Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold and black lacquer decoration of flowers and buds on branches, design continuing onto the back. Beautifully made, very good lacquering, wonderful work in Japanese taste, some wear as can bee seen on photos. Length 4.5 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with multicolored marbled lacquer decoration. Beautifully made, great lacquering, wonderful work in Japanese taste, in excellent condition. Length 4.03 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of feathered arrows, design continuing over the ridge onto the back. Very well made, pleasantly thick body, excellent lacquering with fine gold flakes scattered throughout the background, feathers with tiny mother of pearl inlays, wonderful work in Japanese taste, in great condition without any losses. Length 4 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with carved and gold lacquered decoration of a phoenix in flight on one side and stylized crest of the Toyotomi samurai family in a shape of flowering paulownia. Superbly made, crisp carving, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 3.2 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and gold lacquer decoration of a flower and scrolling vines, design continuing onto the back. Beautifully made out of dark wood with dense texture allowing for very fine teeth, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 3.82 inches.

Very pretty Satsuma earthenware bowl, round in shape, decorated with gold and polychrome enamels, representing inside the bowl, courtesans and children, in a garden, under maple trees, and near a lake. The kimonos are sumptuous by the thickness of gold used and the finesse of the details. The perimeter represents a meeting of samurai and on the other side courtesans under cherry blossoms. Signed: Kinkozan. Diameter: 12.5 cm, height: 5 cm. Period: Meiji around 1900. + Wooden box.

Maekake, apron made of Ohmi jofu, which is asa (hemp) with kasuri pattern. Weft kasuri yarns are board-clamp dye, so that both selvedges have bar-code like white lines. All hand-sewn and in excellent condition. It has red cotton belts. Late 19th to early 20th century. W:49cm, L:73cm

Round in shape and very decorative on a white porcelain base, the decoration, in polychromy of iron red, underglaze blue and gold enamels, represents a lake landscape with boats under sail and a mountainous background in the background. Period: Meiji (1868-1912). Diameter: 31 cm.

Antique Japanese carved wooden figure of a fu-dog (fu-lion) guardian. Traces of paint and gold guilt remain. The underside has writing in ink and a translation which reads: "This pair of Foo-lions was donated to the gate of Myoken Nichiren Shrine in Noma village of the province of Sesshu (near Osaka) on the date of 9th May, 7th year of Genroku ra...

Antique Japanese pair of Kutani ware porcelain fu-dogs. Each figure is glazed brown with green curling mane and tail. They stand on a yellow and brown glazed rectangular platforms. One has an open mouth while the other has a small horn. Fu-dogs or Foo-lions are fierce protectors but are also playful and energetic.

Age: Early 20th century

Dimensions: 6 1/2" high x 4" long x 2 3/4" wide each

Early 19th century boxwood netsuke of Benkei as yamabushi (a wandering warrior priest) emerging out of a huge horagai (a war trumpet made out of a shell) and blowing into a smaller one, and holding a shakujo (Buddhist priest rattle) in his hand. The tokin (skull cap) on his head is the sign of the yamabushi, and horagai - (a trumpet shell - Charonia Tritonis) were often fitted with a mouthpiece on the thin end, and used as war trumpets...

19th century boxwood netsuke of a dog licking its puppy. Wonderfully captured mood of the scene, superb realistic carving, the breed looks like spaniel or Pekinese, extraordinary depiction of their fur and faces. Great netsuke. Length 1.7 inches.

19th century ebony netsuke of a crouching rat with its young climbing on mother’s back. Wonderfully captured interaction, superb detailed carving, very beautiful patina, in excellent condition. Length 2.51 inches.

19th century lacquered wood netsuke of a a grinning boy with a handled container, attributed to Sansho school. Great face, double inlaid eyes, expert lacquering, beautiful patina. Height 1.8 inches.

Early 19th century boxwood netsuke of seated Thunder God Raiden, his drums that he uses to create thunder behind his back. Wonderful face with a touch of madness, excellent detailing, beautiful patina. There is an old restoration to a section of his scarf under the left arm - see left photo on Enlargement 5. Height 1.5 inches.

Sansui Landscape. Painted with ink on silk. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). When his father died, Tsunenobu became a pupil of his uncle, and derived elements from the style of both men...

The epitomy of wabi-sabi is on display with this Edo Period Ca.1860 wood Kannon Bodhisattva carved out of cypress. In its original box, the lovely patina and equanimous, buddhist compassionate expression is a treasure. 38cm tall x 13cm wide x 8cm deep. Ask for shipping quote. great condition.

19th century tall netsuke carved as a dancing fox standing on its hind legs with its front paws raised to one side and its tail erect. This particular model seems to represent the Inari fox - the benevolent and well disposed creature, being the messenger of the God of rice and harvest, as opposed to the other foxes, which are generally believed to be evil creatures...

