A small Satsuma cup and saucer, probably Taisho period, c 1920. Well composed and painted decoration of a flower shrub in colours and gilt, on a finely crackle-glazed ground in pearly off-white. Painted seal mark to cup and saucer. Diameter of saucer "4¼/ 11,5 cm, height of cup "2/ 5 cm. Note: there are two more saucers of the same kind available. Condition: fine, except for some stains on the saucer as seen in photos.

A Japanese Ko Imari plate of moulded shape. Decoration in colours and gilt of bamboo on a red ground, and birds within underglaze blue Ruyi reserves, c 1850. Diameter "8¾/ 22 cm. Condition: some wear to the surface, a chip to under side of rim and to foot rim as seen on photo.

Urn-shaped earthenware vase with decoration of a lady and a boy dancing. Subtle crackle-glaze in shades of peach and pink, with gilt and white moriage (slip) articulations on an olive-green background. Unmarked, but with Japanese handwriting on sticker. Meiji period (1868-1912). There is a drilled hole to the base, for a lamp wire. Height "9½/ 25 cm. Condition: fine. Please note that the white patches near the foot rim on the photos are just reflexions.

Pair of Japanese Hirado blue and white octagonal saucer plates, thinly potted, and decorated in under glaze blue with "lange Lijzen" and flower pots in Kangxi style. Late Edo, c 1850. Marks: Zoshuntei, Sampo sei (cf. mark 96 in Lawrence, Hirado: Prince of porcelains). Diameter"5 ¼/ 13,5 cm. Condition: two chips restuck to one plate at four o'clock as shown in the first photo.

An octagonal beaker and saucer plate, thinly potted and decorated in under glaze blue with "lange Lijzen" and flower pots in Kangxi style. Late Edo, c 1850. Marks: Zoshuntei, Sampo sei (cf. mark 96 in Lawrence, Hirado: Prince of porcelains). Height of beaker "2¾/ 7 cm and diameter "3½/ 9 cm. Diameter of saucer "5¼/ 13,5 cm. Condition: fine.

Early 1900 Japanese silk fukusa featuring a turtle and a crane. Techniques used to create this wonderful fukusa are sumi-e hand painting, yuzen resist dying, some embroidery, and gold foil couching. On the reverse is red rinzu silk with crane and mons motif. Two original tassels are still intact at the bottom. There is a small cluster of tiny gray spots by the crane, see last photo. Otherwise, in very good condition/excellent, it measures 25” wide x 27” high.

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”...

A nicely enameled early 19th century Imari charger measuring 18".

Condition: Fine, no chips, hairlines or repairs.

Over a jet black ground, a single butterfly flutters among clusters of chrysanthemums on this unsigned 3.625" silver wired vase. The upper rim is of brass, the bottom copper.

Condition: Minimal pitting, no hairlines or repairs.

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

This lovely late 19th C Ko Kutani bijin is holding two opened fans with a flower on her head. Exquisite features and detailing, this already highly collectible Ko Kutani figure is even more special because the flower also serves as a candle holder. In very good condition, she measures 11" or 27.9 cm high.

Wonderful pair of Kutani ware porcelain rabbits, one is white and one is light brown, both with areas of gold in which each hair has been painted, pink eyes and inside of ears, the light brown rabbit has it's mouth open and displays a row of tiny teeth and a red tongue, great detail and attention to modeling , Meiji Period (1868-1912). Size: 5 1/2" high x 7 1/2" wide x 6 1/2" deep.

A spectacular Meiji Period Satsuma vase by Kinzan I. In 2001, the Kinzan kiln was designated a National treasure by the Japanese government. The Kinzan kiln pioneered and developed unique gilding techniques, such as underglaze gold leaf. This rare vase is a wonderful example of Kinzan's mastery. Height: 10.5 inches (27cm), circumference: 21.75 inches ((55cm).

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) depicting a half-length portrait of an actor portraying a samurai. This is one of a number of half-length portraits of actors designed by Kunisada in 1852. Signed at the right "Toyokuni ga" (in a red cartouche with yellow snow) with the seal of the publisher Yamazakiya Seishichi below. Fresh color and nice impression quality with fine delineation of the hair and lacquer highlights...

A very rare 17th century model of an actor, 14" in height. Over a blue underglaze, it is enameled in black, iron-red, green and blue, the red and white robe nicely decorated in a pattern of thistles

Provenance: Christie's Lot 341, March 1987

Condition: Minor wear and a few rough spots. Detailed photographs will be provided upon request to one seriously interested in the piece. detailed photograph will be A slight rough spot

Enameled on this unsigned 3.75" silver bodied vase are a pair of snowy egrets, bamboo and a single butterfly.

Condition: There is a stable discoloration behind the bamboo, illustrated in the second photograph, also a hairline shown in the second photograph.

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...