Antique Japanese gosho ningyo doll. Called a "palace doll" as these were once given as gifts from the Emperor and Empress to young princes and princesses. These young baby dolls represent a hope for happiness and prosperity. Made of ceramic and painted with gofun (a paste made from fine itabo oyster shell powder). The gofun was applied in many layers before carving, shaping, polishing and finally painting the details on. This doll is painted with royal gold and purple robes...

Japanese antique 15 ken (plates) jingasa hat for a ashigaru foot soldier. Made of iron with large rivets and edged with oxidized silver. Comes with a custom metal stand. The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather.

Age: Edo Period (1603-1867)

Dimensions: 23" high (including stand) x 15 1/4" wide

Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.

Kano Furunobu was a painter from the middle of the Edo period. He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.

Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age...

Rich green glaze covers this elongated delicate undulating bottle from the Kosugi-yaki tradition of the Kaga region near modern day Kanazawa city. This bottle is roughly 20 cm (8 inches) tall and in excellent condition.
Kosugi ware is a type of pottery that was produced in Kosugi Town over four generations for about 80 years, from around the early Bunka era (1810-1820) to the Meiji 20s (around 1890)...

Late Meiji (1890s - 1910s) Japanese ivory chashaku (tea scoop used for powdered tea during tea ceremony) of elegant slender shape. Comes in original chazutsu (inscribed bamboo case). Delicately carved, in great condition, beautiful patina, very pleasant to the touch. Chashaku length 7.25 inches, case length 9.25 inches.

A carved wood figure of a wandering priest, robes billowing in the wind, his large straw hat full of holes, signed Yasuchika on the back. Dating from the late Edo to Meiji period, it is by a member of the Tsuchiya Yasuchika lineage. The figure is 31 cm (12 inches) tall and in excellent condition, complete with walking stick.

Wooden lectern covered with black lacquer, decorated with Japanese seignorial emblems (Mon) with gold powder. The emblems are treated in three different versions, all three of excellent lacquer quality in a very elegant style. The lectern can be dismantled into 4 parts, the box, the drawer, the top and the axis, the elements are assembled using mercury-gilded copper frames, which are finely chiseled with scrolls of stylized plants on a nanako background...

Old mask of the Noh traditional theater representing the character of Yamauba or Yamamba, with an emaciated face, dishevelled hair, and a sinister smile. The mask is made of wood, painted to ehance its features, and with brass eyes. The mask is signed. Japan, early 20th century. Height: 21 cm. Some abrasion due to age and wear, otherwise very good condition. The mask is nicely mounted on a custom stand...

A pair of art deco bronze early Showa Period Ca. 1930 hanging lanterns. 27cm tall x 20cm in diameter each. Great condition. Ask for shipping quote.

Small box and cover made of very thinly cut keyaki (Zelkova) wood, in oblong shape with rounded corners. The domed cover is decorated in black polished lacquer, black ishime lacquer, gold lacquer inlaid with small pieces of mother-of-pearl. An open folding fan wraps around the surface of the cover, continuing onto the sides, decorated with parting clouds, showing silhouettes of birds flying over waves.

Inside, the surface is covered in thin brown lacquer, allowing the wood grain to show...

18th century Japanese iron kozuka (sword knife) handle with low relief decoration of several shishi (Buddhist lions) frolicking among blooming peonies. Difficult to photograph, good quality work with gilded highlights, some rust, very pleasant feel of age. Length 3.84 inches.

Unusual late Meiji to early Taisho (1910s) Japanese multimetal obidome (sash ornament) with engraved design of chrysanthemum flower with bud and leaves, and a textile spread for a picnic. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Clever design in Japanese taste, superb engraving work. Different patinas and gilding, two loops on the back for an obi cord...

1930's Japanese Inlaid Silver Cast Iron Teapot Tetsubin with Plum Flower

It is 8.26 inches (21 cm) tall by 8.26 inches (21 cm) wide. It weights 3.3 Lb.

It has oxidation, rust, water stains and surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

19th century Japanese Satsuma belt buckle decorated with birds among blooming chrysanthemums and a raised bamboo garden aqueduct with water running along it. Excellent quality painting, numerous colors and gold enamels, in excellent condition. Metal backs are stamped with a single character GIN (silver). Size assembled 3.05 x 2.22 inches.

19th century Japanese Satsuma belt buckle decorated with blooming peony branches. Wonderful quality painting, generous use of gold enamel, in excellent condition. Size assembled 3 x 1.88 inches.

Rare and very refined metal box, decorated with gold and silver hirazogan and takazogan inlays on a black background, pagodas in a mountainous landscape, cottages and bridge near a river in rippling shibuishi. The sides are enhanced with flower bouquets, crab and snail. Ryumin's signature is encrusted in a silver metal cartridge. Dimensions: 7.2 x 6 x H 2.5 cm.