19th century netsuke of a head of a nio - (also called Kongōrikishi) - a wrathful and muscular guardians of the Buddha standing at the entrance of a Buddhist temple. Nio are dharmapala manifestations of the bodhisattva Vajrapani, the oldest and most powerful of the Mahayana Buddhist pantheon. This particular image represents Naraen Kongo, his mouth is closed representing the vocalization of the sound “N” - the last letter of the Sanskrit alphabet...

Meiji (1868-1912) Pair Japanese Makuzu Kozan Studio Vase Chrysanthemum & Flowers Bamboo Weaving Basket Marked

They are 12 inches (30.4 cm) tall by 10 inches (25.4 cm) wide. The total weight is 17.6 Lb.

One vase has repaired (glued back) at the foot. One vase has chips at the underside of the lip. One vase has yellowing at the vase's opening. They have black spots, firing cracks, and surface wears and scratches (as seen in the photos)...

19th century marine ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved in the round with Thunder God Raiden running through the clouds beating his drums, thus creating thunder. Beautifully carved, excellent patina, metal liner to the central hole. Diameter 0.61 inches.

19th century marine ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved in the round with shishi (Buddhist lion) frolicking among rocks and flowers. Beautifully carved, excellent patina, metal liner to the central hole. Diameter 0.68 inches.

Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hiramaki-e lacquer on a nashi-ji background. The edge is decorated with cherry blossoms in gold and silver takamaki-e. Interior and base in nashi-ji.

Japan – Edo period, 18th century
Height: 1.9 in / 4.8 cm – width: 6.1 in / 15.5 cm – depth: 3.5 in / 9 cm

A beautiful 2 Stage lacquered container covered in black lacquer decorated with flowering vines. The domed lid opens to reveal a circular tray removable to open a deep container. It is 8.5 cm (3-1/4 inches) diameter, 11 cm (4-1/4 inches) tall and in excellent condition.

Jumping Koi/Carp. Paited with ink on silk. Signed Eishuku Ujinobu and sealed. It is attributed to Kano Eishuku(Ujinobu).

There is a waterfall legend about “The Dragon Gate": thousands of koi fishes tried to jump to the waterfall for hundreds of years but failed, and after sometime passed one koi determined to reach the top of the waterfall and finally made it to the top. The Gods rewarded the koi by turning him into a beautiful, shiny, Golden Dragon...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 24.4 C.M. / Width 9.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Early 19th century boxwood netsuke of a seated inebriated oni with a sake cup in one hand, and the other raised to his head indicating a hangover. Strong early carving, great face, inlaid pupils and horns, powerful muscular limbs. Himotoshi is formed by his legs, very good patina. Height 2 inches.

Late 19th century netsuke of a peasant seated on a bundle of firewood smoking a pipe and helping to light the pipe of the other man with a rain hat. Old loss to the smoking parts of both pipes, Very good carving, great faces, multiple inlays to their clothes. Signed CHIKUZAN on inlaid lacquer plaque on the bottom - there is an artist who signed with these characters listed in NETSUKE by Neil Davey (p. 453, number 147), but I am not sure it is the one who carved this netsuke...

19th century netsuke in a shape of a sake cup made out of half of kurumi (walnut shell) with lacquered inside and silver floret shaped fitting with a loop for hanging. Very clever piece, beautiful warm patina, old stable crack lines, well done old kintsugi (gold lacquer) repair. Length 1.4 inches.

Noren, a shop curtain made of hemp (taima) whose wefts and warps are hand plied and dyed with kakishibu (persimmon tannin). It has the shop logo "Tawara (俵）”with sumi. All hand sewn. In good condition but has some stains and a hole (1cm x 0.5cm) and mending stitches. The second half of the 19th to early 20th century. W:125cm, L:147cm

This is han-jyuban in Edo period(1800-1867). Silk tsumugi itajime of the safflower dye is an arabesque motif in the lion. The shoulder surrounding is scenery of the travel (Tokaido) in Edo period. The katazome is very exact and beautiful. The material of katazome is wool. There are a little color variation and a small hole. The state is very good. It is very rare han-jyuban. size:90cm x 85cm (35.4" x 33.5") Size:Length:86cm( 33.8") / Cuff to cuff, across the back: 91cm (35.8")

Late 19th century netsuke of four blind men fighting, characteristic bumps on their heads. Excellent carving with a lot of detailing, superb faces, subtly incised textile patterns, very pleasant patina. Height 1.46 inches.

19th century netsuke of an octopus wearing a jacket and towering over a monkey seated on an abalone shell. Unusual subject - normally they are wrestling, but here it does not seem to be the case - the monkey is smiling. Superbly carved, excellent faces, wonderful detailing - see the coat of the monkey and abalone texture. Eyes of the octopus are inlaid with black horn. Beautiful wear and patina consistent with age, turning yellow on the back...

