Antique Japanese Buddhist bell with a wooden handle and brass fittings and hardware. The handle is decoratedbrass decorations. The top of the handle has an octagonal fitting and the handle is also octagonally shaped. Hexagonal pieces of metal with incised design of a six-point star adorn the upper part of the handle. The lower part of the handle has leaf like fittings. The bell is simple with rings of varying widths...

Okimono in bronze of a frog.
Seal of the founder or of his factory on its belly, not identified.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A gong in the shape of a frog can thus sometimes be used as a door hammer or to protect a house.

Japan - Meiji Era (1868-1912)
Height: 0.9 in...

Iron kozuka inlaid with a bronze or brass lobster.Details in silver. Simple but powerful good work. It reminds me of the Onin style tsuba. This kozuka seems to me very old 18 ° or before. Its simple appearance while being of good quality, its solidity makes me think that it was not made during the peaceful and sumptuous Edo period but before during the agitated war period of Muromachi. Dilmensions about 100x15 mm

An antique Japanese large rare Ema (votive prayer board) hand painted in Makie gold over a black lacquer background. A hand forged iron pin mounted to the top center of the frame was used to securely hang this dedication sacred object at a Japanese shrine.

Back in the day, live horses were donated and dedicated to a shrine. As the times changed, prayer boards were donated instead with painted horses replacing the live ones...

19th century netsuke of 2 biwa (loquat) fruits on a stem. Elegant design in Japanese taste, superb quality realistic carving down to the last detail - see the rendition of bark on branches and perfectly etched terminals of the fruits. Beautiful wear and patina, himotoshi formed by natural openings in the carving. Signed MASATSUGU in oval reserve on the stem - the artist is listed on p. 740 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1.21 inches.

Description:
An iron kettle was in decent look.
In compressed form, the kettle was with limited decoration except on the surface of the cover. That made it in a simple and then casual mood.
Well preserved without any defects or restorations, the ewer was easy for use of pouring hot water for making tea.
Of course from the size, the quantity of water was ideally for two people over a chatting time.

Date: 19th century.

Provenance: Japan...

Set of two bronze ewers for pouring sake at a banquet or wedding ceremony. One sake ewer with a long handle and two spouts (called naga-e choshi), used to serve sake to guest. At smaller gatherings, only one spout is used; when larger numbers of people need to be served, both spouts may be used...

18th century netsuke of a cat resting on a large abalone shell. It is uncommon to see cats in netsuke. Finely carved, great expression on its face, beautiful flow to the bumps on abalone, superb wear to the surface, warm yellow patina (darker on the bottom where netsuke was touching the silk of kimono). Differently sized himotoshi typical for 18th century netsuke, with larger one being able to accommodate a knot. Old age lines, overall in great condition. Excellent early piece...

This is Yogi of the great high quality of Edo period. As for this, the Kaiki- silk of the high quality is used. As for this, silk Katazome is used for the part of the shoulder. It is dyed with an indigo plant. And it is a cover for the shoulder regions. As for this, around four holes from 2cm to 3cm are seen in a Katazome part. The green Tumugi- silk thread is basting thread. In this Yogi, good-quality silk spun by hand is used. And it is very thin...

A Bronze elephant under attack by two tigers, one tiger is on his back, and one is under his front foot. The elephant has a finely chased hide and original ivory tusks, and the tigers have etched bronze strips...

Flowers. Painted with ink and pigments on paper. Signed Baiitsu and sealed. It is attributed to Yamamoto Baiitsu(1783-1856). Circa 19th c.

Yamamoto Baiitsu(1783-1856) was a Japanese Nanga/literati style painter of the late Edo period (1603-1868). Studied painting with famous painter Cho Gessho（1772-1832）. Baiitsu was excellent at painting flowers and birds. In his later years, he remained as the official painter of the Nagoya clan.

Some light marks and light crease are present on...

Japanese gyosho bako or "peddler's box"/ship box, made of kiri and sugi wood, with iron hardware, handle on top, front door with a pin locking mechanism, which opens to reveal four rectangular drawers and two locking compartments, each with iron handle. Edo period (1603-1867) Size: 15.5" height, 13" width, 17.25" depth

Antique Japanese Hirado ware porcelain puppy dog wearing a ribbon around its neck. Carefully hand sculpted in a realistic manner. It has an amusing expression on its face full of detailed character. Early Meiji Period (1868 - 1912) Size: 4" H x 5" L x 3.5" W

Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a s...

A large Japanese tokurri, emulating Korean Buncheon ware, with inlaid slip decoration; Edo period. The decoration is divided into multiple bands of repeating designs, which have been incised into the clay body. A white slip was applied, and the body wiped clean; leaving the slip infilling the incisions. The vase was coated in a celadon glaze; the body burnt red where the glaze was not present. Condition is good, with some light wear, and firing imperfections. Height 43 cm. To keep ou...

Lavender and aquamarine coat the surface of this vase from the Kairakuen Kilns of the Ki branch of the Tokugawa family dating from the 19th century. The circular window between floral scrolls is made in the shape of the archaic character Kotobuki. The vase is 18 cm (7 inches) tall and in excellent condition, and bears the Kairakuen seal impressed into the base. It comes enclosed in an old kiri-wood collectors box titled Kairakuen-ki Juji Moyo Kabin (Kairakuen Vessel decorated with Character of f...

A large Japanese antique oribe ware ceramic teapot with thick dripping blue green glaze, ridged edges, two handles, large finial on lid, bare areas on sides painted with flowers. 20th Century Size: 16" H, 17" W

Arita hard porcelain dish. The decoration is painted with stylized flowers in underglaze cobalt blue and enamelled with medallions. The edge is coated with a thick chocolate brown enamel, typical. Japanese work from the end of the 17th century or the beginning of the 18th. It is a rare artistic model. Below a mark drawn in blue and traces of pernettes. Good condition. Some enamel skids. Diameter 195mm.