A shard has been grafted into the side of this large misshapen Shino bottle dating from the Momoyama to early Edo period, the repair lined with gold. Gold also circle the neck where the discarded misfire was repaired, and gleams on the lip. It is 22 cm (9 inches) tall and in excellent condition. It comes in an age darkened wooden box titled Ko-Shino Tokkuri, Shoki no Kama (Old Shino Tokkuri, early Kiln era)
This method of using pieces from multiple works with lacquer repair is called Yobi...

A bucolic scene of temples and rugged seaside hills dotted with pagodas in silver and gold wraps around the black surface of this deep tray dating from the Momoyama to early Edo period (16th-17th century). It is 27 cm (10-1/2 inches) diameter, 8.5 cm (3-3/8 inches) tall. The bottom has been re-lacquered at some time in the past. There is wear and cracks to the inside typical of age and use, and the rim has been re-done in gin-dame powdered tarnished-silver, which blends well with the ancient ...

Haboku sansui - splashed-ink landscape. Painted with ink and on paper. Signed Seisen hogen and sealed.

Kano Seisen-in(1796-1846) was a Japanese artist, born as the eldest son of Kano Eishin (Kano Isenin), he studied painting techniques under his father, and since copying the “Honen Shonin Eden”(The illustrated biography of priest Hōnen) for the first time in 1809 at the age of 13, he has been involved in ancient paintings such as Chinese paintings, Kano school paintings, and Yamato-e...

Ultimate iron doorknockers! Two halves of of an iron chryasanthemum, the imperial family creast, creating a full chrysanthemum with heavy iron knockers from the Edo Period, Ca. 1860. Underneath each iron ring is a kanji character: one is "Kotobuki" meaning 'long life' and the other "Fuku" meaning 'happiness.' The chrysanthem is attached to the wood by iron screws. The chrysanthem is 13" in diameter. Ask for shipping quote.

Hawk. Painted with ink on paper. Sealed. Circa late 19th C.

Some light marks, insignificant light crease, traces of restoration of the damage and foxing are present on the painting, otherwise the painting is in very good condition. Some insignificant light marks are present on the mounting, otherwise the piece is in fine condition. It is accompanied by a paulownia wood storage box.

Painting: W22 7/8” x H50 3/4”(W58cm x H129cm)
Scroll: W28 1/2” x H76 3/4”(W72.5cmx H195cm...

A Hikeshi-Banten Fireman Jacket decorated with protective images of waves and birds outside in various dyed colors and sashiko stitching, the inside emblazoned with a dragon and tiger; symbols respectively of wisdom and protection (the dragon is a water god) and ferocity and bravery as the tiger knows no fear. The handmade coats were fashioned from several layers of highly absorbent quilted cotton fabric. They were then resist-dyed using the tsutsugaki method, which involved drawing rice-paste d...

A beautifully crafted cast, carved, and parcel gilt bronze image of a samurai pulling back, arrow nocked, ready to let fly, signed in a metal cartouche on back Shunko-saku (made by Shunko). It is roughly 27.5 cm (11 inches) to the top of his hat, 25 cm (10 inches) from forefinger to elbow. The warrior is calm, determined, with a look of deep concentration in his inlaid eyes. He wears an eboshi, a formal type of hat, and is dressed in sumptuous, loose fitting robes with leggings and braces to pr...

A very large mask of heavily carved wood covered in black lacquer with golden eyes dating from the mid Edo period (18th century). There are minor losses to the lacquer on the cheeks and along the edges typical of age. It is 37.5 x 30 cm (14-1/2 x 12 inches) and is in overall fine condition.

Edo String Puppetry. Painted with ink and light pigments on paper. Signed and sealed. Circa 19th C.

The origins of Japanese string puppets date back to the early Edo period (first half of the 17th century). In the first half of the 17th century, during the reign of the third Tokugawa shogun, Iemitsu, the first generation, a man called Yuuki Magosaburo, built a string puppet theater troupe tower (*now called a theater) in a corner of Nihonbashi, Edo. ) was the beginning.

Some light m...

A flat and circular kogo – incense box – made out of skillfully turned pine wood, stained or thinly lacquered dark brown. On the inside of the cover are two red lacquer kao (seals) by a tea master for whom the piece was made.

Unsigned, Japan, early to mid-19th century

H 0.75 x diam 2.55 in.

Excellent condition

Comes with an inscribed wooden storage box: Cha, marugata, kogo (tea, circular shape, incense box).

Although neither the kogo, nor the storage box is sign...