19th century netsuke carved as a Chinese sage holding an oni mask in his hands, and a little boy seated by his feet. Wonderful carving, excellent faces, superb staining, graceful flow of their robes and delicately incised textile patterns...

18th century netsuke of a standing Dutchman with his mouth open, clutching a long-tailed rooster to his chest with one hand, wearing a hat, long coat, gaiters and shoes. Rare subject - Englebert Kaempfer (doctor with the Dutch East India Company who traveled to Edo in 1691-92) singing for Shogun Tsunayoshi at the annual reception of the foreigners in Edo. Superbly carved to the last detail (see his fingers, claws and feathers of the bird), fantastic face with well captured crazy look, beautifull...

18th century decent size wooden netsuke of standing sennin (Chinese sage) wearing a robe and a leaf cape robe and stroking his long beard. Very strong early carving, wonderfully captured facial expression, beautiful flowing lines of the robe, superb sense of volume. Does not stand of flat surface, large differently sized himotoshi in accordance with the habit of the time, superb patina. Excellent netsuke. Height 3.55 inches (90 mm).

Early 19th century boxwood netsuke of a frog on a folded decaying lotus leaf. Very strong early carving, perfectly captured posture, wonderful representation of shapes and textures. Excellent finish, beautiful wear and patina. Signed KYOGETSU in rectangular reserve on the bottom. Length 2.2 inches.

Antique Japanese Raku ware chawan (tea bowl) with crackle glaze and finely applied kintsugi. Red glaze with dark greenish-black spots. Seal impression on the bottom. Kyoto. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey. The collection was stored in a trunk since his death in 1935.

Age: 17th century

Dimensions: 3 3/4" high x 4 3/4" wide

Provenance: From the personal collection ...

B.1869 - d. 1945, Tsukitani was a flamboyant woman potter breaking through the often stiff men's world of pottery. Her peak period was ca.1915 -ca.1932. Her work is known as "Tsukitani ware". Known as a pioneer woman's potterer and sculpter. 15cm tall x 20cm wide. Ask for shipping quote. Great condition with unsigned wood box.

19th century lacquered netsuke of an actor in a role of a shojo with fan and a ladle. Shojo are mythical creatures living near the sea, and are particularly fond of sake. Great face, superb rendition of Noh theater robe with gold lacquer and iridescent mother of pearl, characteristic red lacquer hair, in excellent condition. Signed SHUGYOKU (can also be read as Hidetama) on the bottom - the artist is discussed on p. 990 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarni...

19th century lacquered boxwood netsuke of a recumbent goat, its head turned back and resting on its haunch. Excellent carving capturing the essence of the creature, wonderful depiction of its coat, eyes are inlaid with amber, excellent wear and patina.. Length 2.07 inches.

19th century wooden netsuke of two frogs frolicking on differently sized peony buds with stems. Wonderfull quality carving (see finely incised petals texture) carved, very beautiful warm patina. Signed GYOKUSEKI on the bottom - there is Gyokuseki listed on p. 428 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, but this is much better quality carving than his usual work, probably a different carver with the same name. Length 2 inches.

19th century wooden netsuke of a turtle with its head and limbs hidden inside the carapace. Elegant strong carving, wonderful rhythm to the sections of the carapace, beautiful depiction of the creature. Central plastron on the back is removable and has a hole at the lower tip that serves as himotoshi. Wonderful patina, very pleasant to handle. Length 1.6 inches.

Early 19th century wooden netsuke of a lotus pod with 2 seeds that can move inside their sockets. Great early carving, dark dense fruitwood, himotoshi (cord opening) formed by the stem of the pod. Beautiful mellow patina from handling, in great condition. Pod diameter 1.66 inches.

1920's Japanese Satsuma Vase with Flowers & Chocolate Colored Rim by Yabu Tsuneo Signed Meizan

It is 5.5 inches (14 cm) tall by 3.5 inches (9 cm) wide. It weighs 0.8 lb.

It has rubbing of gold and paint, chips and hairline cracks at the lip, and surface wears and scratches (as seen in the photos).

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Sparrows in the wisteria trellis. Beautiful old calligraphy are also depicted. Painted with ink and pigments on paper. The artist is unknown. Circa 19th C.

Some insignificant light marks, traces of crease that has been restored on the back, and foxing are present on the painting, otherwise the painting is in very good condition for the age. Some light marks, traces of damage that have been restored, light crease are present on the mounting, otherwise the piece has been simply restored and ...

19th century netsuke of a toad, a snake and a slug on rockery with bamboo grass. The subject of the netsuke is sansukumi: a combination of a snake, which eats a toad, which eats a slug, whose slime is poisonous to a snake - thus forming the circle of deaths. Beautiful rendition of textures - the skin of toad and snake, bamboo and rock surfaces. Warm patina and very pleasant wear to the surface, himotoshi (cord openings) are very cleverly carved as irregular holes in the rock. Signed KOCHO on the...

