). There is a drilled hole to the base, for a lamp wire. Height "9½/ 25 cm. Condition: fine. Please note that the white patches near the foot rim on the photos are just reflexions.

Pair of Japanese Hirado blue and white octagonal saucer plates, thinly potted, and decorated in under glaze blue with "lange Lijzen" and flower pots in Kangxi style. Late Edo, c 1850. Marks: Zoshuntei, Sampo sei (cf. mark 96 in Lawrence, Hirado: Prince of porcelains). Diameter"5 ¼/ 13,5 cm. Condition: two chips restuck to one plate at four o'clock as shown in the first photo.

An octagonal beaker and saucer plate, thinly potted and decorated in under glaze blue with "lange Lijzen" and flower pots in Kangxi style. Late Edo, c 1850. Marks: Zoshuntei, Sampo sei (cf. mark 96 in Lawrence, Hirado: Prince of porcelains). Height of beaker "2¾/ 7 cm and diameter "3½/ 9 cm. Diameter of saucer "5¼/ 13,5 cm. Condition: fine.

Early 1900 Japanese silk fukusa featuring a turtle and a crane. Techniques used to create this wonderful fukusa are sumi-e hand painting, yuzen resist dying, some embroidery, and gold foil couching. On the reverse is red rinzu silk with crane and mons motif. Two original tassels are still intact at the bottom. There is a small cluster of tiny gray spots by the crane, see last photo. Otherwise, in very good condition/excellent, it measures 25” wide x 27” high.

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”...

A nicely enameled early 19th century Imari charger measuring 18".

Condition: Fine, no chips, hairlines or repairs.

Over a jet black ground, a single butterfly flutters among clusters of chrysanthemums on this unsigned 3.625" silver wired vase. The upper rim is of brass, the bottom copper.

Condition: Minimal pitting, no hairlines or repairs.

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.