1936's Japanese Kawase Hasui Woodblock Print "Mt. Fuji Narusawa Late Autumn" with 7.1 mm Watanabe Seal

It is 15.5 inches (39.37 cm) tall by 10.6 inches (26.92 cm) wide.

One of its top edge is glued to the paper backing. It also has fading and discoloration (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of th...

Pair of Meiji (1868-1912) Japanese Satsuma Square Shaped Vase with Geisha & Karako Marked "Shizan Zo" 司山製

They are 6.5 inches (16.5 cm) tall by 2.6 inches (6.6 cm) wide. They weigh 1.75 Lb.

One vase has a flea bite chip at one corner of the lip. They have rubbing of gold and surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reas...

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with colored and gold lacquer decoration of a kingfisher among branches as it looks down intently looking for prey, design continuing on the back. Exceptionally well made, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 4.64 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and gold lacquer decoration of wisteria branches with flowers and tendrils, design continuing onto the back. Beautifully made out of wood with dense texture allowing for very fine teeth, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 4.15 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with brown and gold (2 different gold colors) lacquer decoration of numerous fern leaves, design continuing onto the back. Beautifully made out of dense brown wood, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 3.54 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with colored and gold lacquer decoration of two long tailed birds, one on a leafy branch, the other in flight. Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, some wear and loss as can be seen on photos. Length 4.47 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of horsetail reeds growing by a stream near a wooden dock, same design appearing on the back. Beautifully made, very good lacquering with some losses and wear as can be seen on photos, wonderful work in Japanese taste. Length 4.17 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of various objects including an old tile and a samurai helmet among floweing plants, design continuing on the back. Beautifully made, very good lacquering with some losses and wear as can be seen on photos, losses to the tips of 2 teeth, wonderful work in Japanese taste. Length 4.04 inches.

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with multicolored lacquer decoration of different roundels, some with calligraphy, some with landscapes, some with flowers and plants, all on interlocking leaf design. Exceptionally well made, excellent lacquering, wonderful work in Japanese taste, some wear and insect damage as can be seen on photos. Length 4.35 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of chrysanthemums with leaves , design continuing on the back. Very well made, excellent expert multicolored lacquering, wonderful work in Japanese taste, some losses to lacquer and insect damage. Length 4.07 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of leafy and pine branches, design continuing onto the back. Beautifully made, very good lacquering with some losses and wear as can be seen on photos, wonderful work in Japanese taste. Length 4.76 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of ripe fruits on branches, design continuing onto the back. Beautifully made, very good lacquering with some losses and wear as can be seen on photos, wonderful work in Japanese taste. Length 4.6 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with brown and gold lacquer decoration and inlaid semiprecious green stone, design continuing onto the back. Beautifully made out of dense brown wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, some losses as can be seen on photos. Length 3.32 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with brown and gold lacquer decoration imitating wood texture with golden accents, design continuing onto the back. Beautifully made out of dense brown wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, in excellent condition. Length 3.62 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with brown and gold lacquer decoration of numerous rice stalks, design continuing onto the back. Inlaid with silver studs (some missing). Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste. Length 3.05 inches.

Late Meiji period (1890s to 1912) Japanese kushi (hair comb) inlaid with mother of pearl butterflies among flowers, design continuing onto the back. The body appears to be early plastic, beautiful inlay work, wonderful work in Japanese taste, loss to the wing of the larger butterfly as can be seen on photos. Length 3.85 inches.

Antique Japanese root wood hibachi. Natural form with lovely burl and curling rim. The bottom has Japanese sumi ink writing, most likely a dedication.

Age: Meiji Period (1868-1912)

Dimensions: 5 1/4" high x 10 3/4" long x 8" wide

Meiji (1868-1912) Japanese Kanazawa Studio Embossed Porcelain Censer Koro Marked 金澤

It is 3.54 inches (9 cm) tall by 3.7 inches (9.5 cm) wide. It is 0.4 lb.

It has dark spots and surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the...

Bird and flower painting depicted a Japanese bush warbler rests in plum blossom tree. Painted with ink on silk. Signed and sealed.

Matsumura Keibun(1779-1843) was a Japanese painter active during the late Edo period(1603-1868). He was a leading figure in the Shijo school established by his half-brother, Matsumura Goshun (1752-1811). Keibun mastered the techniques of painting taught at Goshun’s studio at Shijo-Sakaimachi in Kyoto. He also studied the work of Maruyama Okyo (1733–1795),...

Antique Japanese ikebana basket. Wild and natural appearance with gnarled wisteria branches making up the frame of the basket including a tall arching handle. The small, neatly woven body of the basket is made of split bamboo and is nestled between the knotted wisteria branches.