19th century netsuke depicting 2 boys mimicking Sambaso and Manzai performers, with one playing a drum, and the other wearing a theatrical mask of Hyottoko (perplexed peasant) and holding a fan and a rattle. Excellent detailed carving, wonderful faces, beautiful etching of textile patterns and hair tufts. Beautiful patina - mellow yellowing on the back, overall in great condition. Signed HOMIN with kakihan (monogram of the artist) on the bottom - the artist must have been a student of Hokei. Hei...

Kishi school neko tora tiger in the bamboo. Painted with ink and pigments on silk. Signed and sealed. Circa 19th C. Edo era.

In the 18th century, the activities of Maruyama Okyo (1733-95): Maruyama School painting and Matsumura Goshun (1752-1811) are well known. The Maruyama school had an easy-to-understand and decorative painting style based on sketching, and had a great influence. On the other hand, Ganku (1746 or 1856-1838), who is said to have been born in Iwasehama (Toyama City in Ja...

A fine,large and very heavily cast Japanese bronze flower vase of shaped dodecagonal cross section, with central reticulated floral section and pierced galleried rim. 15 in. 38 cms. high and 29 cms across the top. Edo/Meiji period, mid 19th century. Signed on the base Gyoko. Weight in excess of 3kg.

Large furoshiki made of hand spun cotton and vegetable indigo dye. It has tsutsugaki (freehand drawing with paste-resist-dye technique) crane and turtle motif. Used and has some stains and tiny holes. The second half of the 19th century. The crest is "Ken-ni-Katabami Mon, (sword and oxalis). W:132cm, L:145cm

Katsugi or Kazuki which is worn over the head down and fully covers the body, which is made of hemp, whose wefts and warps are hand-plied. Originally, the kazuki was worn by a noble woman when she went out from Heian to Kamakura period (about 9th to 13th century) over kimono. The collar is lowered to cover a head. This one is probably made in early Meiji period (the latter half of the 19th century) in Shonai region in Yamagata Prefecture and worn at the wedding. It has nice painting of the scene...

Very unusual late 18th to early 19th century Japanese sword bronze tsuba with cloisonne decoration of a dragon and a tiger about to engage in a fight, the back with design of bamboo and flowering prunus. Wonderful pairing of the two most powerful animals, beautiful crisp work, in excellent condition. Comes in kiriwood box. Height 2.79 inches, width 2.77 inches.

Unusually large 18th century or earlier Japanese sword iron tsuba with pierced decoration of three dragons fighting among scrolling vines. Strong early piece with numerous perforations and three dimensional work, crisp detailing, gilding, excellent wear and patina consistent with age. Height 3.63 inches, width 3..44 inches.

Early 19th century Japanese sword iron tsuba with pierced decoration of water dragons contesting tama (Precious Gems). Strong early piece with numerous perforations, gilding, wear and patina consistent with age. Diameter 2.93 inches.

Early 19th century iron Japanese sword tsuba for tanto with raised and inlaid decoration of a shojo dreamily looking at a huge pearl on a rock in front of it, a paddle with wet working end at the end of the rock. Shojo are mythical creatures living near the sea, who are particularly fond of sake. Excellent design, great quality inlays - see the silver inlay on the paddle indicating that it is wet, beautifully inlaid textile patterns, excellent patina. Height 2 1/4 inches.

Drop-shaped bronze vase, with peonies in relief, decorated to simulate a delicate and light fabric that ends with a bow near the top of the neck. Using mixed metals to create visual contrasts adds depth and beauty. Signed Gyokkō 玉光 on the side of the vase and with 'Yuasa sei' 湯浅製 seal within an oval silver reserve under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 21 x 10 cm. State of conservation: Very good

Japanese cloisonné vase, decorated with silver thread, depicting blooming chrysanthemums, symbolic flowers of Japan and the emperor, painted with bright enamels that vary from shades of white to purple. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30.2 x 12.5 cm. State of conservation: Very good

An attractive and rare group of rootwood ducks. Partly carved from the natural root with the legs attached. The gander with a natural stone around which the root has grown. Meiji, ca. 1850. Size: . H 15 cm, H 12,5 cm., H 10 cm . Condition: Excellent and with great age patina.

Finely painted with ink and colors on silk depicting a crouching tiger, lurking ready to pounce on the pray; the striped fur neatly rendered with needle-like brushstrokes, signed Ganku and sealed. ********Kishi Ganku (1749-1839) was a leading Japanese painter of Kyoto and founded the Kishi school of painting; became famous for his meticulously brushed paintings of tigers. He first studied Kano-style painting and then became a master of the more naturalistic style of the Chinese painter Shen ...