Age: Meiji Period (1868-1912)

Dimensions: 14" high x 15" long x 9" wide

Height: 4.2 cm (1.6 in)
Width: 3.2 cm (1.3 in)
Depth: 1.8 cm (0.7 in)

Very high quality wooden mask netsuke depicting Okame; fine carved modelling throughout; signed to the reverse, Ryukei; good condition

Length: 4.1 cm (1.6 in)
Height: 2.9 cm (1.2 in)
Depth: 3.8 cm (1.4 in)

Fine Japanese wooden triple mask netsuke; depicts characters showing Beshimi, Oni and Tenkaichi; a very good example of this style; good condition

Landscape with Mt. Fuji. Painted with ink and light pigments on silk. Signed and sealed.

Kano Isen（1775-1828）was a painter of the late Edo period and the master of the early modern Kano school. He was a son and pupil of Kano Yosen'in Korenobu, whom he succeeded as seventh-generation head of the Kobikicho branch of the Edo Kano school that had been founded by Kano Naonobu (1607-50) His name was Eishin and his artist name was Genshosai. Isen mastered Yamato-e (Traditional Japanese pai...

Boro small rug or a part of it which is made of almost countless fragments of vegetable indigo dye cotton. In cold districts, such as Tohoku and along the Japan Sea area, cultivation of cotton was difficult and cotton cloth was precious in old days, so that people bought fragments of cotton and made them to noragi, futonji, rugs and so on. This one has 7 to 8 layers of cloth. The late 19th to early 20th century. 91cm x 96cm. 1550gm

Sensational Late Meiji Period Ca. 1910 bronze flower vase. Used of Ikebana flower arrangements. Featuring two round mythical kirin handles and a unusual textured bronze finish. 23cm tall x 32cm wide x 29cm deep. Great condition. Ask for shipping quote.

1930's Japanese Satsuma Incense Burner Koro with Samurai & Geisha Marked

It is 5.1 inches (13 cm) Tall by 4.7 inches (12 cm) wide. It is 0.9 Lb.

It has minor rubbing of gold and paint, flea bite chips at the finial and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you origin...

Late Meiji period (1890s to 1912) good size Japanese woven bamboo ikebana basket with round body cleverly tapering down to a square base. Beautiful piece for presenting flowers woven mostly in Karamono (Chinese) style, which is more formal than Japanese and is usually associated with Kansai region. The shape and execution of the body weave in regular rows is in Chinese style, while details such as knots around the rim are very Japanese. Finely woven smoked narrow bamboo strips, rich warm patina ...

Japanese antique large Buddhist shinto shrine, made of hinoki wood. Constructed like a life size shrine complete with slanting copper roof. A small stair case leads to a pair of doors. The railing has copper post tops. The underside of the roof is made of many beams and columns, some with corbels carved in the form of fudogs and baku. Beautiful age and patina. Comes with contemporary custom metal stand.

Age: Edo Period (1603-1868)

Dimensions: including stand: 91" high (...

Large Japanese porcelain dish, Arita kiln, compartmentalized decoration inspired by Chinese models from the end of the Ming dynasty. In the center a flowered basket and on the edge, cartouches containing flowers and emblems are boldly drawn in underglaze cobalt blue. The reverse left without decoration. The firing was perfect, the blue is bright, the glass is uniform. There is a big chip. Curiously this flake is covered with glassure which means that it was made between the first firing of the ...

Regal and Compassionate Ca. 1930 iron standing bodhisattva 'Kannon' diety. Standing 81cm tall x 26cm wide x 22cm deep. Lovely patina and facial expression. Ask for shipping quote.

A charming, characteristic neko tora tiger in the moon night. Painted with ink and light pigments on paper. Signed Ganku and sealed. It is attributed to Gan ku.

Ganku (1749–1839), was a leading Japanese painter of Kyoto and founder of the Kishi school of painting. He is famous for his paintings of tigers. Ganku was born in Kanazawa as Kishi Saeki, studied painting styles including those of Chinese painter Shen Nanpin (沈南蘋) and the Maruyama-Shijō school, and arrived in Kyoto aroun...

An authentic 17/18th century Japanese Edo Period sake bottle in blue and white , in good condition

A very good and large scroll painting in ink and colours on paper, depicting the Immortal Gama Sennin (Chinese: Liuhai ) the “Toad Hermit”, with the three-legged toad. Gama Sennin is connected to good luck and wealth. Both Gama Sennin and his toad friend are depicted in a very sweet, humorous manner. It was probably part of a sliding door, later remounted as a scroll with a very beautiful, high quality brocade. The painting is from early Edo period, 17th. Size: total measurement: L 1...

Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century. Height: 21.2 cm. Slight abrasion on some areas due to age, otherwise very good condition. NOTE 1: Otobide is a deity of extraordinary spiritual power, bringing blessin...